reverse threading

the path back is the path forward


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past tommy’s house. [not-so-flawed wednesday]

99 cents:gallon cropped

20 years ago.  apparently the last time gas was 99 cents a gallon in wisconsin was 20 years ago.  i don’t remember that in particular; my children were young and things were busy.   how strange to now be able to purchase gas for 99 cents a gallon, filling up little-baby-scion for about $10, and not be able to go anywhere.

20 years before 20 years ago i remember gas being 79 cents a gallon or so.  on long island, i would go to the citgo station on the corner of larkfield and clay pitts road in my vw bug, filling up for well under $10.  they pumped your gas for you back then.  i had one of my first credit cards, a citgo card, in those days.  on one occasion, a couple days after i got gas, i received a phone call.  it was from the guy who had pumped my gas.  he had saved my information post-pumping and looked my last name up in the phone book.  he called to ask me to go on a date.  he was always nice to me every single time i got gas, so i thought it perfectly innocent to accept.  i don’t remember where we went, but i do remember thinking that i would absolutely not repeat the date – the somewhat unusual way he got my number (i’m thinking that would be against credit card protection acts these days) was befitting of his um, unusual-ness.  “she’s not home,” my mom would tell him time and again when he called.  after a plethora of calls over a series of days, i told him i  wasn’t interested.  i started going to mobil.

citgo, dairy barn, king kullen, genovese drugs, the card store – these were all around the corner, up the hill and turn right.  to get there you’d go right by tommy’s house on the hill.  and just today i found out that tommy, one of the absolute cutest-boys-in-high-school, has died.  a  man taken by coronavirus, i read the posts on facebook remembering him.  it seems, as we lose track of people in our orbit, that they freeze in time – i never knew tommy as an adult so he remains age 18 in my mind’s eye.  we lose track of them and we don’t know their successes or their challenges, things they struggled with or how their lives were shaped as they ‘grew up’.  we make assumptions and find out later that their lives were impacted in ways we never could have guessed, in ways we would have never wished for anyone.  it saddens me deeply to think of tommy, the cool-boy-in-school, struggling in his life, trying to get a firm hold on steady.  the things we don’t know, riding our bikes up that hill just to get a glimpse and maybe wave to him.

20 years go by. and another 20.

and we sit at the pump where it’s 99 cents a gallon.  there is a global pandemic.  we have a blank triptik.  as we drove away from the pump, we looked at each other and pondered without answering, ‘where would we go if we could go?’

but right now, there is no where to go.  were i to be on long island, i would go back to my growing-up house and sit on the curb for a bit.  then i’d go around the corner and up the hill.  and i’d wave as i’d pass tommy’s old house.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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two broken wrists. two and a half months. i kept playing. [two artists tuesday]

tendonitis

out of necessity it was only a few days after i broke both of my wrists that i played.  it seemed that i had nine fingers that were attending this event, and i, relieved to have these nine, worked with what i had.

in the last couple months, my left hand progressed faster than my right.  i had two breaks in my right wrist and, yes, i am older now than i used to be, so the doctor warned me that i needed to be patient.  make that NEED to be patient; healing will take six to eight months, she said.  but all five LH fingers participated in this early-on merrymaking and only my immobilized thumb was excluded on my RH.  and both wrists. they were excluded too.

they changed the cast on my RH from over-the-elbow to one a tad bit shorter; this was happy for me as it gave me more mobility. i kept playing, despite the wad of cast that ended in the palm of my hand.  i am a mom.  i am used to working around things.

later, they changed it yet again to an exos cast, which is removable but much less designed specifically for your hand; it was actually quite uncomfortable and made my hand hurt in places it hadn’t hurt with the ‘regular’ cast on.  i kept playing.

at the point when the coronavirus ceased all my regular doctor appointments, and after only one occupational therapy appointment, i kept playing.

finally, with the phoned-in blessing of my OT, i ordered a splint for my RH – the same one i wear on my LH, releasing my thumb from its cast-prison.  i kept playing.

and then i noticed that my pinky wasn’t responding properly.  nor was my ring finger.  nerve pain was shooting from my fingers up my arm.  and nodules in the palm of my RH were burning, stinging.  no professional pianist i know wants his or her hands to hurt.  i could draw hundreds of analogies here with other body parts and ways-of-living, but i will refrain from doing so and just say that this was disheartening and incredibly worrisome for me.  and i kept playing.

i emailed the doctor and then sent pictures i labeled in photoshop so that my worry would be clear, since i was unable to be there in person; social distancing had put aurora on the don’t-call-us-if-this-isn’t-essential status.  when she called me she said i really needed to come in.  she said that they would take some x-rays and the hand specialist would look at my right hand, in particular.  frankly, i was beyond nervous to walk into a medical center.  they have their hands full (absolutely no pun intended) and i was reticent to be privy to whatever germs were hanging around or to take any focus from the more essential.  but, because i am playing and because playing is what i do, i went.

although there is a slight chance that there is something else going on here, it looks like the palm tendons of my RH fingers are inflamed.  this is likely because i have been playing with casts on.  what’s the expression? damned if i do, damned if i don’t.

when i asked the specialist for a range of time this might last, his answer was ‘probably up to a few months’.  he didn’t ask me a lot of questions to discern what was happening and i tried like heck to fill him in on every-single-last-thing about my hands, but, in as-quick-as-a-flash fashion, he was gone before i knew it.  a-few-more-exercises-and-some-regularly-scheduled-advil advice later, i left the hospital, took off my mask and climbed, sighing, into big red in the parking lot.

and now, out of necessity, i will keep playing.

and worrying.

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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“bacon-wrapped pears” [merely-a-thought monday]

baconwrapped pears

the pressure.  gee-willikers!  you simply cannot browse through any social media platform without seeing family’s and friends’ beautifully-prepared foods or rustic breads fresh out of the oven, off the grill, sizzling on the griddle, staged and plated for photos.

the pressure.  my first question is always one about wondering how, in the middle of this socially-distanced-stay-at-home-pandemic, all-these-people have all-those-ingredients in their homes at-the-ready.  we must be pretty basic shoppers; our larders are not filled with the likes of these ingredients.  we plan ahead; like you, we are shopping very rarely, limiting our exposure.  we miss our peeps at festival; we used to see them almost daily, as we would cruise about town to get fresh fruits and veggies.

the pressure.  neither of us wanted to go out to the store the other day.  we had chicken out to prepare, but, low on or depleted of fresh vegetables and potatoes, a side dish escaped us.  we did, however, have a multitude of pears, because you can’t purchase a normal amount of pears at costco; instead, it is assumed you have an army of pear-eaters and you will all devour them before the dreaded brown spots form on the outside of its smooth green-pear-skin.

the pressure.  what to do with pears, other than just, say, slice and eat them.  we googled.  every pear recipe has goat cheese in it, for good reason.  i love goat cheese and wish we could eat goat cheese, but a dairy free diet precludes that.  so we had to move on.

knowing that you must be sitting on the edge of your seat as you (maybe) read this, i’ll tell you what happened:  we looked in the freezer to see what else was there.  bacon!  now, i really love bacon.  i probably shouldn’t, but i do.  thinking we were being brilliant, we googled what you could make with pears and bacon.  those of you out there in perfect cooking/baking/inspired feasting social media land will say ‘no duh’ when i tell you we found -drumroll, please- bacon-wrapped pears!  simple!  you slice a pear into quarters and wrap bacon around the slices.  place in 400 degree oven and bake.  that’s it!  they were freaking amazing!

the pressure.  so then the pressure was to NOT post this pear-bacon-pairing-extravaganza on social media.  we sent a picture to a couple friends who knew of our facebook-meal-snack-drink ogling and we sent a picture to The Girl and The Boy.

our friends responded enthusiastically but our more recipe-savvy children did not.  i suppose they just thought to themselves:  yup.  pears.  bacon.  pears + bacon = bacon-wrapped pears.  yup.  the pressure.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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this morning. [k.s. friday]

that morning someday 1

i unfriended someone today.  i was so shocked at his response to the vital importance of continuing to social distance in this global pandemic i found it reprehensible.  his crass “everyone will die eventually” was deeply disturbing.  he actually used the term ‘survival of the fittest’.  i, in browsing for how my family and friends are doing, found no peace in his words, only a shortfall of empathy.  i shudder to think of anyone who read or who will read these callous words who has been ill, has had a loved one ill, who has lost a life in their circle of life, who has been deemed unemployed, who has missed paying their rent and who stands in line for food, who is frightened.  anyone with a heart.

i’ve unfriended a few people along the way these last few years.  this hasn’t been because i merely disagree with them.  i am open to disagreeing with you if you are open to discussion.  but these have been folks who have been closed.  closed to facts, to truth, to research, to conversation.  closed.  to me, it feels as if their hearts are closed.

for what is the importance of the next morning if what you care most about in the world is copious amounts of money or holdings?  my sweet poppo used to say, “you can’t take it with you.”  what is the importance of the next morning if you will throw others under the bus to elevate yourself?  my sweet momma used to say, “be kind.  be kind.  be kind.”  what is the importance of the next morning if everything is measured by black and white, an excel sheet of differences, all listed and highlighted.  my big brother used to play his guitar and sing, “there’s a new world coming…”  what is the importance of the next morning if you only measure yourself against others, their net worth, their houses, their jobs, their wardrobe, their vehicles, their exotic trips, their success?  in high school i recited these words from desiderata, “if you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.”

instead, what about that morning someday?  the one that presents you with the challenge of a lifetime, the one you have worked on honing your whole life.  the challenge to accept who you are.  the challenge to stand up straight in your integrity, to freely and generously love, to do your work, to look out into the world with open eyes.  the challenge to not compare yourself, to believe in the betterment of humanity, to be kind, and to know that you can’t take any of it with you.  the challenge to surround yourself with goodness and live now.  this morning.  tomorrow morning.  the next morning.  heart open.

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THAT MORNING SOMEDAY ©️ 1996 kerri sherwood

 

 


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hope in the midnight sun. [d.r. thursday]

EARTHInterrupted7.THIS ONEJPG

EARTH INTERRUPTED VII 48″X36″

we drew heavy curtains to sleep in the land of the midnight sun.  my grandmother mama dear and i were in the arctic circle in finland and, much to the fascination of my eight year old mind, the sun refused to set.  i remember a twilight like no other – a time of in-between that just lasted and lasted, not day, not night.  it was stunning and magical and wreaked havoc on circadian rhythms, necessitating new practices.

EARTH INTERRUPTED VII makes me think of that twilight, that time in the river of not-this-not-that.  a time of waiting, it appears that the telescope zeroed in on earth detects an interruption, a wafting darkness.  in this time of pandemic, it would seem a portrait of covid-19.

but, as in all other times of darkness, there exists a glow of light.  the blackness is dissipating, the shape of the earth is visible, the twilight is vibrant.  this painting offers radiant hope.

just like pulling back the curtains in lapland, the sun will rise and we will have awakened from the strange twilight.  we will have lost much to the dark.  we will have learned new ways, employed new rituals.  we will be tired and wary, cautious yet sure.  we will have crossed the river of the midnight sun into a new day.

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EARTH INTERRUPTED VII ©️ 2018 david robinson

 


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southport cairns. [not-so-flawed wednesday]

southport cairn

wearing flipflops, our feet weren’t prepared for schoolhouse beach.  one of only five sandless limestone beaches in the world, we were picking our way across glacier-polished rocks on washington island, vowing to wear our hiking sandals the next time.  it was stunning, these smooth white rocks representing thousands of years of geology.  it is illegal to take even the tiniest of stones from this beach, but it is obvious that people need to hold these silken rocks in their hands, cairns built along the water’s edge.  it’s a place you will forever recognize once having visited there, a place that touches a sense of peace within you.

the cairns up on the high ridges of red rock were equally as moving.  stunning in the sunsetting high desert sky, the uneven sandstone edges of stones were piled in formations and i relished every second sharing this with my cherished daughter.  it is a sacred place, these canyonlands full of red rock millions of years old.

as we walked in the drizzle in our neighborhood, the sky over the lake began to take on a pinkish hue.  we approached the lakefront down by the old beachhouse and saw them, something in thirty years of walking this lakefront i have never seen: dozens of cairns stacked on the rocky beach, mazes, tiny labyrinths.

inspiring and inviting, the cairns beckoned us and we spent time in raindrops wandering and photographing.  we were quiet; you could hear the lake gently lapping at the shoreline.  mostly, it took us out of our thoughts and worries of the time.  someone had made lemonade and we had the good fortune to sip of it.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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sunglasses and gunfire. [two artists tuesday]

Sunglasses

we took a hike on easter sunday afternoon.   it was just warm enough to shed my coat in the woods; spring hiking is better without the shush-shushing sound of a down coat while you walk.

we went to our bristol woods, masks in pockets as we jumped out of big red, eager to get into the trees, onto the paths that have soothed us.  there were a few people there; most of them abided by the six-feet-apart rule, although admittedly, there were a few who caused us to roll our eyes in an astonished unspoken question wondering if they lived in a cave somewhere and had no idea that there was a global pandemic.

the familiar paths did their job. we quietly noticed green sprigs springing up between the leaves, a tonal green as you looked off-path from budding underbrush.  here and there forest daffodils at the brink of opening to the world; here and there small white flowers nestled between fallen logs.

the soundtrack of the woods was awakening to spring – orioles’ songs, chipmunks scampering, birds we couldn’t see high in the trees singing arias to the sky, the sound of our feet on the trail.

the gunfire in the background was unwelcome in this reverie of renewal, of spring-really-on-its-way, of escape-from-thoughts-of-covid-19.  it was an automatic, a gun designed to kill, single shots punctuated by the rapidfire of a clip.  it is always unnerving; yesterday it was particularly so.  it seemed mindless to me, paying no homage to these very times, these very days.

in the middle of thousands of people who are desperately trying to save over half a million others’ lives in this country alone, thousands of people who are extending helping hands to countless others, thousands of people who are dedicating resources to feed, mask, shelter thousands of others, thousands of people who are reeling from a loss of life, of job, of any security, of any sense of normal, thousands of people who are frightened to their core that they might be the next to succumb to this pervasive illness, the next to struggle to breathe, i couldn’t, for the life of me, figure out any good reason to be shooting an automatic weapon.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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“staying more or less sane…” [merely-a-thought monday]

sane

it’s a wave.  and, like the tide, we ride it out to sea and back in to shore.  we grab handfuls of sand when we hit the beach, to remind ourselves that we are indeed of this earth and this is real.   and then we read or watch the news and see the charts and the numbers-who-are-people-not-numbers and we are back out to sea, on precarious standup boards.

it’s almost a mantra “staying more or less sane.”  we wake in the morning and, for the first few delicious seconds, we don’t remember.  but as we share dreams – the dreams we can remember – we know that even our subconscious are trying to process all this.

we compare notes with others:  what is acceptable to do in these restricted times, what is not.  we are aghast at the impropriety of the suggestion of large gatherings, no matter where they are.  even small gatherings of people not isolating together are questionable. we wonder if we will all be agoraphobic when it’s time to cease restrictions.  we worry that this decision will be made irresponsibly, skewed in the direction of the ever-important dollar and not in the interest of people being healthy, getting better, staying alive.  we are afraid.

we do whatever we can, whatever works; we are all in different places on the what-works-for-you continuum.  outside of working we struggle to fill in time.  we take on new projects; we sit quietly.  we bake loaves and loaves of bread and test new recipes; we cook just whatever is necessary.  we obsessively deep clean the closets, the cabinets, the basement; we pick up around ourselves and disinfect what needs disinfecting.  we organize, organize, organize; we have trouble paying attention, finishing going through the piles.  we watch movies and binge on sitcoms; we look out the window and get lost in thought.  we spend time on our muse; we stay away from that which makes us feel more deeply.  we spend vast amounts of time on social media and video-conferencing apps; we desperately miss those we love and yearn for them.  we get impatient; we wait.

we are a world of people-people, broken and reeling, and we are all trying to stay more or less sane.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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silence. below the noise. [k.s. friday]

silent days 6 feet

sometimes we are silent.  sometimes it’s better that way.  a fluid point, a fine line of balance, there’s so much to say; there’s so much we should avoid saying.  silent days.

we walk or hike outside, we take limited trips to the grocery store.  not a lot of interaction, the way it is supposed to be right now.  with varying cautions about distancing and asymptomatic spreading and aerosol molecules, the experts have my rapt attention. although i do not have the ability to make as much of a difference in this as those who are on the front lines, i need do my part.  responsibly and respectfully.

making do with texts, phone calls, work videoconferences, online hangouts with friends, it’s still much more silent than it ever is, normally.

there are reports of residents hearing birds again in wuhan.  the woodpecker is busy in our backyard, the mourning doves call, the frogs quip to each other in the woods.

and so we walk, quietly.  we cross to the other side of the street, we single-file on the other side of the path.  maybe here and there people answer to our soft hello as we pass.  we shop, rarely, pushing a cart, quickly assembling what we need.  we listen to the sounds that often linger unheard below the noise.

and even above the masks, even in the silence, i can see their tentative smiles.

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SILENT DAYS ©️ 1996 kerri sherwood


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there is a place, a canopy. [d.r. thursday]

canopy

CANOPY 48″x48″

there is a place on a washington island road where the rest of the world disappears.  you are walking alongside forest and can see the sky as you look up, tall trees framing blue, the sound of sandhill cranes and red-eyed vireos accompanying your steps.  and then you enter this place.  the trees gently arc over the road and you are covered by a canopy; we have sheltered in this spot during more than one sudden rainfall.  even in the bright day, the green above you – which turns to brilliant umber, rich red, flaming orange during summer’s release on the forest – allows for little light.  and at dusk, while the sun sinks into the water hundreds of feet away, walking in the middle of the road, it is dark-dark, the canopy a lure for night creatures, safe in the shadows.

there is a place in a tree in the yard of my growing-up house outside the window of my old room where the branches invited sitting.  for hours i would sit there, write, ponder.  in the summer the maple seemed to grant me privacy from the world, its branches full of leaves and canopying my little spot.  a shelter.

there was a place in the wooden structure in our backyard that had a yellow awning that made a fort.  when My Girl and My Boy were little they would play up there for hours, The Boy lining up matchbox cars, The Girl often reading a book.  a special space, this little fort, it was hard when it was time to dismantle it and pass it on to friends with little ones.

these places of shelter – places of canopy – provide such a sense of protection, a sense of being held from harm – from the elements, away from others, in our own private place.  much like our homes, they can give us pause, a deep breath, safety.

in this time of distancing and stay-safe-stay-at-home, i look around our house and give thanks for its canopy of shelter, for the way it holds us from harm, for the minutes, hours, days, weeks, months and years it keeps us safe.

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CANOPY ©️ 2009 david robinson