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donuts and stars. [kerri’s blog on two artists tuesday]

“the optimist sees the donut. the pessimist sees the hole.” (oscar wilde)

i suppose this could easily be applied to aging. somehow, in some rush of years, i am 65. it’s still a wonder to me and it has now become clear why my sweet momma was so astounded when she was almost-94 and thought she looked like “an old lady” when she looked in the mirror.

like my sweet momma, we are choosing to see the donut. which, i suppose, means one day we will be astounded as well. (truth be told, we are a tiny bit astounded by some tiny body-change each and every day, but we are holding off on the big-time astonishment as long as we can.)

so instead of seeing – and ruminating on – what’s missing in the here and now, instead of trying to clarify the blurry of what’s out there ahead of us, we – as an ever-aging couple – yikes – are zeroing in on the gifts of the present, the sweet phase – as we are calling it, and tapping the rich potential of the future. there is so much we don’t know but we are excited about exploring what’s next.

artists don’t really have solid retirements. it’s risky business, this being-an-artist thing. we keep on keeping-on because it’s an imperative, a driving force. we write, we paint, we compose, we mold thoughts and questions and experiences and impressions into tapestries that we – vulnerably – put out there for others to read, see, listen to, touch, feel.

we work for the donut-lovers and the donut-holers. we are not selective. we believe art is fundamental. art provides access and awareness. we are simply part of the delivery mechanism.

and so, even as we get older, that doesn’t change. we look to times of new projects, artist residencies, experiments outside our usual mediums. we aren’t simply done. and, maybe, in the words of grace hopper, “we’re just getting started.”

regardless, every day we walk toward astonishment we have decided to do it with as much grace, joy, anticipation and gratitude we can possibly muster. we will be (gluten-free) donut-lovers in the sweet phase and we will reach for each star past the donut hole.

“we are all in the gutter, but some of us are looking at the stars.” (oscar wilde)

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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idris, richard, mark and ellsworth. [kerri’s blog on d.r. thursday]o

we walked out of the parking garage and up the grassy hill to the path along the lakefront. a perfect day outside, we strolled as long as hunger allowed us and then we turned around, completely sated by art and fresh air, heading for the public market and bowls of gumbo at the fish market counter.

the idris khan exhibit “repeat after me” intrigued us. layers of digital repetition, scores of music sedimentarized into a single panel, stamped words superimposed on stamped words, scribbles on top of scribbles, it was surprising and fascinating. beautiful – seemingly blurry – images in larger-than-life scale, it felt an interesting statement of the concurrence of everything as it happens in this plane. in the collections of classic scores, words stood out to me: presto…poco rall (poco rallentando)…tempo markings…because he allowed them to be visible, i wondered if they were adjectives of his life then or just simply part of the music he was layering. i admonished myself then, aware of the overly analyzing curator mode to which i was succumbing. i remembered seeing christopher wool speak…the curator was going on and on about the psychological underpinnings of his work and he sloughed it all off – he was merely creating what he liked, what he felt he wished to express. art doesn’t always need to be analyzed – it is sometimes just your heart speaking out loud, on canvas, in image, in wet clay, in melody, in haunting harmony.

walking through this exhibit – from room too room- i was so aware of all the music books, sheets, scores in my own file cabinets. i kept thinking of ways i could incorporate all my collections into art pieces – for surely, there is little use for some of it otherwise and it will certainly go the way of recycling that millions of pages of music-on-paper have already. perhaps even an accent wall expanse papered with pages – the genius of composers gone before physically surrounding a studio space. the energy – sans the analysis.

idris khan called us. but, as always, *richard and mark and ellsworth* were there for us as well – steadfast and notoriously inspiring. we stopped by to say hello and they nodded the quintessential guy head-nod, barely discernible but a clear thank-you-for-always-stopping-by. we wouldn’t miss it.

we drove to have gumbo, hearts full and talking over each other about what we had seen. and then, the ride home was quieter, reflective and flush, revitalized.

*****

*favorites richard diebenkorn, mark rothko, ellsworth kelly

read DAVID’s thoughts this D.R. THURSDAY

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undressed inchworms. [kerri’s blog on two artists tuesday]

embrace of life – by mimi webster, the john denver sanctuary, aspen, colorado

THIS is how i feel in the mountains.

all worries, concerns, things we are suffering or things too complex – shed – as clothing falling off, a nakedness of joy, exulting in the sky, the purity of air, the scent of early spring in high elevation.

THIS is how i feel there.

it is not unlike how i feel at the side of the ocean, with waves lapping my feet, infinite blue meeting aqua on a horizon too far away to particularly discern, salt air sticking to my hair, sun beating down, uninhibited.

it is recent discovery that we realize it is a new time. though we both are – and have been – aware of the tenuousness, aware of how nebulous it all is – and one of us distinctly more thready than the other – we are beginning to see life in smaller morsels. we are not sprinting past on our way to somewhere which will ultimately be on the way to somewhere else. instead, we are slower and more deliberate. we are undressed inchworms – exposed – in miles and miles of life. intentionally.

at the entrance to the john denver sanctuary, embrace of life stands, gloriously. i needed no reminder. i walked in – throwing my head back to the sky – throwing my arms out to collect it all, to wrap in it, to bring it all home. my heart is open. wide open. air rushes in as we walk among boulders chiseled with lyrics and prose. each moment is shimmering.

THIS is how i feel.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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grinning. [kerri’s blog on k.s. friday]

we waited until the really torrential rain stopped before we drove on to aspen. the forested slopes, sagebrush-dotted mountains and an amazing canyon are just too much to miss in driving rain. the marmot, the bighorn sheep and the mountain goats were all out on our way there – the reward of patience and not rushing. they grinned as we went by, slowing to gaze at them, all pretty close to the shoulder of the road.

we were gifted with a herd of elk lounging in a meadow on our way back from the ditch trail. it’s not to be underestimated – the size of an elk. they grinned at us from the field and told us that the real hulksters – the moose – wouldn’t be making an appearance that day.

and then, back a couple hours on the other side of the canyon, right in the middle of breck, this tiny family of foxes. momma fox watching over her kits, the incredibly adorable curious little babies romped around the old building, scurrying from one plaything to another, scooting under the foundation. none of them seemed fearful and we were grateful that people weren’t chasing after them like the nincompoops in national parks seem to be doing these days. they were grinning at their audience, just happy-go-lucky-living life and momma fox was watching over her brood carefully. we were enchanted.

we saw them a few times while we were there. each time we laid back, quietly watching, enthralled at their courage and delighted at their zeal.

this is always a hard place to leave – these mountains. we try to make the most of the gloriousness while we are there. every breath here counts.

and i wonder if someone is watching from some other planet or galaxy or dimension. they can see us – david and me – romping and scurrying, playing and scooting – just like the baby fox. they might think we were just happy-go-lucky-living life. they might be enchanted.

and we’d be grinning in response.

*****

EVERY BREATH from AS IT IS ©️ 2004 kerri sherwood

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read DAVID’s thoughts this K.S. FRIDAY

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the spirit with us. [kerri’s blog on two artists tuesday]

you can feel it.

there is a spirit in this place – the john denver sanctuary in aspen. it is palpable.

we go there – specifically – to feel it.

because it feels like the past, the present and the future all at once and – here – it all wraps around your heart.

we are both john denver fans. not the ridiculous push-to-the-front-of-the-crowd-for-a-signature type. just the quiet, eternally-grateful type. he has inspired us. he has inspired me. he made the simple melodic gesture a visceral thing. he elevated folksy messaging and storytelling; he reinforced the beauty of a lack of adornment. simplicity.

and when we stand in this beautiful place – designed to honor him, his composing and songwriting, his vision of the world – we are standing in and with his spirit. and you can feel it.

we slowly walkabout, arm in arm. we hum the songs chiseled into granite boulders. we stand immersed, pondering, in front of quotes of john muir and leonardo da vinci and helen keller and rachel carson and jacques cousteau.

we seek out annie’s song.

and we can feel it. the spirit in this place.

we feel at home here.

we stroll away and take it with us, carrying it in-between the times we stand there.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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not normal. [kerri’s blog on d.r. thursday]

“starlight. starbright. first star i see tonight. i wish i may, i wish i might, have this wish i wish tonight.”

he said, “you’re not normal. you two are not normal.”

he didn’t mean it in a mean way. in fact, he quickly explained it was a compliment. he elaborated that it was his way of saying that we lead with creativity and artistry and that just isn’t a normal thing, that we don’t necessarily give credence to how naturally that is a part of who we are, how we move in the world, what we do with our time.

because our success is not measured like the success of others, it’s a little hard to take in this compliment. the success of our imperative is measured in resonance with others, in touching hearts, in poking thoughts, in giving space. the success of others is measured in salaries and annuities and perks and material goods. there is a vast disparity between the payroll of the artist and the payroll of the white-collar-ed.

at the queen tribute band concert we attended there was a woman in the next row who held an intense conversation during intermission. she spoke about their son who had chosen a different route – not to go to college – and who was succeeding mightily nonetheless. she spoke about how others looked disparagingly upon him, but how she supported his choices. the most telling thing she said was, “at least in life he isn’t doing a job he hates.” i did a double-take. the tone of her voice, the look on her face showed she was underplaying her own feelings. she is clearly doing a job she hates. for the long haul.

we’ve all had jobs we hated. it’s a fact of life. bills need to be paid, obligations need to be met and we are responsible people.

we talked about this on the way home from the concert. eh…who am i kidding? we talk about this all the time.

our life is different than most anyone else’s we know. our dreams are maybe a little different too.

we immerse in moments that remind us of the good fortune of merely breathing. we flail in moments that remind us we are not “that kind” of normal. but seeing stars in dried flowers and hearts in verdant underbrush and angel wings in clouds and appreciating the sunshine on the quilt, the old birdhouse on the mantel, the tiny cairns on our shelves, the harmonic overtones in the air all remind us.

i wish i may, i wish i might, have the wish i wish tonight…

to not worry. to know that this work that we do in the world is valued. to feel some of the same ‘normal’ as most of the people around us.

but if i have to worry and wonder and feel ‘not normal’ to be the artist i am, to maybe have something i do resonate with someone else, touch them, make them think, change them a tiny bit, give them a little space of peace, then i’ll take it. because i don’t hate what i do.

because i love doing what i do.

*****

read DAVID’S thoughts this D.R. THURSDAY

SEE AN OWL mixed media 24″x48″

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the towel. [kerri’s blog on not-so-flawed wednesday]

the first sentence in the new york times arts section front page article reads, “chris domig was ready to throw in the towel.” but then…

for years he persevered and persevered, through thick and thin, this dear friend of david’s. a consummate actor and dedicated off-off-broadway theatre co-founder and artistic director, he was not hindered by the somewhat invisible but definitely impenetrable wall in new york city’s theatre world. and then…

the front page in the arts section belies the rest of the story. but every artist knows it. the ever-present imperative to create and to succeed, not only from a soul place, but from a place where you just might be able to afford to pay the bills, to have a littlebit extra, to hold the esteem of your colleagues, to be recognized. you hold the towel close, knowing that at any moment it might be the thing you do – you just might throw in the towel.

chris decided to take on mitch albom’s tuesdays with morrie. but it took a long time to land. everything takes longer than you think. a long fermata of longing. every artist knows this. most craftspeople know this. most philosophers know this. poets write of it. composers strew melodies around like patio lights. painters throw paint and prep canvas time and again. dancers pirouette, spinning ever faster. writers wordsmith, deleting and reading and elaborating and deleting. beavers in bogs – singularly focused, ridiculously hard work – and the tree still stands. and then…

the sea dog theatre tells this remarkable story – tuesdays with morrie – through the interwoven magic of len cariou and chris. it is earning high regard and the reviews are outstanding. it has landed.

and the towel is set aside.

*****

LONGING from AS IT IS ©️ 2004 kerri sherwood

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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9 to 5’ers. [kerri’s blog on saturday morning smack-dab.]

she said it: “we’re 9 to 5’ers!” and i laughed. “so are we!!” i replied. and, most days, it is pretty much true. sleepynightnight time comes earlier these days – with exceptions – and so does the first coffee in the morning. much earlier. and i like it this way. there is nothing like the sunrise streaming in the window, spilling onto our quilt, dogga at our feet and hot coffee in our hands. perfection.

in life, though, neither of us has spent all our time as a 9 to 5’er – in the traditional sense. though we have both had positions in professional arenas, we have mostly spent our lives either working for non-profits or in entrepreneurial projects and ventures. neither of those are 9 to 5 jobs. they are whenever-wherever-however-you-are-needed jobs.

from an earnings point of view, these are usually not spectacularly paying positions. they are not laden with benefits; they generally do not provide any kind of annuity or retirement.

from a practical point of view, there are often not enough hours in a day to do all the work you invest in when you sign on with a non-profit. it takes a big heart and an absence of calculators and time clocks to keep moving the soul of an organization forward. one would be saddened to divide salary paid by hours worked. instead, it takes true joy and every good intention. because it is about service and about passion, patience and resilience. from indeed, “when working for a nonprofit, the work you’re doing is meaningful. instead of working to grow a company, you’re working to make a difference.” the bottom line is mission. 9 to 5 flies in the face of nonprofit anima.

it is what it is.

we drove – early morning – to milwaukee a couple weeks ago. in the thick of commuter traffic and travelers, i was reminded that this was somewhat unfamiliar for me. it was a little hard for me to grok the unhappy faces of drivers around us. maybe they were heading to the 9 to 5. maybe they were tired of the grind. maybe they were just tired. i don’t know.

it prompted conversation between us about the kind of hours we worked in various service organizations and institutions over the decades. always on some kind of salary, those hours weren’t etched in stone. there weren’t time sheets and – likewise – there weren’t end-of-year bonuses. there were giant ideas and creative collaborations, camaraderie developed through shared interests and abilities, dedication with real-live love at the core. that stuff isn’t etched in stone. it’s soul.

i laughed when kate said they were 9 to 5’ers, for they are now retired and volunteering up a storm. but i agreed. for we are as well.

early to bed and early to rise. we are – at long last – real-life 9 to 5’ers.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2024 kerrianddavid.com

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glimmerwand. [kerri’s blog on two artists tuesday]

the magic wand – infused by the sun – stood tall in the reeds. if only i could pluck it out and take it with, still full of its magic, still glowing, i thought.

it was a brilliant day. the sky blue-blue, the air crisp, the trail ready for us, quiet, winding. we pass by marshes and bogs and woods – the hoofprints of deer preceding us, crossing the way from safe-place to water source.

and then the magic wand glimmered and reached out, tapping me on the head, bestowing glimmer magic, begging the question: and what will you do with this?

i carried the glimmer as we hiked. it was quite like carrying a toddler – full of energy and zeal, ready to get down out of my arms and run, run, run. the glimmer knew that it had work to do and there is no time to spare. for the power to light dark places is not to be underestimated, the ability to drop a spark into ash is not to be underplayed. the glimmer was anxious and excited, both.

and yet, the magic wand knows this: that relighting the dark and touching the grief of flame doused by others, the pain of trauma caused by others is not easy. dark cannot be readily relit if there are only shadows and no room for light. grief cannot be easily eased if there is no corner of the heart untouched by it. pain cannot be addressed without balm to the wound.

the glimmerwand was trembling at the end of the trail, still held in my arms. i wanted to hold onto it, to believe it would be that simple.

but the wand knew better. like the extended finger of ET the extra-terrestrial, it touched the center of my chest, through down vest and thick thermal and baselayer shirt, directly to my heart.

and it told me it would always be there – this light from the sun. it would wait and wait. and it would be with me – with me – diffusing fear, enlivening exhaustion. and i could reach down and touch it any time, this glimmer, and it would warm me up from inside out.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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tuliporchid. [kerri’s blog on two artists tuesday]

the tulip was exquisite. grand and graceful and svelte and without wrinkle. it was stunning – even in its never-blooming. and then…a few days went by. days, in the lives of tulips-in-vases, are years, decades in the lives of humans, i suspect. it held on for many of those days, petals smooth and tightly wound in its bud. and then.

we glanced at it – this vase of flowers on the table – pale pink that had kept us company, had given us pause.

and there, in the place where there had been a tulip, was an orchid.

now, you might argue, that’s not an orchid!

but i would counter that with this: if a tulip – in its next phase – wishes to look somehow like an orchid, wishes to open its petals in an orchid-like ballet – who are we to question it? must the tulip mimic the orchid perfectly? or is the nod to orchid, the bow to that maestro enough?

the orchid, tulip, dandelion theory and study … a categorization of life. are we smack-dab in orchid: highly sensitive, beautiful flowers that need very particular environments to thrive? are we firmly entrenched in dandelion: low-sensitivity, hardy, resilient, adaptable, which can grow virtually anywhere? or are we nestled in tulip: which falls somewhere between the two extremes of the sensitivity scale?

yet i wonder. do we cross over? do we linger in the liminal space between flowers? do we stretch our limbs to touch orchid? do we relax to be dandelions in the breeze?

maybe this tulip wanted a moment to be seen almost as an orchid, to feel almost like an orchid, to experience orchid.

or – maybe – this tulip was part orchid all along.

and i wonder…what i will be in the next phase of life.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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