“you are not weak just because your heart feels so heavy.” (andrea gibson)
every friday we look at each other and say, “wow. it’s friday again.”
it’s astonishing. the fridays come and the fridays go. it seems that they come and go ever faster.
this has been a long week. so many of them are long weeks now. despite the fact that the fridays arrive in a moment of surprise acknowledgement, the weeks themselves are laden with difficult, burdened with sadness, whelmed over with the horrific.
and we get to friday, panting with others in this hyperventilating country. we are exhausted. we are frustrated. we are frightened. our tender hearts break with the others, shattered by the vile betrayal by leadership.
we feel weak.
but we are not.
our hearts are heavy.
but they are no less fervent.
we are empowered.
the joining of hands, the extension of kindness and care, the shared value of each other, we are connected.
the spirit of this country beats steady in each of us who push back: when your heart is too heavy for your chest, i will firmly hold it. when your heart feels frail, fragile beyond the pale, i will handle it gently. when your heart is feeling timid, i will bring you courage. when your heart just doesn’t know what to do, i will quietly stand with you.
we are in this together. with our hearts. in every long week. in every friday that finally – and suddenly – arrives. in every storm that is raging around us. in every day.
and those without hearts – without love – without conscience – can just stand back and watch how utterly powerful having a heart really is.
i’d say that each time we see it, it looks different.
the des plaines is not a raging river. it is not a major water thoroughfare. it bubbles out of the ground a little north and west of here and flows south, through the rest of southeastern wisconsin and into illinois where it eventually – through joining with the kankakee and the illinois – becomes a tributary for the mississippi. its origin is from glaciers long ago, a heritage it carries in its current, in each bend.
it is a treasure, this relatively unknown river. we have hiked many of its miles, getting to know it in all its different seasons, its river-ness unflailing even in drought.
a place of solace, the trails that have developed around this river must be wrapped in the magic of the flow – for it is there we go (as we have written time and again) to sort, to ponder, to laugh with abandon and to cry.
and even in the moments when it is frozen, when all appears still and fallow is on the calendar, it is still moving. it is a living and breathing river – a body of water that continues.
i suppose that could make me feel the slightest bit less panicked about this country. this is a living and breathing democracy. though it appears frozen and at inordinate peril, i suppose there are tiny streams of constitutional law that are still bubbling up, pushing their way to the surface from aquifers deep in the earth. i suppose that the river’s origin 14,000 years ago should speak to me about tenacity through challenge – both natural and manmade. i suppose that the import of this simple river on the places through which it flows should remind me that every single impact counts, every effort to eradicate invasive species makes a difference.
and so, with no small measure of hope, i honor the uprisings of those who protest against the cruelty being dealt to the people of this country. i applaud the efforts of those who push back against the authoritarian rule that has surfaced in plain sight. i acknowledge that under it all – flowing underneath the vileness of this administration – are steady, solid, compassionate, reasonable voices. the people who stand firm on the principles upon which this country’s democracy was built – not silent, not still.
i used the old singer when i sewed the shutter-curtains for the nursery. i placed it on a piano bench and sat on the loveseat to sew. it was mama dear’s no-bells-no-whistles machine – the kind that is stored in a black case – and i was hoping that her seamstress skills would transfer to me as i stitched. i didn’t quite finish the curtains before our daughter arrived – a week earlier than expected.
i have another machine – a sears kenmore – from when i was about ten or twelve, i guess. it’s in a sewing cabinet – the machine stores down under the lid – and one can sit right at it to sew. i’ve sewn innumerable things on this machine. it doesn’t have bells and whistles either, so it’s a workhorse.
because i was dedicated to the art of sewing – at least back in the day – i’ve accumulated many patterns through the years, storing them carefully in a bin so that they would keep their tissue-pattern-integrity.
i just opened the bin and took them all out, laying them on the dining room table, organizing them to move them along. there are about 75 of them, many toddler patterns and craft patterns. the 80s and the 90s were craft-heavy times and i was right in there sewing bunnies and dolls, quilting pillows and piecing sweatshirt appliqués. the fabric store was an inspiring adventure limited only to your imagination. attending art and craft shows was glorious fun, a place to get new ideas and marvel at others’ craftiness.
it was quite late in the 90s when it occurred to me to show at these art and craft fairs as a musician. way different than concerts or even wholesale show marketing, i’d set up a booth with a keyboard and displays and play all day while simultaneously selling cds. the being-a-mom skill of talking while playing transferred easily from mom-ing to entrepreneur. providing music for the background of people – most notably, women – to shop with friends and linger over beautiful homemade objects was a joy and i sold thousands upon thousands of cds at these shows over the course of some years.
until, of course, the advent of writeable cds.
being able to rip a cd from another cd enabled the buying market to do-it-themselves and severely shrunk cd sales from independent artists.
and then came streaming, a death-blow to these same independent artists.
but i digress.
i wonder how many people sew now. i wonder if moms still make matching jumpers for their baby girls and themselves. i wonder if people are still sewing bunnies and dolls and pillows. with the bankruptcy of joann fabrics – a legend for those of us who devotedly bought fabric there – i wonder if imagination is sparked as brightly in small fabric departments of other craft-type stores; joann’s was packed with fabrics and knowledgeable store personnel who could answer most any question from aspiring seamstresses.
sewing is kind of like riding a bike. you think you’ve forgotten how to thread the machine – until you sit down in front of it and your hands automatically weave the thread in and out of tiny sprockets and around dials. you think you’ve forgotten the little tidbits of wisdom you’ve gleaned along the way as you lay out a pattern or cut or piece a few patterns together to craft your own iteration of something – and then it all comes rushing back as you touch the ever-familiar manila-colored tissue paper.
i thought i would just move all the patterns along. and then a few caught my eye. “i could make those overalls,” i thought, and “what an easy pj pattern” – and i was hooked.
maybe half a dozen patterns made the cut – to stay with my sewing supplies. the toddler patterns moved on – for other moms or for grandmas to joyfully create. the craft patterns will move on as well. i already have a yo-yo quilt in my future and who knows what i’ll do with all the sports t-shirts left behind by the girl and the boy. we’ll see.
the coolest part of it all – revisiting all these patterns – was remembering the fun challenge of a sewing project and the excitement of a newly-purchased bag of fabric, feeling my grandmother’s legacy surge through me, the expansive way creating creates more ideas for creating.
before she had her ears pierced, my sweet momma had a collection of beautiful old-fashioned screw-back earrings dangling on this display on her dresser. i don’t know if i have any of those earrings but somehow i have this chrome and acrylic display that i think she and my poppo used back-in-the-day when they owned a small jewelry store.
i don’t have a specific use for this. it sits empty on my dresser. every time i look at it i think of my mom, so maybe that’s its use (though thoughts of my momma are prompted by many things and moments in my days.)
in this time, in the going-through of the stored stuff – things in boxes and bins and closets – there have been a few treasures. the crèche from a well-loved christmas house in a little town in florida that i passed on to a dear friend who has significant connections to that town. the painting we sent to the family of the painter. the hand-painted collector plates – painted by ancestors – i’m sending to family members so that they, too, might have a piece of this history.
other things? well, not so much.
it will be a slow process and last night – before we went to sleep – we were talking about how we might have missed so much had we just quickly given everything away. i’m grateful we are taking our time. the gifts are in the time-taking.
now, i would be remiss if i didn’t mention how hard some of these things are to part with. despite no real driving imperative for banana curls, i am reticent to part with the pink sponge curlers. despite no current (or impending) babies in the family, it is a tiny bit difficult to give up the sesame street baby play gym. despite a lack of counter space for it, the 1970s roll top breadbox is a tough giveaway. despite never having used it – and frankly, not even knowing i had it – finding the Betty Crocker plug-in warming tray seems a splendid idea for entertaining. despite not wearing them for – like – ever, the sweatshirt collection – and yes, it is a collection – has a zillion memories, each one its own reason for purchase. how can i give up montauk or galena or northwestern university or long island or nyc or seattle or lawrence or the university of minnesota or the high school tennis team? despite zero talent for woodworking, my brother’s scrollsaw templates…were my brother’s. despite, despite, despite. despite no real need for them, i will struggle as i photograph and ponder the fate of these things…remembering always that they are simply things and that any memory is still a memory, cued up and ready for my heart to wander through or linger in.
it’s gonna take a while. likely, a long while. but each day something is given away or sold or sent to someone or – in some cases, when appropriate, thrown out. little by little we are making headway. and, now, david – who used to be much more ruthless about culling possessions – is finding himself also relishing the process. well, relishing might be a tiny exaggeration. but definitely appreciating the process.
i’m not sure about this vintage earring holder piece. it has no function on my dresser, but it doesn’t take up a lot of room. there is a gingham stuffed heart hanging on it right now.
maybe that’s all it needs.
when the play gym and the warming tray and the sweatshirts and the scrollsaw templates and all the other things i will unearth and unbox and unbin and photograph and ponder actually move on, maybe it’s the small seemingly meaningless that will remain. to someone else, those things might look extraneous. but my heart connects the dots. and this time through, well, the chrome and acrylic stand might make the cut.
it was after a photo shoot – for pictures with which to list it for sale – that i discovered it.
this old rocking chair had been with him for decades. his studio chair, he bought it in a colorado mountain town and it traipsed along with him, re-homing down south, to los angeles, to seattle. it was one of the few items – outside of paintings – that made the cut when we moved him here in a budget truck.
when it arrived here it became a studio chair once again, tucked into his basement studio next to the rocking chair in which i rocked my babies.
but now, in the process of cleaning out and going through, he has decided it has run its course. this beautiful chair needs restoring. caning is missing and, if someone rathers finished over organic, it needs sanding and some good varnish. with really good bones and a decade of life-patina, it’s ready to move on.
we brought it upstairs for the shoot and i took photos of each angle and turned leg. doing research on mission style rockers like this i came across where to find identifying information. so i went back out into the living room to look more closely.
and there it was.
the word “wisconsin”.
to say i was a bit stunned would be an understatement.
diving into it, i discovered that this chair was made by the wisconsin chair company in port washington – just up the lakefront from us sometime around the early 1900s.
this chair – after a century of domestic travel – had come home.
i asked him if he wanted to keep it – knowing this new detail of the chair’s history. he said it was still time for the chair to move on, to be loved into renewal.
i’m wondering if this rocking chair had anything to do with david finding home – after a lifetime of living other places. if this chair somehow had strong enough ties to this place that it created the circumstances in which we met. if this chair had a gravitational pull back to wisconsin so strong that it brought david here, instead of the reverse. if this rocking chair brought him home.
(about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – whether or not any absence of the happenings of the day, whether or not the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.)
and so…
reticent to un-decorate, we left it all up. we were just hesitant to take down all that glitters, all that sparkles, all that gives light to the season. we were hesitant because there has been so much dark.
it is not out of the norm to be questioning what is happening here. to give over – without inquiry to integrity or morality – is to abdicate, to align, to be complicit.
in this earliest part of 2026, i hope that there will movement to right this country and its unconscionable adoption of the unprincipled as its leaders. i hope there will be steps made that, instead of demolishing diversity, equity and inclusion, will light a fire beneath the heart strings of this very diverse populace, powerful wicks embracing differences. i hope that the inhumane and unjust treatment of people – downright cruelty – will cease. i hope that the constitution will hold.
it is outrageous – in this day and age – 2026 – a time that should be filled with brilliance, forward-advancing research, safety measures and social safety nets for all, a dedication to action concerning climate change, and a world concerned with those who follow – that we are in this place – by most measures – becoming a cauldron of atrocities.
it is unbelievable – in this day and age – 2026 – in this country – that we are surrounded by untruths, steeped in the tactics of evasion, drowning in elitist indulgences, worried about basic necessities.
it is chokingly sad – in this day and age – 2026 – right here and right now – that we are watching this democracy shake at its core, that we are being bullied from republic to regime.
leaving the holiday decorations up didn’t change any of it. but in these winter days of early darkness, it helped hold the light a little longer. and so, we have left a few bits still – bits of light surrounding us, not packed away.
(about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – whether or not any absence of the happenings of the day, whether or not the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.)
and so…
and what does the ceiling fan see, looking down at the centerpiece on the dining room table? what is the bird’s-eye view of this bit of old peeling-paint chairwood, this tiny dollar store tree, these glass votives, the glittery ornament tucked in? acknowledging that everything is clearly a bit easier if you are a ceiling fan, i wonder – is it thinking, “now, THIS is the stuff of christmas!”?
the piece of wood comes from an old chair that used to sit at the kitchen table. it’s part of the seat and there are two other gorgeous pieces that we can use for some other purpose. how many times i have sat on that chair, how many times a beloved child or family member or friend sat on that chair. i revel in having a slice to carry forward, a slice of those times, an artifact of meals and conversations, a touchable piece of history.
we’ve been talking about our dining room table lately. we have this great teak table – with giant leaves – that i got from a dear friend about twenty years ago. it was her dining room table but it became the perfect work/conference table in my recording label offices on the lake. when i moved from those offices back home, the table came along and became my dining room table. it’s been the gathering place for so, so many dinners and parties – i would be hard-pressed to even venture a guess how many. it has served us well.
there is definitely evidence of all that life. there are the stains: the rings from water glasses, the lighter blob from a pumpkin that was secretly aging, the scratches from babycat or a multitude of projects created on this surface.
and so now it needs some refinishing. the chairs need to be reupholstered. it needs some work.
and we have begun to think about this.
downstairs, in the storage room that houses the boiler and the hot water heater, there are doors. many doors. six-panel doors with some heft. doors from old closets. screen doors. cabinet doors. a bunch of doors.
one of these doors is a french door with windows, the glass still intact, the white paint just weathered enough. it’s not as wide as the dining room table – which has been a great workspace, a terrific staging ground – a place where one can put a plethora of serving bowls and accoutrements for a big dinner.
but it’s – this door – it’s got some charisma. there is a certain charm to the possibility of having a dining room table that is actually a door from this very house. with a good piece of glass – or plexiglass – or whatever the good folks at town and country glass recommend – this could become our new gathering table. food for thought, we consider it.
but then we’d need chairs, for the chairs at the teak table are also teak and would need to be given away with the table.
so. chairs.
i suppose we’d be off and running on a fantastic chairquest – odds and ends of vintage (read: old) and repurposed chairs with personality to circle the perimeter of the new doortable.
and thus would begin a whole new set of relationships and stories and memories – between us and the dining room table and the chairs and all the people who would sit there, with us.
and the ceiling fan would then look down – with its bird’s eye view and its ceilingfanlife perspective – and giggle – once again, as ever – at the thought of just how many times it has taken a screenshot in its mind’s eye (assuming the ceiling fan has a mind’s eye), how many times it has wanted to memorize the moments below it, how many times it has thought about how lucky it is to be hung over a gathering space, how many times it has thought “now THIS is the stuff. of life”.
(about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – even if any absence of the happenings of the day, even in the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.)
and so…
we didn’t burn the chiminea this past summer or fall. but it sat outside in our backyard, waiting, just in case.
and when winter came and we were in the middle of the middle of rearranging and sorting and all that other stuff I’ve been writing about in the going-through of one’s trappings and baggage, we looked over at it waiting and decided to bring it inside.
we tucked its gorgeously sculptural clay form into the corner of the sunroom, eliminating a high stool we tended to pile upon, simplifying the space. we added a strand of happy lights and a timer and we placed a heart-leafed philodendron on top of the chiminea’s cap.
we stepped back to see it. to decide.
the chiminea has been there every day since and every day since we have exclaimed (yes – exclaimed!) how much we love the chiminea there – inside – in our sunroom – across from the backdoor – tucked in the corner – lit.
i suppose were you to step into our house you might wonder about it. we have these two chunks of concrete, a salvaged architectural column, a reclaimed repurposed piece of old desk, a weathered deck-glider, old suitcases, driftwood, an aspen log, old doors as tables or propped against the wall. in my studio there’s a metal slatted swivel patio chair topped by furry pillows, an old stool, the skeleton of a lampshade. there’s a vintage mailbox with our house number in the bathroom that holds magazines, glass doorknobs that hold towels, an old black shutter that holds space. old coffee pots hold teabags in the kitchen and an old trunk holds a metal sculpture in the hallway. there are two old window frames on the radiator in the sitting room across from a small rickety farm table. and we haven’t gone upstairs yet.
sometimes we take a little walkabout through our house and talk about these things. we kind of glory in the repurposing of these old objects, otherwise possibly put out to pasture. i’d like to think of them all as just waiting.
relevance is a funny thing. like most everyone else, we could certainly go to the local furniture stores and pick out contemporary (as in at least this decade) pieces with which to furnish our home. we could have things that are more – say – typical, more – say – normal, less – say – unusual. but those would also be less relevant to us.
because we are just like the chunks of concrete, the old desk, the weathered outdoor pieces, the old doorknobs and coffee pots, the chiminea.
we are artists. always waiting to be seen. always creating. just in case.
when it fell from the tree, i doubt that this small branch envisioned any impression its fall might make. i doubt that it held any thought of impact, for it was suddenly a singular, solitary branch, away from other like branches, away from its tree. i doubt it held any real future in its mind’s eye. it just fell.
but the snow was soft and fluffy and the branch, falling from higher on the tree, fell with just enough oomph to sink into that snow, to carve out its shape, to lay still in a casting of itself.
and even if the wind had blown and lifted up the browned leaves of the tiny branch, which – in turn – lifted and blew the tiny branch out of its molded-snow-home and it ended up no longer right there – on the trail – in front of me, it would still have left its mark.
i passed by it. and in my passing by, i saw it.
i don’t know how many others passed by this branch lodged into the snow. i don’t know if anyone else noticed it, looked at it, photographed it.
but i do know that it made an impression on me. and i remember it.
and oh, that ever-percolating ancient question of legacy, of what endures.
it would do us each good – particularly in these times and in this place – to keep that in mind. the dimmest impression – though maybe even vague, even amorphous or indistinguishable – is still an impression. it may still be remembered. it still counts. it was there. it remains there in the continuum of time.
we have two pinecones on the mantel. because, well, in these times, under these circumstances, in the middle of this middle, one pinecone doesn’t seem like enough.
we enter the new year.
and we draw on the pinecone – its symbolism is hopeful with descriptors of meaning like resilience, regeneration, connection to higher consciousness, abundance, good fortune and protection. right now, there is not much i wouldn’t put on the mantel to ward off negative influences.
pinecones on the trail always get my attention. there’s something about the starkness against the snow that is simply beautiful. and, on this day when everything was so vivid, this pinecone invited me to kneel down and capture it.
if there was anything i would like to remember – every single day – this new year, it would be just that – that everything is vivid, everything is inviting our notice. i would hope to remember to pay heed to all that is around me – even the simplest of it all, the seemingly inconsequential. i would hope to remember to kneel in the snow.
for as each day ends i feel that i will find – as i sort through the hours and minutes – that it was the least of it all that made me feel most alive, the least of it all that made me know that my one, wild life includes pinecones and deer tracks, cold fog over the lake, dogga’s sighs, the holding glance from d, the suspended ninth. it includes the belly laughs, sous-cheffing next to each other, the first sip of coffee, our favorite trail. it includes new gutters and rube goldberg fixes, fuel pumps and matching flannel pjs. it includes the birds at our feeder, the squirrels on the wires, the last hugs we had from our kids, the sun lingering in a pink-peach-fire dusk sky.
sometimes the most important stuff is the least important stuff. the things that carry us from one day to the next in troubled times, the things that sustain our will and buoy our faith, the things that give us courage and let us exhale.
reverse threading 