reverse threading

the path back is the path forward


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so. to sew. [kerri’s blog on k.s. friday]

i used the old singer when i sewed the shutter-curtains for the nursery. i placed it on a piano bench and sat on the loveseat to sew. it was mama dear’s no-bells-no-whistles machine – the kind that is stored in a black case – and i was hoping that her seamstress skills would transfer to me as i stitched. i didn’t quite finish the curtains before our daughter arrived – a week earlier than expected.

i have another machine – a sears kenmore – from when i was about ten or twelve, i guess. it’s in a sewing cabinet – the machine stores down under the lid – and one can sit right at it to sew. i’ve sewn innumerable things on this machine. it doesn’t have bells and whistles either, so it’s a workhorse.

because i was dedicated to the art of sewing – at least back in the day – i’ve accumulated many patterns through the years, storing them carefully in a bin so that they would keep their tissue-pattern-integrity.

i just opened the bin and took them all out, laying them on the dining room table, organizing them to move them along. there are about 75 of them, many toddler patterns and craft patterns. the 80s and the 90s were craft-heavy times and i was right in there sewing bunnies and dolls, quilting pillows and piecing sweatshirt appliqués. the fabric store was an inspiring adventure limited only to your imagination. attending art and craft shows was glorious fun, a place to get new ideas and marvel at others’ craftiness.

it was quite late in the 90s when it occurred to me to show at these art and craft fairs as a musician. way different than concerts or even wholesale show marketing, i’d set up a booth with a keyboard and displays and play all day while simultaneously selling cds. the being-a-mom skill of talking while playing transferred easily from mom-ing to entrepreneur. providing music for the background of people – most notably, women – to shop with friends and linger over beautiful homemade objects was a joy and i sold thousands upon thousands of cds at these shows over the course of some years.

until, of course, the advent of writeable cds.

being able to rip a cd from another cd enabled the buying market to do-it-themselves and severely shrunk cd sales from independent artists.

and then came streaming, a death-blow to these same independent artists.

but i digress.

i wonder how many people sew now. i wonder if moms still make matching jumpers for their baby girls and themselves. i wonder if people are still sewing bunnies and dolls and pillows. with the bankruptcy of joann fabrics – a legend for those of us who devotedly bought fabric there – i wonder if imagination is sparked as brightly in small fabric departments of other craft-type stores; joann’s was packed with fabrics and knowledgeable store personnel who could answer most any question from aspiring seamstresses.

sewing is kind of like riding a bike. you think you’ve forgotten how to thread the machine – until you sit down in front of it and your hands automatically weave the thread in and out of tiny sprockets and around dials. you think you’ve forgotten the little tidbits of wisdom you’ve gleaned along the way as you lay out a pattern or cut or piece a few patterns together to craft your own iteration of something – and then it all comes rushing back as you touch the ever-familiar manila-colored tissue paper.

i thought i would just move all the patterns along. and then a few caught my eye. “i could make those overalls,” i thought, and “what an easy pj pattern” – and i was hooked.

maybe half a dozen patterns made the cut – to stay with my sewing supplies. the toddler patterns moved on – for other moms or for grandmas to joyfully create. the craft patterns will move on as well. i already have a yo-yo quilt in my future and who knows what i’ll do with all the sports t-shirts left behind by the girl and the boy. we’ll see.

the coolest part of it all – revisiting all these patterns – was remembering the fun challenge of a sewing project and the excitement of a newly-purchased bag of fabric, feeling my grandmother’s legacy surge through me, the expansive way creating creates more ideas for creating.

*****

LEGACY © 1995 kerri sherwood

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what endures. [kerri’s blog on k.s. friday]

when it fell from the tree, i doubt that this small branch envisioned any impression its fall might make. i doubt that it held any thought of impact, for it was suddenly a singular, solitary branch, away from other like branches, away from its tree. i doubt it held any real future in its mind’s eye. it just fell.

but the snow was soft and fluffy and the branch, falling from higher on the tree, fell with just enough oomph to sink into that snow, to carve out its shape, to lay still in a casting of itself.

and even if the wind had blown and lifted up the browned leaves of the tiny branch, which – in turn – lifted and blew the tiny branch out of its molded-snow-home and it ended up no longer right there – on the trail – in front of me, it would still have left its mark.

i passed by it. and in my passing by, i saw it.

i don’t know how many others passed by this branch lodged into the snow. i don’t know if anyone else noticed it, looked at it, photographed it.

but i do know that it made an impression on me. and i remember it.

and oh, that ever-percolating ancient question of legacy, of what endures.

it would do us each good – particularly in these times and in this place – to keep that in mind. the dimmest impression – though maybe even vague, even amorphous or indistinguishable – is still an impression. it may still be remembered. it still counts. it was there. it remains there in the continuum of time.

what impression do we want to cast?

*****

BLUEPRINT FOR MY SOUL © 1996 kerri sherwood

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countless stars. [kerri’s blog on k.s. friday]

the way back north – though we would have lingered on and on save for our sweet older dogga at home waiting – was beautiful. we knew it would be; we have taken these back roads every single time we drive to chicago. following the lakefront, through little towns and along ravines, the holiday lights on our way home – in the dark with full hearts – are always magical.

to sit and spend any time with your grown children and their partners is always a gift. some people are privy to that all the time – fortunate to live in the same town or very close by, fortunate to have time together often. others of us have less time together; proximity can be challenging, so the time together with them is treasured and exponentially valued. we are always grateful to have that time.

earlier this week we had a chance to be with our son and his boyfriend. we brought all the makings for a thai chicken soup, our son’s requested “christmas lunch”. we gathered for photographs by the christmas tree and visited in the kitchen while we cooked. hearing their recent adventures, their thoughts, their latest dreams, hugging them in real life – it’s truly the stuff that this holiday is made of.

i remember the day after christmas from growing-up times. it was a day that was kind of the denouement of the season. it was a slow day, a reflection of what all had transpired, a review of it all.

we kept all the decorations up for a while back then. i don’t remember taking them down as a child. this year i think we will keep them up a bit as well…keep the light going. the trees add warmth to the cold of this season, particularly at this corrosive time in our nation.

he said that he hadn’t had his chance to put the star on the tree before he was no longer welcome. but this year it was HIS home, HIS tree, HIS star. and he owned the very-important-moment of placing his own star on his own tree, undeterred by disrespect of him or biased bigotry. it made me cry.

no longer welcome. holding a ‘welcome’ ransom is as absurd and cruel as holding the star ransom. in the christmas story, the star represents the celestial guide to the manger. but, more so, it represents light in the darkness, hope, the arrival of love. love…that which should level the field for all, that which grants grace, reminds us of compassion and inclusion, of unity, of hand-in-hand support of one another.

on the way home we talked about the lights on people’s houses, in their yards, inside their open front windows. we talked about multi-colored lights vs white lights and our own interpretation of these.

although we both grew up with multi-colored-light-families, we both always choose white lights. for me, that simplicity is part of the season. for me, it’s like a thousand stars, constellations of beacons in the darkness, of hope, of love. white lights bring the galaxies of the universe inside.

this day-after-christmas will be slow. it will be a day of reflection and rest.

and it will be time to continue to keep the happy lights lit, countless stars surrounding us.

*****

TIME TOGETHER © 1997, 2000 kerri sherwood

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galaxy-size snowflakes. [kerri’s blog on k.s. friday]

“you keep worrying you’re taking up too much space. i wish you’d let yourself be the milky way.” (andrea gibson)

i don’t believe that snowflakes worry as they fall from the sky. i don’t believe that they have any concern for whether they will fit or whether they will fit in.i don’t believe that they are self-conscious or self-doubting or – even – self-aware. they just are.

they form, they float, they land where they may. and then, they just are.

it is clear to me that we do not occupy such a singularly thin space of reality or consciousness. but were we to, it would simplify matters. we would form and float and land and be.

and perhaps that would mean that we would each bring all of us to the space into which we landed. we wouldn’t bring limited or limiting notions of mattering. we wouldn’t bring devices or attitudes measuring importance or gauging hierarchal places of belonging. we wouldn’t bring open hatred or cruelty. we would just land…into a community of other snowflakes, gathered and scattered, all beautiful, and unique.

maybe it would mean that no one of us would feel compelled to rule the space, to take over the place where the snowflakes gathered. maybe it would mean that no one of us would feel like they were more a snowflake than the next snowflake. maybe it would mean that each of us would feel that we count. maybe it would mean that each of us would feel like we are important – galaxy-size-important – even in the middle of all the other snowflakes. each one of us. maybe that kind of valuing could save the world.

every snowflake. they accumulated on the adirondack chairs we left outside in the just-in-case there might be another warm enough day to sit outside or to be by the firepit. i didn’t brush them off. there was something compelling about seeing them – this tiny community of snowflakes – something that drove me to study it, really look at how they scattered onto the surface.

it would seem that – indeed – these snowflakes let themselves fly. unconcerned, undeterred by anything else, i imagine they each – in all their glory – made like they were as big as the milky way and – in all their grand single-snowflake-power – floated and twirled their way down to the very important space that would be theirs. and no one stopped them.

and then, there they were.

tiny individual flakes. taking up all the space.

and they stayed there. waiting for the next snowfall – when they would hear the laughter and joy of the next batch of flakes as they fell, glistening and swirling like diamonds from clouds.

perhaps we are too noisy to hear such glee, to believe in such magic.

*****

BLUEPRINT FOR MY SOUL © 1996 kerri sherwood

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cloaked. [kerri’s blog on k.s. friday]

“know then that the body is merely a garment. go seek the wearer, not the cloak.” (rumi)

and the babycat chair – cloaked in snow – shielded all from the view of its real soul. its new trapping hides its decrepit wickered weave. one would not know not to sit – certainly not to sit back – with snow covering this seat, this chairback. the babycat chair’s garment of white belies what is truly there.

and yet, this chair – the other day – seated a squirrel or two. as i watched out the window, they took turns sitting, munching on something i could not identify, comfortable squatting on this handy seat.

i – like you – have known plenty of people who have cloaked themselves in all the trends, who have kept up in fashion, who dress for the time and continually refresh their wardrobe. indeed, they look fabulous and, like just wearing the right couture, their vehicles and homes and sundries are all cloaked in that same shiny wrap. with some, it might be hard to gauge what is truly inside, what soul is silent, what soul is loud. we may not know but we are entranced by the packaging, the masking, the shell – that which is superficial, evanescent, transient.

the spirit of the babycat chair carries on, with or without snow. its aging – like the aging of barney-the-old-piano in our backyard – lifts up the unchanging truth that aging is not negotiable.

we – inside our cloaks – whatever they might be – transcend the broken wicker of what we put on to cover who we are. like the babycat chair – but exponentially – the spirit of what we mean, what we have meant, remains.

what do we each choose that to be, individually, in community, in this world?

*****

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bubblepokers. [kerri’s blog on k.s. friday]

from our perch in the sunroom we can watch it snowing. surrounded by glass, we have a good windowseat to the weather as it changes. it looked really beautiful ‘out there’ we agreed, also agreeing to throw on some warm jackets and boots and go ‘out there’ for a walk a bit later, as the snow accumulated.

we lasted sixteen minutes.

the wind was whipping off the lake and the snow was stinging our faces. brutal. it was not fun and it was definitely not comfortable. we pretended to be in the sierras on the pct, trudging our way to camp, to pitch our tent in the snow and rest. sheesh. just the thought of that made us consider a flipflop instead of a thru-hike. same miles, same terrain, different seasons.

“my comfort zone is like a little bubble around me, and i’ve pushed it in different directions and made it bigger and bigger until these objectives that seemed totally crazy eventually fall within the realm of the possible.” (alex honnold)

we both really respect alex honnold. he is an incredible athlete with downright top-of-the-heap courage. he constantly pushes himself, way, way past comfortable, every time expanding where his boundaries of comfort are.

in these years we have found that pushing the boundaries of comfort are necessary. we have found that immense amounts of courage are necessary. we have found that poking that safety membrane around us – as if inside a big luminescent bubble – is necessary. poking from the inside out, not the outside in. no bubble-bursting here.

we’ve made big steps in that poking.

it’s not like we haven’t poked-the-bubble before in our lives, individually or together, as artists, as humans. but – and i’m betting this is a common truth – poking-the-bubble is harder the older you get. and so, as we step out of our c-zones and into things more unknown, hard things, complicated things, scary things, we have a tad more trepidation, a bit of reticence, some good old-fashioned fear. we keep on.

so we are not intrepid snowwalkers, we see today.

no worries. there are workarounds. (not to mention a mostly-warm sunroom where we can sit at a bistro table and watch out the window.)

besides, our pokes are saved for other bubbles.

“the one thing you learn is when you can step out of your comfort zone and be uncomfortable, you see what you’re made of and who you are.” (sue bird)

*****

WATERSHED © 2004 kerri sherwood

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patina. [kerri’s blog on k.s. friday]

i just can’t keep everything. and right now, i’ve been more valiant about going-through-giving-away-selling-getting-rid-of.

and so, despite the really beautiful wood handle on this vintage cast iron meat grinder – passed down to me by my mom and dad – a manual kitchen gadget – a peck, stow & wilcox – from the late 1800s or early 1900s – i have decided to move it on.

we aren’t big meat eaters and we are definitely not meat grinders. as a matter of fact, i am hard-pressed to remember my mom grinding meat. and, as antiques go, our old kitchen isn’t big enough to add the meat grinder as a displayed collectible, even with its patina of worn-smooth wood, the curve of its handle, the working vice clamp – really, the whole curiosity factor. no, it is time to let it go.

in our economic blackout protest, we won’t be shopping today – or the next few days – and we didn’t the last few days – anywhere but smaller retail. over this weekend we may go to our favorite antique shoppe or we may stay in, continuing the big-clearing-out, maybe hiking as a respite from the going-through.

every now and then, as i touch something that’s been packed away, i pause for a few minutes. in the flash of memories that flies through my heart in those minutes, i do my best to detach from the item and simply attach to the feeling. some things are easy – the meat grinder is sort of one of those, despite its collectible value. some things are a bit more difficult or downright hard – an old felt hat of my dad’s, a mid-century modern black and blue ceramic ashtray i remember from forever, a cypress clock, my momma’s wedding dress, hobnail milk glass pieces – these all run wide that spectrum. my tinier-than-i-remembered horse collection, multiple plastic seagulls on wire stuck into driftwood, the metal yellow and white smile face wastebasket, an old bread box – these are also mixed and the ruthless-matter-of-fact-er in me takes a backseat to the flood of memories. but boxed is boxed and i am wondering what the point is if something that could be used by someone is simply boxed or binned away in the storage room in the basement, never to be appreciated, never to be purposed.

the hands that held this grinder handle, that cranked this, that churned out sausage or whatever it is the grinder is capable of, were hands related to mine. holding this handle is holding time-passed-by. it is holding people passed. and so i do a photo shoot of this cast iron piece, clamping it onto our kitchen table, appreciating its age, its handprints, its history – though i don’t specifically know it.

and someone will eventually purchase this – or we will give it away – and they will also wonder about where it came from, whose it was, how it was used and when. they won’t know, but they will have honored it nonetheless, just by taking it home.

and the meat grinder will start its next phase – maybe displayed – maybe put into use. and the story will continue – about a hundred years of story.

and we will stand firm in our blackout of the kind of purchasing that enables the most privileged wealthy, the oligarchs. we will stand firm in our pushback of the economic inequality, the DEI rollbacks, the administration’s corruption and bow to special interests, to bigotry. we’ll do the best we can.

as always we will scale back, be frugal, lighten the load we have, repurpose, minimalize our needs, support others who have less, hold onto what is truly valuable – memories, feelings, connections….the heart of it all.

because a hundred years from now – from the time of this very story – i would hope the patina of that future time would show the well-worn bruises and scars and hard work of the people who pushed back, the people who – successfully – held onto democracy.

*****

LEGACY © 1995 kerri sherwood

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who’s got time? [kerri’s blog on k.s. friday]

“life hack: stop trying to be cool. be nerdy and obsessive about the things you love. enthusiasm will get you farther than indifference.” (posted on barkersounds IG)

this could possibly be my new mantra. nerdy and obsessive and (possibly overly) enthusiastic.

indifference slays me. the whole aloof, apathetic, flippant thing. all that gets under my skin, which is particularly sensitive to all the stuff on the opposite end of the spectrum from nerdy, obsessive about the things you love, and enthusiastic.

so that might explain the excessive photographs of barney, the old piano in our backyard, losing keys and structure in each season, its patina dusty wood. it might explain the innumerable pictures of breck – in every season – its leaves – budding in early spring through its golden age in autumn. it might explain why i take a zillion photos and generally completely annoy my adult children with my wish to capture them on film (well, “film” so to speak).

my sweet momma was a person who was also pretty nerdy and obsessive about the things she loved and, most definitely, enthusiastic. her “wowee!!!” goes down in history as a word she owned, and each of us knows we are referring to our beaky when we use that word.

life is short. that becomes more and more apparent as the years go flying by. the age spots on breck’s leaves are like the age spots i find on my own person. everything is fluid and keeps changing and the youth of our budding – like our aspen’s – is fleeting.

i can see no reason to not be nerdy. i can see no reason not to be obsessive about the things i love. and – yes – i can see no reason not to be ridiculously enthusiastic.

i mean, who’s got time for anything else?

*****

GRATEFUL © 2004 kerri sherwood

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golden moment. [kerri’s blog on k.s. friday]

they were luminescent as the noon sun caught them in its grasp. magical. glowing. each individual seed seemed poised for takeoff, ready to catch the breeze, twirl and fly.

it is much like how i am feeling as i painstakingly go through the house … the bedrooms, the attic, the basement …

the memories all gather on the plume, ready to catch the next breeze and twirl in front of me, bringing me back to moments a long while ago – many decades or even just a few years.

they are golden, these memories, and i give them time as i touch the relics, leftovers saved. i’m trying to go slow, even as i wish to accomplish much quickly. my thready heart relishes what i can remember, even when it sorts to sadness, even when it sorts to tears. in the timeline of life, i am bobbing around like the crazy super balls we had as kids – the ones with bouncing trajectories you couldn’t predict. the wham-o super ball would zig and zag and i am zigging and zagging through time just like that.

sometimes i have to leave a box or a bin or a pile for a bit, step away and breathe through it. i have found that touching these objects – the tactile – makes it all real and up-close, almost like it’s now. and, because i am the sensitive, emotional type, i have to step back … back into the room, straighten up, look out the window, pet the dog, sip some water. it can be overwhelming, this going back stuff.

as the bins empty and the sorting keeps going – this is merely phase one – i can feel the space opening. i can feel the air of whatever is next. i will still save many things, though i know that perhaps some will be relinquished in phase two or three. it gives me a bit more time with the artifacts of my life.

and the treasured antiquities nod as i put them in the save pile. they know it is their golden moment – their chance to twirl for me, their flight with me. they are as luminescent as the plumes, ever so countless, glowing in the noon sun.

*****

HOLDING ON, LETTING GO © 2010 kerri sherwood

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and then. [kerri’s blog on k.s. friday]

with what seemed a millisecond between seasons, it is – clearly – fall now.

i had a list of places to go, places to show d. but the tropical storm/nor’easter put a crimp in all that. planting fields, millneck manor, blydenburgh park, hecksher park, every beach on both shores, out east – it was all on the list.

but the reality was that both time and good weather were limited. so in tiny bits of time, we went to the most important places. the other places will have to wait.

grateful to be home, we went to our favorite loop trail and immersed in the turn of the season, appreciating all the little and big ways it had changed in the week we had been away – a week that felt infinitely longer.

i readjusted the smart lights and the old-fashioned timers. d pushed the garden lights earlier. we refreshed happy lights and, and just a few days ago, i turned on the heat for the first time this season. i love autumn, but the waning light is a bit challenging.

any store we enter now is decked out in full holiday schmalz. that – i have to say – is too much for me. though i am completely aware this works for some people, it just seems too soon and it seems a bit tone-deaf to me, considering all that is actually happening.

as i think about the holiday season – knowing our adult children will not be celebrating here with us this year – i wonder about our own celebration. i have some seriously mixed feelings about it all. though being surrounded by lights and cheerful reminders of merriment and joy would be helpful, i also know that there is a tipping point – at least for me. too much of that might be like closing my eyes to the painful changes taking place right here, right now. it will be important to balance the hope of a season of light with reality. some of the merriment, the decorations, the glitter and ribbons and wrap might have to wait. just like millneck manor and planting fields, the beaches and parks of the island. sometimes just a bit is also enough for the moment.

in the meanwhile, we touch this season. we take cuttings of our plants to propagate for next year. we miss long, lazy light as it slowly disappears. we start to wear boots.

the time of fallow is coming.

fallow.

and then?

i truly hope that soon we here in this country are able to – driven to – resume the cultivation of kindness and humanitarian goodness, to regenerate respect and care for each person here, to break the toxic infestation of these days, to recover a nation of integrity, equality, generosity and democracy for all.

*****

MILLNECK FALL © 1996 kerri sherwood

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