reverse threading

the path back is the path forward

Tag Archives: history


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the chair that brought him home. [kerri’s blog on merely-a-thought monday]

it’s a classic story. an age-old story.

it was after a photo shoot – for pictures with which to list it for sale – that i discovered it.

this old rocking chair had been with him for decades. his studio chair, he bought it in a colorado mountain town and it traipsed along with him, re-homing down south, to los angeles, to seattle. it was one of the few items – outside of paintings – that made the cut when we moved him here in a budget truck.

when it arrived here it became a studio chair once again, tucked into his basement studio next to the rocking chair in which i rocked my babies.

but now, in the process of cleaning out and going through, he has decided it has run its course. this beautiful chair needs restoring. caning is missing and, if someone rathers finished over organic, it needs sanding and some good varnish. with really good bones and a decade of life-patina, it’s ready to move on.

we brought it upstairs for the shoot and i took photos of each angle and turned leg. doing research on mission style rockers like this i came across where to find identifying information. so i went back out into the living room to look more closely.

and there it was.

the word “wisconsin”.

to say i was a bit stunned would be an understatement.

diving into it, i discovered that this chair was made by the wisconsin chair company in port washington – just up the lakefront from us sometime around the early 1900s.

this chair – after a century of domestic travel – had come home.

i asked him if he wanted to keep it – knowing this new detail of the chair’s history. he said it was still time for the chair to move on, to be loved into renewal.

i’m wondering if this rocking chair had anything to do with david finding home – after a lifetime of living other places. if this chair somehow had strong enough ties to this place that it created the circumstances in which we met. if this chair had a gravitational pull back to wisconsin so strong that it brought david here, instead of the reverse. if this rocking chair brought him home.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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waltz in the gazebo. [kerri’s blog on k.s. friday]

we had the gazebo all to ourselves. it is likely that the tropical-storm-nor’easter had something to do with this. no one seemed inclined to be strolling about, nonetheless lingering on the gazebo.

so we danced. on the rain-soaked boards of this beautiful age-old gazebo, we waltzed to the music on my phone – the cherish the ladies instrumental if ever you were mine – the very piece we irish-waltzed at our wedding, surrounded by a circle of family and friends.

and on this dark starless night, with rain drifting in under the domed wood of the gazebo, it was not only magical. it was a little bit healing. it was sacred.

for here we were – both literally drenched – all alone on the gazebo of my youth – lifting the cellophane of the old magic slate – starting a new history.

just a couple people passed by in the park, walking the edges of the harbor. they paid no attention to our slow dancing. much is the way of new yorkers: you do you they imply.

we weren’t looking for an audience, so that was good. we were just sinking into the night – in the middle of the storm – in the middle of the storm.

and i could begin to feel the old break away a bit and new replace it as our feet got jumbled together in the waltz we hadn’t waltzed in a while.

i clicked play a second time, lifted the cellophane a second time.

just to make sure.

*****

SLOW DANCE © 2002 kerri sherwood

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read DAVID’s thoughts this K.S. FRIDAY

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sustain beauty. [kerri’s blog on d.r. thursday]

it was a spontaneous excursion – an unexpected morning a bit ago with no obligation. we got in the car early and drove down to the botanic garden.

as we came around the corner, d stopped and asked me to take a picture. the tree – shaped like a square – was something out of cartoonland. a filled-with-wonder dr. seuss and winnie the pooh mashup. this morning at the garden was definitely what we needed.

every step got slower. we paused and lingered over blooms; we drank in the quiet. this time of day in the garden was divine. we vowed to go more often, to soak up this place – so much beauty, such intention to sustaining it.

it’s really what i cannot fathom: the idea of not working to sustain the beauty of this country, instead, working to destroy it.

the list of places we’d love to go is lengthy. they are not shopping malls or shipping warehouses or land massacred for its resources. the list is the quiet places. the places of grandeur. the places that are understatedly glorious. the places that are wild, that are wide-open, that embrace all who step there.

sustaining the beauty of this country is not just about the environmental legacy of its sea-to-shining-sea. it is about its history – the good, the bad, the ugly. it is about the learnings, the coming-of-age into democracy – rights and privileges deemed law for the populace. it is about the diversity of its people, the gifts that we each bring – spokes in the wheel. it is about the sustaining of care and concern for each other, empathy as a moral code, compassion as a north star. the list of places of integrity within the hearts and minds of those in positions of leadership.

for those who do not wish to perpetuate goodness, who wish to forward messages of hatred and cruelty, who have no intention of sustaining beauty of any sort – these are people i cannot grok. it is impossible to wrap my head around the embrace of such immorality. it is impossible for me to understand such a disregard for decorum, for human dignity, for the wonder of living in the universe, for peaceful coexistence.

“unless someone like you cares a whole awful lot, nothing is going to get better. it’s not.” (dr. seuss)

someone like each and every one of us.

*****

read DAVID’s thoughts this D.R. THURSDAY

WEEPING MAN 36” x 48”

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this old door. [kerri’s blog on two artists tuesday]

i’m not sure which old door it is, which doorway it graced. it was white when we carried it up from the basement storage room and placed it outside in the garden, over by the ferns, under the big pine, leaning against the old garage by the window. that this door began to peel back, revealing its rich green history, seems a meditation.

this very day – july 29 – has been a day of days through the years. the history peels back in my heart as i remember, back and back. i stand on the deck this morning, gazing at the old door that frames the beginnings of a rock garden, and nod to myself – in deference to the opening and closing of chapters.

the book of my story with this old house began on this day thirty-six years ago as we moved in, a hot midwest summer day filled with a u-haul and boxes and many hands of people helping. it has – as all stories – taken many turns, followed a windy – and sometimes broken – road, running parallel with the rest of life in all its iterations, all its paths and branches. but as i stand on the deck, admiring the door that is vulnerable to the weather and the sun, i know how far i, too, have come, how exposed my heart – to life.

it is no wonder i feel a certain attachment to old doors and windows. it is no wonder i am fond of peeling paint and the not-quite-perfect. it is no wonder i feel an affinity to this door in the garden over by the ferns, under the big pine, leaning against the old garage by the window.

there is so much more to yet reveal. layers back, layers forward. i can only hope be as beautiful as this old door.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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wilted. [kerri’s blog on flawed wednesday]

there are definitely days – many of them – during which we would love to just run away. go to some far away remote place and hole up together, sans current events and other people. because it is all sometimes unbearable.

a writer and former pastor, john pavlovitz said it well, “the greatest tragedy to me isn’t him. it isn’t the reality that the person in the highest seat of power in our nation lacks a single benevolent impulse, that his is impervious to compassion, incapable of nobility, and mortally allergic to simple kindness. the greatest tragedy is how many americans he now represents – and that he represents you.”

there are too many “you”s.

and, like this dill in the middle of the heat-dome-heat, we are wilted. because it is exhausting. utterly exhausting.

i don’t honestly know how this country can ever regain its heart.

i don’t know how we got here – though one can certainly track lines of bigotry and hatred and violence through history. the ebb and flow of the heartless seeking of power, control, profit through any means whatsoever, without any scruples, ethics, or conscience.

the things that are happening, the things that people champion – people i have known or loved or cared about – the things that diminish support for others, marginalize groups, perpetuate cruelty…it’s just too much.

and…the grief. not just the grief of the arc of this history, but the contemporaneous grief. it is exhausting. utterly exhausting.

no amount of water will unwilt this dill. it will turn yellow and then brown and these stems will die. for these stems – in the extreme heat – have reached the point of no return. i must be more vigilant to protect the rest of the plant, to – figuratively – keep its heart beating and its spiny stems upright.

so it is here – in the middle of this reeling and this vigilance and this burning grief and this already-deeply-bone-aching tiredness i wonder how – exactly – we can keep the heartbeat of democracy when the moral spine of this nation is so compromised.

*****

read DAVID’s thoughts this FLAWED WEDNESDAY

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what you don’t know. [kerri’s blog on flawed wednesday]

i’m not sure why no one early in my life mentioned to me that thru-hiking the appalachian trail or the pacific crest trail – or any long trail for that matter – was a possibility. sans internet or social informant i feel like i totally missed this information and – more so – this opportunity. neither of my parents were hikers and long island wasn’t really a granola outdoorsy hiking kind of place. my spare time was spent at the water, on the water, in the water – the sound and the ocean were the guiding lights there. but what you don’t know you don’t know.

so now, here we are – in our sixties – both pretty enamored of the idea of thru-hiking. consequently, we watch the videos of many, many hikers – as you know – studying their gear and their processes, their fortitude and their bliss, their bag-meals and their tiny stoves and – for me, especially – their water filtering systems and photography methods.

one of my favorite field trips is to REI. though we are clear – and, probably, ridiculously obvious – in our lack of knowledge about likely ninety percent of the items there, we love wandering and dreaming, pondering aloud the merits of each piece of gear we see. we linger near the coffee systems and the sleeping pads, knowing that both coffee and sleeping would be paramount.

and over by the EAT sign at the store are the most amazing bag-meals – of every sort. so many options, though pricey, they eliminate our fantasy of some chef bamboo-picnic-basket-droning in our evening dinner with a tiny box of wine and wine glasses. in reality, it is more likely to find us with the tortillas and peanut butter, tuna bags and ramen – practical, inexpensive, lightweight – that are commonplace in backpacks all along the trails. we dream anyway.

nevertheless, every time we go to REI, it, once again, occurs to me that i was uninformed which in turn makes me wonder, wonder, wonder about what else i was uninformed. we immerse in learning. because it is a good thing to learn.

as time marches on in the corrupt takeover of our country, i have found there is much i did not learn before. reading historical recounting – now – that gives context to today’s grab at authoritarianism stuns me at times. “i-didn’t-learn-that-did-you-learn-that???” has come out of my mouth more than once.

i’m astounded at the connecting-of-dots and what the perspective that this country’s true history have revealed about what is happening now.

i’m disgusted by the gross efforts to thwart access to this information, to bury our history, to distort the truth of this country’s difficult and ugly path.

it is insanity to whitewash the timeline of these united states . we have much to learn from our past – so much possibility to learn from our mistakes, the opportunity to grow as a democracy, to come ever closer to the intended dream of e pluribus unum.

sweeping it all under the rug instead reveals the underlying evil intention – pure evil – for the “great again” is not really great at all. it is the elimination of fought-for civil rights, the oligarchic hoarding of money, the plundering of lawful checks and balances, the annihilation of justice, the imbalance of power, the dumbing-down of the populace, the retribution tour of a small soulless man and his rabidly-panting project-overtake puppet-cronies all hungry for bright white control.

it is a good thing to learn.

because what you don’t know you don’t know.

*****

read DAVID’s thoughts this FLAWED WEDNESDAY

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the past, the present, the future. [kerri’s blog on not-so-flawed wednesday]

our daughter wrote, “it’s a hidden gem!” and i agree. we were grateful for her encouraging us to adventure here.

one of my favorite places, goblin valley state park in utah was a playground like no other. two artists – with active imaginations – we could have stayed there all day. this place – full of hoodoos and really interesting sandstone/siltstone formations engaged us, made us giggle, invited us to run about in delight, insisted we play.

we were invigorated – even in intense heat and unforgiving sun. even as we were there – even before we had to leave – we talked about coming back, to be with these sprites, enchanting stone babies.

we traveled to many national parks in our nine days all together. though we would hike to take photographs and explore sites a bit, our inclination to hike the narrows at zion remains a wish for another day, trails at bryce remain unseen. the hike right up to delicate arch at arches will have to wait and an attempt at crossing the grand canyon – rim to rim – or even riding down into the canyon didn’t make the cut – this time.

but goblin valley was another story. and the absolute charm of these goblins tugged at us – taunting us and enchanting us.

i sat down on one of these sandstone sculptures, tucked into its graceful shape – mystified by the sheer beauty of the valley. once again, i was but a tiny being, part of a much bigger whole.

this time – this time – i was touching the past, the present and the future…a sandstone deposit from 170 million years ago…this very day…and these magical hoodoos which would prevail long after i am gone.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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which story? [kerri’s blog on two artists tuesday]

sometime between 300 and 1300 c.e. there were people in this south central utah area who wanted to tell a story, to preserve it. their narrative – told in petroglyphs – was about their daily living – their families, livestock, wildlife they hunted. it was a narrative of living in community. it is astounding to witness the carved chiseling of so long ago, humbling to imagine living in such a harsh, difficult environment. you can feel a pull from the earth as you stand there – something that binds you to those moments so many centuries before. you gaze at these figures and are struck by the humanness of this history – despite absolutely different living conditions, we all simply wish to tell a narrative of our living.

the petroglyphs we were fortunate to see at capitol reef did not depict fighting. they did not depict division nor hatred. they did not depict power or control struggles. they did not depict what would certainly be pictured as part of petroglyphs were there to be some telling the tale of right now.

in absolute embarrassment about how low this country’s people have sunk – the inability to hold democracy and freedom-of-all-to-live as essentials – the spewing hatred and vitriol – i cannot imagine what story petroglyphs etched into big red rock canyon walls now would tell – later.

covid has given us some free time. in-between moments of feeling absolutely horrendous, we have succumbed to reading articles, scrolling the news. it is utterly disturbing.

i want to scream, “this is not about you!!!” to people caught up in the despicable hate, in the misinformation, the disinformation, the conspiracies. i want to beg people to consider the future of this country’s democracy, the future beyond their own lives, to vote for something hopeful. i want to ask people to just stop, listen, think, consider.

i do not recognize you – you, who are supporting the heinous intentions of the maga-party. i do not recognize you – you, who are turning a blind eye to people in your midst who you claim to care about or even love – as you sign on to extreme changes of freedoms in these un-united states. this is not a difference in policy-embracing; this is a deeply undermined philosophical difference on humanity. i do not recognize your heart, turned so very angry, exclusionary, cold. and, in turn, my heart is broken, seeing this, seeing you – now.

but i know the power of rhetoric, the sheer toxic force of those who lie. i have experienced being the subject of warped narrative, of agenda-riddled powermongers. and in my tiny subset of experience, i have seen people – who i never would have expected – support the lies, push the ugly agenda, fight to win. but it is in their winning that they truly lost. and i believe they know that.

if there were to be petroglyphs or pictographs on red rock canyon walls telling our story – the story of we-the-people of these times – what would we wish them to depict?

it boils down to a pretty basic question.

is it a story of community? or a story of devastating division and hate?

which story?

who are you?

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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old knobs. [kerri’s blog on two artists tuesday]

the drawer-pulls on my old dresser clattered. they were a little bit fancy and made of brass and i can still hear them in my mind – a repetitive clack-clack-clack when i closed the drawer. it was one of those big six-drawer dressers, wide and low with a big mirror in the middle. it was maybe mahogany and in my growing-up house this girl’s dresser-hand-me-down from my sister sat on my orange and green shag rug before i moved it to my first apartment. it wasn’t grossly oversized but it had plenty of space…places for delicates and t-shirts, jeans and shorts and – astoundingly – nothing was wrinkly when i extracted things from the drawers. i think i remember moving it to florida and then, somewhere along the line, it went back to my sister…this time for her little girl.

ahhh…the joy of having a big dresser should not be underestimated. i haven’t had a dresser with six drawers since.

i think of lois every time i open the dresser i have now owned for almost forty years. when she took a teaching job overseas, she gave me this dresser. is is solid, standardly narrow and upright and has five drawers with giant big wooden knobs and i share it with david. as you might suspect, he gets one drawer and i get four. i would venture to say that you might be shuddering to think of trying to fit all your dresser-stuff into four drawers. (not to mention his in one, but, hey, he’s a boyyy so he has significantly less dresser-drawer stuff.). before you get all judge-y, keep in mind, too, we have old-house-closets. any accumulation of clothing – is a challenge.

we went to a giant antique flea market at a neighboring county fairgrounds. there were over 500 vendors and it was ridiculously fun to wander around, reminiscing and laughing at some pretty weird old stuff, some stuff we still have, some stuff about which we had great stories to tell. as you know, antiquing is one of our favorite pastimes and being outdoors and antiquing together…well, a fine pairing.

when i came across the big bin of knobs, i could actually feel them in my hand without even touching them. they were smooth with history and the hands of all who tugged on them, the wood worn and any finish gone. as i stood there looking at them, i could not help but think of all the cabinets or dressers they graced in all their years. i thought about all the ways they have been replaced – contemporized – and the possibility that the pieces they came from – the chifferobe, the cupboard, the desk – may have been disposed of.

in all the years that i have had my dear friend’s dresser, i have thought many times about painting it, redoing it, replacing it, at the least, re-knobbing. i never did any of that. it’s still the same old dresser.

i can’t imagine how many stories this old dresser has in it. just like the dresser up in my son’s room – a hand-me-down from miss peggy from next door thirty plus years ago – i wonder how old these dressers are.

mostly i wonder about the hands that have touched this old knobs. like all the old doorknobs in our house, i see these as diligent and sturdy; they have done their jobs year after year, decade after decade.

the history just danced in the box in front of me. so much potential. so many drawers and doors. i thought about who might purchase that box of knobs, where the old knobs would end up.

and i was suddenly glad that I hadn’t changed the ones on our dresser.

*****

read david’s thoughts this two-artists-tuesday

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pro-patina. [ kerri’s blog on d.r. thursday]

the solid wood door leading to the basement has a permanent arced groove worn into it. it’s where the chain (for the chain door guard) dangles and it has likely dangled there for decades upon decades. it’s been there the entire time i have lived here – so 35 years. likely installed long ago to prevent small children from opening the door and falling on the steep stairs, back and forth it has swung when unlatched, wearing off the paint and into the wood. it would take some serious spackle, some sanding and a few good coats of paint to make this door look like new again. but we won’t be doing that. it’s the patina that matters.

the old back screen door has a similar worn-in arc. that one is from when i installed a hook and eye latch on the door a number of years ago to help prevent our babycat from pushing open the door and exiting the house. because the old door handle doesn’t always completely catch, the hook and eye was a guarantee to keep the door closed. once again, the hook has worn off the paint and worn into the door. it’s not a pristine door, but it tells a story. the patina matters.

our house is like that. one patina after another. it is not new construction – or even relatively new construction. it will be 100 in just four years and i’m already thinking about its centennial birthday party. we are not worried if there is another scratch in the old wood floors or a glitch in the paint or an imperfect ceiling. our house is not unlike us that way.

the old building in breckenridge drew me closer, inviting photograph after photograph of textures, the juxtaposition of wood and metal and brick facades. this copper hinge – in its march through time – in the green oxidation stage – beautiful. though i suspect there might be people who would prefer restoring it back to its original glory, i prefer the mark of the passage of time, the nod to aging, the stories that accompany its transition. the patina counts.

we love to watch hgtv househunters and we love to pick up real estate magazines in distant places. it’s always the old houses that are the most intriguing for us. never the perfectly-perfect new houses with perfectly-perfect paint and perfectly-perfect trappings. it is difficult to visualize us in a house like that. i’m not sure what that says about us.

maybe by appreciating – and truly loving – the old stories, the wear and tear of these old houses – the arcs of time passing by – we’re just sticking up for our own personal patinas.

*****

read DAVID’S thoughts this D.R. THURSDAY

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