and soon, the world around us will explode with flowers. and spring ephemerals will rise out of thawing ground. crocus follow on the heels of earliest rising snowdrops. and then daffodils and tulips and maybe even hyacinths sneak into view. skunk cabbage joins the fray of the dance and trilliums send up their periscope stalks. jack-in-the-pulpit stands righteously in the savanna underbrush, sharing energy with jill-in-the-pulpit. and the mayapples…those mayapples wait to burst their canopy umbrellas up, protecting their delicate white blossoms. all together, it is a community of the transitory, sharing space. all thorns are set aside to regale the world with beauty.
george told us on the trail that many, many – most, he ventured to guess – do not look about as they hike. he said that it is rare to see someone stop on the trail to really notice, to pay attention, to ponder. he was pleased to see us – two strangers – standing and photographing.
for us, it is most-of-the-time impossible to hike and not pay notice. but, i can tell you, it is very difficult to hike – and really, truly pay attention – if there is something heavy on our hearts. i would think it impossible to hike – and wander in the fields of flowers – if there are thorns in your heart.
as far as i know, thorns in your heart may preclude your seeing of any beauty at all. they may predispose you, color your view, cloud your eyes to what-really-is, ruin any chance of you experiencing the ephemerally blissful moments of this life.
because – in terms of this world, this universe – we are really more like spring flowers than any other. we emerge and are quickly fading. we are gifted with ever so little time.
and, just like we are like spring flowers, we are also unlike spring flowers. we are not perennials. this moment – now – is our chance…to grow and bud and bloom.
how much better to wander in fields of flowers – of beauty – than to squander time and languish in thorns.
“as the wind loves to call things to dance / may your gravity by lightened by grace.” (john o’donohue – to bless the space between us)
we swoop the plastic sheet from the proverbial magic slate, clearing the picture that was so clearly there, and we start the new year. all images of the year we have tugged along with us – each of the years we have scribbled and tugged along with us are erased – even though all the evidence is still there as impressions on the wax. the slate is ready for a new drawing. the stylus is at hand. the wind is blowing.
“it is a serious thing / just to be alive / on this fresh morning / in this broken world.”(mary oliver)
we babystep into this new day, crawling toward life goals and intentions, aware of our rapidly beating hearts and the fearlessness we are trying to adopt as a mantra. we are gingerly. we are bold. we hold hands. we brush others away. we are independent. we are always interdependent. we are open to horizons we don’t recognize, yet our pinkies hold onto barely discernible wistfulness threads, like helium balloons tied to our wrists, weightless yet there.
“when you should have felt safe enough to fall toward love…” (john o-donohue – for someone awakening to the trauma of his or her past)
we lean toward the whispers that pull us forward, trying to shed that which has tethered us behind. we recoil less. we are brave. we revisit. we recount. we shuffle the next step and the next, eventually picking up our feet, courageously trusting our breath – that it will truly still be with us a few yards down the way, that this scrutiny and release will be stretching. that our daring will eventually invite us to dance, just like the wind.
“i went searching in a foreign land and found my way home.” (sue bender)
and the universe holds us under the sun and the moon and we – actually – have more than we need. and it is a new year. and – no matter where we are – in any river – we are home. we are ready to dance.
“you are not a drop in the ocean. / you are the entire ocean in a drop.” (rumi)
england dan and john ford coley played over and over on my bedside cassette player. even now i’d happily pay dearly for tickets to a concert. it’s not possible anymore. but they rank up there as one of my favorite duos in the 70s and certainly must have been rumi fans. radio listeners in my graduating class would be hard-pressed to say they didn’t know every word of the songs “i’d really love to see you tonight” and “nights are forever without you”, both top-tens.
before i moved from long island, there was this boy who made dinner for me at his tiny apartment above his mom and dad’s house. at the end of dinner he tried to lure me into staying on the island, playing dan and john’s song “we’ll never have to say goodbye again”, which also peaked on the ac chart at number one. or wait…was it christopher cross’ “never be the same”??? either way, i barely knew him. before dessert, i waved from the window of my car as i pulled away.
the wall leading to the underpass was painted and we passed it each time we drove over to our girl’s place. finally, we caught the stoplight and i could take a picture. rumi’s words in a mural, simplifying it all, “love is the bridge between you and everything else.”
it makes me think of england dan and john ford coley.
“light of the world, shine on me, love is the answer shine on us all, set us free, love is the answer
and when you feel afraid, love one another when you’ve lost your way, love one another when you’re all alone, love one another when you’re far from home, love one another when you’re down and out, love one another whenall your hope’s run out, love one another when you need a friend, love one another when you’re near the end, love we got to love, we got to love one another…”
(john wilcox / kasim sulton / roger powell / todd rundgren)
i daresay that leading with love – demonstrably powerful, full of kindness and fairness and grace, sans fear and agenda and grudge – might really be the answer. to most questions.
we don’t really know. we rise each day, bold coffee at our lips, with curiosity. truly, what the day will bring is a mystery. the best-laid plans, well, they are only that – plans. things change and the kaleidoscope swirls around us in mere moments.
“this being human is a guest house. each morning a new arrival…” (rumi – the guest house)
and we rise again the next day…
…the day lilies and the grass blades are rising as well. through the upheaval of their dirt, the excavation of their home, the burying of their fallowed stems, the netting and straw post-waterline-replacement, they are rising anyway.
my thoughts of pulling everything up and starting fresh in the front yard came to a screeching halt when i saw them. if they are resilient enough to bright-green their way into this upheaved spring, i think i would be somewhat dishonoring to remove them. in doing so, i would miss their profound message of fortitude, of courageous no-matter-what-ishness, of their coy laughter reaching for the sun.
“you are so busy being you that you have no idea how utterly unprecedented you are.”(john green – the fault in our stars)
we miss it. in the middle of our don’t-really-know days, we miss seeing the absolute stalwart root in clay we each bring. we miss the credit of finagling another chaotic day. we miss our embrace of the new arrival of mystery. we miss our own unprecedentedness.
yet there it is. rising through the netting and the straw and the mud and the excavated rocks and cement.
“on the day when the weight deadens on your shoulders and you stumble, may the clay dance to balance you…”
i loved it all. the halls of john glenn high school, the walls of the classrooms i sat in, most of the extraordinary teachers i had the pleasure of studying with, most of the classes i took. i loved math, i loved science, i loved english and creative writing. i even loved my jewelry class, though i was not particularly skilled at it. i took no music classes in high school. none.
the guidance counselor didn’t know what to do. what direction do i go? what path do i take? what major do i pursue? the emphasis was on the decision. make one, i was told. it is quite possible this is one of the reasons why, years later, i completed a guidance and counseling masters – to scrap the emphasis on the decision and shift it to the process. at a time in the late 70s when college was ever-important and i was top-of-my-class i was underserved. it does not matter where you are in your class if your spectrum of curiousness is dowsed by someone pressing you into a mold, narrowed into a this-or-that.
in my first years of community college i still loved it all. philosophy classes were a stand-out. economics were not-so-much. business law was a low point. environmental science classes fascinated me. because i played the piano, taught piano lessons, wrote songs, and directed a youth choir, i signed up for a couple music theory classes and met paul simon, the godson of my music theory professor sy shaffer. listening to paul talk about songwriting was a huge highlight. i mean, it was paul simon. but i really still didn’t know what direction to take.
a life-changing event, as life-changing events do, changed that.
i moved when i should have stayed. i left when i should have dug in. i dropped the rest of the curiosity to focus on the familiar, the known. albert einstein would have taken me by my ear. “stay curious,” he would have admonished. “what you seek is seeking you,” rumi would have whispered to me. “wait.”
it’s funny to me now – as i look back – that i did not focus on the inordinate number of hours i spent writing in a tree. it’s funny to me now – as i look back – that i wrote songs and music and arrangements – fifteen albums worth – and never really thought of all the heavy composing or theory classes i took in my second half at university. never once have i gone back and compo-analyzed the structure-texture-tonal-system-consonance-dissonance of a piece of music i have written. it’s funny to me now – as i play with design and photoshop and cartooning and blogging – that it didn’t occur to me, as an editor at john glenn’s art and literary magazine “gemini”, how much i loved what i was doing in those after-school hours-and-hours sessions with one of the world’s best and most expansive english teachers, andrea vrusho. it’s funny. we see and we don’t see. twists and turns, paths taken, paths not taken. our stories all different. stages and flatbeds, classrooms, church chancels, the state side of the courtroom, piano benches, recording studios, choir rooms, department-store-holiday-wrapping in lean times. all part of the curio cabinet, never full, never finished. we take paths and, if we are scrappy and confident and lucky enough to be supported and even mentored, we make the best of them. anyway. there is a richness to each story and each path.
no special talents. passionately curious.
we all have something. something that sets us apart from each and every other person. something that the world we are in cannot do without. for every spoke in the wheel counts and every gift, every talent, every nurturing soul, every fixer-upper, every engineer-brain, every teacher, every scientist, every laborer, every inventor, every chef creating magic in a soup kitchen or michelin-star-bistro, every artist, every athlete, every skilled-trade expert are necessary in this place, at this time.
it is exactly that – that is brilliant. it is exactly that which is genius. it is the appreciation of that – so much to learn – which is the gift of being human. it is the imperative of humanity.
were i to have their addresses, i would write thank you notes to ben folds, jon boden, sam sweeney, ben coleman, nick laird-clowes, paul buchanan, ron sexsmith et al….you get the picture. this soundtrack is our go-to right now. not only does it elicit thoughts of this most-marvelous-movie, but the music just speaks to us. on repeat. over and over we listen to it, never wearying of it.
there are just certain pieces that center you, that give you pause, that lift you. there are really too many to count for me. some of them are as simple as the text sound my phone makes when either of my children write to me. some of them are unembellished and sound like my husband humming along. some of them are as complex as layered music can get. some of them are silent, floating rumi’s words on their wings: “listen to silence. it has so much to say.”
this movie stays with you. it’s right there, beckoning you to remember. in the recesses behind the lists and tasks and daily troubles, in profound je ne sais quoi it quietly sits and waits for you. it’s a well to dip into even on the darker days and its music evokes each thoughtful scene.
we sit in many layers of complexity right now. it’s a symphony of great proportion, filled with questions, with challenges, with things begging for our angst-filled attention.
there is nothing quite like the last strains of gabriel’s oboe(ennio morricone) falling into your heart. there is nothing quite like a break in lyrics, or like the moments after the words “and the world will be as one” (john lennon). in music the rests grant time for digesting, for processing, for evoking, for wrapping around you. it is golden time, those rests, and it makes everything else – all other notes, all harmony, all orchestration, all lyrics – make sense.
the music tells the story. it is honest and forthright; it is transparent. it does not suggest innuendo, nor does it allude or insinuate or imply. it does not squelch the truth or warp the narrative. one note follows another until it rests and gives the listener time to breathe, to catch up, to absorb it. its words – the notes that are played – are golden. its silence is golden. it is truth.
and – silence is not golden.
“listen to silence. it has much to say.” rumi may have been speaking of the silence of the snowfall, the silence of the sunrise. like the golden silence of music, these silences fall with grace. they are not silences with implication nor are they incendiary.
equally as powerful as graceful silences of rest is the silence of the person-who-does-not-speak who brings inference, who hints, who implies, who, because of a deliberate lack of words, causes others to jump to conclusions, to opine, to form judgements without the basis of knowledge. powerful seems the person who does not speak up, speak for, speak against, who remains silent, crediting correctness but acting out of intentional design. but this is not the power of rightness, despite any display of righteousness. it is not the power of the powerful; instead it is weakness.
to not speak up, to be silent. to not speak for, to be silent. to not speak against, to be silent. to not speak questions, to not speak objections. to not communicate in honest words, to sit in quiet insinuation, to encourage blind compliance, passive and complicit acceptance, blind trust, to encourage conjecture. weakness.
it is it is on our shoulders to choose our words carefully. it is also on our shoulders to choose our silences in that same way. should our public statements be rigorously measured by integrity and responsibility and truth? should they be steeped in justice and fairness and respect?
yes. they hear your words. and yes. they hear your silence.
reverse threading 