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the weirder, the better. [kerri’s blog on merely-a-thought monday]

“you are a child of the universe. no less than the trees and the stars, you have a right to be here.” (desiderata)

i don’t suppose i ever really fit in. i was the youngest in my family – separated by a decade – while most of my friends had siblings their own age. i grew up in a neighborhood where the kids were somehow athletically gifted, while i took organ and piano lessons and sat in my tree writing poetry. an early entrepreneur, i pulled a wagon around our neighborhood selling baby cactus cuttings and candles i had made. i didn’t go to – or get invited to – wild parties or cut class or skip my homework. i took bike-hikes and walked on the beach in the winter while everyone was at the mall or the bowling alley or the movies. i didn’t listen to the stones or grateful dead or led zeppelin (with the exception, of course, of stairway to heaven – everyone’s prom theme). i listened to john denver and gordon lightfoot and the carpenters. i wore off-brand clothing and didn’t keep up with fashion trends. my momma bought me less expensive boy-pants and found the offbeat stores for shoes-that-look-like-trendy-shoes-but-are-not, like my cherished construction boots. my first car was my dad’s vw beetle, nothing fancy but beloved. i had numerous part-time jobs through high school and then in college and knew the joy of serving corn flakes to both me and my dog missi for dinner. i never thought of myself as weird. but i suppose – if one considers the definition “may have unusual habits, interests or ways of thinking that set them apart” it could be true. i don’t see that as negative, though i also suppose that – depending on the way you see yourself fitting into the world – one might consider it such.

so the sticker “stay weird” hung upside down and backwards made me laugh aloud. somehow my laughter summoned mary oliver and she and i enjoyed a good chuckle about the infinite extraordinary of the insignificant and the everyday, the value of seeing the usual through a filter of unusual.

weird took a very long hiatus – it was safer, less vulnerable, and kept me out of trauma i had shelved. i pursued the inevitability of having to make money, to help support a household in a more meaningful way than the way of an artist. for this society – though its love for the arts is profound, its support of the arts is less so.

it was after my children were born, after the imperative was too loud to ignore, after the perils shushed a bit – when it was time to start releasing music. writing, practicing, recording, performing, marketing, booking, hawking – none of this is necessarily standard-work fare – it is unusual, it is tenuous, it requires a bit of courage. it doesn’t have the same parameters as a workday in corporate or structured america. it has no guarantees of reward, no regular paycheck. it is steeped in personal challenges, the need to be scrappy and the sisu to put it out there.

in the time that was the heyday of my recording career i would call absolutely anyone, regardless of their position. as the owner/artist of my label i have talked directly to vice presidents of sales of barnes and noble and borders books and music, owners of publishing houses, the personal managers of ridiculously successful recording/performing artists. i’ve sat in j. peterman’s messy office chatting (of the j.peterman catalog and seinfeld fame) and in the spare chair of radio program directors. i’ve danced across the stage at qvc-tv under a disco ball and played songs live over phone conferences with oncological pharma higher-ups. i’ve stood in the rain on flatbeds playing, embraced boom mics over my piano on theatre stages of all sizes, sang in front of 35000 people in support of cancer survivorship in central park. pushing the boundaries, carrying a little chutzpah along with belief in my own artistry was everyday life – and necessary. and i’d remind myself each time i picked up the phone or stepped into the unknown the very fact that we all breathe in and out the same way. this thing we have in common, i would tell myself – breathing. surely i could connect on that most basic of levels.

as outside the conventional box as it all seems, i didn’t feel weird. i felt in my skin.

and so, apparently, the weird continues. we know we are different than others. we have a certain run-and-jump into vulnerability that others do not. we have a certain pull towards creating, experimenting, learning – all in the public eye. we share because we have to, not because anyone has to receive it.

so, yes, the “stay weird” sticker really spoke to me.

though my life – and our life – is quite a bit different than the traditional lives or retirements of lovely people we know and care about, it is somehow just right for us. i never forget the corn flakes and he never forgets the sleeping bag in his studio space. every everything counts and we are reflexively careful about not being frivolous. for us, weird has granted us a certain appreciation of the littlest things, honoring simplicity and leftover pasta, redundant black thermal shirts and a shared bin of socks, used notebooks and repurposing taken to a new level.

what one does with one’s “wild and precious life”*…

the weirder, the better.

*****

(*mary oliver)

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fervent fern. [kerri’s blog on k.s. friday]

they unfurled from their tiny seahorse stage into real-live ferns in what seemed like moments. all of a sudden, there they were – a whole corner garden of ferns. so incredibly green. lush.

but – even in their zealous and prolific growth – they are fragile. their fronds fall victim to the wind or the dogga’s curiosity, and they are knocked over, with – seemingly – no chance of revival. it seems – perhaps – safer to be in the middle of the bunch of ferns in the garden, rather than on the outskirts.

and i find myself nodding my head, as any artist might nod her head. yes. indeed. safer to be in the middle than on the outskirts, than life as an outlier.

when i finally felt safe enough – when the imperative was too much to ignore any longer – for me to pursue my own artistry – to leave the middle – i knew it was a different route. it would not be the interstate to success. instead, it would be a challenge to stay upright – to keep reaching – when the perils of the outskirts were plentiful.

i knew i should have kept on the road earlier, but there were things that precluded me – that hushed me – and i largely put aside that desperate voice inside of me begging to come back out – the one i had quashed so many years – decades – prior.

but the tiny seahorse fern in me didn’t give up. it kept nagging me until it was finally ok to face the perils.

and i began to write – with the fervency of the ferns in our back garden. my piano was never silent. i kept unfurling, reaching to the sun – an artist coming out of fallow.

and there was music. and more music. the compositions, the songs, the albums populated the garden rapidly – there was much time for which to make up. stages and boom mics and product boxes were the accoutrements of my life. and i could only imagine – and still wonder – what might have happened had it all started earlier, had i fronded in earlier life.

it remains a mystery.

even now – in which the unsuspected and life have mown down some of the outer fronds – there is a core, a center of gravity that holds the fern-muse.

though fragile on the exterior, we are never really broken to the core. there is still time – there is healing, there is a new spring.

there is a fern garden ripe for more ferns.

*****

WATERSHED © 2004 kerri sherwood

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we are two chickadees. [kerri’s blog on k.s. friday]

last year a black-capped chickadee returned over and over to this old barnwood birdhouse on our tree. each time it balanced on the the hole and pecked at the edges all around the entrance to the house. we wondered if – perhaps – it was not quite big enough for this bird and its intentions to build a nest. it worked at it – diligently – finessing the birdhouse as it could, enlarging the entrance and pecking off the sharp edges. but it did not end up nesting there.

this year two black-capped chickadees return over and over to this birdhouse on our tree. this year they carry in supplies – long strands of ornamental grasses, bits of branches and leaves. we believe that – this year – there is a nest inside this birdhouse. we hope we are right, for the idea of baby birds just off the patio – in this sweet birdhouse – makes us a little bit giddy. together these chickadees have made a home, taking turns with the chores of preparation and standing vigil, keeping it all safe from harm. we stay hopeful that there will be babies and that this sweet bird-family will endure all the hardships of nature and the passing of time.

yesterday was the 43rd anniversary of my (first) wedding.

i think back to the preparations and nesting through the years, as we worked together – successfully and not – as a couple and then as parents of two beloved children. like the chickadees, we had no guarantees – we just worked at it, best we could.

i look back – as we all might do – and see the moments in time we might have done better, might have made different choices, might have pecked at the edges of the entrance to our house instead of other things we did – things that would have finessed our home in lieu of harming it in some way or another. but we are human and our failings are as numerous as our triumphs. it is easier now – years later – to offer generous grace to our best attempts, despite how it all turned out. our two children are good people in the world – making their way in work, in their own passions, in love.

i am grateful for those years. i am grateful to have married a man back then who also tried his best to build a life together. as in any relationship, we brought different baggage with us – some of which was surmountable, some of which made life challenging. we started out pretty young. time has smoothed out the edges – pecking off the sharp parts – and what remains is softer, gentler, accepting. it is with deep affection that i now tell the tales of our thirty years together.

d and i met twelve years ago now – after six months of being daily email penpals. this year will celebrate the 10th anniversary of our wedding on a warm and sunny october day.

we have done our share of edge-pecking. we have finessed our home and stood vigil for each other. we have shared in the hardships of nature and the passing of time – for that – the passing of time – seems exponentially fast starting later in life. we have been fortunate and we work at it, best we can.

i am grateful for these years. i am grateful to have married a man who is also trying his best to build a life together. as in any relationship, we brought different baggage with us – some of which has been surmountable, some of which made or makes life challenging. we started out later in middle age. but time smooths out the edges – pecking off the sharp parts – and what remains is softer, gentler, accepting. it is with deep affection that i tell the tales of our life together. it is with humble and immense gratitude that i look into the future with him.

there is no telling what chickadees may do in life. but they seem to realize the very preciousness of it as they zealously prepare and tend their life together with another chickadee. sometimes they stay with the same mate all their lives. and sometimes they don’t. either way, chickadees have strong pair bonds – which is the very best we can all do for each other.

*****

GRATEFUL © 2004 kerri sherwood

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oh, the mayhem. [kerri’s blog on two artists tuesday]

oh, the mayhem.

the wind blows.

there are about 200 seeds in a single dandelion fluff. even in the gentlest of breezes, the dandelion field scatters everywhere – seeding, seeding – more dandelions, more dandelion fields.

oh, the mayhem.

88 keys.

the clusters of piano keys that might be in any piece of music. consider just a three-note composition. in the simplest of equations, assuming once the first choice is made you must move on to the second choice and then the third choice, one has 88 keys to choose from x 88 keys to choose from x 88 keys to choose from – merely 681,472 options for any given composer on any given day working to write just the first three notes of a melodic gesture.

oh, the mayhem.

choices.

for the painter and a canvas, a writer and a pad, a dancer and a wood floor, a potter and blocks of clay, a blogger and a computer keyboard.

it – the imperative to mayhem – calls us. to make something out of it all. to birth something out of the raw materials, to use our tools to create, to choose direction, to express artistic vision – what we see or hear or feel – a passion – that might – or might not – touch others.

there is no guarantee, no real proverbial “if you build it, they will come”. it doesn’t just happen that way. it is an imperative nonetheless.

the imperative to show up, to engage in the mayhem.

i’ve done much of my composing in-between other things, stealing time – minutes even – to write something – anything, something that might be universally understood, something that gives air to a thought, an emotion – something in my internal or external world. scraps of melodies, bass line roots, ideas only until i might make them airborne.

mayhem steals my imagination and lifts it past the stuff-of-the-day. it pokes and prods me, not allowing for passivity, foisting ideas and snippets of muse upon me.

it’s a bazillion seeds in a dandelion meadow, a bazillion pianos, a bazillion pencils and pads, a bazillion brushes and a bazillion paint pots.

a mayhem of bazillions.

*****

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less wrinkles. [kerri’s blog on k.s. friday]

“if i’m laden at all/i’m laden with sadness that everyone’s heart isn’t filled with the gladness of love for one another.” (he ain’t heavy, he’s my brother – bob russell/bobby scott)

when i look in the mirror these days i am struck by the lines around my eyes, the lines etched above my lips, the furrow etched into my brow. i wonder how they all arrived without my noticing, as if – at night, while i was sleeping – a clay sculpting tool had gently drawn lines in skin no longer as resilient as it had been.

i glance at photographs from merely five years ago – and then ten years ago – and am startled to see the difference. but i know what the last years have been and – so – i should not be surprised. these wrinkles have been earned.

for it has been a time.

we all have them – these timelines of challenge or disappointment or frustration or grief.

in the humanness we all share, it would seem prudent to share these heavy burdens, the stuff of life that is made easier with someone else to help lift them.

“so on we go/his welfare is my concern/no burden is he to bear, we’ll get there.”

but this last decade.

as is woven throughout the history of this country, the extraordinary of abject cruelty and its ugly head raise up and shock our belief in equality and kindness. this last decade.

the hypocrisy of institutions supposedly dedicated to the love of one another – to goodness – to compassion – shifts the ground under our feet and we have been gobsmacked by the betrayal. this last decade.

our very own communities have quaked, stormy, seismic shifts forming a crevasse between us – not merely a difference in opinion, but a difference in basic morality. we reel from the impact, from the air that is sucked from our lungs as we grok this. this last decade.

last week. my birthday. d’s homemade card next to my early morning coffee. the pink tulips from 20. dogga’s momma-kisses. the call from my girl and her husband. and that moment my son handed me a tiny carrot cake – remembering. i felt the light, the easing of the load, the gladness, the love. each time.

i do not understand the dedication to cruelty, to evil intention, to undermining others, to destruction, to the bandwagon of every-man-for-himself-every-woman-for-herself.

“it’s a long, long road from which there is no return/while we’re on the way to there why not share?”

i wonder how it might all be different.

i suspect there’d be far fewer furrows and creases and wrinkles.

“and the load doesn’t weigh me down at all. he ain’t heavy. he’s my brother.”

*****

NURTURE ME © 1995 kerri sherwood

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what will happen? [kerri’s blog on k.s. friday]

“sometimes hope is a radical act, sometimes a quietly merciful response, sometimes a second wind, or just an increased awareness of goodness and beauty.” (anne lamott)

he burst back in the front door exclaiming, “you have to go see!!”

for good reason.

the day lilies had poked through the leaves and dried stalks and, in the middle of all that brown – tucked up against the old brick wall – there was green.

the brick wall holds the warmth of the southern sun. nestled in that garden, the day lilies – an ordinary plant with nothing froufrou about it – were encouraged and nurtured. and so, even in the cold temperatures and the occasional snow flurry, the day lilies responded. gleefully. and their rising out of the dirt, their bright green of newness, gave me – us – hope. spring is here.

it would seem that people are not much different. there is a spring for ordinary people – with nothing froufrou about them – who are encouraged and nurtured. there is hope.

this country – filled with ordinary folks – has generally prided itself – congratulated itself – on its stance on human rights, on altruism, on its generosity of safety net programs. the melting pot that is the populace has been supported by a democracy that upholds humane values of fairness, equity, legality, goodness, kindness.

but it appears now we have been congratulating ourselves on something that was ticking its way out of existence, being usurped by intense greed and corruption, shallow conscience and deep-seated hatred. this source of our national pride is disintegrating right in front of us – being poisoned and stifled and ripped to shreds – and now it seems demolition is seconds away.

and there is nothing that the sun, the warm bricks, the insulating dry leaves and brush can do.

what will happen to the day lilies?

“hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. you wait and watch and work. you don’t give up.” (anne lamott)

*****

WATERSHED © 2004 kerri sherwood

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goldening steps. [kerri’s blog on k.s. friday]

the tree lit up as the sun began to sink. oranges, reds, it was golden, the moon next to it, hanging out in the late just-sprang-forward afternoon sky.

we were sitting on the deck in our adirondack chairs – on an unexpected beautiful, warm day. it was the first time we sat outside in the sun since november.

on the same day, we took a hike in the woods, our spirits lifting with each step taken without cold wind in our faces. though we hike on very cold days with very cold winds, this was a glorious day. golden, for sure.

and nature is the only essence with which to credit this golden day. nothing else. no one else.

though the White House et al credit themselves with “the golden age of america [is here]” it is beyond delusional and a disgusting display of fealty from the capitulating folks this prez placed into powerful positions. stripping rights, freedoms, safety from the populace, putting the economy into chaos, hunting down immigrants to whisk away into oblivion, cutting helping programs that aid people so that 1% might get richer, turning our nation into a pariah no longer trusted by the world…newsflash…this is not the golden age.

we are not the elite. we are those people who wish to collect social security, who wish to have healthcare through medicare or the affordable care act, who wish to afford groceries and housing, utilities and upkeep, who wish to have income-based repayment plans for the criminally predatory decades-long student loans that have been reigning our finances, who wish to have economic stability, who wish to travel without fear of stigma, who wish to live in a country with principles based on equality and compassion, who wish our gay adult son and our childbearingyears daughter to have rights and freedoms for their own decision-making about their relationships, their health, their bodies, any children they may or may not choose to have. i’ve said it before – we are the masses. we feel this.

but, just as the moment when an olympic athlete climbs atop a podium to collect a gold medal for this country and you can feel it down to your toes, we can also feel all the vile program cuts that hurt others, the deliberate and aggressive bigotry directed at others, the loss of trust, security, and safety, the absolute betrayal of members of the populace by this cruel administration. it is the darkest of times – for each of us, for this country. light is sinking lower, deep into the horizon. we are heading into the sunless rule of authoritarianism.

it is not just what affects us that affects us.

so how do we collectively influence the actual color of these days? how do we actually golden up these times – this “age” – for real? what magic wand do we wield as a people, together? what steps – pushing back – do we take – for those we love and – in the biggest and most inclusive picture of this nation and this world – for people who will never know who we are?

maybe our collective empathy and our raised voices will help. every step we take forward – speaking up, speaking out – even against the coldest of winds – is a step – a goldening step – taken for democracy.

*****

FIGHT FOR THE LIGHT FOR OTHERS – EVEN IF THEY DON’T KNOW WHO YOU ARE. (you make a difference © 2003 kerri sherwood)

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every little thing. [kerri’s blog on k.s. friday]

“the sun is coming out,” i told him. “i can hear it on the siding.”

it will be the littlest things, i believe. the smallest details, the tiniest noticings that will help us personally get through this. much of what seems to be planned for the populace will affect us. according to project 2025 – aka this ugliest administration’s agenda – we are those people. we are the masses.

with no idea how low this will go – though we suspect “hellish” may not suffice as an adjective – we will need to zero in on that which might bring a moment of light, a bit of joy, a sliver of hope.

and it’s only been 43 days, 1 hour, 43 minutes and 23 seconds since the inauguration (as i write this.). by the time this publishes it will be 45 days, 18 hours.

if we can assume that there will be another inauguration – and that seems a large assumption considering how far down the authoritarian hellhole we are being flung – it will be in 1417 days, 22 hours, 14 minutes and 8 seconds (as i write this), 1415 days, 18 hours by the time this publishes.

that’s a very long time. and a lot of hell between here and there.

i am holding a lot of stress in my body right now. merely blowing my hair dry this morning yielded a strained back intercostal muscle, making it hard to breathe. each day there is something that makes it intensely clear that i am not relaxed, the least of which is waking up achy every morning – even after a full night’s sleep. i trust i am not alone in this. we are all enduring serious worry and anxiety, raging anger, intense grief, raw fear. there is no real way for our minds or hearts or bodies to escape it.

but we try.

and in looking for the most meditative time, in looking for joy, in holding onto laughter and playfulness best as we can, in paying attention to the beauty right around us, we will seek out anything and everything that might help, any sign of comfort, any inkling of something positive.

so when i could hear the siding creaking – a sure sign that the sun was coming out from behind the clouds, it seemed apt to mention it.

because every little thing counts right now.

*****

TAKING STOCK copyright 2010 kerri sherwood

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as clear as ice. [kerri’s blog on k.s. friday]

merely glancing at this photo of ice-encased grasses makes it clear that it is cold out. very cold.

because some things are obvious. a no-brainer, as it’s said. you can see right through.

silence is like that.

remaining completely silent – not uttering a word of raging disdain or abject horror – in the middle of this country’s hellish descent in this time of destruction – makes your position – of complicity – obvious. a no-brainer.

this is a time demanding connection. this is a time when we need each other. we need to band together and buoy each other. we need mutual support in a liminal frozen space of atrocity as we all witness the stripping of our democracy. we need to talk. we need to ask questions. we need to sort. we need to speak up.

i haven’t been able to decide if i am more sickened by what’s happening in this country or by family, friends and acquaintances who – clear as ice – think it’s perfectly ok. like too many others, i wonder, “who the hell are you, anyway???”

you may think your stance is not transparently clear – while you publicly – and callously – try to give the impression of going about normal life normally – or while you pretend it isn’t happening – even privately – but your silence about these atrocities in very real life speaks volumes.

having been thrown under the bus before by people i have trusted – including perhaps you – i warily wonder how far you would go to support all this.

and so we reach to others, we connect, we stand with them, we protect each other as best we can.

because just as clear as ice your silent complicity are their good intentions. and the choice is obvious. a no-brainer, as it’s said.

*****

CONNECTED © 1995 kerri sherwood

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the imperative of peace. [kerri’s blog on k.s. friday]

dreamy.

many other adjectives came to mind to eloquently describe lake tahoe, but dreamy seems to fit the best right now.

in the way that sometimes happens with monumental beauty, i instantly felt a sense of peace descend over me…exactly what i needed.

for this has been a time. and i – like you – am filled to the brim, yearning for something different, something that builds up and does not tear down, something that is positive, filled with grace and not negative and filled with hatred. already, this is all exhausting. already, i am exhausted. we – all of us – have lost so much. and, though hopefully this will change – something will stop this destruction of our sea to shining sea – things will never be the same. betrayal has left its mark on us.

and so, the sight of this lake in the distance, as we approached, up close and personal, was balm for my spirit and i felt it wash over me.

some places are like that. you instantly feel a kinship with the vista, grounded by its simple, natural beauty. after all, this is merely mountains, forest and lake. nothing manufactured, nothing contrived, quietude with the potential for a tranquility that is so very powerful.

we do not live near this stunning landscape, but we do live in a landscape of our own. and i know that we must look to it for salve, for soothing us, for a balance of goodness against all the evil being perpetrated upon our country. clearly, we need to deal with the reality of what is happening here. clearly, we need to rejuvenate from the reality of what is happening here.

i think we need do that any which way we can.

there is a lot ahead of us. everything we have known is grotesquely distorted and people we have known have actively participated in that. it is the stuff of bad dreams. and we each are waking up to the horror of it all. as we brush the real-life nightmare from our eyes and wake to another day of fighting to keep our democracy, it is incumbent upon us to bring strength and resolve and a bit of peace from which we might draw these.

we will be looking everywhere we can for that peace, to join with it. it is an imperative.

“now he walks in quiet solitude the forests and the streams / seeking grace in every step he takes / his sight has turned inside himself to try and understand / the serenity of a clear blue mountain lake…” (john denver – rocky mountain high)

*****

PEACE © 2004 kerri sherwood

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