reverse threading

the path back is the path forward

Tag Archives: impact


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two tiny parts. [kerri’s blog on d.r. thursday]

i am – truly – not quite sure how we would survive without this trail.

it offers sanity in a world that seems to be losing its very center. it offers quiet in a world noisy with horrific news. it offers peace in a country that doesn’t seem to understand peace any longer.

we breathe on this trail.

we talk about other things – projects and dreams.

we get lost in our own thoughts.

we – know – in the way nature makes clear – we are simply two tiny parts in a big whole.

blogsites supply some analytics about your blogposts. wordpress can tell us which posts are viewed, how many views, how many visitors we have, their countries of origin. the site, however, is not totally protected against bots, so some of the information – when the numbers seem exponential – is obviously generated by non-human sources. there are moments i laugh – or sigh – and say things to d like, “wow. like they have nothing better to do in name-a-country than to sit around reading reverse threading, eh?” i know better. my words are not likely to assuage – or even be the vaguest bit interesting – to people in dire circumstances, in countries full of upheaval or war, in places where trying to find just a bit of food is paramount. i am humbled by people who are in such drastic conditions or situations.

we have a thing about our shadows. and our feet, too, truth be told. there are many photographs on my camera that depict our shadows or our feet in a wide array of places. “we’ve been here,” i feel like these say.

it’s like a footprint. though the prints and tracks around us in this picture will fade with snow or rain or other prints and tracks, they will never really go away. the imprint will always remain part of the texture of the path, a part of the fabric of the trail.

i feel like our shadows are the same. though the moment the clouds move across and block the sun, the moment the sun dips below the horizon, the moment we move on – our shadows seemingly disappear. yet, something in me feels that they actually remain. our shadows – like the shadows of deer crossing the path to find shelter in the bramble, the shadows of hawks and a bald eagle or two above, the shadows of squirrels scurrying or horses elegantly cantering through, even the shadows of fuzzy caterpillars making their way – they all remain part of the many layers of what has existed, what has passed by, what remains in the energy of that place.

there are people imperiled in every corner of our world and there are people honing cruel skill at the denigration of others. there are people thriving in closely-held self-actualized dreams and there are people burdened with feelings of failure. there are people who are always the helpers and people who hostage-take others’ well-being. we all add to the energy of the world.

i feel like i really would like to do my best to make sure my shadow adds even the tiniest bit of goodness to the vibrating atoms of this world. being outside reminds me of the evanescence of it all, the transitory of us.

*****

INSTRUMENT OF PEACE mixed media 48″ x 91″ – available for sale

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what endures. [kerri’s blog on k.s. friday]

when it fell from the tree, i doubt that this small branch envisioned any impression its fall might make. i doubt that it held any thought of impact, for it was suddenly a singular, solitary branch, away from other like branches, away from its tree. i doubt it held any real future in its mind’s eye. it just fell.

but the snow was soft and fluffy and the branch, falling from higher on the tree, fell with just enough oomph to sink into that snow, to carve out its shape, to lay still in a casting of itself.

and even if the wind had blown and lifted up the browned leaves of the tiny branch, which – in turn – lifted and blew the tiny branch out of its molded-snow-home and it ended up no longer right there – on the trail – in front of me, it would still have left its mark.

i passed by it. and in my passing by, i saw it.

i don’t know how many others passed by this branch lodged into the snow. i don’t know if anyone else noticed it, looked at it, photographed it.

but i do know that it made an impression on me. and i remember it.

and oh, that ever-percolating ancient question of legacy, of what endures.

it would do us each good – particularly in these times and in this place – to keep that in mind. the dimmest impression – though maybe even vague, even amorphous or indistinguishable – is still an impression. it may still be remembered. it still counts. it was there. it remains there in the continuum of time.

what impression do we want to cast?

*****

BLUEPRINT FOR MY SOUL © 1996 kerri sherwood

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quintessential. [kerri’s blog on k.s. friday]

back in the day we could drive out east a bit and purchase long island sweet corn at any number of farmstands along the side of the road. it was a staple in summertime, showing up at every picnic or barbecue.

when i about 16, i flew out to see my brother and his family in central illinois. nothing compared to the view below from the air – cornfields as far as the eye could see. rich, green, thriving fields of field corn.

i return to the moment in that airplane so long ago, looking down on middle america, eyes wide-open, gobsmacked at how pristine those fields looked from the sky. because it is just as stunning each time in the air – even now, many decades later – this atlantic-pacific-gulf-of-mexico-canada crayon-outlined country of america.

and now, we drive across our state on the backroads, innumerable cornfields along the way. highway 81/W/11 coursing its way across wisconsin, on illinois highway 39, along route 151 across iowa, to the letter-named backroads of missouri. any time in the heartland will place you in generous fields of corn-green. it is the corn belt, after all. it is quintessential midwest.

it also seems quintessential that our country – this bright, innovative storehouse of science and data and brilliant minds – would be aggressively concerning itself with climate change – with scientific research and empirical evidence to avoid any further harm to this planet, to protect the fragility and balance of all-things-ecological, to further generative ideas in order to avoid continued or amped-up destruction of this-place-we-call-home, to embrace sustainable and responsible methods of lessening the very real threats of the fallout of rapidly changing climate and intentional negligence by humans.

it would seem pragmatic that the solar farms deep into the fields on the side of the county roads, the wind farms lining the highways also be considered quintessentially american, for these to be so prevalent that their energy production might be a fundamental expression of this country’s fierce protection of the environment.

we all learned early on the responsibility we had on our environment. keep it clean – the bottom line. and though i have in the past stopped people who have thrown trash out of their vehicle window or while walking on a sidewalk or a path, it is not likely that i would do that in every case anymore as i weigh individual circumstances in today’s much more violent world. but i cringe each time i see any such dereliction. “we each have impact,” i think every single time.

from the air or maybe even rushing by on the highway, one can’t see – doesn’t notice – the kwik-trip cups or mcdonalds bags, the plastic grocery bags and water bottles, the emptied ashtrays, the tires in the swale or the couch dumped in the pocket of brush on the side of the road. even walking the streets of small towns speckling this nation reveals a disheartening lack of concern about the nature of nature.

the feeling of responsibility needs to start at the top, for we “little people” can only do so much to protect this environment. our hands are not in the deep pockets of big money. they are – instead – clutching the water bottle or the fast food bag, waiting to dispose of them appropriately, carefully repurposing, recycling, composting, minimizing our waste, trying to make a difference.

never would i have thought that it would be necessary to have statements issued by the international court of justice – the principal judicial arm of the united nations – that would acutely ‘remind’ this country of its accountability in this crisis. never would i have thought that this country – this country – would be ignoring such passionate pleas for holding this planet in protected space. never would i have thought that these words “climate crisis is an existential problem of planetary proportions that imperils all forms of life and the very health of our planet” would be in such acute danger of being sloughed off.

the international court of justice stated that a “clean, healthy and sustainable environment” is a human right.

taking any route across this beautiful sea-to-shining-sea – flying above it or on its myriad of roads or track – eyes open – provides a profound reminder of what we should not be willing to sacrifice.

*****

“what you do will live beyond your lifetime.” (you make a difference © 2002 – kerri sherwood)

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the number line. [kerri’s blog on k.s. friday]

i think it was $250. that is the number that sticks in my mind. the amount of money my sweet poppo spent on the family’s very first calculator. way back when.

now, $250 was a lot back then. it still is. but my dad wanted us to have this newfangled device with which we could add, subtract, multiply and divide to our heart’s content, sans paper and pencil. it was a pretty exciting time and we all felt inordinately lucky to be living in such a technological world. wow.

my big brother was the one who made an abacus for me. in searching through bins in the basement and the attic i was hoping to stumble upon it. but no abacus to be found. amazingly enough, i even knew how to use the abacus.

and then, it was, again, my brother who showed me how to use a slide-rule. he was a surveyor for a time, so it was a tool of his trade. and anything my brother used, i wanted to use. he was that kind of idolized big brother. i’ve come across several slide rules in boxes and pencil cases. i’d have to refresh to figure out how to use them. i’m just certain that my treasured high school math teacher would be proud were he to know how attached i still am to these pre-calculator devices.

the stick on the trail somehow brought all of this to mind. linking-thinking, my dear friend heidi calls it. as we approached it, it just simply screamed “number line” to me. it appeared that each little branch nub was placed exactly the same distance apart. it immediately brought me back to number lines i’ve created in the past…for history classes or for math or for one of those “describe your life” timeline projects that have you looking back and then looking ahead. plotting on the line the ponderous things that have happened in your life that have in turn impacted your life.

i stopped to take photographs of the stick and got lost in plot-my-life-on-the-number-line thoughts. i’ve been doing a lot of looking-back and this stick would come in handy as a visual.

somewhere on that stick it would show our first calculator. somewhere before that it would show the abacus and the slide-rules. somewhere later it would show a first computer. and then, subsequent computers, laptops, ipads, cellphones. it’s easy to place stuff on the number line.

what’s much harder to place is the impact of moments in your life. but for one decision, one meeting, one event, the rest of the number line would be entirely different. it’s profound.

in the way that – in elementary school – you would draw a curved line – to the right – under the number line to show addition or a curved line – to the left – under the number line to show subtraction, it is much harder to reflect – with a simple curved line – the entire impact one nub on the stick might have had on you. though one might try to reflect the way one nub informed the rest, it is nearly impossible to wrap all impact into a few curved lines.

in fact, the number line, the abacus, the slide-rule, the early-bird calculator – none of them can calculate all that.

standing on the trail, mid-photo-shoot with the stick, i realize that it is likely we cannot actually portray ourselves – our lives – on a number line. it occurs to me that – because life and heart and soul are like this – we are living many nubs concurrently – backward and forward – all at the same time. no nub stands alone. each is altered and informed by all the others.

*****

BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

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peonies in perpetuity. [d.r. thursday]

the time for our peonies has passed. they have been momentary, ephemeral. yet, even in their briefest of moments, their impact has been profound. their sweet fragrance wafted through the backyard, their stunning pink punctuated the green of the garden, their blossoms – from bud to full bloom – have been enchanting. and now, the green remains. i understand the plant is in full working mode – storing up energy for the next season of blooms. i already can’t wait to see them.

we planted a small herb garden on our potting stand this past weekend. basil, rosemary, mint, parsley. we added one dwarf indeterminate cherry tomato plant. and we placed a potted citronella on the deck. there is something infinitely satisfying about going outside with kitchen scissors to snip off the herb i need for a recipe. caprese salads or skewers, mint tea, parsley because heidi’s mom said everything is lifted with a little parsley, and rosemary – it reminds me of the brunch we had one day a couple years ago on the porch of the gingerbread house bistro up west of milwaukee. we split a steak seasoned with rosemary – i can still taste this delight. i’ll be using the rosemary today with roasted baby potatoes. all from steps away, an extension off our patio.

i wrote the album this part of the journey in 1997. piano-based instrumentals, a few of the pieces on that album had their moment on adult contemporary radio. and then, like all good peonies, they faded a bit, stoking up energy in the plant for next. but as i pull up the album and listen – last i saw you, the way home, good moments – i can still hear the pink, can still feel the peaceful wafting, can grasp its relevance. i still hear about this album from people out-there listening. it’s steps away from now, but it’s on an extension of the patio of my discography.

instrumental music – like peonies – has no half-life. both evoke emotional reactions – visceral reactions – both are steadfast in their passive zeal to just be. both wrap one in the right now. both go on.

i suppose, in a rare moment, i might one day put this album – or as it is – or any of my instrumental albums – on the cd player. i might sit down in an adirondack chair next to the peony within the concentric scent-circle of mint and basil, and simply listen.

i might be reminded of the moments in composition, the moments in practice, the moments in recording, the moments in concert.

and i might be able to see the peonies that will surely arrive next season.

*****

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and you know. [d.r. thursday]

it stands on a small-town iowa hillside. it’s been there well over a hundred years, this carved headstone at almost-the-highest-point of the pioneer cemetery. in front of us, the earth falls off into fields and fields of green. if you didn’t know it was there, you wouldn’t know it was there.

we spent the afternoon on the lake michigan beach, searching for hagstones and leaning against a big piece of driftwood watching the waves. mostly deserted, the stripes of soft sand, rocks, aqua, blue sky were serene. we had stumbled upon this beach, discovering it. if you didn’t know it was there, you wouldn’t know it was there.

there is a spot high in the mountains surrounded by lodgepole pines, the scent strong and inviting. it is cool under the canopy of trees and the log sits next to the stream in a bed of pine needles. an upstream glance reveals a snow-covered summit; downstream is a tiny waterfall. it is a slice of heaven. if you didn’t know…

another spot, a different mountain, we have hiked past the aspen stands and are past the end of the trail. we sit on rocks and play in the brook that swims past us, curling around red rock and granite. there is little noise, save for the babbling. if you didn’t know…

high on the edge of a deep canyon, the sun set over us as we echoed our voices into the deepening dusk. my daughter brought me here and it will always be a pinnacle moment in my heart. that very spot – that canyon – that sunset – that breeze – that stillness – that echo – that power – that humbling – that love – is profound. but if you didn’t know…

places that have made an enduring impact. places unmarked by signs, specific places many do not even know exist, they are carved into my mind’s eye. places – specific spots – of relative anonymity. places that changed me.

it is likely that hillside, that beach, those mountains, that stream, that brook, that canyon will maybe last forever. they will certainly be there long after i will be here. it’s sobering. it gives one pause for thought. it seems a natural hop and skip to: if you didn’t know i was there, you wouldn’t know i was there.

but the hillside, the beach, the mountain stream, the end-of-trail brook, the canyon became a part of me, of the stuff in my tapestry. and, in symbiotic turn, i became a part of them, of those spots.

and somewhere along they way, we have done the same – a tiny part of us has become a part of someone else and they a part of us.

and the beat goes on.

and you know.

*****

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green eyes and creativity. [merely-a-thought monday]

“workers might want to consider these top 10 skills, which employers say are rising in importance over the next five years: 1. creative thinking.” (jane thier – fortune magazine)

mm-hmm. yup. #2 is analytical thinking. i’m pretty certain that without creative thinking, analytical thinking would hit dead-ends every time. and self-destruct.

the other night, in the middle of the night, the wee hours of the night when one is supposed to be sleeping, i was – shockingly – wide awake. we had a long conversation, chatting about places we had lived way-earlier-on, jobs we had way-earlier-on. i talked about eating lots of kellogg’s cornflakes and he talked about mountains of pbj sandwiches. we have both had histories of piecemeal, making-it-work, scrappy artists weaving a tapestry of living with rough-hewn shreds of granola-cotton, jute, hemp, fabrics not fine or finished but with torn edges and maybe a little holey.

larkfield road in east northport made it possible. many of my jobs – early-on – were on this road. i worked at the music store, the camera store, the dive shop, one of the churches – all on this road – before i left long island. i bought my cornflakes at the king kullen and my gas at the corner citgo, splurgy pizzas down the road and sub sandwiches next to the post office. i drove all over teaching piano lessons and saved whatever i could at the bank that gave away plates for deposits on the corner of larkfield and clay pitts. none of it was fancypants. but it gave me a different expectation bar and it was all setting the stage for a creative life.

it’s funny to me that it takes a fortune magazine article to espouse the merits of creative thinking. the number 1 top skill rising in importance – as if it’s something new. ahhh. but, perhaps it is.

for we know, better i’d say than many, the difference in actually choosing a creative path. creativity, artistry – these lead you in a direction that is unrevealed, a direction that is vulnerable, a direction that has no guarantees.

an accountant, say, knows that any amount of time spent on a project will be remunerated. time spent = time paid for. it’s really a lovely equation. and both of us have had positions in our lives when this equation was in place.

but the instant we list back to the artist side, all equations dissipate into a fog and people – the same ones who turn to the arts in watershed moments of their lives – suggest we might consider exposure of our work our form of payment. i imagine writing to the wisconsin energies company – “i’ll give you ten exposures for this $326 bill.” more so, i imagine their response. yikes!

and so, here we are. the workworld – so to speak – is catching up a tiny bit. employers are beginning to recognize the value of creative thinking…maaaybe. the COO of fortune, dan shapero, is quoted, “the long-term trend is pretty undeniable that the demand for skills outpaces the supply of skills.”

perhaps he – representing employers everywhere – is not looking in the right places.

creative thinking is found in creative people, the ones exposing their work to the world, the ones who scrimp and bring to fruition projects that started in a thought bubble, the ones who don’t have the same organizational principle applied to their vitae and whose vitae, perhaps, would go the way of bot-trash, but who have a thru-hiked life (sometimes many, many years of life – decades even – making age yet another employment challenge) – with creativity their north star.

as people-with-active-resumes we note that our schooling is bachelors and masters degrees – framed and unframed- in bins in the basement somewhere. our work experience is a little bit of that tapestry i was talking about. it’s been garnered in educational settings, in corporate settings, in public service, in non-profits like theatres and churches, in software startups, on stages and on radio, in studios with canvas and studios with microphones. our creative output is found in albums, in paintings, in books, in blogs, in cartoons, in plays, in workshop projects.

we get creative thinking.

i passed green eyes down to her. he got his eye color from his dad. both of them are wildly creative. their lives have already been a tapestry of edges. i couldn’t be more proud.

“the most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.” (mary oliver)

*****

happy birthday to my beloved girl.

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the icing on the cake. [merely-a-thought monday]

it’s 925 miles from the corner of sixth avenue and west 55th street, but it displaced me in an instant. there i was – back sometime in the 70’s, in new york city, seeing robert indiana’s love sculpture for the first time. i loved love then. i love love now. (could that be any more redundant?!)

a part of sculpture milwaukee in 2018, this sculpture has returned and was permanently installed at the milwaukee art museum in 2019. we saw it for the first time last week. life and covid interrupted our visits to mam. we were really happy to be back. seeing love out the window facing lake michigan’s lakefront was the icing on the cake.

there are nearly fifty of these sculptures around the world. people travel far and wide to have their photographs taken next to the iconic stacked word. it became a u.s. postal stamp in 1973. it has big history. its artist has big history.

the success of this giant – yet simple – sculpture begs questions for me: what musical gesture might be equivalent to this sculpture? what rhythmic or melodic motif has this kind of powerful impact? googling these questions produces a plethora of suggested lists – everything from classical to motown to the beatles and beyond. i suppose it’s a truly personal thing.

any listener of albinoni’s adagio in g minor or j.s. bach’s air on the g string or arvo pärt’s spiegel im spiegel or ennio morricone’s gabriel’s oboe or john denver’s annie song or leonard cohen’s hallelujah or carole king’s you’ve got a friend or aretha’s r-e-s-p-e-c-t or the beatles’ here comes the sun or, for that matter, eldar kedem’s you and i or any piece composed and played or sung by giant artists or tiny independent artists …. any listener of anything arrives at the place of listening – the dropped-down-out-of-the-universe of their own world – individually. we tote along with us our lives-at-the-moment, our busy schedules, our worries, our longings, color and breath and heart, a distinctively different set of ears. we hear and we listen and we are transported by music to worlds away, places and times stored up, a chorus of commentators in us telling silent stories in viewmaster snippets, our hearts grasping the filmy tails of memories. impact. giant impact.

the love sculpture means something different to everyone who poses in front of it; every person’s story has different details, a different emotional spectrum. how we connect to this emotive piece depends largely on where we are when we visit with it, what we bring to it, how open we are to its energy.

the love sculpture stands outside the museum and i know that each time we now visit, it will demand our time as well. we will stand and gaze and visit with it. and we’ll keep loving it. it’s simple. it’s that kind of piece.

*****

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every sound wave. [merely-a-thought monday]

i touch a single key on the piano. depressing it, i reach for the next and then the next. i build a melody, i build the cello line for arvo, i build a blueprint upon which to put lyrics. i touch a single key on the piano. slowly depressing it, i make no sound. instead, it is silent – to our ears. yet i wonder if some tiny bit of frequency escapes and travels away, bouncing off particles in the air, absorbed into light. “the vibrations of the strings are transmitted to the soundboard through the bridges, and a sound resonates as a result of the soundboard vibrating the air.“ (yamaha)

“a sound wave is the pattern of disturbance caused by the movement of energy traveling through a medium (such as air, water or any other liquid or solid matter) as it propagates away from the source of the sound.”

it would seem apparent that we are all patterns of disturbance. every molecule, every atom within, constantly moving, disturbing all other matter.

in the way of the feathering of sound as it travels away, away, from the source, our impact upon another tends the same – energy as it gets further away and there is more surface area. a decrescendo of sorts, our notes turn pianissimo, our voices to whispers. though a quieter din, the nearly silent cacophony is out there, traveling in air. more than we realize. until it is not.

our notes and words and colors and textures dance around the others in our lives, sometimes landing, sometimes repelled by mysterious opposite magnetic forces. they are absorbed, turn into heat and may warm those upon whom they land.

the world will adjust, yes, to our patterns of disturbance. we are all pianos, concurrent notes, synchronous string vibrations, noise ever-traveling.

the universe glances down at us – from its ever-silent timelessness. space, sans air, doesn’t entertain sound. there are no pianos, no notes, no cellos, no voices that can be heard.

so, we must be who we are here – now – doing the best we can to avoid absolute discordance and strident disharmony, timbres of aggression, anger, division. instead, i would hope we would recognize the responsibility of every sound wave we make.

*****

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snowflake possibilities. [d.r. thursday]

Snowman BIGcopy copy

“one minute you’re a snowflake with possibilities and the next you’re wearing a scarf and goofy hat.”  that sounds like a statement of judgement.  a measurement of sorts.  and i suppose it is.  possibilities of profound impact on the world, on science or art, in music or film, medicine or education.  we measure ourselves in this society by our success; our merit based on what we reap financially, what we individually or collaboratively have contributed to the furthering of humankind, this good earth, the animal kingdom, worlds unknown.

but pay attention to the next snowman you see.  does his sweet nose make you smile?  does his crooked grin make you stop?  does his hat make you think of your dad, your brother, your best friend?  does the snowman make you happy – and do you carry that happiness with you after you pass him by?  of what value is that?

never underestimate the power of who you are.  your impact on the world will spread in concentric circles rippling outward.  whether nobel-prize-worthy or under-the-refrigerator-magnet-fame, your scarf-and-goofy-hat-ness counts.  your kindness is contagious. your good intentions affect the one closest and, in turn, and with a sureness of the way things truly do work in this world despite all efforts for the opposite, they will land in the heart of someone you may never meet but who will have been impacted by you, from way back in the middle of the concentric circles.  right in the possibility-filled-snowflake-heart of the snowman.

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our snowman feb 14 2019 'valentino' website box copy

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