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Tag Archives: my mom


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my mom. still. [kerri’s blog on two artists tuesday]

every time i turn a shampoo bottle over and empty the remains into a new shampoo bottle – each upside-down tap of the bottle, drawing the last vestiges of shampoo to the top, makes me think of her.

every bird in the backyard, every endcrust of bread, every leftover dinner, every time i do laundry or make lists, merry morning sunshine.

every time we use the wire cheese slicer, every time i pass by the snake plant, every time i tend our houseplants, every time i thank someone who has generously served us in some way.

every time i see a dachshund or a hosta, every time i think of Long Island, every time i write in my calendar, every area rug on a wood floor, sweet potatoes, math.

every time i make do, every time i save something for ‘special’, every time i turn a few specific phrases or use a coupon, collect rocks or driftwood, every time i make – or have – french fries or iced tea.

every time i see liverwurst or have rye toast, catch the aroma of roast beef in an oven or see a jar of ragu sauce.

when i see beets, when i have onion dip, when I devour crumb cake or chips ahoy, when i coffee-sit, when i repurpose things, when i think about baked ziti or darning socks.

when i defend how to pronounce “sauna”, when i see the “sisu” sign in my studio, spiral notebooks and scrap copies, when i hear “wowee!”, when i stood at the edge of the grand canyon.

every time. i think of my sweet momma. and I wonder how it is possible that she left this world ten years ago today. ten. ten years without her. ten years of not being able to pick up the phone and call her. ten years without mom hugs. ten years without a mom who would listen to any story i told her – any number of times i told it – knowing that my biggest fan was this woman, who was ahead of her time in so many ways.

i wonder how she is feeling now about the turn of all she left behind. i wonder if she has that certain stink eye she’d get, wishing to admonish this country’s current leaders and those following in lock-step. i wonder if the public deflection and distraction of some – avoiding the truth of their choice, avoiding taking responsibility for that choice, literally cheerleading this horror, loudly or silently – i wonder if seeing all that makes her crazy. knowing my momma – and her humanitarian and political leanings – i’m fairly certain she is pretty “irked” – as she would say. she is likely fired up and giving someone a piece of her mind somewhere on the other side. as high-road as she was (and, probably, is) she is not one to put up with the destruction of the country for which she and my dad sacrificed.

and so, every time i speak up or speak out i think of her. every time i voice absolute protection of the rights of members of my family. every time i express horror for the dismantling of this democracy and the cruel disenfranchising of people of the populace. every time i see another nail skewering women. every time i read about the dumbing-down, the elimination of history, the blunting of truth, the big-time grift. every time i stand up for what she taught me about kindness to people. every time. i think of her.

and every time i see the print “live life, my sweet potato” i think of her. and i miss her. yet again.

i think it will always be this way.

after all, she’s my mom.

still.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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“went to visit mom.” [k.s. friday]

it’s an octave. though it is not obvious to most and though it is difficult to see, it is an octave. well, slightly more than an octave, actually. d to d and then e and f. f# too. there are still 88 keys, even aged. still 88 keys, even devoid of their black and whiteness. still 88 keys, even in their new patina. still 88 keys, even though some may now be missing. it is still a piano. its soul is intact.

my sweet momma has been gone seven years today. seven.

the other day, in a group text with some dear friends, i read one friend’s response to a question from another about whether she was home. “not home yet,” she wrote. “went to visit mom.” it stopped me in my tracks and i stood still for a moment. those words – “went to visit mom” – were powerful moment-freezers. time suspended just for a few seconds as i pondered what it would be like to be able to write those words – “went to visit mom”.

i know that i was fortunate. my sweet momma was almost-94 when she died. and i was 56, so almost six decades of me sharing the same plane of existence. her life was inspiring and i was lucky to have her cheering for me in every success, in every travail. she was steady and a rock who was always there, whether or not, in different phases of my life, i recognized it. it was true for me that there was no one who was a bigger cheerleader for me – she had pompoms out the moment i was born and never hesitated to use them. and, as is true for most of us, i’m quite certain there were times i took that for granted, took her for granted.

“went to visit mom.” wow. what i would give to have minutes, hours, days with her. to seek her wisdom, watch her enthusiasm, see the glint in her eyes and hear her laugh, coffeesit with her, have a giant bowl of pasta fagioli or a big slab of crumbcake or some silly adventure. to feel enormous unconditional love. to hug her. to be hugged by her.

“neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.” (desiderata)

barney will reside in our backyard for a long time to come. this gorgeous instrument will continue to be worn by weather and the elements. its keys will fall off, the wood laminate will peel. it will still be a piano and each octave will still be an octave.

my sweet momma, i know, is the same. she is still there, as perennial as the grass. i know her love supersedes my loss of her.

maybe sometime today i’ll go out by barney. i’ll take a candle and light it. and i’ll text d, upstairs in the office working, “went to visit mom”.

*****

LEGACY

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LEGACY from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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steady and predictable. [k.s. friday]

each time we stood in line at the little grocery in paris, we had a kinder bueno bar in our hands. we also had a baguette and camembert and a container of caprese salad and a bottle of wine. sometimes we had a fruit tart. just one.

i didn’t know it then, but the bueno bar is related to ferrero rocher which is related to tic-tacs. and so, in a roundabout way, we were honoring my sweet momma’s passion for tic-tacs. the ferrero group, clearly brilliant sweet-tooth satisfiers.

momma always had tic-tacs in her purse, in the car, in the cabinet in her kitchen. she never bought just one container, like when you are standing in line at target and see them and suddenly think of purchasing a tiny plastic box with the hinged flip-top. she bought multiples, all shrink-wrapped together, and shared them with everyone.

in recent days i decided to go through and reorganize the pantry in our kitchen. our kitchen, like our house, is old, so the pantry is not a walk-in, plastic-wrapped-wire-shelved cavern of space. there is a limit to this miniature cave of goodness, so one must plan and shop accordingly. we set up some metal shelves in the laundry room downstairs to hold rarely-used appliances, which gave us the illusion of more space in the kitchen. anyway….i was pulling everything out of the cabinet to restructure things.

diving into the recesses of the pantry, there it was, kind of hidden. a tiny plastic box of unopened tic-tacs. my momma was instantly there with me.

it is likely that this box came to wisconsin in a care package, for i cannot remember ever buying tic-tacs myself. we all had a never-ending supplier in my sweet momma, who eagerly gave them out “for your purse”, “for your pocket”, “for your backpack”, “for in the car”. and along with kraft macaroni and cheese, ramen noodles, andes candies, poptarts, bags of peanut m&m’s, twizzlers, interesting news articles she cut out, coupons she painstakingly clipped just-for-you, she would tuck tic-tacs, her favorite freshmints. when the boxes would arrive, you knew what was in them. some things are just steady and predictable. some things you just know.

it was a good time for my momma to be standing with me in the kitchen. it’s been a helluva couple years for us, for so many of us. last night, in the middle of the night, sharing a banana, we talked again about these last two years. in some strange way things feel both foggily distant and freshly raw. but they are no less astonishing, no less confusing, no less painful. it is a grand mix – a caldron of emotions.

i spoke aloud to my mom in the kitchen. i told her in bits and spurts – though i’m certain she already knew – about all that had happened in the last years. i told her about how i had just alphabetized the spice cabinet, which made her slightly gleeful. i told her thank-you for all the care packages, all the letters, all the ramen and the mac-and-cheese and the clippings and coupons and m&ms and twizzlers and the unwavering belief, the unconditional love. i told her i was sorry for the times, like everyone, i got too busy. i asked her to hug my dad. i told her i missed her.

and i saved the tiny box of tic-tacs. not to eat them. they are on the shelf in the pantry. steady and predictable.

*****

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read DAVID’s thoughts this K.S. FRIDAY

CONNECTED from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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“i know you can do it.” [merely-a-thought monday]

inside a what-is-now-considered-vintage liz claiborne barrel purse was a treasure. not unzipped in years, i unpacked it the other day. i found a rattle, two small children’s board books, photographs in one of those plastic wallet picture thingies, a couple expired credit cards, a slew of emery boards, faded receipts i could no longer read, old chapstick, a collection of assorted pens and pencils, a few lists, some coins and two tiny mystery keys, a few notes from my girl, cars on scraps of paper drawn by my boy, and a card in the envelope it was mailed in. every now and then you stumble upon a treasure you forgot you had.

my sweet momma was famous for her handwritten letters; most of our family would easily recognize her handwriting, even in a crowded handwriting sampling, even years after last seeing it. this little card in my old purse was clearly something i carried around for some time. it was a note of reassurance, a note with great empathy, a note of encouragement. she mailed it early in january 1989, just a few months after i moved to wisconsin. still in the middle of homesickness and adjustment, though – as i realize now – she must have been feeling loneliness as well, she wrote to me. and she penned six words that i remember her repeating throughout my life:

“i know you can do it.”

those words – just six – can make all the difference.

momma was a glass-half-full type. her fervent cheering-on was a solid part of her nurturing. she fostered support with easy acceptance of failure, “if at first you don’t succeed, try, try again.” she didn’t list to the negative, nor did she wallow in it. in all her life, from early in marriage my dad MIA and then a POW in world war II, to losing her first baby within a day of her birth while my dad was imprisoned and she knew nothing of his whereabouts, to losing her grown son to lung cancer, to standing by my dad in his own lung cancer, a myriad of rough patches, to being left alone with my dad gone to face a double mastectomy at 93. no matter the challenge, she faced it down. she knew she could do it. and, despite any enormity, she left you with no doubt. even though her heart was thready and vulnerable, her positive spirit was contagious, her strength a force in the world.

these times – the pandemic and all it has wreaked, personal physical injuries or illnesses, job trials, isolation and loss of too much and too many to list – have cued up a range of mountains for each of us to scale. my mom’s “good morning merry sunshine” couples with her “live life, my sweet potato.” lines of counterpoint for melodies in life that are askew, her words brace against the storm. my sweet momma did not give up and she did not expect you to either. “you got this,” would be her brene brown shortcut message. she stuck with it all and rode each complicated wave, each complexity, each twist. she lives on in my daughter tearing down a run on a snowboard. she lives on in my son setting up a beautiful new place with his boyfriend. she lives on in the love her granddaughters and grandson bestow upon their children. she lives on in me.

in these times, with all its obstacles daring us to succumb, i can hear her. “i know you can do it,” her voice whispers to my heart.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

live life my sweet potato stuff


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the snowman with mom-arms. [two artists tuesday]

in kindergarten, i watercolor-painted an image of my mom. there was no mistaking her, of course. to my eyes, it looked exactly like her and i was proud as could be when she later turned my masterful painting into a tile to hang on the wall of the kitchen next to the tiled artistic expressions of my big sister and my big brother. now i wonder as i look at the photograph of this artist-sans-maestro image. why did i paint my sweet momma with two distinctly different length arms? was i proportion-inept? was i image-to-paper incapable? was i running out of room on the page in-between all the birds? maybe, oh maybe, i was just not a gifted five-year-old-watercolorist. despite all its shortcomings, my sweet momma carried that tile-painting from one house to the next to the next to the next to the next to the last. as i glance at the art of my children around me – the hand-drawn childhood notes framed on my bedside table, the painted fish-rock on the kitchen windowsill, the handmade signs in my studio – i understand her fierce everlasting dedication.

this snowman seems the snow-replication – at least arm-wise – of my ‘beautiful’ mom-painting. i don’t think i ever painted my mom in a solo piece again after kindergarten. i’m sure i painted my family, my house, my pets, flowers and sky and horses. but i didn’t paint any more portraits. no, it didn’t seem like i was gifted in any way in a depiction of a real person on canvas or paper. but i would hasten to add that i easily have portraited my mom in a million other ways.

she is in music i have written, in photographs i have taken. she is in the branches i have dragged out of the woods and the rocks that have been collected in backpacks. she is in the memories that swirl in antique shoppes and in table coffee-sitting. she is in words i speak and expressions on my face. she is in my mind’s eye, my thready heart and in that little voice in my head. she is in the letters i write and the upside-down shampoo bottles and the homemade chicken soup in my stockpot. she is in the way i push back against inequality, the way i rail against wrongdoing. she is in the merry morning sunshine and the stars that glitter at night, begging attention.

and she is in this tiny snowman we built on a bench in southport park on a snowy day in february, proportionately-inappropriate arms and all.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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my momma and chicken soup. [two artists tuesday]

i wish i could sit with my mom right now. i wish i could be at her kitchen table with a giant bowl of her homemade chicken soup and a big glass of red wine. i wish i could be talking with her, really talking, not merely chit-chatting, but sharing all the stuff that we – very-human human-beings – go through. i wish i could feel that kind of comfort, that kind of never-ending fierce support, that kind of unconditional love, that kind of mothering right now. i wish she were here.

making my own homemade chicken soup will have to suffice. pouring a glass of wine and turning on the happy lights in the sunroom will have to do. sitting with david and pouring out my heart, tears and laughter intermingling, will have to satiate me. looking out over the backyard, staring at the lights strewn up between the trees, will have to be enough.

adulthood has its challenges. we race through our younger years at seemingly warp speed, our ever-widening circles further and further away from home. so much presses us. too much sentimentality is rejected; this world does not run on threadiness and success is not deemed reached with a collection of rocks, feathers, branches collected to remember times with beloveds. we are encouraged to push back against emotions that are confusing, that are overwhelming; this world does not reward our angst, our fear, our grief. instead it suggests that teflon hearts, insular, tough, impervious to the outside, will forward us down the road. we give less and less time to nurturing relationships; we are immersed in making a living, in getting by, in our own self-actualization.

and then suddenly, we screech to a stop. and we are there. we are adults. and, despite all the trappings, we are a little bit lost. we look around, we look back, down the disjointed path, and we realize it’s all fleeting and we, struggling, our hearts quivering, the gift of retrospect bright and shining, pine for simple. we wish we could sit and have chicken soup with our mom, or with our children, and listen and share. we wish we could say that we have learned, in all our human-imperfection, that most important of all, just as we might have suspected, are those rocks and feathers and branches. most important of all are those moments spent with beloveds. most important of all is the honest exchange of ideas and thoughts, choices good and bad, learnings and re-learnings. most important of all is the sharing of our emotions, the visceral, the belly laughs, the sobs, the mistakes and the forgiveness of our flawedness, our common denominator. and hopefully, if the world is as full of grace as we are told, most important of all is the giving and receiving of unconditional love.

i wish i could sit with my sweet momma right now and ask her…how did she make it to almost-94 without a broken-heart-from-life-stuff time and again. i wish she could, once again, reassure me that “this too shall pass” and remind me that moments in time are just that – moments in time. i wish she could tell me her coping strategies, the way she found her zen in this big old damaged perfect world.

i’m guessing chicken soup played a big part.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY