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toward the bench. [kerri’s blog on d.r. thursday]

tucked into the trail – the river trail – are spots i always find i am looking forward to: the curve of the river, the cattails in the marsh, the hill where you look down on the trees along the riverbank, the section that looks like a bayou, the turn in the path where deer linger, this one spot – where the reeds are thick and the turtles are numerous. we hike along and these are touchstones along the way, indicators of how far we have come, how far we have yet to go.

we all have them – the indicators of how far we have come, how far we have yet to go. i think about this now as i walk into my studio.

i spend way more time on the written word these days than on the piano bench. i spend way more time typing on a keyboard than pencil-jotting on scraps of paper scattered above the keys.

i look at high profile artists, years and years after their last album release, after long drought periods, in their 60s, now recording and releasing new albums. and it makes me wonder. it’s been 16 years since i released a full-length album.

sixteen years.

as someone who released fifteen albums in fifteen years that is stunning to me. and, thus, the wondering.

my piano is a touchstone to me, an anchor, something i can touch that is profoundly meaningful to me. i have walked a textured journey in the years i have spent with a piano central in my life, in time that the creating and performance of music was imperative. i have assigned success and failure, acceptance and rejection, support and betrayal to my piano.

and, in the way that enlightenment happens, i am beginning to learn that it is not my piano that is responsible. it has merely been my spokespiece, a vessel through which i might give voice.

instead, it is in that giving of voice – that expression of me – that amplification and celebration of music – that others – people – have squelched the how-far-i-have-yet-to-go, have taken the get-up from my get-up-and-go.

i don’t really know the reasons that one might feel they should push someone else under water, that one might feel the best use of their energy is to abuse or denigrate or minimize someone else, that one might feel that the most humane treatment of someone else is to concoct narratives and sway public or private-circle opinion. i don’t know the reasons why anyone would want to break another person or their spirit, creative or otherwise. i don’t really know the reasons why anyone would do any such things. it’s crushing.

i do know the impact these things have on a person. for no matter how tough one’s skin, how devoted to confidence, how determined, how bootstrapping one might be, there are others who can do great damage and who are – apparently – damned devoted to it.

it’s not my piano’s fault.

and so now – in this great enlightenment or admittance or downright sad awareness – i can see that those people who have done great harm have undermined so much between how-far-i-have-come and how-far-i-have-yet-to-go. and i am thinking – now – that I’ll be damned to let them rob all that from me, to let them take my piano – or my muse – hostage any longer. not that that’s easy. it is a difficult uphill journey.

it’s maybe time to stand in the reeds, hang with the turtles and cattails, get my feet wet in the marsh and walk – or sprint – or, more likely, crawl – toward the bench.

*****

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my heart. [kerri’s blog on saturday morning smack-dab.]

whoa! 

i have opened so many boxes, so many bins. i have done so many loads of laundry – tiny garments – all freshened and stacked on the dining room table. there is still much to be done. 

every single thing i touch is a memory. tiny onesies and fuzzy sleepers, footie pajamas and oshkosh overalls, polly flinders dresses and itty-bitty jeans, socks and booties way smaller than my hand. 

i was almost at the bottom of one of the dark blue plastic bins. right underneath the storage-safe-plastic-encased christening gown was the last layer. rattles and small hand toys, the smallest keds you’ve ever seen, stride-rite firsties and this teething ring.

it wasn’t just the teething ring, but it certainly contributed to it. i was overwhelmed with a wave of nostalgia – wistfulness at its most tear-inducing. i stood staring at it, wondering what to do with it. naturally, this is not something you pass on. this is not something that you necessarily put in your keepsake box, either. but the power of it…

so i laid it on the worn basement floor – in the middle of the laundry room – the same laundry room that washed all these clothes from the time my children were born to this very day – when they are all grown up – that i am going through their infant and toddler clothes – and i took a picture.

and when i gather together all of these clothes – seeming mountains of clothing – to donate to a mission in chicago that gives people items they need for their families – for free – my heart will be full, thinking of other babies and children wearing these outfits that elicit so many memories and so much love.

and i know that someday the moms (or dads) who receive this clothing will also be paring down and passing down to others. and something will stop them in their tracks. maybe tiny booties, maybe a bib or the teeniest sleeper, maybe little leggings and a floral tunic, maybe a smocked dress or a little baseball slugger hat. whatever it is, they will stare at it, surprised at its potency, grateful for its memories. like me, they may take a picture. like me, they may utter words of thanks.  and then, like me, they will place it in a stack and pass it on.

*****

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SMACK-DAB. ©️ 2024 kerrianddavid.com

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sustenance. [kerri’s blog on k.s. friday]

we waited for it. and the bit o’ sun showed up on christmas morning – after several days of fog. it was a moment of hope – to see that shining orb trying to burn its way through. it didn’t last long – it ended up raining – but it counts that it was there.

i woke early the other morning. snugged under the comforter and the quilt, open window by my side, i could hear birds. it’s unusual to hear them quite so zealous in the winter, but for a few minutes – on this not-as-cold winter dawn – they were there and it was exquisite.

we walked through the antique shoppe and stumbled across the frame of a lampshade tied with bits of muslin, satin and gauze. i was immediately back in the old farmhouse in iowa where several fabric-ed repurposed lampshades hung in a corner. we walked on, but that time-spent surrounded me for a few minutes and i texted the owner of the airbnb – just to let her know about this visceral fondness – the memories. they were there, swirling around me.

some things are indelible. they etch into us as touchstones of comfort. the sun, early-morning birds, memories. they feed us in times of extreme hunger, times when we really need something to hold onto that is somehow tangible even in its fleeting.

and some things are meant to be laid down. they are shadows. they starve us, they compel us into deeper waters where it’s harder to differentiate good from not-good and we feel a bit lost, out to sea. it’s too noisy, too raucous, too frenetic – when we are merely seeking serenity. we work to lay it all down – that which impedes us, which makes us stumble, which blocks us.

in this very first week of the new year i am hoping that this is the year i personally may be able to put a few things to rest. we all have them – those open manila file folders in our heads or hearts. i – like you – yearn to take a sharpie, label them “done”, slap the folders closed and staple them shut. 

but even in this rapidly-approaching-medicare age of mine, i know there is work to get there. nothing worth doing is easy…isn’t that the saying? though i don’t have the flip-the-page-a-day-over-the-metal-u-rings-at-a-glance calendar that my sweet momma had, i want to flip the pages over to get there.  

we all take out the manila folders and peek inside. it’s a hunger. to get to “done” on those folders and to get to “start” or “start again” on others. 

and sustenance helps. the generous. the most basic. even crumbs. even the most transitory, the most evanescent. if it was there – if it fed us – it counts.

*****

NURTURE ME from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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there. together. [k.s. friday]

people-who-stick-by-us for $1000, please.

roller-coaster-soap-opera-never-a-dull-moment-ever-changing life gifts us with people along the way.

some of them are in it – with us, as it’s said, for a season. we fill each other’s cups with the companionship of friends or loved ones, but time has a way of placing itself between people and proximity of place or heart push at the ability to spend time. schedules and responsibilities and changes interrupt the flow together and we drift.

some people are in it – with us – for specific reasons. they are colleagues, they are universe-drop-ins who walk alongside as we grow and evolve, in our work, on a walk we have chosen, a trail we have been set upon. they stop at waysides as we travel on and we lose touch.

others are just there. they may be constant companions; they may be in-and-out. but, whenever we wish or they wish, they are there and we are there. they ride the coaster with us, laugh with us, ponder with us, cry with us, get pissed with us, celebrate with us. we share stories, we share the truth, we share disappointments, challenges, impossible summits. it can be weeks, months, years and it is just as easy. they are touchstones in our lives and, likely, always will be. we spend time together and time apart, but they are never far away. they are our posse. and we could not do life without them.

we stopped on the trail and i sat on a bench, pulling off the boots that were making my feet beyond sore. jen offered her socks; she offered her boots. instead of rendering her shoe or sock-less, i used her bandaids. we loaded up my feet with bandaids and i didn’t tie the boots, clomping through a few miles in the snow, curling my toes to keep them from falling off. i whined about it and i apologized for whining about it. and i promised that next week – in our next hike – i would wear different boots. two times hiking in these was enough. we talked about feet most of the way back, for there is not much we won’t discuss – at length. brad yawned through my health insurance rant, but he listened intently anyway. we cheered with dark beer and brandy-old-fashioned-sweets at a neighborhood bar next to the railroad tracks. we made plans and talked about life and the previous week, another episode in the sitcoms and serial drama miniseries of our lives. right there, listening and caring. there.

we’ll have snacks at happy hour – though it will be followed shortly by a huge dinner together. but we all love to eat and the up-north gang does it well. we’ll talk about everything under the sun and we’ll laugh. nothing is off the table as we all age together, listing the things we are concerned about. we are an all-inclusive in-service about all that stuff, comparing notes, making recommendations, giving advice. it’s totally reassuring. we know who to call if – any time of day or night – there is water in the basement or if the tv antenna falls or if we need new tires or a pair of glasses. there. they are right there.

the perch a couple nights ago was done to perfection, as were the potatoes and cabbage slabs. 20 was in his glory; his wheelhouse includes fishhhh (as he says it) and cabbage. we eat together twice a week. every week. we take turns cooking and every meal includes wine and chocolate. he goes way back – 30 years almost – and his presence is a rock for us. through thick and thin he has remained steady. we keep track of the week by our mondays and thursdays together. there.

and there are those people – who can call on the phone from far away or across town – and with whom we can pick up as if no time has passed. we can laugh about the seinfeld episodes of mutual time, we can pine for time spent, we can rue how quickly time has passed. the thing we know – no matter what – is that they – and we – are there. whether we see them or not, no matter if it has been a long while, these people are always part of the very fabric of our lives and they are vital. they remember who we were, how we changed, what we went through. they know the gumption it took to get us to where we are now. they recognize us. they are from our elementary schools, our high schools, our colleges, our first jobs, our professional ladder rungs along the way. they are the people we met on airplanes, while shopping, at tennis tournaments, across the street. they are random and superbly unique and we celebrate meeting them – wherever it was. they are in our mind’s eye standing aside us through it all, whether in person or in spirit. their souls entwine with ours.

and then there are the beloveds. people whose dna is connected to ours in some way, people whose curve-of-face resembles ours, whose expressions we know by heart, without whom we would never be who we are. they are scattered, too, around the world and, though we wish – yearn – to see them often and more often, it is not so. nevertheless, they hold the prime spots in our hearts and are always right there, a breath away. our families.

so many chances to love, to feel love. so much time spent together. so much gratitude on the coaster.

people-who-stick-by-us for – well – infinity.

*****

TIME TOGETHER ©️ 1997, 2000 kerri sherwood

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a little more promise. [d.r. thursday]

outside the window – just this very second – we can hear the sound of a sweet bird singing its little heart out. mostly quiet out there all winter, except for the sound of the crows chasing the neighborhood hawk, the chirping gives me hope. sans-chirping seemed like a long time, extended – stretch—-ed out like 1960s turkish taffy or 1970s laffy taffy – by this never-ending pandemic and its concerns and restrictions. but today chirped and my heart lifts.

when we first moved to wisconsin we rented a little house. the kitchen was yellow-yellow, which was probably a good thing, as we moved from florida to wisconsin in the dead of winter and i struggled with some giant homesickness (and probably not-just-a-little seasonal affective disorder, unnamed at the time). the bathroom had no shower, just a tub, so we installed a rubber hose on the tub spout and rigged up a shower with zipties. the living room was tiny, especially with a big black lab ranging over the hundred pound mark. the basement was suuuch a basement. and, though it was in a sweet neighborhood, i felt lost.

but each morning, as that first wisconsin spring approached – in its crawling-not-even-baby-steps-kind-of-way – i could hear the birds in the bushes just out the bedroom window, in the very corner of the yard, right by the chain link fence. and those birds brought me back to the birdsounds of my growing-up. and that all reassured me. because sometimes change is hard.

we only spent one winter, one spring and a bit of summer in that house before we moved here – to this house – and i learned the birds of this lakefront neighborhood.

and then today.

this bird, singing outside on a grey morning, may be singing itself to clarity. the lake is changing. the skies at dawn and at dusk are changing, stripes of color. the moon sweeps across the sky. there is a little more sun a little earlier in the day and a little later in the evening. a day here or there that is a tiny bit warmer.

maybe this bird is feeling a little less lost and a little more promise.

*****

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touchstones. [d.r. thursday]

yoga series: iconic (54 x 54, mixed media)

in the beginning i knew very little. we wrote every day but only talked twice. i read his newsletters and appreciated his perspective on things. i had seen only one tiny photo of him online but we shared pictures of our coffee mugs perched in different places in our homes or on our travels. and i had studied his paintings.

you can learn a lot about a person immersing in their art. whether it’s prose or song, paint or instrumental musings, the clues are there.

i am not a fan of thomas kinkade. his paintings are tight and controlled and, for me (but not for the one in twenty homes in the US that hangs one his prints), somewhat trite and contrived. i know that “tommy k” (as scordskiii and i nicknamed him) was (and his paintings still are) inordinately successful, serene, idyllic images of cottages and streams, gardens and gates. his galleries are all over the world. the “painter of light” (as he trademarked himself in a smart marketing ploy) was not necessarily the same as his paintings. i met him one evening at QVC when i was on air during a year-long or so promotion of my music. waiting to go on-stage and on-camera, yamaha CFIIIS at the ready, i met him in the hallways between dressing rooms. he was not a light and airy friendly guy that evening. i don’t know if he was having a bad day, but really everyone at these studios was normally refreshingly jovial. except for him. this did not really bother me, however, as, though i could see “success” written all over him, having tommy k greet me and have conversation was not important. dick clark, of american bandstand fame, on the other hand, was a gem. he and his wife were lovely and generous folks and it was delightful to meet them and chat in the hallways. but i digress.

when david mentioned he was a painter i did not know what to think, what kind of paintings to imagine that he painted. our developing friendship was candid and didn’t include fluffing up the other so my curiosity about the form of his art needed sating. i visited the website he had at the time. and i was stunned. one of his newest works back then – thereafter named iconic – was graceful and beautiful and full of respect for the body woman. i dove deeper into the site. each painting i studied engaged me – the color, the white space (so to speak), the balance, the composition, the texture. i was joyous. there was no need for fluff. i loved his work.

downstairs where, prior to a real painting studio’s emergence, i had thrown paint on a few large canvasses to hang about the house, sits his easel. there are paintings stacked and rolled in various places, in and amongst the boxes and boxes of cds that find themselves housed down there.

some of these – paintings and cds – are truly relics, artifacts of our art, dating back decades, skipping stones through periods of our lives.

some of these are touchstones, moments of new form, of changing form, of solidity in an uncertain world.

some of these, the relics, the artifacts, the touchstones are cairns, pointing the way to the future, suggesting we follow both paths we know and paths we do not know. art is like that.

*****

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visit this painting ICONIC

ICONIC ©️ 2010 david robinson


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things of comfort. [not-so-flawed wednesday]

duke's painting copy

painting by DUKE

“the finnish wood carvings, ” my sweet momma would answer when asked what she wanted in her little assisted living apartment, a place she would occupy without my dad, some time after he died.  those finely carved statues accompanied her from new york to florida, house to house, and, finally to her small apartment.  she cherished them and spent long hours deciding to whom she would give each one.  the list in many notebooks and on many scraps of paper showed that she pondered each recipient’s personality and interests before deciding on a gift choice; these wood carvings were important and each was later given with decades of love.  placed on an equally significant-to-her live-edge wooden shelf in her tiny living room, they seemed to represent comfort to her, something that spanned the years, something that, in their familiarity, gave her a sense of security.  a piece of what-had-been-home in this new home.

when you walked down the hall in eileen and duke’s home, just in front of you before you turned in to their master bedroom was this painting.  duke was an amazing artist, a painter and sculptor with an enormous collection of work.  when we were helping 20 move his momma eileen into her assisted living apartment a few weeks ago, this painting beckoned me as something that might be a familiar sight in her new unfamiliar home.  as we placed other artwork on the wall, i kept thinking about this painting that we had left in their home and i nagged 20 about it.  i felt it could be placed so that the moment that eileen stepped into her new bedroom it would be ahead of her, before she turned to head to her bed.  jogging her memory of the home she and duke had made together, a touch of comfort for her.  20 picked it up later that night and the day his momma moved in we hung the painting.  this sunny, but somewhat austere space, suddenly was lifted to a different level.  the photographs of duke and eileen in the kitchen, the familiar prints in the living room, this painting in the bedroom.  all touchstones from home in this new home.

there are certain things i like to have around me.  things that even in times of uncertainty give me a sense of footing.  were i to pare down there are items that would definitely make the cut, unlikely choices maybe, but things that bring me solace, things that alleviate angst, things that gladden my heart.  what are yours?

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

hands website box copy