i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.
some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.
i know i might be accused of over-documenting. so many photos. “1.81 trillion photosare taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.
yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.
because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.
so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.
despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.
selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.
we are surrounded by people with grandchildren. there are tiny babies, toddlers, pre-teens, teenagers. we are ‘of the age’. it would seem that each and every day there is yet another announcement on social media of a new grandbaby-to-be, a gender reveal party, a baby shower, a birth of a tiny being into this great big world. my biological grandma clock is pokin’ at me, but, alas, this is not within my control. at all. these are important and very personal decisions; each of us has to decide what is individually right for us. and so, we’ll see. no matter our age, we celebrate our children living their lives.
and so, we watch others as they enter the glee-filled world of grandparenthood. they amass toys and sleeping provisions and high chair options and read books about the newfangled ways small babies learn to eat food and they post adorable videos of all the extraordinarily ordinary moments we – as parents – didn’t have time to notice. they go to the closet in the hallway or in the family room and gaze up at the tinkertoys and legos and trouble game and candyland and the saved baby dolls and barbie dolls and matchbox cars and crayons and stickers and markers and coloring books and they get dreamy looks on their faces as they ponder all these – once again – in their lives. ahh. what perfection.
we have all that stuff too. it’s mostly in the hall closet, where we’ve always kept it. games and puzzles and crafty things and bebop and a jumprope and jacks and egg coloring kits and pumpkin carving tools and those squishy balls you get all soaky wet to throw and frisbees. all the crayons and colored pencils and markers and glue are upstairs in the cabinet in the office. and stickers. lots of stickers.
there is really no reason we can’t just revisit all that stuff now anyway. i mean, if we are going to practice snack-time, we can spirograph first.
he is such a boy. SUCH a boy. any – and i mean ANY – time i ask him if he’s hungry, he always replies with an emphatic “yes!” like he’s been starving for days and days. snack-time is a driving force, a dominant priority, something he has already perfected. but, hmmm….yes, a carrot easily dangle-able.
the truth is, i’ve had a lot more experience in twizzler-eating, so i have an edge. my twizzler days go way, way back to earlier times. to get me through driving all over the country loaded down with cds and maps, my sweet momma would send twizzlers in care packages, along with peanut m&m’s and those lance peanut butter crackers in the cracker-color that does not naturally occur in nature. some things never change, regardless of age.
we basically eat our way across the country. the roadtrip feeding frenzy pauses but every couple hours revives with a vengeance. twizzlers fill in the gaps between more nutritious snacks like bananas and halos and real sandwiches, double espressos and, yes, some of those chia-flax-millet-quinoa-amaranth late july chips.
and when conversation has ceased and we’ve solved all the world problems, the road is straight and the highway is lulling, it’s time for a little competition.
suffice it to say: he needs more practice. as my poppo always said, “practice makes perfect.”
we moved the sunflower. it was on the deck for a few years now, rusting behind the aging wooden glider, tucked between the kitchen window and the bedroom window. it greeted us each day we left and came home. it watched over my girl as she house-sat during the summer, a couple ago now, when we were on island. she didn’t know it, but i had asked it to keep her comings and goings safe and each time she left and came back to smile good days upon her. it came home from a cedarburg festival with us, having called us over to ponder its purchase. we walked the length of the festival and talked about the sunflower. then we went back, after more debate than most probably make about purchases, and bought it. about two weeks ago we moved it. now its place is next to barney, surrounded by peonies and wild geranium and daylilies and snow on the mountain. it is happy there.
when you’ve lived somewhere for quite some time there are naturally places that you go that feel better than others. for me, there are places in this town that have immediate warm responses for me, places that have held me, places that are part of my cairns, places where i have dreamed and imagined, places where a community has meant the world to me. there are other places that conjure up memories i would rather forget with visceral responses i can actually feel; i generally stay away from those spots not wanting to relive moments of grief or poor judgement or anger or betrayal or grand disappointment. i have learned, though, that sometimes the best way to process those is to drive past, to acknowledge, to breathe deeply, to maybe weep. in the same way that actual places remind us, mementos from places we hold dear make it into our special boxes or find their way into our home like sticks accumulating in the walking stick vessel in our sitting room or rocks added to the stones around the pond. some mementos are bigger than others, like the sunflower from a gloriously sunny festival-going day in a town we adore browsing or the 5′ long driftwood from a long island beach that graces the mantel or the high mountain aspen branch wrapped in lights in the dining room. and then there’s barney. there’s no escaping this beautiful piano in our backyard, aging with us.
i’ve shared barney’s story before…how he escaped the junk man’s junkyard destination and, for a small price, came here to share life with us. from a basement boiler room to a place of honor near the pond in our tiny yard he sits and invites the company of beautiful plants, munching squirrels and cutie-pie chipmunks. yet he is a memento. and the place he came from is no longer a favorite place. instead, it is a place i now avoid, with emotions that elicit a physical response and a little vibration i can feel in my chest when i think about it. and so how do i avoid attaching these feelings to barney, i have wondered.
my growing-up piano is in our basement. movers moved it there many years ago, before there were walls in the stairwell. i wonder what will become of it if we ever move. it proudly holds art books and a small stereo and sits in david’s painting studio with a couple rocking chairs and his gorgeous old easel. i have thought about ways to repurpose it. and yet, it is so dear that it will, for right now, stay there just as it is, with music in its bench and the little index card on which is carefully printed in eight-year-old font “practice makes perfect”.
there is a piano of size in my studio. it sits at full stick, waiting patiently. i was in there yesterday and it whispered to me, but, for right then, i was consumed with the finishing of putting things away. there is still music to file, organ music still to go back into cabinets. i must decide what to do with the poster that hung on the choir room wall that reads, “if you ask me what i came into this world to do, i will tell you i came to live out loud” or the metal cut-out words “it’s all about music” or the white strands of happy lights that were woven around the blackboard that listed rehearsals and demonstrated strum patterns and had dates of parties for that well-loved community held at our house.
maybe once i decide what to do with all of it – including the emotional wreckage part – i will again sit at my piano. drive past, acknowledge, breathe deeply, weep. my piano is full of empathy i can feel and some day, soon i hope, i will be able to sit and play – in a studio cleaned and inviting with mementos of goodness and intentions of evolution. then i will walk out of the studio and down the hall, through the kitchen and the sunroom and outside onto the deck. and i will sit on the old settee and listen to the pond and the birds and watch the chipmunks scurry across the top of the old piano that shares space with the sunflower and a couple green-eyed metal birds.
in answers that have come with a few months of time, i have found that the piano-ness of barney has overcome the where-it’s-from-ness. the peeling back, the wrinkles, the embrace of its tiny community in our yard…these things have usurped the rest.
instead, barney and the sunflower together greet us upon leaving and greet us upon returning home. together, they both bring joy and reassurance to our backyard and they both smile good days upon us.
“live generously and the world will treat you royally.” (crown royal commercial)
“practice makes perfect,” it says on an index card in the piano bench of my old piano downstairs in the basement. written in the careful-penmanship-printing of me-probably-as-an-8-year-old, i have kept this card in my bench for over 50 years. i’m sure there were multiple times i rolled my eyes at this, as i opened the bench to take out and work on lesson music. i still roll my eyes. everything takes practice.
everything. including living generously. there’s always that moment when you have to decide to either take up the rope, as they say, and tug back or let the rope lay still. so much easier to pick it up and tug, letting it lay there and not touching it requires sheer grit-your-teeth-restraint sometimes. it’s too easy to tug, to even wrench, and too royally hard to let a sleeping rope lie.
but in those moments, the really tough ones and the little ones, that you actually and intentionally choose to mother-teresa your way through, your generosity spins outward in concentric circles and goodness spreads. goodness has a way of coming back, returning to center, with centrifugal force and your heart in the middle. gravity draws back goodness and keeps close the spirit of all with whom you have been generous. kindness bestowed upon you is royal treatment; it is the world treating you royally. we are all so fortunate. we are already receiving lavish unconditional love. what would happen if we practiced living generously even more?
reverse threading 