in a really rare moment, we had the amazing chance to have our children and their partners gather around the dining room table with us. to say i was thrilled would be an absolute understatement. it had been six years since we had actually been together – my two children and us. it was a giant gift and i am grateful for it.
plates, pasta, wine, bread – all were merely props as i gazed around me, watching these beloved faces, listening to laughter and conversation. i tried hard to memorize all of it. these brilliant, creative seeds of tomorrow, bright lights of real humans, of good people.
the next day we hiked, just d and me, after everyone had left. we talked about our blink-of-an-eye time with our adult children, about the fun chaos in the kitchen the night before, about the teasing and the ribbing. and i found myself holding onto the filmy threads of each moment before they flew away.
the photographs will help, of course. they will be posted in our kitchen and i will pass by them, often looking at them and smiling. but inside, i will hold onto the way it all felt, the heart-stopping hunger i had felt longing for a moment together, the breath i could exhale as i sat at the same table with my children and their partners or as we all clustered together in photographs.
but i know i won’t be able to hold onto all of it. time tugs at memory like that.
and the clustered fluffs of seeds will be tugged out of the pod by gentle breezes and fierce winds. they will swirl about and land somewhere, planting. another milkweed.
and i hope there will be another table-sitting somewhere soon – all together – as these brilliant humans go about their all-grown-up lives, swirling about with gentle breezes and fierce winds at their backs.
as autumn moves into full bloom, it is track-able on our westneighbor’s fence. the virginia creeper vine is fully immersed in the transition of seasons – producing berries for the birds, changing color day by day.
but there are fewer and fewer leaves now on the vine. dark is longer and colder and the cicadas and night crickets have ceased their song. in turning back the clock, there’s no turning back the clock.
and we head full-tilt into this season, knowing that winter’s lull will follow, that a time of fallow will start.
we blink back the wistful for summer, for early fall’s warmth as we head into the colder seasons. and we try to remember what we treasure about this next season, just six short weeks away.
with different eyes we look to the horizon of each day – changing our expectations, sorting to presence and appreciating each remaining leaf.
and soon the fence will be bare, save for the vining twigs.
but under the soil there is a gathering momentum of energy. and one of these days again – in the way that nature continues and continues – in the way that goodness goes on – it will burst open and we’ll see growth again. the vine knows.
it made me cry. it was all i could do not to down-and-out messy cry. had i lost control it would have been ugly. i grieved for every single american child as i struggled and hiccuped my way back to some semblance of calm. phil vassar’s lyrics were poignant and profound and deeply troubling.
the concert was amazing. phil vassar is a prolific songwriter, a consummate performer, his voice strong, his ballads clear. i’ve seen him in concert several times and was thrilled to see him again. he is now 63 and, having had both a heart attack and a stroke, he is making his way back – to the attention of the public – for the public forgets quickly.
there are artists you hold onto, particularly when you are an artist yourself. you know when there is something absolutely special about someone – you can feel it. every song, every note, every sung lyric – this man is a master singer-songwriter. there’s nothing really fancy about him…he plays a painted acoustic yamaha piano, often standing (which i can totally relate to). his band is extraordinary and tight, the perfect backup for him.
“cause 419 lakewood had no silver spoons/just an old beat up upright that played out of tune/now i’m singing and living the life that i love/and when i count my blessings i thank god i was an american child/an american child/’cause dreams can grow wild born inside an american child.” (american child – phil vassar)
every american child.
and that’s why i cried. because it’s no longer the same. i cried for my adult children. i cried for my friends’ grandchildren. i cried for the children i don’t know. i cried for what this country has lost, the dreams that have been violently stolen, the hope that has dissolved, the democracy that hangs by tiny filaments.
at the end of the concert, phil vassar – in seemingly no hurry at all – sat on the edge of the stage and chatted with people, took selfies with his fans, signed shirts and hats and cds.
i stood at our seats and watched, both proud of him and a little bit stunned at how very gracious he was – his obvious, deep gratitude to a concert hall that should have been filled.
i knew he couldn’t hear me – and i didn’t go up to tell him – but as i stood there i whispered, “you’re relevant, phil vassar. you’re so relevant.” deep down, he already knows. he’s always been relevant.
an american child. the american dream.
“there is no trust more sacred than the one the world holds with children. there is no duty more important than ensuring that their rights are respected, that their welfare is protected, that their lives are free from fear and want and that they can grow up in peace.” (kofi annan)
“a promise once made/will it shine, will it fade/will we rise with the vision or fall?” (american child – john denver)
it continues to peel back. each rainstorm, each gust of wind, the ice and snow of winter, the baking hot sun…they all have impact. and the layers of barney keep peeling back. every iteration of this piano reveals its soul, a soul that never changes. despite disappearing obvious visual cues that say “piano” it is still a piano. the keys are virtually gone now, but remain, nevertheless, in essence. the stand that held music way earlier in this past century of its life has broken down. the sheen of lacquered varnish highlighting the grain of the wood has faded, melting into rays and raindrops. changed, barney is unchanged.
i wonder at the tenacity of such a soul. i wonder at the steadfastness of spirit. i wonder at how much more beautiful it continues to get – each and every day – despite all it has endured, all it endures.
there is a piano in our basement. it is my growing-up piano. it is a spinet, completely out of tune, even with itself. we had it moved down there and then built walls around the stairwell that turns and turns again, 90 degree angles making a complete 180. that piano may never be able to be moved back up those stairs. but if it could, i would bring it outside. the journey that barney has taken – with flowers and plants and chippies and squirrels – has only enhanced its real presence in the world. if i could, i would honor this old piano – this relic of my growing-up – with this same weathering of time.
though currently exponential, like most generations before us, we are living in a strange and scary time. the facade of our country is being peeled back. yet, what we are finding beneath this shiny well-lacquered veneer is not wholesome or all-american. as the soul of constitutional goodness is stripped – layer by layer, right by right, freedom by freedom – there is an ugly that is revealing itself.
when the keys are gone and the music stand is gone and the sheen is gone and the wood is splintering, falling into the garden to turn to mush, what will we find at the center of this country?
i fear it is not stalwart like barney. it is not getting more beautiful. its endurance is limited. changed, it will be changed.
i’m not sure which old door it is, which doorway it graced. it was white when we carried it up from the basement storage room and placed it outside in the garden, over by the ferns, under the big pine, leaning against the old garage by the window. that this door began to peel back, revealing its rich green history, seems a meditation.
this very day – july 29 – has been a day of days through the years. the history peels back in my heart as i remember, back and back. i stand on the deck this morning, gazing at the old door that frames the beginnings of a rock garden, and nod to myself – in deference to the opening and closing of chapters.
the book of my story with this old house began on this day thirty-six years ago as we moved in, a hot midwest summer day filled with a u-haul and boxes and many hands of people helping. it has – as all stories – taken many turns, followed a windy – and sometimes broken – road, running parallel with the rest of life in all its iterations, all its paths and branches. but as i stand on the deck, admiring the door that is vulnerable to the weather and the sun, i know how far i, too, have come, how exposed my heart – to life.
it is no wonder i feel a certain attachment to old doors and windows. it is no wonder i am fond of peeling paint and the not-quite-perfect. it is no wonder i feel an affinity to this door in the garden over by the ferns, under the big pine, leaning against the old garage by the window.
there is so much more to yet reveal. layers back, layers forward. i can only hope be as beautiful as this old door.
it is just a little corner of our yard – about 4′ x 6′ or so off the east side of our deck, tucked next to the fence.
years ago – decades, really – we used it as a tiny vegetable garden. we planted a few tomatoes and other whatnot plants and attempted to have a bit of farm-to-table (so to speak) additions to our kitchen. being a tiny, difficult-to-access place, it was hard to keep up with weeding in that garden and it eventually went by the wayside.
wildflowers seemed like a good idea then – less maintenance – a freeness – a mayhem of a garden. that was lovely until it wasn’t. weeds were prolific and my neighbor’s snow-on-the-mountain was an ever-present menace.
half a dozen years ago or so we decided to build the potting stand with some delicious barnwood and industrial pipe. we added basil, a dwarf indeterminate tomato plant, some lettuce. we had a (yes, singular) salad with our lettuce, loved our tiny tomatoes and were ecstatic with the basil out our back door.
it has morphed – this little garden. and now, through a study of the survival of the fittest, herbs and jalapeños and tomato plants fill the space – this tiny space – wrought-iron-fenced off to really define it – this space that brings me peace.
in the last days we have had some big harvesting extravaganzas. our basil plants – despite an unsure beginning when i thought they might be goners – have responded to the sunshine and the warmth of this particular wisconsin summer.
with new clippers (it’s really the little things!) i clipped off the basil and some parsley as the youtube instructed. rinsed all the leaves in a colander and prepped everything we needed to make two batches of red pesto and a giant batch of green pesto, all of which went into the freezer for the middle of winter when fresh from our garden will taste ever-so-good. we have at least nine meals stored away and that was merely the first harvest.
i simply cannot imagine what it might be like to farm most of what one eats. the sheer joy of tending and growing and harvesting – all lots of work – tedium, really – (for even this little potting corner is time-consuming and i find myself worrying about the health of the plants, our investment in them, their yield) – but yet entirely zen as i lose myself in it.
yesterday i purchased a new cilantro plant – ours bolted along with the dill. so we will give cilantro another round – it is the perfect addition to our sweet-potato-black-bean burritos and stepping out back to snip it off is ridiculously glee-inspiring. (yes, yes…you are right…it doesn’t take much to amuse us.)
early every day i step out the back door asking dogga if he “wants to water the plants with momma”. every day we use this wildly cool watering wand and top off each of the big clay pots or wood planters out there. every day i – once again – think to myself how happy this tiny garden makes me. every day – in these moments – peace descends on me like the soft morning air.
*****
* (sing to the tune of don ho’s “tiny bubbles”: tiny garden/in the yard/makes me happy/is my zen-life-guard)
when we moved here – 36 years ago – there was no deck in the backyard. there were concrete steps leading up to the back door, a cement sidewalk from the driveway around the back of the house to that set of steps.
the people who lived in this house before us had some – interesting – decor ideas. granted, it was the 80s so that offers its own bit of explanation. they generously offered to teach us how to remove and apply new wood grained contact paper to the kitchen countertops and backsplash – which, i guess, they thought coordinated nicely with the peach colored cabinets. (we declined, removing all semblance of contact paper from the counters and peach from the cupboards.) curtains and valances and priscillas and cafes covered all the windows – and there are a lot of windows in this house. there was brown carpet everywhere but for the orange and green shag in the sunroom. it all felt a bit dark and closed-in, suffocated even more by the rows of hedges literally everywhere outside.
but when i walked in – despite the overabundance of brown – the plethora of double-hungs draped in fabric – doors hanging in door frames serving no purpose but for taking up space – butter yellow shingles with brown (yes, more brown) trim we soon replaced with narrow white vinyl lap siding – a house with few personal touches, a house that desperately needed to breathe – it felt like home.
it still does.
and, despite all the changes this house has gone through, there are still multiple projects that linger on the list – deferred or just dreamy. but it breathes – in and out – and we can feel its heart beat.
it wasn’t long after we moved in that we decided to build a deck out back and my children’s father and grandfather set to that project, designing a smartly shaped L with a deck railing that would protect our small-children-yet-to-be from falling off.
soon after – seemingly a minute or two – there was a swing set with a slide and a glider, a fort and a turtle sandbox. five minutes later we added a basketball hoop. eventually, we took down most of the railing. i had all the hedges taken out and planted ornamental grasses, for this house is a graceful-on-the-breeze ornamental grasses kind of house. i added a pond, a focal point – while ever changing the plantings around the perimeter of the yard, dependent mostly on friends who had extra bushes or plants. we laid a stone patio – a place for slow dancing and dinners al fresco. we thoughtfully designed the garden along the new fence in the back. we gently added peonies and built a barnwood potting stand, laying slabs of rock in that corner garden and around the pond to protect our aussie’s circular run around it. we brought breck home from breckenridge and tenderly tended this aspen tree – the only tree either of us have ever purchased – finally finding its preferred home in a small garden in the middle of the backyard. and the sedum cuttings we placed there took, surrounding breck with green serated leaves and yellow flowers.
just the other day we noticed that this very sedum groundcover had somehow planted itself under the deck – in an obviously dark space inhospitably filled with rocks; its tiny volunteering stems were peeking out from underneath. it is growing out – reaching east – and we will not eliminate it from this new place it inhabits. we will do all we can to encourage it, foster its growth, help it soak up sunlight and continue to proliferate along the edges of the deck.
gardens are a constant source of surprises. we find volunteer switchgrasses in places we didn’t expect. there are day lilies in the most challenging of spots. and ferns have tenaciously found their way to places where there is clearly a bit too much sunlight for them. we tend all of these and transplant the fern volunteers into the shadier fern garden out back.
but the surprises are just that – surprises. joyful. they are a tiny nod that we – even in our seemingly infinite non-knowledge of gardening – are doing something right.
i honestly don’t think it has anything to do with providing the right soil or the right nutrients or the right fertilizer or the right amount of sun or the right amount of watering. we are guessing on all of this – with the aid of research we desperately try to apply appropriately.
what it think it has to do with – more – is how much we mindfully love it all – our house, our front yard, our backyard, our deck, our gardens, our patio. surely it all can feel that.
people respond to love and nurture the same way – coming alive, seeking light, growing and changing, thriving, nurturing back.
and i wonder how it is anyone would treat people – members of a community – respectful participants in the weave of the concentric circles of humanity in our towns, our states, our country – any differently than a garden.
why would anyone not wish to foster a nurturing and supportive environment – any community of people – any town, state, country – where all may grow and thrive?
and nature hung chandeliers all over the woods. shooting star chandeliers in celebration of warm spring days – tucked next to majestic oaks, stars flying across the meadow. but not for long. as summer heats up these will fade. everything has its time.
aging is a funny thing. but it is not in the way of the enchanting shooting star – for those will come back the next spring, ever-resilient, perennial.
instead, aging is a bit more like an annual. periods of growth followed by fallow. uncertainty. we struggle with what is ours to do – we struggle with how that changes – we recognize endings and, thankfully, beginnings. but our time as chandeliers is not limitless. and, as we process that, we are less devoted to the zealous striding of our younger selves and more to the mission of the expression of ourselves.
i have thousands of cds in the basement. all cds with my name on them, ready to be shipped. smack-dab in the heyday of my career-with-a-much-delayed-start, writeable cds became a thing and streaming became rampant. it changed everything. dramatically. suddenly, the tens and tens of thousands of cds i was selling – which merited the thousands in waiting stock – dropped in numbers. streaming and download reports showed hundreds of thousands of hits but merely tiny slices of a penny for each one. it is stunningly gut-wrenching to look back at the shooting stars as they burned out.
people ask me if i am still “doing music” when they see me. because it is who i am i always say yes. and then i think about the boxes of cd stock in the basement and any latent desire to record more. it is hard to justify. very.
but the call of a piano and a boom mic on a stage or in a studio is ever-present. they are part of my chandeliering. and – like wishes on a shooting star – i wonder if one day pale purple flowers might bloom out of the fallow and i might give myself to the astonishing and to the illusion of the standstill of time.
“the ordinary days have a way of lulling us into believing there isn’t any urgency to them…” (john pavlovitz)
we chose to binge-watch a favorite show’s entire season, under the quilt with snacks by our side and dogga at our feet. because there is this – living. and so we chose to stay still together, our socked feet nuzzled. we chose to go nowhere, to link arms sitting against the pillows in bed, to watch the afternoon sun wane through the window and turn to night. minutes and hours ticked by – an ordinary day embracing right now.
for there is – after all – an urgency.
an urgency of loving. to tell others around us they are loved. to unflinchingly gaze at each other – our partners – to speak the words every beloved wishes to hear, to catch your breath, to quietly hold hands.
an urgency of standing in the fire with each other. in the middle of any storm, any wound, any challenge, any anything – and to not close off, to not be aloof, to not ignore the pain, to hold healing together.
an urgency to do. to speak, to stand up, to fight back, to forgive, to create, to tear down. there is an urgency to recognize the driving force, to gather the tools, to seek the empty spaces, the vessels, the air, the canvasses to fill, to touch the imperative.
an urgency to breathe it all in. to go, to see, to voice, to hear, to taste, to touch – every microscopic bit of it. to immerse, to be one in it all, to be inert to the point of boredom, to move frenetically.
it is today. it is right now. we are only assured of this very moment, this very place. in feeling it – really feeling it – i hope that – for this moment – every other place disappears.
for there is an urgency in limited limitless. and so, in each and every heartbeat.
the galvanized metal coneflower tucked into the little garden with the ornamental grasses has rusted. we brought it home in july when it was silver and shiny. but the elements of weather have already gotten to it and have erased the shiny and smooth, turning it to a rougher texture, a warm brown color, like the center of a sunflower or the color of freshly ground coffee.
i still love it though, this coneflower.
its shape has been inspiring out back there in its little garden – the same garden that protects baby bunnies and tucks in our aspen tree. in the snow it has collected flakes until barely any of the metal is visible – like a tall snow-mushroom umbrella-ing anything below.
i stop in front of the mirror before i facetime or zoom. i wonder how i am seen from the other side of the camera. i am no longer shiny or silver. the elements have taken their toll and age has begun to catch up.
but as i gaze at other beloved faces across the technology of a phone or computer, across a table or on a trail, next to me on the pillow – i know that nothing – no amount of rust or erasure of smooth – can change the fact that they are still coneflowers, nonetheless. still beautiful. still loved.
reverse threading 