surely this will attract the attention of agriculture lovers near and far. we – the tiniest farmers of them all – are growing corn.
i would like to say that we have deliberately planted corn, in an effort to have a cob or two, but this isn’t the case. the chippies are likely the generation alpha planters; they are messy at the birdfeeder and, while they are stuffing their little cheeks of birdseed, their tiny paws are flailing and birdseed is flying. they planted the corn and we were, frankly, astonished to identify it. in good-corn-fashion, i’m guessing it was knee-high-by-the-fourth-of-july, only we didn’t notice, as it blended into the ornamental grasses under the feeder. it’s nice to know our soil is good enough for corn.
i looked up if we could actually eat it, and stumbled into the georgia gardener walter reeves who said that “the seed used in bird food is delectable to birds, squirrels and chipmunks.” but “if the seeds sprout, you’ll get more of the same.” to his knowledge, “all of these plants would be edible by humans. but you might not want to eat them, because the varieties used in birdseed might not be digestible by humans. leave them for the birds,” he recommends.
nevertheless, we consider it a win. whether we were passively or actively farming, it grew and we are proud.
it is all beginning to make sense to me. all that time my sweet momma and poppo spent in arboretums and planting fields. all the time they spent watching the birds out their back windows. all the time they simply spent with each other, appreciating the idyllic opportunities that nature and outdoors and together bring.
i am guessing that somewhere – on another plane not too far away – my dad is watching. maybe he’s hanging out with columbus, who was pretty expert at the iowa-corn-in-which-he-was-raised. my mom is rolling her eyes at them, while they’re chuckling at the corn in our garden and maybe scoffing a tiny bit at walter. they’re paying no attention to her eyerolls.
they’re getting their yellow-plastic-tipped-corn-cob-skewers ready.
i suppose if i opened my 1977 john h. glenn high school yearbook i would find these words. in fact, i am almost positive i would find them. scrawled in pen by more than one friend, on the big white space of the inside hard-cover or the inside back-cover, maybe across the page for the art and literary magazine. there would be other sage phrases too…like “life is a journey, not a destination”…as if there was a what-to-write-in-a-yearbook handbook or maybe taken directly from the blue mountain arts meaningful-phrases calendars of the time. my personal favorites were the susan polis schutz/stephen schutz calendars, books, bookmarks…the colors and shapes of the seventies. pause for a sigh…
hiking on our trail, i am whipping my camera left to right, capturing the gorgeousness of the underbrush, trees in their green glory, a very-blue sky.
the litter almost under my footfall gets my attention. it’s not just paper.
this time, it’s a succinct message – kitschy as heck – but, alas, to the point. “cherish yesterday. live for today. dream of tomorrow.”
i try to decide. do i pick it up, as litter? do i leave it for someone else to read?
because i have been privy to the wisdom of the 1970s – in print form, not just IGs or memes or jpgs, i left it. i thought that someone might need to pick it up, tuck it into their pocket, keep it on their bedside table or tape it to their mirror.
who doesn’t need a reminder to truly cherish yesterday? who doesn’t need a reminder to truly live for today? who doesn’t need a reminder to truly dream of tomorrow?
towering cloud. monochromatic tones. i took this photograph. i may not have taken a second look but for the wire cutting diagonally across it. it was the interruption that made it – a gorgeous cloud – even more interesting.
i’m not from here.
i am proudly from new york and sunday night out on our deck i reveled in feeling new york. i haven’t felt as new york as i felt that evening in a long time. we were playing records outside and painting rocks. i had selected a few albums – dan fogelberg, john denver, michael murphey, survivor, fleetwood mac – and i was playing dj, picking and choosing the songs to play. we sang along, somehow remembering lyrics of songs we hadn’t heard in ages, a mondegreen or two slipping in.
then i went inside to find a certain album, leaving david to pour a little wine and wonder what i was searching for.
i came back out with the double-album-set of saturday night fever. there is nothing that quite defines 1977 like that album and the bee gees. instantly transported back to the discos and beach bars of long island, i got up and, in the new privacy of our backyard, danced. the more i danced, the more i danced.
i texted a few friends, asking them if they remembered the steps to the hustle. crunch wrote back that he didn’t remember all the steps, but he remembered the spins and sent a picture from a beach bar on the island he was at as he typed his message. marc reminded me he didn’t dance – which i, of course, remembered – and told me – if i was indeed sending him snippets of “stayin’ alive” simply to annoy him – not to be such an “assassination” (which, back in the day, i would say for the word “ass” so as not to cuss. friends would tell you i have come around from those days.)
interrupting our 70s mostly-mellow flow, saturday night fever disco drew a line through the soft wash of memory in which we sat. it invigorated us. it made us dance and it made us laugh. it made a perfect night even more perfect. and it woke up the new york in me, never too far away but always a little at-bay, a little tempered.
new york is a little noisy for wisconsin. new york is a little demonstrative for wisconsin. new york is a little talkative for wisconsin. new york is a little emotional, a little animated for wisconsin. new york is a little exuberant for wisconsin. new york is a little brash for wisconsin. it’s a little center-stage, a little aggressive, a little assertive, a little interruptive.
in junior high i wrote a piece which i titled “old age is not a disease”. i was the child of older parents; most of my friends’ parents were at least ten years younger than mine, some fifteen. many of my parent’s friends were also their age and my grandparents were significantly older, so i was surrounded by elders.
i’m not quite sure what compelled me to write this piece, but it was written with fervor and i was passionate about my assertion. though i’m certain it’s somewhere in a bin downstairs, i’ll rely on my tenuous memory when i say i backed it up with facts and a great deal of emotion. always thready and emotional. from the beginning, i suspect.
so i guess it should come as no surprise that i am drawn to things waning. i find the flower on trail past its prime, bowing to the forest floor, petals wrinkling. i find the fallen tree, nurselog to a little community of new trees, striving. i find the dried grasses, glowing in late autumn. my photo library is full of these older-agers.
i keep the daisies until it no longer makes sense. but it seems that is way past when others would keep them. their curling petals no longer crisply open, instead shrinking and closing. they are beautiful. all stages.
daisies are kind of important to us. i was holding a daisy when i met david in baggage claim nine years ago. the second time i met him with a whole armful of daisies. and then, daisies walked with us down the aisle. i suspect they will be with us all along.
so, like us, i recognize their allure in every stage. even in waning.
this past weekend the father of my beloved children, my first husband, turned 65. i wished him a happy birthday and texted that i was astonished that we are the ages we are.
the time between back then and now has flown by and, were i to be defined as a daisy, i am grateful the petals and that yellow center of joy are still present, though a little crumply and a spectrum of many flaxen shades.
i know i don’t look like the daisy of yore. but every stage of a daisy counts.
“may the light of your soul mind you,
may all your worry and anxiousness about becoming old be transfigured,
may you be given a wisdom with the eye of your soul, to see this beautiful time of harvesting.
may you have the commitment to harvest your life, to heal what has hurt you, to allow it to come closer to you and become one with you.
may you have great dignity, may you have a sense of how free you are,
and above all may you be given the wonderful gift of meeting the eternal light and beauty that is within you.
may you be blessed, and may you find a wonderful love in yourself for yourself.”
(john o’donohue – “a blessing for old age” from anam cara)
i was heating up black bean burgers for lunch and had taken out the salsa and the avocado and the lime. i took out the white corn tortillas and commented that the tortilla would likely fall apart once the bbburger, the salsa, the avocado and the splash of lime were placed upon it. i asked her if she wanted a fork and a knife. she said – wait for it – “use two tortillas.”
two tortillas.
like seriously?
who knew?
“yep,” she continued, “warm up the tortillas and place it all on top of two, not one. it won’t fall apart.”
deferred maintenance is never really a good thing. but i’m pretty sure that we’ve all had good reasons to defer that-which-ought-be-done, not the least of which is affordability.
over the last few years, we accumulated a list…somewhat prioritized…water always comes to the top, soaking up our attention…but we knew, well, we hoped, we would eventually be able to address the things that homeowners pay for but which have little to no public viewing. even though you want to, it’s not like you are going to drag someone into your basement to see your new copper water pipes from one of the mains to your laundry tub and washer. or the new water main turn-off handle. or the piping under the sink. or the gasket on the pvc that you can see opening the little access door inside the sitting room closet.
mike came to solve the faucet puzzle…we had the faucet and i had repeatedly gone to the ace to purchase supplies for under the sink, new pvc, new fittings. i was in the process of getting a graduated rubber coupler – to go from the pvc under-the-sink to the cast iron pipe coming out of the wall. dan had told us – oh, so long ago – to get that coupler, but the day that i went to the ace, they were out of the proper size. when we couldn’t get the valve handle to budge, we suspected it was time to call someone else in. we do know our limitations…and with plumbing and, especially, electricity, the bar comes fast.
and so, mike entered the picture. even he didn’t have an easy time as he retrofitted all the new plumbing for under-the-sink, but the faucet was gleaming (ok, matte black doesn’t really gleam) when he was done and we couldn’t really believe we could actually remove the bucket from under the sink. remember, it has been a time of water for us. he came back to redo the lines to the laundry and those (copper) pipes did gleam. we can now turn off the water there, should another water emergency arise (knock wood).
according to feng shui, water means emotional turmoil and overflowing water symbolizes being overwhelmed (probably by the water, i’d guess). there is also a warning that leaky faucets “symbolize prosperity, wealth, and abundance dripping down the drain.” (feng shui quick guide for home and office– carol olmstead) yes, dan was right. we should have gotten a new rubber coupler a ways back.
but it’s a ways later and the cold water line gasket, the storm drains, the fireplace wall, the storm drains on repeat, the bathroom sink, the water main – well, they should have cleansed us for sure – leaving only rainbows and unicorns and bubbles, opportunities for replenishing prosperity, wealth and abundance behind.
it is also said that a leak in a home releases any negative energy. in this house we really love, i cannot think of anything better than this exchange – a release and a gathering of “healthy vital life force energy” (laura cerrano).
in stop-motion moments, we stood by the fountains and shot photos. the dancing waters mesmerized us, light waning in the sky under the canopy of big trees. it was peaceful, serene. there was no place we needed to be in those minutes, except right there.
the water danced too quickly for us to discern contours of form. the camera made it possible to see those gorgeous images of momentary pause, water suspended. looking at the photographs – enchanting.
“…as water takes whatever shape it is in, so free may you be about who you become…”
(john o’donohue)
we, in this ever-flowing river, babbling gently like the backyard pond, the mountain stream, or raging like the yellowstone river hurtling through the national park at this time, a part of the continuous-motion movie. our bliss, our concerns, our grievances, the things that distress us, the things over which we ruminate…though they feel to be screeching-to-a-halt, a visual-stop-place where the horizon ends – they continue on and on and life dances around us and through us. life invites us to waltz with it, to two-step, to sing along.
perspective, looking back, it’s all a tiny bit clearer in retrospect. my sweet momma’s words “this, too, shall pass” visit and revisit me. the dance steps we missed along the way are no longer worthy of our dedicated brooding, no longer stop-motion.
dancing water has brought grace of movement – forward. we keep on keeping on in the hazy-lazy-bubbling-frothy-waltzing river.
“…i’ll be there in singing skies and dancing waters laughing children, growing old and in the heart and in the spirit and in the truth when it is told…”
it would seem a giant compliment to be called a “glue person”.
glue people are those “who pull teams together to make them greater than the sum of their parts” (linkedin.com). like the tabs and pockets of an interlocking jigsaw puzzle, glue people are the ones who quietly and efficiently make it all happen. they are not front-of-stage necessarily. they are not leadership-paid necessarily. they are not lauded or recognized necessarily. but they are absolutely and without-a-doubt essential; they are the actual anchors.
in my own life and work experience, the glue people are those people who hold up the pillars that hold up the organization. they work at making the goals, the mission, come to fruition. they take a back seat to those in charge but actually are at the crux, shoring up, growing, bringing life and light to the place, lifting others, magic-wanding the whims of the leaders, building community among the members of the institution. they are simply the glue that holds it all together.
i suppose there are those people who are wary of glue people. they feel threatened by the glue-success; they suffer insecurity. instead of rallying behind gluepeople, these types will undermine them, speak hostility toward them, diminish their role in the organization, get rid of them.
and the walls will come a’tumblin’ down.
because, like this simple wooden trainset that my little boy loved playing with – that is now in the possession of the cutest little boy in florida – our little great-nephew – the interlocking of all is what holds it together.
without the glue all hell can break loose, and often does.
and sadly, it’s because someone could not recognize a glue person when they had one. someone did not value their glue.
if i were to get a tattoo (not to mention the “sisu” tattoo i would love to share with my daughter) i think it might be a simple tattoo depicting the japanese practice of kintsugi: the golden repair and honoring of flaws, beauty in human brokenness. there’s no telling if i will do that. there’s also no telling if i won’t. i’m not averse to ink. i know that ink is an expression of where you are in your life, of what you believe in, of what you seek.
“age and stage,” 20 often says when we talk about the stuff of life. tight bud to full bloom to blossoms falling, petal by petal, to the dirt. all the iterations in the middle.
everything is like that, i suppose.
the first time my boots hit the wood as i crossed from backstage to the apron was memorable. i won’t forget it. each time i’ve walked to the piano, adjusted the boom mic, took a breath and started…memorable. i won’t forget. i remember being in the middle of one of my concerts, in the middle of one of the pieces…i forgot where the piece went…i was lost. i made it up. it was a solo piece; no one else had to share in my lapse of memory. i followed the theme and noodled my way through to an end no one would ever hear again. my producer hugged me and laughed later, “nice coverup.”
the pace of my walk is slower now than it used to be…steadier. now i know that no matter what, no matter the mistakes, no matter the braindrops, no matter the missed lyrics, the thinking notes…the story will get told, the bud will open and, like any artist, i will give of myself, despite of whatever i get or don’t get in return. age teaches you that it is not the return that matters. age teaches you it is in the giving.
we talked in the kitchen this morning about the work we have done in our lives. david’s paintings, hung and not hung, my music, recorded and not recorded. we talked about our youthful desire to have everything seen, everything heard…and not in a little way. we talked about how age has brought us to this place – a place where seen and heard doesn’t really matter. painted and played matters. drawn and written matters. expressed matters. received en masse doesn’t.
it really is “age and stage”. it’s not just the moments of our children, tiny beings not sleeping through the night, toddlers in terrible-two-tantrums – people reassuring us “age and stage”. it’s not just the trials of parents letting go of those adored humans who are now adults in the world, a little less access, a lot less time – people encouraging us “age and stage”. it’s not just our aging moms and dads, significant changes in ability, in perspective, in health – people comforting us “age and stage”.
it’s us. it’s our age and our stage, we are reminded. we try to fix what is broken, try to start something new, try to perfect the blossom. and we realize that it was a bloom all along. it was beautiful. it counted.
were we to be able to see – from the beginning – all the stages – the tight bud, the slightly opened petals – the bloom – the blossom falling to the ground – we might take it all more lightly, we might not cling to ideals of success and how we receive it. we might know there would be mistakes and dropped notes, lyrics mixed up and words not spoken. we might know there would be vulnerabilities and painful angsting, gorgeous improvised melodies, pictures without everything we desired, without everything coming to fruition, vamped decisions, regrets and, yes, bows. we might know that we would join with the rest of the human race on broken roads.
and we might know that the stages of our ages were all wrapped in gold.
and maybe ink.
“and the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” (anais nin)
it was the rip in the petal that attracted me. this stunning white bloom in the woods, surrounded by underbrush, green leaves and many seemingly-perfect flowers, this was the one that stood out.
kintsugi is a japanese art. it is the practice of putting broken pottery pieces back together again with gold. it is metaphoric self-care. it is the celebration of that which is difficult making you stronger. it is the holding most gently and most admiringly that which is not perfect. it is creating something more beautiful, more unique and more resilient from something broken.
this bloom in the woods needs no gold. its purity and absolute allure are natural. it does not suffer illusions of self-conscious expectations nor does it pine over flaws nor does it wallow in the not-good-enoughs. it simply and silently leans toward the sun in all its glory.
and it wins my vote as the most-beautiful, dazzling the forest floor, reminding me, once again, to have gratitude for all the imperfections that make me me.
reverse threading 