i just heard about darn tough hiking socks. they are known for their comfort, durability and fit. they wick moisture and are anti-blister. these are all important features in a hiking sock. heck, they are important features in living life.
the river rises and falls. we have seen it spilling way across the trail, with trees looking like they are standing in a bayou, water so stretched out it looks less like a river than a lake. we have seen it pulled way back, the level low, the riverbed exposed, turtles with no place to hide. it surprises us to arrive and see it so different from the last time. and it doesn’t surprise us.
everything is in flux. everything. and i suppose i am surprised and i am not surprised.
it all rises and falls. it spills over and recedes. life gives and takes. successes are jubilant, disappointments are despairing. relationships flourish and barely hold on…connection replaced by disconnect replaced by connection. well-being is momentary. we are secure, we are imperiled. we are flush with excitement and trembling with dread. such a dichotomy, this living thing.
it reminds me – once again – of an interview i heard with an elderly woman of 95. she was asked how she managed to stay vital and engaged for so long, to stay robustly healthy and remarkably positive. she just gracefully rode the ebbs and flows, surfing the river-bayou-trickle and its continual changes. she answered, “i take nothing personally.”
they must have modeled the socks after her. comfort, durability, fit, moisture-wicking and anti-blister.
in downtown chicago, it is not uncommon to walk under highways or tracks carrying heavy railroad cars, the metra, the el, freight carriers.
but out on a trail, meandering alongside a river, through meadows and forests, passing fishermen and being passed by marathon-aspiring bikers, with turtles and baby snakes, heron and mosquitoes punctuating our hike, it seems really odd – and slightly unnerving – to walk under the “i”.
you can’t help but look up at the cars and trucks going 70 or 80 mph just above you. i shudder to think of the infrastructure problems that might abound. 86% of bridges in the state of illinois are considered acceptable. i just want to be sure this particular bridge is not part of the other 14%.
as i have some trepidation under vehicle and railroad bridges, my imagination is working a little overtime as i slither underneath the overpass, my eyes on the light coming from the other side. it’s much cooler under the bridge – and surprisingly quieter than before we entered – and there is a pigeon who is touting his wisdom for hanging out where it is sheltered. but most pigeons are not civil engineers nor do they really worry themselves about that sort of thing. i speak softly to it as we pass; it’s not frightened, even of us.
of all the trails we have taken in our general area – i have to say this section hike of the river trail was the least satisfying. we were in a triangular map-section of three large highways, including the interstate. so we weren’t ever far from the noise. and noise – and general hubbub – is what we are trying to escape on a trail. nevertheless, i’m glad we section-hiked that part. it surely makes us appreciate the rest of the trail, in quieter areas, removed a bit from the ruckus of daily life.
perspective is a funny thing. there are times we get sort of lax in appreciation. we take for granted the everyday luxuries of contemporary life, the ease of movement, our connections to family and friends. we see same-same through the same eyes. it’s a theme with variations.
and then, there was the pigeon. it found its safe place under the underpass – a place where it was cool, where the river ran and it could sip, where the insects and worms might be plentiful, where passersby might toss it a morsel or two. it didn’t seem to mind that the interstate was directly above, that this spot was not nirvana for most.
idyllic is in the eye of the beholder. so is wonder. in a busy world, they are easy to miss, easy to same-old-same-old-put-aside.
so, instead of dissing the trail that went under the interstate, i’ve decided to be in amazement that we walked under a road that hosts a daily average of 1.5 million cars of people driving to their destinations. and that on the way back on our eight or so mile hike, we could stop and linger with the pigeon, out of the hot sun.
sharpening the dulled, putting new eyes on the ordinary.
buymeacoffee is a “tip jar” donation site where – if you wish – you can help artists continue to do their work in the world. thank you for considering this.
we were on the mountain past the junction where the blue trail met red, in the middle of the red trail, heading to yellow. it was considered “moderate” but i wondered what temperature it was outside when someone deemed it “moderate”. because at 90 degrees and humid, it wasn’t feelin’ too moderate.
the day before we had climbed to see a waterfall and then took the trail up from there. up, up and away it went and with north-carolina-mountain-summerish temperatures, we were lucky to find a cool stream at some elevation. david climbed down and dipped the bandana, which i wrapped around my neck. that helped. we got to a spot where it was purely a scramble up boulders and decided to turn around. frozen shoulder and high heat aside, it wasn’t as inviting as advertised. we hiked back down.
back on red, with a branch-ala-trekking-stick in hand, i tried to decide which way to go. back would mean a trail i already had climbed – and i knew there was a lot of up on the way back as well. forward would be a lot longer, but would also mean completing the trail.
to be clear, we were not flip-flopping it here. we had full-on hiking boots on our feet and carried small backpacks with water and snacks and our alltrails app, a wonder of science and technology. thankfully, we had the bandana and there was a stream punctuating our hike.
i’m pretty stubborn most days. if we are walking around town – our own or this mountain town we are currently in – we love to wear flip-flops. we actually haaave hiked in flip-flops, though i wouldn’t necessarily recommend it. standing on the red, even with my boots, i wasn’t sure which way to go. i was overheated and my knee was screeching a little at me. i drank some water and grabbed my stick.
we kept going.
the hike was about six and a half miles, which doesn’t sound too bad, except for the stats said we had also climbed 47 floors. mind you, those are not like the twelve levels of steps in the parking garage after the ej concert. these floors are indicative of elevation and don’t mention roots and rocks and clay and loose pebbles. and humidity. did i mention it was hot?
it’s usually roots that get me. i mustn’t pick up my feet. i don’t know. what i do know is that david – always the genteel and solicitous husband – reaches out his hand or places his shoulder at arm’s reach. he steadies me so i don’t bounce off the side of the mountain or land – never-too-gracefully – in the middle of the dirt trail. he offered to turn around, reassuring me it didn’t matter which way we finished.
sometimes he talks about my shoe choices. but on the side of the mountain, sopping cool bandana around my neck, more than halfway there, he was only encouraging. our conversation about shoes was only about finding new hikers that will take us to yet more adventures. maybe something even more sensible, even more sensitive to our foot-knee-back-hip-shoulder – full-body – needs.
the red trail met up with yellow. i was grateful. mostly, though, i was really happy when yellow met back up with blue. yeeeeeha!
we made it. the whole hike.
and then we sat on the front porch in bare feet sipping a good red watching the traffic go by.
in much the same way i draw sunrises over mountains, the boardwalk turned ninety degrees on a dime, with meticulously pieced craftwork, through the swampy area and across, back to the dirt trail.
we pondered how long it took volunteers to build this boardwalk…likely out in hot summer sun, working to span the distance between solid earth trails and protect the vegetation and water below. when you are out hiking in the middle of nowhere and come upon a boardwalk or a little bridge or, remotely, a bench, it is a reminder that you are not stepping there first and you are not stepping there alone.
time and again we watch backpackers like joey coconato or the wanderwomen forge streams and rivers. we marvel as they step carefully across, deliberately placing their feet with caution. occasionally, there is an unexpected suspension bridge or a big placed-log that helps. trail magic is not just water bottles and snickers bars. it’s the work that someone has done before you. someone who really cares. in this case, early-on-in-the-hike of pink-bed-trail, those someones built this boardwalk. in service.
extreme wind had blown down many trees on our trail along the des plaines. some of them stretched across our pathway and we climbed our way over them. we know the next time out they will be moved, for this trail is well taken care of. the work of those tending it is to make hiking possible for the rest of us. in service.
the winter show will be pulled down on january 9. artists of various medium brought their work to be juried into the gallery space on the lake. they chose pieces they felt were relatable, pieces that would hang well, would absorb and reflect light as it streamed through big windows. a lot of people went to the opening, including us, with masks. and then the crowds left and the art center had regular hours through the holiday, inviting patrons in to view art and trees lit with the season. we’ll pick up the painting next week, unless there is an offer on it. the curator will breathe and design the next show. and people will have been moved by acrylic and clay, watercolor and fibre. sun will light the wood floors and curl around dark corners and artists will create at home for the next time, the next chance to elicit the silent conversation between viewer and artwork. in service.
we watched carole king and james taylor in concert sunday night. it was two hours of bliss. easily two of the most talented songwriters of all time, their camaraderie is exquisite and the music carried us both back. at one point in the airing, there was a moment that carole shared thoughts about performing. she spoke about bringing music to others as her job, and she continued that it wasn’t for herself that she writes, plays, performs. songwriters, composers, performing artists. connecting to hearts of people, challenging them, reassuring them, moving them. in service.
a bridge spanning a raging whitewater river in the middle of nowhere…is it appreciated? a boardwalk built on a trail in the middle of somewhere…does it make a difference? a cleared path…is there gratitude? a painting that hangs with no viewers…is it seen? a piece of music with no audience…does it reveal its magic?
now i understand. at least, i am beginning to understand.
my sweet momma and poppo would linger…watching birds, gazing at flowers, studying the horizon – be it shorefront or mountainside, cityscape or tiny town or rural farmland, slowly taking it in. in the hurry-hurry of my younger years, i would scurry past, noticing but maybe not really.
i am moving slower now. not because i can’t scurry, but because i am choosing to list to the linger side. though we still watch re-runs after re-runs of joey hiking and climbing and backpacking and pitching tents any and everywhere, imagining ourselves in those canyonlands keeping up, imagining ourselves on the pct or the john muir or the colorado trail, i know that our pace would not match the pace of joey or the exuberant younguns on heading somewhere or walking with purpose or the meticulous norwegian xplorer. we would be slower, lingering, lingering. i’m not sure that would get us from point a to point b successfully or in a timely manner, but i’m thinking that our definition of ‘timely manner’ may have to just be different. because now – in the middle of this grand middle age – is different.
for now i want to watch the birds and gaze at flowers up-close. i want to stop and stare, drop to sit on a nearby log and take it in. i want to notice the intricasies of all of it, the undertones, the overtones.
as i look at the close-up of this milkweed trailside i am struck by the layers of detail. it somehow makes me recall decisions between the major chord and the relative minor, a continuum of impact. it makes me think of melodic gestures, a spectrum of color and of grace. a horsehair brush extended from the heights of the universe, painting perfection in the woods. artists’ hands waving paint on canvas, cupping clay on a wheel, flying over the white and black on a piano, coaxing lines that make you weep from a cello. all the same. creation in all its iterations.
on the call pat told me that the music – my music – had harmonics, tuned with the universe, that made her travel. humbling.
for i see that is what my momma and poppo were doing. traveling. they allowed the beauty around them to touch them, to slow them down, convincing them – in all the infinite glory that beauty -and art- can muster – that ‘a timely manner’ was relative, that time was relative. that time spent in a slow linger was precious.
“duh” went through my mind when we hiked past this sign on a high mountain trail in aspen. every time we hike – absolutely anywhere – we are nice and we say hi. that seems pretty basic. “what’s with the sign reminder?” i wondered.
most trails in high elevation are shared. hikers trek, mountain bikers bike and equestrians ride – all on the same trails. kindness, mostly, prevails. friendliness, mostly, is at the ready. in this covid-19 time, with some exception, masks are pulled up as people pass each other face-to-face; safety is, mostly, first.
but there is always that element. any where. those who do not share well. those who do not trail together. those who are not nice. those who do not say hi. those who don’t even wave. those who need reminding. those who need signs.
today is – finally, at long last, after an interminable political season – election day.
given the run-up to this day of threats of national security, of people in trucks chasing down buses from the other side, of the president threatening to sic the supreme court upon the election, of mistruths of voter fraud, of concerns about gun-toting and armed observers at the polls, of covid-19 superspreader rallies held by the leader of the free world in a country raging with pandemic, of any number of examples of malfeasance by leadership et al, it would seem that signs might actually be necessary. basic signs. signs to remind people how to be. signs posted in most kindergarten classrooms across the land, from sea to shining sea.
signs that say, “be nice, say hi!”
signs, well, freaking everywhere.
because people are exercising their right to vote. people are having a say in this country that we all share, so that people can trek and bike and ride, metaphorically speaking, all somehow together on the same highways, the same backroads, the same trails, in the same states, in the same communities, the same cities, the same schools and businesses and religious institutions, the same neighborhoods, the same workplaces, the same clubs, the same friend-groups, the same families, across this vast country. people are voting so that their voices are considered, so that they are included, so that they can share in this democracy.
on the never-ending, incessant, ceaseless, uninterrupted, tedious, wearisome campaign trail, maybe the signs would help.
not being a real true climber, i’m not sure if the above statement is really true. what about the “hit. climb. hit. climb.” of ice-picking your way up? what about crampons? what about ropes and aluminum ladders perched against the icy pitch?
i do, however, know this quote has good intentions.
we are hikers. trekkers. i/we have never used a rope or crampons or ladders or ice picks to get from point a to point b. and watching a mountainload of everest and k2 videos, documentaries and movies hardly makes us experts in the area of climbing. we are not even novices.
but, in terms of the metaphor of this quote, i can relate.
surely, climbing a mountain with nothing to grip onto would be nearly impossible. all organic. all analog. i’m sure alex honnold would agree that if there is nothing at all to hold, with either his hand or his foot, that would make free-climbing such a face a feat of the imagination. there has to be something. some overlap. some crevice. some tiny blip of rock. something.
so. enter the rough. or, in the case of the metaphoric quote, rough times. how would we ever get to the top without them? would we actually recognize the top? would we appreciate the top? would we scale the uphill were it smooth? could we?
or did some smart-ass mountaineer quote this just to mess with us?
clearly, the men and women who have climbed everest with all its personality traits, its twists and turns, its icefalls and crevasses, its sharp ridges and its deep snow have dealt with all of it. they have not turned away as it was too smooth. they have not turned away as it was too rough. they have persisted.
and maybe that there is the point. despite the rough, the smooth, the easy, the hard, the oxygenated, the death zone, the chilling cold, the sun heating the seracs, the avalanches, the perilous altitudinal affects, the glorious summit stands ready.
the mountaintop. it’s there for anyone who just keeps on going. through it all.
reverse threading 