it’s been forty years now…over forty, actually. four decades of other people asking THAT question: “what’s your REAL job?”. for a society that values entertainment in all arenas of medium, it would seem a ridiculous query – for this work as an artist – this work providing a piece of heart connection, of balance, this work expressing ideas with the hope of creating beauty, this work exploring perceptions and nudging perspectives, this work generating emotions – this IS my real job. as an artist. a funambulist.
and as a lifelong artist, some things about my life are just different than the norm. it is hard for people to know what to say – or for that matter, what to think – when you mention you are a musician or that you write or paint or dance or sculpt or act. it’s kind of a conversation-stopper. or a chance for the people at the table to push, “but what’s your REAL job?”.
the success of our lives is not measured in rising stocks or 401k’s or retirement portfolios or even bulging savings accounts, for that matter. real jobs are defined by levels of security and solvency that artists, sadly, rarely experience. it’s just hard for others to wrap their heads around such oddity, such tenuousness, such a complex relationship with the imperative to create.
so we point out: the bow, literal or figurative, of any artist is humble gratitude. the joy of any artist is the rippling concentric circle of their work. success is connection, resonance. even with one tiny person-star in the galaxy.
the definition of our lives is complicated to explain, though i expect so is yours. if one artist is awkward, two artists is a weird-fest. sooo not-normal. we will laugh WITH you as you struggle to understand us. weird or not, it is who we are.
we settled into the ritual with ease. sundown came and we gently removed the tiny wax bits that were left in the menorah. we drew new candles out of the box, placed them in their spots, sparked the shamash, lit each day’s wick, reciting either the words we had researched or blessings we spoke into the universe. when the last night came, as we watched the flames dance in glassware on the table and in the window, we sang. we made up the song and intended it as words of gratitude and a wish for light in all. it has become a new tradition we will continue…there cannot be any reason to not add rituals into the darkness.
we found it to be a time of quiet, these moments as we sat and watched the flickering. we sat, silently, for the menorah was small and the candles only lasted the requisite half hour or so. but a half hour, taken as sweet lull in the day is a good reminder to be still. our days, this season, all will us to go faster, faster. yet, it seems, the best way to move into the rest is to pause.
we made dinner after we celebrated our little festival of lights. sometimes with a favorite cd, sometimes with the local chicago holiday station, music floated around us. though i love singing along to carols, and so many of our old albums conjure up piles of memories, i’ve noticed that the instrumental versions of these gently wrap around us, slow us down a little.
when 20 was over for dinner i mentioned that. “instrumentals would be nice,” i observed as yet another pop singer acrobated her way through a simple carol, over-cadenza-ing into the stratosphere. both 20 and david stared at me like i had lost my mind. they hesitated and then one of them said, “duhhhh.” i stared back, “it’s-not-like-i’m-going-to-put-on-my-own-albums-geeez.” they rolled their eyes.
in a more-is-more faster-and-faster society, there is something to be said for decelerating. there is something about simplifying. there is something about lighting candles and reciting ancient peaceful blessings. there is something about taking the time for quiet and taking the time for celebration. there is something about staring into the reflection of years past, of the week, of today.
we watched the wispy trails of smoke as they faded into the rest of the evening.
some things are clearly for display purposes only. turns out that, after decades of bin-living following decades of good service on our growing-up house on long island preceded by years of i-have-no-idea, these lights are not meant for real use anymore. they lit the wrought iron porch rail for four nights…happily multi-coloring the front of our house in this early part of the season.
when i stepped outside to plug them in on monday…i found that, in its last unplugging, the plug had disassembled itself and, shy of replacing the plug and then wondering what other electrical hazard might be lurking, it would be best to gently unwind and retire the lights. it is not likely, however, that i will throw them away. instead, they will go in the bottom bin with the other strands and the mercury glass ornaments.
one of these years all those baubles will come out and we will have a retro tree, full of shiny brites and vintage balls and bells and glittery ornaments from the mid-1900s, which sounds like forever ago. perhaps another tree will stand proudly with homemade ornaments and wooden stars and collectible hallmarks – late 1900s/early 2000s. strings of popcorn and cranberries and lights. our own christmas house. this year, though, we’ll keep it simple.
we haven’t decided on THE tree yet. though we have white branches wound with (white) lights and many small green and silver trees about our home, the one deemed worthy of presents beneath it has not yet been chosen. we hesitate to go to the tree lot, though i’m not exactly sure why. buying a tree at costco or menards doesn’t really have any kind of charm. we could go to a tree farm; we have done this before and sought out the strangest looking tree, trying to take home the small pine that isn’t likely to be loved. we could go to a state forest and cut one down for a mere $5, which sounds like an adventure and could be a consideration if indeed they are trying to pare down the forest for good and earth-friendly reasons. there is a large limb trimmed by the utilities guys from our big old tree out front; we saved it. if it isn’t too big we could wrap that in lights and honor its former place in our front yard. or we could purchase a live tree…i’ve done a little research on this. buying a sweet norway spruce is a grand idea when it’s a cute five feet tall. but they grow 2-4 feet a year on average and extend to 40 to 60 feet tall, a challenge for a city lot that already has trees. even writing this i am drumming my fingers, pondering. usually the answer makes itself known to us, somehow. i guess we’ll see.
in the meanwhile we’ll keep adding little by little … a few pinecones here, a few silver balls there. our display is simple, full of stories and heart, balsam and cypress-pine candles. as i look at social media and the posting of decorations and trees and lights, i can see that those – stories and heart – are the common denominators.
i dare not hang them inside (or even on the actual front of the house, for that matter). but they will find their place. my mom and dad’s old christmas lights were in the bottom christmas bin in the storage room in the front of the basement. all bins had to be moved for the water utility folks to replace our water line so it seemed a decided task to go through the bins and, maybe – if i could find any ruthlessness – pare it all down a bit.
this is not a task for the nostalgic.
my digging and sorting and organizing and paring-notparing-paring-notparing down was like listening to all the old christmas record albums at once. it was frank sinatra and the carpenters and jim nabors and the firestone orchestra and chorus and herb alpert and the tijuana brass and dean martin and john denver and bing crosby and julie andrews and burl ives and doris day. it was old glass ornaments sprinkled liberally with glitter and felt cut into homemade trees with elmer’s-glue-laden-decorations. it was golden angels and hardened flour-water wreaths and crocheted bells and plastic poinsettia corsages and thick red yarn for stringing. it was cloves and pomegranate seeds and macaroni and tinsel and sugar-coating and silver sleighbells and styrofoam snowmen. it was crayon-printed “kirsten” and “craig” signatures, old red stockings-to-hang and fuzzy santa hats. tree skirts and tablecloths. rogers’ christmas house treasures and andrea’s christmas candle bubble nightlights. gift tags with long stories in a simple “from”.
as i was standing over those bins on thursday and friday, half my body buried deep into the bottom of the piles, i came upon a snowman ornament. “to kerie, from patrick” read the gift tag i had saved in the box from circa 1982, a gift from a piano student to me, his teacher. i took a picture and sent it to patrick, now my friend across the country on instagram. instantly, i had one of those heart rushes you get when you stumble across something tiny yet just simply precious. reaching out and letting him know seemed obvious. (not to mention a distraction when i needed one.)
i pulled my sweet parent’s vintage lights out and, because of that way that wires entangle even in the best of circumstances, i took my time detangling. i plugged each strand in, tightening the bulbs and removing the ones that had burned out. on the dining room table, i put together one long strand with working bulbs and made a decision. this year – as opposed to most all other years – i would wrap our front porch rail with memories. i would carefully place each old bulb so everyone passing could revisit a time long ago, decades in fact, a simpler time. i would succumb to the multi-colored-lights this year. on purpose. and after the new year, i will gently place them back in one of the bins, next to the painted-glass ornaments and the trees made of construction paper and paste.
and though next year we’ll likely go back to white twinkling happy lights out front, i will always remember the multi-colored lights and the enormity of love-filled stories and i will – just-as-always – know they will be a treasured part of my heart.
there were three overstuffed bins when i started. with a few things to donate and much in bags to dispose of, there are neater, tidier, more organized bins now. but there are still three.
one whiff of the good earth non-gmo soy wax cypress-pine candle and i was sold. the holidays in a mason jar with the added bonus of having spent hours of my life in many years past at shows near the founder of this absolutely-good-earth company, a place where brilliant science and creativity and big heart merge. it made me happy to see her products at the boutique shop and, in the way that this season does, makes me want to reach out to her with greetings.
we were in cedarburg on saturday, wanting to participate in the anticipation of christmas. the streets were cold, but the lights were beautiful and the holiday spirit warm and contagious. the wind was brisk so it was a constant cycle of earmuffs on-gloves on-walk-walk-walk-gloves off-earmuffs off-mask on-go into a shop-wander and browse and admire-exit shop-mask off-earmuffs on-gloves on-walk-walk-walk and repeat.
it was a perfect day. we stopped to have a bite to eat – a rarity in these past couple years. there was a giant outdoor tent with tall bistro tables spaced more than socially-distanced apart, fresh air coming in and tall propane heaters scattered about. with our coats on, though unzipped, we sipped an oustanding merlot and shared a burger laden with bacon and mushrooms and grilled onions and some kind of special sauce with a gigantic side of french fries. did i mention perfect?
our day-adventure took us through our favorite shops, the familiar a reassuring hug. in another rarity, we bought a few items – our new candle that tracy made, almond coconut hand lotion from a long island company that smells like an almond joy bar, a pair of fair trade mittens that fit over my finger splint from the everest corner of the world. treasures. we brought home ideas for decorating and fresh energy for the upcoming week.
sitting at the tall bistro table in the tent i glanced around. four girlfriends enjoying a chardonnay, a family surrounded by shopping bags and ribbons, two friends having a shopping extravaganza, an older couple perched on stools finishing lunch and sipping tall glasses of water, our server, delightful despite the busy. i appreciated the mix of the multi-colored and white lights strewn through the tent. the chatter, the joy, delicious anticipation that the rest of the day still stretched in front of us. there would be tiny expressions of graciousness and courtesies and we would see grandiose expressions of the season.
i looked at david and held my hand to my heart, saying nothing. he nodded.
“christmas is here, bringing good cheer. to young and old, meek and the bold. ding, dong, ding, dong, that is their song. with joyful ring, all caroling.” (carol of the bells)
as you walk in the front door of the gallery, it is straight ahead of you. “unfettered” seizes your attention and the light streaming in the windows spilling onto a warm wood floor and white woodwork seems to embrace it in a cloud. i know how this feels. showcasing a piece is allowing it to come to full bloom, to let it breathe in the world, to share it. but showcasing a piece is not for the meek at heart.
in the way you would likely feel standing in your underwear in a town square, introducing the world to some new piece of your heart is raw. on old wooden stages with a piano and a mic, centered on a wall with a tiny price tag placed nearby, during poetry-reading night in the corner of the general store, sharing with the novel-writing club every first thursday, skating the first performance on ice, tapping “publish” on a blog each day … pieces of your heart float shakily about as you try to hold onto sisu and stay grounded. it matters not how many times you have done this. your heart has been unbridled and you are allowing others in. each and every time.
“unfettered” is gorgeous. it’s – coincidentally – exactly how i feel on wooden stages. it is how i feel on the top of mountain trails. it is how i feel dancing in the front yard. it is how i feel those moments i have been cantering on the back of an exquisite horse. it is how love feels. it is how the sun on your face feels.
“unfettered” is the epitome of its own hanging-on-the-gallery-wall boldness. the uninhibited freedom of expression – artistry come to fruition in the moment of utter sharing. terrifying and liberating. raw and real. the underwear moments.
the woods behind my growing-up house were an invitation. i spent hours in that little forest, planning routes and solving mysteries. at the other end of the woods, near clay pitts road, was a small goat farm, so if you traipsed through all the way – which, in retrospect, wasn’t really far – you would get to the fence where you could watch the goats. my next-door neighbors – there were eight kids in the family – and my across-the-street neighbors and i would devise all manner of woods-play. mostly, i loved the quiet.
the maple tree – my poetry tree – was right outside my bedroom window and provided safe limbs for writing in notebooks, reading, reflecting. long hours, my back against the strong trunk, sun filtered through thick leaves or branches ready to withstand winter. so many lessons with so little. mostly, i loved the quiet.
our river trail is not out in the wilderness. it takes us through woods and past meadows along the river, but is just a hop, skip and a jump from our home. it is restorative. last saturday, a white-tailed deer jumped across our path, bounded through the waning underbrush. hawks flew over us, chipmunks scampered, squirrels chattered from trees, admonishing us not to interrupt their work. there’s that the smell of pine and decaying leaves that even the best scented candles cannot capture. mostly, i love the quiet.
and those trails up in the mountains. for days i am breathless, adjusting to altitude, me: sea-level-raised with a mostly almost-sea-level-adulthood. i hike anyway, stopping often, sipping water. though i am a big lover of deserted beach walking and have logged plenty of time especially on long island and beaches of the east coast, the dirt under my feet through forested mountain is a salve. i agree with john muir: “and into the forest i go, to lose my mind and find my soul.”
as i write, the neighbors behind us are installing conduit all along the chain link fence, preparing to provide electricity to yet more spotlights high in the trees, a big yard full of stuff-to-do like a full-size batting cage, swingset and fort, soccer nets, battery-driven atvs, bikes, large plastic-ware toys, trampoline, zipline, loud outdoor speakers, and – i suspect – a revisit of the ice rink. the tallest trees have been wired with the brightest lights and i know that will mean later evenings where quiet at the end of the day is not valued. no longer the “sanctuary” others used to call the yard beyond ours, it makes me kind of sad thinking that so very much is required for this young family to be happily entertained. it makes me sad thinking that it is possible – these days – for people to forget that they live in community with others. we are not islands upon ourselves. what we do impacts those around us…even in our very own backyards.
fred rogers said, “i wonder what some people are afraid might happen in the silence. some of us must have forgotten how nourishing silence can be. that kind of solitude goes by many names. it may be called “meditation” or “deep relaxation,” “quiet time” or “downtime.” in some circles, it may even be criticized as “daydreaming.” whatever it’s called, it’s a time away from outside stimulation, during which inner turbulence can settle, and we have a chance to become more familiar with ourselves.”
so much to learn in the quiet. so much imagination, exploration. so much searching and so much finding. so much growth, no matter the age.
i’m grateful for the tree that was outside my window. i’m grateful for the tiny woods behind my house. i’m grateful for the beaches of my years. i’m grateful for the river trail and the hush it grants me. i’m grateful for the mountains and the pine forests and stands of quaking aspen, moments by running streams and tiny lakes tucked into the corners of beauty. i’m grateful for the symphony of quiet.
“peace and quiet. peace, peace, peace. peace and quiet. peace, peace, peace.”
(excerpt from mr. rogers’ “peace and quiet”, 1968)
the sign we have in our yard out in front of that brick wall is a proclamation of things we hold to be true. a few phrases down is: water is life.
yes. water is life. and for the last few days, we have been dealing with yet another water issue…this one seemingly the culminating water issue, though just writing that makes me want to knock wood. suddenly, the underground water line from the curb to our house was leaking, gurgling up through the muddy grass, puddling and icing on the sidewalk and down the neighbor’s driveway and into the street. we blocked the walk with our old rickety adirondack chairs that featured signs that read “sidewalk closed”. and we called the utility department, which labeled it “an emergency”.
the water utility folks came out monday morning and the week’s upheaval started. the engineer who came and gave us all the information about having the service line replaced was kind and patient and reassuring. i have spoken to this man at least thirteen times over the past couple days and we are considering him (and his wife who we haven’t yet met) – and all the participants of what seemed like grand central station in these last days – members of our new friend group.
though there are less invasive options to replacing the get-out-the-lead old service line, it would seem that the universe was having a good ole time and made those options impossible for our situation. when the boss came inside to tell me they had to trench the yard, i could tell by the look on his face what was coming. already working for about four hours, they were unable to “pull” the pipe through our old line and so it was back to ground zero.
they left about six hours after that. back hoes and dump trucks, pickups and extra scoops and other large equipment lined the street, the front yard was dug up, big slabs of sidewalk by the road and by the front door removed, bushes gone, our big old tree limbed to accommodate the equipment, the basement floor jackhammered, the closet wall along the front of the house removed and a new hole installed in the foundation for accessible water line placement. shiny copper was laid in the five foot deep trench from curb to our home. and the number of very hardworking people through our house or out front during a very long day was at least a dozen.
dogdog was in the bedroom having a hairy snit all day, eliminated from the fun. we were in the midst of it all, alternately working on stuff and pacing. it was a lot.
i’ve seen the yard ravaged before; when we first moved in, decades ago, we had an undisclosed underground oil tank removed. the oil tank surprisingly rotated on the front-loader and sludge spilled out, which they rapidly covered with kitty litter and then excavated it all out, digging inches below the surface, removing everything that resembled landscaping.
and so i know that there is a next day to what the yard looks like today. it will take a good long time for the trench-fill to settle and the city-guy recommended not sodding until next fall to avoid disappointment with the very large dimple that would invariably form in the yard. so…patience through the winter and the spring and the summer. i told him we’d have our neighbors call him if they wanted to complain about the aesthetics of our yard.
jen wrote, “it’s so hard to see bits of our life story destroyed.” pretty emotional in the middle of all the chaos, i agreed.
the guys in and out of the house were aware. we knew they didn’t want to dig up the yard and wreak any more havoc than we felt. we are grateful for their careful demolition, their problem-solving expertise and for the obvious camaraderie they all have, working together to a common goal. every spoke in the wheel counted yesterday, counts every single day. together is something for which we should all express thanks. none of us do this – life – alone.
before they left, most of these excavating, plumbing, mechanical, engineering specialists wished us a happy thanksgiving. thinking of everyone and everything we hold close and for which we have enormous gratitude, we wished them the same.
we’ll rebuild the yard and put in new flowers and bushes, new ornamental grasses, new landscaping. we’ll hope that the old tree will withstand the jostling and limbing and its root system backhoed into pieces. we have water again. in this world where so many do not, we are lucky enough, lottery-lucky if we really think about our globe, to have fresh, clean water … and now through shiny copper pipes.
mike oldfield played during our dinner on sunday evening. we hadn’t listened to his voyager cd in quite some time and put it on after arvo pärt’s piece “spiegel im spiegel”. we all sipped wine and chatted, catching up.
and then, in the way of surprise moments, i heard it. somehow i had forgotten. “mont st michel“. i jumped up to run into the sunroom, telling them, “wait! you have to listen to this. really listen. hear what happens!” i pushed the button on the cd player to go backwards on the track and found a spot before the moment. i went back into the kitchen to make sure they were listening. i pointed out the swell as it happened and my heart crescendo-ed with it, spilling into tears i could not help. stunning texture, orchestration that raises and tosses you around in mid-air, holding you up in the clouds, swirling around you, steadfastly not allowing you to fall. it opens you, gives you hope and elevates every single thing, and then gently, tenderly sets you back down again. words rushed out of me as i marveled – again – at this piece, a composer of impressive standing, mike oldfield at dinner.
because i had the floor, i put arvo’s piece back on – a definitive difference in texture and absolutely no less tantalizing, no less seductive as it draws you into the play between piano and cello. utterly gorgeous.
and then, because i had the floor – and they were encouraging me – i put on two of my own pieces: “last i saw you” and “peace“. i talked about composing and structure and the weaving of emotion, about ken’s orchestration and producing, about the rise and fall. i described the moment we slid the sliders forward on the mixing board during last i saw you – a moment i will never forget, ever. the lift.
and, then, as suddenly as it began, i stopped, realizing i had just talked nonstop for the last half hour or so. they sat quietly. so did i. the texture in the air was palpable and i was grateful to see tiny tears forming in the corners of their eyes as mine were not hidden and were threatening to overflow.
the path from dinner to dessert was full…our conversation deep with the fresh air only heartstopping beauty can bring. like this beloved path around dory lake, lined with aspen and pine, grasses and reeds, the path to pumpkin pie was lined with talk of cellos and french horns, piano lines and the effect of a crescendo on hearts hungry for a little release.
mike and arvo left after dinner, and i put away what was left of the pasta fagioli in the stock pot.
though we are not ‘good’ at many plants, it seems, we are ‘good’ at ornamental grasses. maybe it’s the soil, maybe it’s the sun, maybe it’s location, but grasses have given us a sense of garden-accomplishment that nothing else (shy of mayyyybe the cherry tomatoes and basil and lavender this year) has bestowed upon us.
we won’t cut them down. no pruning. they will stay through the winter, magnificent plumes golden against the drear, against the snow, reminding us of good fluff of the day.
i imagine tiny animals sheltering in their masses, dense bush allowing warmth and security and invisibleness. maybe tiny chipmunks, with pantries of birdseed they have stolen from the finches and sparrows, waylaid from intrepid robins and scarlet cardinals. we’ll just keep filling the birdfeeder. judging by the birds partying in our backyard yesterday, i think we may try and find another birdfeeder to hang as well. i have turned into my parents.
dogdog comes inside each day now, laden with seed pods. if wishes were granted on seedheads, we would have so many magical dreams coming true. he seems to not mind these tiny hitchhikers tucked into his very-furry fur. we pick them off, one by one.
and now i think, who’s gonna stop us from wishing on each one? these grasses grace us in more than one way. let the magic commence.
reverse threading 