reverse threading

the path back is the path forward


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polly and anna. [merely-a-thought monday]

there is a fine line between security and insecurity, a line that runs invisible through days of buoyancy and through days of challenge. we have seen it – that line – when we least expect it, just at the moments you are beginning to breathe, at the instant you are sinking a little into ease.

i suppose that having crossed the line – back and forth, back and forth – gives us the ability to tread water, to sort, to distinguish that which is important and that which is not. but that tiny vibration that sometimes trembles in my chest returns, despite any pollyanna-ing i attempt.

we sat in a starbucks the other day. i mean, literally – physically – went inside, stood at the counter, and used some gift money that had been sitting on our app foreverrr. and then we sat there and sipped coffee and shared one of those lemon cake slices with the schmear of sweet frosting. it felt out-of-body…it had been sooo long since we sat in a starbucks.

over d’s head on the opposite wall the words “you’ll make it” got my attention. i was hoping it wasn’t the universe simply placating me. i was thinking more of digging out the colorful magnetic plastic letters circa 1995 and pulling out d-a-m-m-i-t for the fridge. but i guess i will have to choose to believe otherwise, leaning on both polly and anna.

“you’ll make it” – good words when you can see the line.

i sipped my pike roast and listened to laverne and shirley’s silk-flowerish theme song in my head, “there is nothing we won’t try. never heard the word impossible. this time there’s no stopping us. we’re gonna make it…”.

sometimes, though, you just have to sigh.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY



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thongophone. in the park. [k.s. friday]

flipflops and pvc. a marriage!

a merger between old navy and, say, dupont could bring play to the whole wide world. stands of thongophones could be simply everywhere. i can see it…people gathering, favorite flipflops in hand, making music.

it was hard to resist the pull of this two-octaved structure. flipflops – the paddles provided – were chained to the wooden stand, laying on the ground, waiting. it was just a delicious invitation – “try me, try me,” it called. and then, channeling the group chicago, “thongophone, in the park…”.

pretty crazy, it had good pitch for polyvinyl chloride, not necessarily known for its musical talent. and the flipflops? well, everyone knows how i feel about flipflops. they are the symphony of summer, so definitely a good choice.

i, generally, don’t walk up to faux musical structures like this. i usually stand back and watch others discover and play, reveling in their adventuring and exploring sound.

but this time was different.

i played first on the lower octave side. for some reason, the first piece i played was the first piece on my first album, galena. the first day i played galena was also in one of those situations i don’t usually take part in…instead, sitting back and watching others and supporting their fun.

that time was different too.

that time – encouraged (read: pushed) by three girlfriends, playing at the piano in the restaurant in galena, illinois – set me on a road i didn’t know was coming. less than a year and a half later, i released my first album. now, fifteen albums and a variety of singles and blahblah later, i look back.

and i look forward. i’m not sure what’s there. but this past week i stood at my piano and played and sang three songs for d and one of his dear friends. it’s been a long time. i apologized for the dust in the studio. i apologized that it was a little messy in there. d said rob cried. despite the dust and remnants of previous work piled around.

by sheer coincidence, today is the anniversary of that first album – 27 years ago. lots of flipflops ago.

today is a good day for a dustcloth, some garbage bags and a storage bin or two.

it’s not a thongophone in the park. it’s my piano.

*****

GALENA ©️ 1995 kerri sherwood

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drum roll, please. [d.r. thursday]

we have waited.

it’s not like we will get a medal or a certificate or a trophy. we will not be featured in a newspaper article we can clip and put on our fridge with the pizza-place-magnet. we won’t be acknowledged on a who’s who list nor on a marquee.

but we waited anyway.

the fuel and heating company is coming on friday to do a check-up on our boiler. in the meanwhile, we have waited.

until now.

it is with a mix of pride and trepidation that i will approach the thermostat. under the flannel sheets and the comforter and the quilt all is well. but step out and whammo! the cold is biting. and that’s IN the house.

one glance at the grasses out front – oddly looking like a packer-backer display – and you know it’s fall. no doubtaboutit.

the weekend before this just-past weekend – that would be two weekends ago just to be clear – i pulled out a pair of boots with fake fur in them. the fur was visible at the ankle. i wore them out. and it felt completely wrong. it was too early. i put them on the steps to go back upstairs into the winter shoe bin.

but they never made it up there. because – suddenly – in the briefest of days passing – it was no longer too early. the autumn winds have found their way here and fur is in order.

so, today as i type – a few days before the day that this post publishes – my nose is cold and my hands are freezing. and i have to give in.

i need to turn on the heat.

there is something wistful about that. the end of summer. a time of fallow to come. it was christmas in the home improvement store the other day and it’s not yet halloween. for a few moments, i panicked, thinking about how i had not completed or even started any presents-shopping. i mean, whattheheck, i just started wearing furry-ankle-boots. i relaxed as we passed the trick-or-treat candy display and the plastic pumpkin pails and perspective returned.

so – though i am hoping the fuel and heating company might come a little sooner – maybe someone will cancel their check-up, deciding to tough it out ala life-below-zero folks, deciding that mr. we (as 20 calls the electric and gas company) won’t be racking it up – atleastnotyet – on them, deciding it’s not that bad and wearing one of those snuggies – the official blanket with sleeves – all day – i think that it just might be The Day.

at the very least, maybe we could have a drum roll.

*****

read DAVID’S thoughts this D.R. THURSDAY

earth interrupted vii (48″ x 36″)…the colors of deep fall
(the snuggie from my sweet momma)


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just like toadshade. [k.s. friday]

one of nature’s market umbrellas, this toadshade. research states that its prairie trillium leaves – in a salad – taste a little like sunflower seeds, though the idea of harvesting as we hike is not really appealing to me. in due time we will be on the trail and the sessile blooms will burst open, deep red flowers punctuating the woods. the mayapple will spread and vast areas of decaying leaves will be covered by its natural awning. it is a joy to watch the forest wake.

soon i will move into the studio to pare down and rearrange. it has needed this for some time. like decaying leaves, but without the nutrients those generate, i will put away vestiges of places or times i simply cannot tolerate thinking about any longer. a plastic bin will hold the artifacts and, in that clearing out, i suspect light will stream in. i will not merely glance into the studio. i will walk in, breathe, and step the next step of whatever the journey in that studio is. even if only to watch it wake right now.

with the cantilever umbrella of my piano full-stick, maybe i will sow mustard seeds of possibility. and, maybe, just like toadshade, blooms will burst open.

*****

PULLING WEEDS

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PULLING WEEDS from RIGHT NOW ©️ 2010 kerri sherwood


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how unprecedented you are. [two artists tuesday]

we don’t really know. we rise each day, bold coffee at our lips, with curiosity. truly, what the day will bring is a mystery. the best-laid plans, well, they are only that – plans. things change and the kaleidoscope swirls around us in mere moments.

“this being human is a guest house. each morning a new arrival…” (rumi – the guest house)

and we rise again the next day…

…the day lilies and the grass blades are rising as well. through the upheaval of their dirt, the excavation of their home, the burying of their fallowed stems, the netting and straw post-waterline-replacement, they are rising anyway.

my thoughts of pulling everything up and starting fresh in the front yard came to a screeching halt when i saw them. if they are resilient enough to bright-green their way into this upheaved spring, i think i would be somewhat dishonoring to remove them. in doing so, i would miss their profound message of fortitude, of courageous no-matter-what-ishness, of their coy laughter reaching for the sun.

“you are so busy being you that you have no idea how utterly unprecedented you are.” (john green – the fault in our stars)

we miss it. in the middle of our don’t-really-know days, we miss seeing the absolute stalwart root in clay we each bring. we miss the credit of finagling another chaotic day. we miss our embrace of the new arrival of mystery. we miss our own unprecedentedness.

yet there it is. rising through the netting and the straw and the mud and the excavated rocks and cement.

“on the day when
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you…”

(john o’donohue – beaanacht)

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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cautious discernment. [d.r. thursday]

and the dried grassy flower stands tall, not yet shrinking back, not yet bowing to the wind. it opens its arms to the sun and, equally, to the rain; it intimately knows how each feels. it waits – for there is nothing else to do. it stokes energy – for it cannot survive unless it conserves. we pass by, admiring the firework of its winter bloom.

soon, soon, it will regenerate. soon, soon, a stem will grow, sturdy, tall. soon, soon, a rosette will green. soon, soon, it will bloom, tiny flowers, clusters on its thick stem.

and one might think how lovely it would look in a simple bud vase, on a side table, in its winter simplicity or soon-soon-spring-blossoming.

quick research reveals it could be golden alexander or perhaps queen anne’s lace, not-toxic and somewhat toxic, respectively. a google-photo-search suggests it is possibly wild parsnip, absolutely toxic, invasive, causing severe burns and years-long discoloration of the skin, like queen anne’s lace with a big bite.

“things are [- sometimes -] not what they appear to be; nor are they otherwise.” (buddha)

identification – now – in the fallow – is not easy.

when there are tiny flowers, when there is foliage…maybe then it will be easier. it will, clearly, be an important discernment.

often we gaze upon things that seem to be attractive, seem to be beautiful, that tease us to reach for them.

perhaps a reminder to exercise caution.

*****

read DAVID’s thoughts this D.R. THURSDAY

see an owl, acrylic, 24″x48″


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fog. [k.s. friday]

and, if i am honest, i would tell you that i can feel the fog lifting. finally. i don’t think i knew the extent of the fog because fog is kind of like that. dense and clammy, less penetrable by light. once you are in it, you feel somewhat disoriented and everything looks different. you can’t really tell how foggy it is because suddenly you have nothing with which to compare it.

we underestimate the importance of attending to our emotional health. yes, there are all kinds of positive memes out there. yes, there are self-help books galore. yes, there are commercials on tv recommending therapy. yes, yes, yes. but we are stoic, we humans, and we are also stubborn and self-conscious. and many of us underplay how we are feeling, so as not to make others uncomfortable with our grappling. people ask how we are and our answer is “fine”. it’s just too too much to give a real answer. most people prefer answers with a little vague blurriness.

i ran into someone a bit ago at the fedex store. she asked me how i was. i told her. i don’t mean i told her “fine”. i actually told her. i can’t say it was a mistake, but she was writhing and trying to get away, though i was simply telling her how i was. i wasn’t verbose; it didn’t take much to say i had been struggling. but it was a truth and maybe she would have rather heard that everything that had happened in the last couple years took no toll. she wanted everything to be “fine”.

i recently saw a meme on someone’s facebook page. it read: “people don’t want to be talked out of their feelings. people want to be heard, seen, felt and understood.” (rachel samson) i always wonder if the people who post such things really mean them. surely they have also experienced times of soupy, where there was a ceiling of zero and they were feeling all of what life had tossed them.

it is in looking back at the dissipating cloud of fog that you know a little more the extent of your murky. it is in noticing light peeking in that you know a little more the extent of the loss of light. it is in seeing more clearly that you know a little more how much clarity was missing. it is in feeling my shoulders rise that i know that i have been bent under the weight of some sadness, some disappointment, some confusion.

though we all function in the middle of our haze, out of necessity, out of self-preservation, out of obligation, there is a moment when a pinprick of brightness burns through. we realize that the horizon is still there and that now, with the lure of distinct light and the buoys of clarity, we are headed in that direction. we’ve been brave and we’ve pulled energy from every cell to get to to that point and we keep taking steps, taking steps.

it isn’t easy. despite advertising dollars spent, this society is not really about self-help. it does not encourage time to be within oneself, time to rejuvenate, time to be healthy. our ideals push success and prosperity, seemingly at the price of balance. there is a cost for sharing what is real, for standing in fog, a worry of judgement and marks of weakness in our permanent record.

it’s up to each of us to step aside the everchugging uphill-downhill train and catch our breath. it’s up to each of us to breathe slowly and sort to that which makes us sit on the fulcrum of the nonstop seesaw. it’s up to each of us to be gentle on ourselves, to lighten up, to seek soft days that feed us and give us strength for the other days. it’s up to each of us to stand in self-care, to not worry ourselves with wondering about the judgement of others. it’s up to each of us to eliminate the stigma of admitting struggle. it’s up to each of us to support one another in the times of fog, to mean it if we ask “how are you?”. it’s up to each of us to reach and touch the curtain of fog as it lifts, grateful not only for its leaving, but for what we learned about its presence.

“the fog has lifted
the weight is gone
lightness has returned
singing is in me
humor also
light again
and i do not know why- “

(shalom freedman)

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WHEN THE FOG LIFTS from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood


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in the green room. [not-so-flawed wednesday]

well, that didn’t last long.

spring has peeked in, shook its head, and retreated.

it snowed saturday. all day. it was a really wet snow, and, though it did stick a bit on yards and roofs, it was not shovel-worthy. but it did bring out the restless.

we took a walk in it. in the olden days (not too long ago) we always took a walk while it was snowing. here it was – april 2nd – and it was snowing. so surely, we should not be freezing and i would not need my miracle mittens to enjoy the soft flakes landing on our faces.

not.

the snow pelted us as we walked along the lakefront. literally pelted us. it stung our faces; we had to keep looking down to the sidewalk. and, not wearing my miracle mittens was really dumb. this is wisconsin, after all. what was i thinking?!?

i tried to take photographs of the snow as it fell. i think i was really trying to take a picture of our restlessness, of the yearning for sun and warmth, of willing spring to stop taking its sweet time, to actually arrive and not linger in the green room off the stage of winter.

in a desperately intentional cup-half-full approach, we noticed grass that had greened, with snow on top. we noticed buds on trees, with snow on top. we noticed tiny sprouts of plants, with snow on top. we noticed that the streets were not really holding the snow, that the sidewalks were not snowy, that water was running next to the gutters to the drains. these were good signs.

the year my daughter was born – 1990 – it snowed the day before the first whisperings of her grand entrance into the world. it was may 13, mother’s day that year, and in one day i would go into labor and in two days i would be a mom.

but – may. snow. yikes.

after everything, simply every thing, i’m not sure hardy wisconsin souls would be able to take that this year. i think that, perhaps, mother nature might cut us some slack. perhaps a little more green and a little less white. perhaps a little more 50s and a little less 30s. perhaps a little more sun and a little less cloudy.

perhaps i need to get a grip and just ride the roller coaster that is spring in a great lakes state.

i’m guessing the tickets are free for residents.

i remind myself that patience is a virtue and other blah-blah positive, lofty adages. sigh.

i’m going to go hide in the green room with spring and discuss that.

*****

read DAVID’s thoughts this (i suppose it’s) NOT-SO-FLAWED WEDNESDAY


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the pod of our diapause. [two artists tuesday]

the color of a palomino, the pod of milkweed off the side of the trail captures my attention. though i want to touch it, to feel what looks like a velvety ear, i don’t disturb it. this pod has burst open, its seeds scattered, waiting for verdant spring and the eventual arrival of monarchs. the butterflies left the midwest for the winter, migrating, traveling up to 2500 miles to shelter and hibernate through winter in coolness that is not cold.

their diapause is a period of suspended development. it is common in the insect world, this inactivity: “a state in which their growth, development, and activities are suspended temporarily, with a metabolic rate that is high enough to keep them alive.” it’s a kind of dormancy. it sounds a little like isolating in the middle of a pandemic, a little like a response to a few more-difficult years. a slowing down, an insulating, a turning-in, heartbeats enough to sustain yet not enough for vast inspiration. hmm.

back on our favorite local trail, we are watching it wake. we take note of the changes in color, the changes in the woods, in the meadows. sipping coffee this morning we listen to the new sounds – birdcalls we have missed in the quietude of winter, the middle of our diapause.

we start to feel the pull of the outside more, the draw of places to see, the falling-off of quilts we have wrapped around us. i begin to wonder – with a little more energy – what next and next look like. the sun streams in the window and stays up later, pushing back night like feet on a crab soccer ball.

we begin to break open the pod of our diapause, long after milkweed but before the butterflies come back.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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even in waning. a firework. [two artists tuesday]

do you know that there’s still a chance for you
’cause there’s a spark in you?
you just gotta ignite the light and let it shine
just own the night like the 4th of july
’cause baby, you’re a firework
come on, show ’em what you’re worth
make ’em go, oh
as you shoot across the sky
baby, you’re a firework
come on, let your colors burst
make ’em go, oh

(“firework” performed by katy perry.*)

even as it wanes, it is clearly beautiful. stunning, really. the 0230-pantone-chart-heading-toward-rhodamine-red bloom is attracting attention, its droop the stuff of grand success. as its petals drop to the ground, one-by-one, it feeds next and next. and the flowers nearby sigh, “ohhhh.” and they know, despite anything – age, health, roadblocks, lack of nutrients, overabundance of tending worry, calendar of blooming-period – that there is still a chance for them.

artistry never stops. no matter. its imperative – to bloom – to shoot across the sky – is ceaseless, a perpetual poking, an unfaltering urge. the chance is never gone, never erased, never doused-left-with-no-embers.

i listened to a guided meditation a few days ago. it was merely four minutes long. “the mountain”, it – in only four minutes – made surprising tears stream down my face. its message…to be grounded and solid – rooted – just as a mountain – in all that is going on around you, regardless. to stand in it all. like a mountain. those four minutes were profound.

there are things i would choose to be different right now. many things. this season has been somewhat fraught. yet, there are reasons to be grounded, rooted, to stand here and just wait, to ride it out, to hold on.

all around us were orchids in shatter-the-silence gorgeous bloom. all around us was greenery, textural and rich. all around us were beginnings, closed buds with pent-up energy waiting to burst onto the stage-of-earth.

but this leaning-to-rhodamine caught my eye, in its waning no less, no more than the others. and it whispered, “baby, you’re a firework too.”

even brighter than the moon, moon, moon
it’s always been inside of you, you, you
and now it’s time to let it through
’cause baby you’re a firework
come on, show ’em what you’re worth
make ’em go, oh
as you shoot across the sky
baby, you’re a firework
come on, let your colors burst
make ’em go, oh

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

*songwriters: katy perry, mikkel s. eriksen, tor erik hermansen, sandy wilhelm, and ester dean