reverse threading

the path back is the path forward

Tag Archives: this town


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dale of allendale. [two artists tuesday]

dale is a pretty good name for a turkey. but then, so is allen. we decided on dale. (even though i am now, post-visit, thinking allen is funnier.) regardless, dale strutted his stuff around our allendale neighborhood for a few days, acting like he belonged here and we were the aliens.

the first afternoon we saw him, we stopped the car and pretty much just stared at him walking down the sidewalk. he gobbled at us watching him and then harumphed into the street to get to the proverbial other side. then, walking around littlebabyscion, he kept heading west. we saw him another time or two wandering about but haven’t seen him now for days. maybe he moved on or maybe he heard about forest park and headed there – a neighborhood west of us that a turkey named carl called home for quite some time.

i suppose it’s easier to change ‘hoods when you’re a turkey. it’s not like you are carrying much baggage with you. unless he had them stuffed under some bushes somewhere, he carried no suitcases, no boxes or plastic bins. he didn’t have his offspring’s elementary artwork or handwritten stories, the driftwood he found on the ocean, heart rocks he collected on trails, photo albums dating back decades. there were no pots and pans, no spices-in-a-box, no favorite jeans or boots or that old ratty flannel shirt he couldn’t bear to toss out. he had no bill folder, no cellphone, no ipad, no coffee grinder or french press. no cds or dvds or canvases or paintbrushes or pencils or paper.

dale had just nothing. yet he looked as though he was completely confident in the world, wandering, exploring, warbling in that gurgling kind of way. apparently, male turkeys do that most often in the spring when they are looking for love. he must have thought that (one of) thelovesofhislife might be in allendale.

a friend of mine is moving from her home of decades. the decision to move was pragmatic and the move will be generative for them. and yet, there is the whole moving-from piece of it. sometimes i think about that. i understand the need to run and touch every glass doorknob, to brush the woodfloor with one’s fingertips, to wander from room to room, deep in memory. when i think about moving – i know that there would be much stuff to go through, dispose of, to give away. but it’s this place – this house – that holds so many emotions. it’s a mixed bag. after all this time – this town feels like home. after all this time – this town doesn’t feel like home. both are true. the dichotomy of these truths wakes me in the night sometimes and i ponder staying, going.

i used to tell the kids – when they were making a decision – to imagine themselves having made it one way and to feel what that feels like. then, imagine making it the other way and try to immerse in how that feels. it’s not always possible, but sometimes it’s an exercise that helps. in the middle of the night, it’s a seesaw.

what i do know is – as i look around this cherished home – that i must turkey-down. not so much on the main floors, but most definitely in the basement where the bins and boxes are stacked, waiting maybe for dale to come and retrieve them.

ahh, but dale is footloose and fancy-free and he has no interest in such baggage. he’s got places to go and things to see. he’s got a world to love. he blows a kiss to allendale and moves on.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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that lake. [not-so-flawed wednesday]

whether we acknowledge it or not, it sits next to us, powerful. some days it forces us to pay attention. the waves roar, the wind blows, it is colder near the lake. other days, it is silent, just a presence, like something you feel but can’t see.

i remember when we first arrived here – 34 years ago. the lakefront was different. there was a big engine plant in prime real estate on the lake. it all looked drab and run-down and giant smokestacks lined the sky.

when they didn’t call my husband back for weeks about the position he had interviewed for, i felt lucky, like i had escaped. wisconsin wasn’t on my radar much back then and i wasn’t so sure i wanted it to be.

but, in the way of irony, after six or seven weeks, they did contact him and offered him the job. and the rubber hit the road. i left florida – where we were living at the time – pretty much kicking and screaming, though silently, inside.

eight to nine months later we moved into this house. and, as a dear friend wrote to me, [my] “dna is probably embedded in almost every inch of it.” wisconsin, indeed. 34 years.

as life goes and time moves on, it’s a little uncertain where we will be in years to come. as an ever-increasingly ominous climate change rears its ugly head, we see the potential wisdom in remaining where we are – close to a huge fresh water source in a place where most weather is not too extreme. we have only a short list of places we’d move, a couple of them in a heartbeat.

and then we take a walk. it’s very early morning and we are returning from dropping off littlebabyscion at our mechanic’s shop, choosing to walk home. he’s an early bird so we are walking before a lot of the town is awake for this summer dawn.

the lake is mostly still. it blends into a cloudy sky and takes our breath away. we’ll turn right – west – and walk a block to home. the lake will stay where it is.

and a little while later, over a fresh pot of coffee, we will look at the photographs. to our side, the lake will be quiet as we comment on its stunning personality.

i’m still not sure if i’m crazy about wisconsin. i’m not from here. and that changes things in this town.

but lake michigan – just steps away – knows that. and every now and again that lake, while we are walking in our old neighborhood along its shore, nudges me and makes me pay attention. it pokes at the heartstrings that are tied to this place – through the good, the bad, the ugly, the marvelous – and reminds me of its presence.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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barney and the sunflower. [k.s. friday]

we moved the sunflower. it was on the deck for a few years now, rusting behind the aging wooden glider, tucked between the kitchen window and the bedroom window. it greeted us each day we left and came home. it watched over my girl as she house-sat during the summer, a couple ago now, when we were on island. she didn’t know it, but i had asked it to keep her comings and goings safe and each time she left and came back to smile good days upon her. it came home from a cedarburg festival with us, having called us over to ponder its purchase. we walked the length of the festival and talked about the sunflower. then we went back, after more debate than most probably make about purchases, and bought it. about two weeks ago we moved it. now its place is next to barney, surrounded by peonies and wild geranium and daylilies and snow on the mountain. it is happy there.

when you’ve lived somewhere for quite some time there are naturally places that you go that feel better than others. for me, there are places in this town that have immediate warm responses for me, places that have held me, places that are part of my cairns, places where i have dreamed and imagined, places where a community has meant the world to me. there are other places that conjure up memories i would rather forget with visceral responses i can actually feel; i generally stay away from those spots not wanting to relive moments of grief or poor judgement or anger or betrayal or grand disappointment. i have learned, though, that sometimes the best way to process those is to drive past, to acknowledge, to breathe deeply, to maybe weep. in the same way that actual places remind us, mementos from places we hold dear make it into our special boxes or find their way into our home like sticks accumulating in the walking stick vessel in our sitting room or rocks added to the stones around the pond. some mementos are bigger than others, like the sunflower from a gloriously sunny festival-going day in a town we adore browsing or the 5′ long driftwood from a long island beach that graces the mantel or the high mountain aspen branch wrapped in lights in the dining room. and then there’s barney. there’s no escaping this beautiful piano in our backyard, aging with us.

i’ve shared barney’s story before…how he escaped the junk man’s junkyard destination and, for a small price, came here to share life with us. from a basement boiler room to a place of honor near the pond in our tiny yard he sits and invites the company of beautiful plants, munching squirrels and cutie-pie chipmunks. yet he is a memento. and the place he came from is no longer a favorite place. instead, it is a place i now avoid, with emotions that elicit a physical response and a little vibration i can feel in my chest when i think about it. and so how do i avoid attaching these feelings to barney, i have wondered.

my growing-up piano is in our basement. movers moved it there many years ago, before there were walls in the stairwell. i wonder what will become of it if we ever move. it proudly holds art books and a small stereo and sits in david’s painting studio with a couple rocking chairs and his gorgeous old easel. i have thought about ways to repurpose it. and yet, it is so dear that it will, for right now, stay there just as it is, with music in its bench and the little index card on which is carefully printed in eight-year-old font “practice makes perfect”.

there is a piano of size in my studio. it sits at full stick, waiting patiently. i was in there yesterday and it whispered to me, but, for right then, i was consumed with the finishing of putting things away. there is still music to file, organ music still to go back into cabinets. i must decide what to do with the poster that hung on the choir room wall that reads, “if you ask me what i came into this world to do, i will tell you i came to live out loud” or the metal cut-out words “it’s all about music” or the white strands of happy lights that were woven around the blackboard that listed rehearsals and demonstrated strum patterns and had dates of parties for that well-loved community held at our house.

maybe once i decide what to do with all of it – including the emotional wreckage part – i will again sit at my piano. drive past, acknowledge, breathe deeply, weep. my piano is full of empathy i can feel and some day, soon i hope, i will be able to sit and play – in a studio cleaned and inviting with mementos of goodness and intentions of evolution. then i will walk out of the studio and down the hall, through the kitchen and the sunroom and outside onto the deck. and i will sit on the old settee and listen to the pond and the birds and watch the chipmunks scurry across the top of the old piano that shares space with the sunflower and a couple green-eyed metal birds.

in answers that have come with a few months of time, i have found that the piano-ness of barney has overcome the where-it’s-from-ness. the peeling back, the wrinkles, the embrace of its tiny community in our yard…these things have usurped the rest.

instead, barney and the sunflower together greet us upon leaving and greet us upon returning home. together, they both bring joy and reassurance to our backyard and they both smile good days upon us.

*****

tune in to my little corner of iTUNES

or tune in to my ever-growing PANDORA spot in the world

read DAVID’S thoughts this K.S. FRIDAY

PULLING WEEDS from RIGHT NOW ©️ 2010 kerri sherwood


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chaos. [flawed wednesday]

1000 pieces. we finished it in two days. two blustering cold, freezing rain, pallid grey days. we moved the tiny pine tree forest to the end of the dining room table and turned on all the twinkling lights. we had snacks early and glasses of wine later in the day. we’d leave the table and then return to it. there is something deeply satisfying about piecing together the outer edges of a puzzle and then, slowly but surely, gaining on the whole image, tiny sections of the picture emerging.

if only life were quite that easy.

the puzzle of our lives is in pieces. though i suspect we can pull the ones with straight edges and fashion them together into a frame of sorts, it is the rest of it that will prove challenging. we are upended. there is no picture on the front of the box to follow. it is disarray. chaos.

a friend recently chided me on my distraught emotions. “you were plucked out of a snake pit,” he texted. although i mightily disagreed at the time, i am beginning to see the wisdom of his words. people are not what they seem, sometimes, and communities can easily become poisoned by the actions of a very few. i don’t know when i will rest easily again. every night i am awake, reviewing, wondering, trying to figure it all out with little to no information. i am appalled time and again by ruthlessness. our friend may be right. it’s beginning to look more and more like a snake pit. and his words of reassurance and encouragement may be spot on. but it is chaos for us right now.

this week is pivotal in our country and in our own town. between a president psychologically and constitutionally off the charts, congressional leadership following along nose-tail-nose-tail in his feverish and fraudulent election-fraud wake, a senate run-off of significant proportion, a deadly pandemic spiraling out of control, our country, its democracy, and its constituents’ health are in peril. it is chaos in this country.

in our own town, they are erecting concrete barricades, blocking roads, re-attaching window boards, putting a potential curfew in place. the boy-with-the-big-automatic-gun who blithely killed two people on the street a few streets away is being arraigned. the district attorney is announcing his decision on whether or not to criminally charge the officer who shot a young black man seven times in the back in the line of duty earlier this summer. there will be unrest. there will likely be violence. it will be chaos in this town. again.

we have a couple other puzzles in the closet ready to be tackled. i’m thinking it is entirely possible that we will clear the table of this one we completed, stashing the pieces in a ziplock bag inside the box with the picture on the cover. we might choose another. empty the pieces onto the table, turning the cardboard pieces over to see the colors on the other side, placing the box-with-the-picture so we can work from it. in the moments we feel the most chaos we may walk over to the table, pick up a piece or two and, because we have a post-chaos-pieces-in-the-box picture, begin to sort and put it together. it will feel like a little bit of accomplishment in the middle of real chaos.

if only life were quite that easy.

*****

read DAVID’S thoughts this FLAWED WEDNESDAY