these chairs – privy to a lot of life – over just a few days – in warm iowa sun.
we gathered to celebrate columbus’ life, to inurn his ashes, to solemnly and with great gaiety – for that is how columbus lived – say the final-of-the-final goodbyes.
it was the game of bags (cornhole for the rest of you), the bubble wands, the hula-hoops and columbus’ old 33rpm records we brought with us i think he really loved. we made his brats with beer and onions. we made the pasta sauce he liked. there was more; a lotta-lotta food – just the way he liked it. mason jars with wine and a cooler full of water and sparkling hard seltzers and beers-just-up-a-notch-from-columbus’-favorites. and he – from the next plane over – held his beloved wife’s hand as she navigated this time in his growing-up land.
the three adirondack chairs from the east-facing porch were moved, following the activity. down the big grassy hill for bags and around the south side of the house closer to gracie-cat’s-plugged-in-water-bowl to escape the howling wind. back to the porch for happy hour and in a big circle in the lawn to toast his momma’s first hostess cupcake, bag chairs a little teetery on the uneven ground.
you had to watch for the thistles in the grass – you couldn’t just run around willy-nilly without being – yowsa! – aware. but somehow that reminds me of life itself.
it was a time of red. bright bright red. a time of brilliant stand-out moments we will clutch onto, like the hugs we shared at the cemetery and at the old screen door past nightfall the last evening.
though life is like a box of chocolates – yes, forrest gump – it is also like an adirondack chair you drag from place to place. it’s about comfort, simplicity and peacefulness. an intention.
you can sit and watch life, take it all in.
you can do life and then, rest.
both, and.
we took turns with the red adirondacks. that’s what family does.
they will bloom pink. hot pink. soft pink. their scent will waft across the backyard and fill the patio with sweetness. peonies are this graceful gift of spring, blooming once a year and stunning the universe with rich layers of soft petals. were there to be a time-lapse camera on the peony, what would be the soundtrack of this wondrous flower?
this peony (and a smaller one next to barney) is truly the star of the yard. without much help from us, its beauty will reign supreme over all the grasses and all the hosta and all the day lilies. it is – despite all efforts by dogga – a survivor. and every year we marvel at how much bigger it is growing and how healthy it looks.
a quick google search reveals that peonies symbolize romantic and non-romantic love, as well as friendship and happiness. ours, blooms waiting, was a gift from dear friends, transplanted from their yard, a haven of flowers. it is stoking up energy; its gorgeousness is innate.
there is a new baby coming into the family. a baby girl. the other day i had the absolute delight of seeing the ultrasound of this baby merely four months from her premiere appearance. stoking up energy, dreaming about wearing hot pink onesies and puckered vintage polly flinders dresses. yes. wondrous stuff.
i remember that feeling. thirty-three years ago yesterday my daughter was born. pink quickly became her color. i know now’days there is a movement to have babies in monochromatic tones, beiges and earthy tones, greys, muted colors, gender-neutral. but back in the day, i celebrated this beautiful beloved baby girl with the pinks of the rainbow.
and so, each year, right about the time the peonies are getting ready to burst forth, i am celebrating her birth-day, celebrating the hot pink of her zeal in life, celebrating the opportunity this universe gave to me – to be her mother. to be the mother of her little brother, whose toddler color was blue-jean-oshkosh-overalls. the fragile blooms a dominant force in our yard, their presence in the world a dominant force in my heart.
dale is a pretty good name for a turkey. but then, so is allen. we decided on dale. (even though i am now, post-visit, thinking allen is funnier.) regardless, dale strutted his stuff around our allendale neighborhood for a few days, acting like he belonged here and we were the aliens.
the first afternoon we saw him, we stopped the car and pretty much just stared at him walking down the sidewalk. he gobbled at us watching him and then harumphed into the street to get to the proverbial other side. then, walking around littlebabyscion, he kept heading west. we saw him another time or two wandering about but haven’t seen him now for days. maybe he moved on or maybe he heard about forest park and headed there – a neighborhood west of us that a turkey named carl called home for quite some time.
i suppose it’s easier to change ‘hoods when you’re a turkey. it’s not like you are carrying much baggage with you. unless he had them stuffed under some bushes somewhere, he carried no suitcases, no boxes or plastic bins. he didn’t have his offspring’s elementary artwork or handwritten stories, the driftwood he found on the ocean, heart rocks he collected on trails, photo albums dating back decades. there were no pots and pans, no spices-in-a-box, no favorite jeans or boots or that old ratty flannel shirt he couldn’t bear to toss out. he had no bill folder, no cellphone, no ipad, no coffee grinder or french press. no cds or dvds or canvases or paintbrushes or pencils or paper.
dale had just nothing. yet he looked as though he was completely confident in the world, wandering, exploring, warbling in that gurgling kind of way. apparently, male turkeys do that most often in the spring when they are looking for love. he must have thought that (one of) thelovesofhislife might be in allendale.
a friend of mine is moving from her home of decades. the decision to move was pragmatic and the move will be generative for them. and yet, there is the whole moving-from piece of it. sometimes i think about that. i understand the need to run and touch every glass doorknob, to brush the woodfloor with one’s fingertips, to wander from room to room, deep in memory. when i think about moving – i know that there would be much stuff to go through, dispose of, to give away. but it’s this place – this house – that holds so many emotions. it’s a mixed bag. after all this time – this town feels like home. after all this time – this town doesn’t feel like home. both are true. the dichotomy of these truths wakes me in the night sometimes and i ponder staying, going.
i used to tell the kids – when they were making a decision – to imagine themselves having made it one way and to feel what that feels like. then, imagine making it the other way and try to immerse in how that feels. it’s not always possible, but sometimes it’s an exercise that helps. in the middle of the night, it’s a seesaw.
what i do know is – as i look around this cherished home – that i must turkey-down. not so much on the main floors, but most definitely in the basement where the bins and boxes are stacked, waiting maybe for dale to come and retrieve them.
ahh, but dale is footloose and fancy-free and he has no interest in such baggage. he’s got places to go and things to see. he’s got a world to love. he blows a kiss to allendale and moves on.
there is a plethora of information about contrails. and when i say a plethora, i mean a lot. you can glean all kinds of knowledge – the kinds of planes that emit contrails, the weather necessary, specific atmospheric conditions, the altitude likely for formation, the effect on climate, additives to the engine that preclude the emission of a contrail. three kinds: short-lived, persistent non-spreading, persistent spreading. tons of information about something to which we pay scant attention.
sitting on the adirondack chairs on our back patio sipping wine early in the evening, we both leaned back against last year’s pillows. the sun streamed at us through the gap between our house and the garage and we gazed at the blue blue sky at this end of an unusually warm early spring day.
contrails.
it’s not unusual for us to see planes – our home is located between two major airports. milwaukee’s mitchell airport is to our north and chicago’s o’hare is to our south. the only times i truly remember the skies being quiet were right after september 11th (2001) and in the earliest days of the pandemic (2020). otherwise, we regularly have planes on final, planes circling, planes practicing aerobatics, helicopters big and small, air ambulance helicopters, helicopters transporting dignitaries, helicopters doing rescue maneuvers over the lake, news helicopters. add in drones and it’s busy airspace. because we are who we are, we always ponder who might be flying over, where they are going, what they are thinking as they look down, where home is for them.
there was this one day – years ago – when we were walking along the lakefront. we looked up to see a fiery flying object moving at a fast rate of speed over the lake. very high in altitude it made an abrupt turn to the east and disappeared into the distant sky. to this day we talk about that, wondering. we have absolutely no idea what it was; it seemed propelled with this fiery exhaust. we googled, but to no avail. who were they? where were they going? what were they thinking? where was home?
in 1986 i was living in florida. if we stood on our driveway and looked up in to the eastern sky we could witness the space shuttles as they were launched into the atmosphere. the contrails were fiery, smoky vapor, and the anticipation always left us marveling. it’s astounding to think about taking off into space. the day of the challenger space shuttle dawned just as thrilling. we planned around the launch so that we might again bear witness to this scientific achievement, these explorers. but, as we stood on the driveway and peered at the sky, it was obvious – even to us 130 miles across the state – that something was amiss. the contrails were wrong. and, in those moments, breaking down into tears, the contrails told a different story.
there isn’t a contrail that goes by now that i don’t have a throwback to that profound day late in january in 1986.
we are all explorers. we have varying tasks of courage, summits that require us to trust ourselves, to trust others. i can’t help but think of this every time i board an airplane, every time i drive a car on a road with rules for all drivers, every time i partake in a community, every time i try something unknown-to-me or dream a new dream.
we all leave contrails behind us, though the vapor trail itself is not necessarily visible. what will the answers be when people wonder who we were, where we were going, what we were thinking, where our home was. were our contrails fiery or short-lived, thin-lined or ever-spreading? were they full of hot air and blather? were they generous, kind-hearted, remembered with a softness?
i think i would choose to be a persistent spreading contrail, eventually a lacy cirrus cloud. floating out-out-out.
though not quite as at-home as the cranes walking the edges, we know this pond. we knew it as a marsh. we knew it as dry dirt. we knew it with mulch strewn throughout as they eradicated invasive species. we watched as the rains began to fill it. we listened to the quiet wind ripple across its surface. and then, one day, we heard the first frogs. though we cannot see them, the orchestra pit is filled with frogs in chorus. the static becomes a symphony.
such is the way of a choir. for well over three decades, i conducted groups of people who chose to sing – in choir. they gathered, sitting in folding chairs cold with mid-week evening thermostat dips. they gathered, weary from their days at work or home, filled with activities of responsibility, of life. they gathered, to become a symphony.
the thing about choir rehearsals is that – with good leadership – they go from a meeting of a group of individuals to a collaboration of musicians, from quiet chatter to boisterous song, from people who possibly feel ill-at-ease to people whose voices are heard, whose hearts are seen. choir rehearsals are community events and – led with joy – become places that are generative, places that are accepting not competitive, places of great learnings and tremendous laughter, places that are spaces filled with concern for the other, lifting up of each other, a place with a mission of goodness, a mission of symphony.
i’ve missed being a choir director. it’s been over two years now and the lack of vocal choirs, ukuleles, handbells, worship bands is palpable for me. directing was always about the community – building it, reinforcing it – life-giving, loving. my resume shows seven churches along the way. seven communities in which i offered all i could give, responding to their individual needs, their particular circumstances, their strengths and their weaknesses. seven fluid rivers of music-making.
back in the day, when i was a small child, we laid shells in sand cavities we had carefully dug out of the beach, filled in plaster of paris and a little water and made sculptures, castings of shapes. mine was a fish. not a very good fish, i might add, but a fish nonetheless. my brother made an anchor and my sister made a seahorse. the castings instantly came to mind when we passed by this leaf impression in the snow.
soon, others would walk on the trail and it is likely that their footprints covered the leaf. or, possibly, the sun came out and the edges of the leaf – so clear on our passing – melted. i don’t know. what counted is that the leaf was there when we passed by.
the last time i sat by my brother’s side, he told me a few stories about being my big brother. i still remember how that felt. his words – a little fuzzier, with a little less clarity – echo in the bank of memories i have, my heart ever-full, his little sister. though the impression has melted a bit with the thirty years of sun since he died, it is no less profound than it ever was.
even if it doesn’t look quite like a fish – or a leaf – each impression is actually indelible and its invisible sculpture takes up a tiny space in our hearts and minds. castings you can look at any time you want.
kind of makes you want to make sure each moment is worthy of plaster of paris, a few shells and a little time to cure.
it is entirely and utterly exfoliated. delaminated. naked.
the slender tree stands alone in the marshland, like a graceful ballerina in allongé. barely a side branch, it is stunning against a blue blue sky.
and, yet, in all its raw nakedness, its vulnerability, it stands proudly, stalwart, determined. it is still alive.
we stand next to our canvases, in front of microphones, in recording studios, on wooden stages, at qwerty keyboards, poised in front of 88 keys, with ballet shoes or tap shoes or jazz shoes, behind the cine-camera, in front of the cine-camera, at the potter’s wheel, baton in hand, holding sculpting tools or playscripts, focusing lens and aperture, holding written words in our fingers.
we are naked trees in the marsh. we stand – vulnerable to the elements – unprotected. we brave lack. we brave abundance. we withstand the inbetween.
we are exfoliated every single time we put it out there. we are artists.
i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.
some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.
i know i might be accused of over-documenting. so many photos. “1.81 trillion photosare taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.
yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.
because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.
so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.
despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.
selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.
that babycat would be 14 today. it’s an unofficial birthday because he just showed up and no one was there to tell us all about his birth, about the litter of kittens he was from, about his momma or his papa. february 28 was the day chosen for him and we celebrated it – and him – each year.
it’s been almost two years since he became an angel-cat. and, in the way that our sweet pets profoundly impact us, we miss him every day. our babycat had a big presence in our home and lives. he still does.
i just read an article about love written by neuroscientist Stephanie Cacioppo in which she reminded the reader that it indeed is “better to have loved and lost than to never have loved at all”. all love. including our amazing animals, i’d insist.
though his own life was not nearly as long as i wished it to be, babycat saved mine. his tiny heart in the universe changed me.
in a weekend of weather whiplash, it was stunningly beautiful out. the temperatures reached the fifties, the sun was out, the snow was melting, the breezes were mostly gentle. we spent most of the weekend outside. it was revitalizing – in a week we particularly needed a bit of revitalizing.
we usually take the trails – and stay on them – but this was a week of off-trailing. we trudged our way through the marsh, feet sloppy wet, laughing, just so i could get a good picture of the stand of birch. it put us in territory we hadn’t been and the geese stared at us, wondering what we were doing there. miles later, it was no wonder our legs were tired, but oh-so-worth-it.
and then – something caught my attention sticking up from the dried straw of marsh grasses. i reached down to look at it more closely and drew in my breath. a set of three-point antlers. likely not seen by anyone except us. just touching their smoothness we could imagine the white-tailed deer that had shed them. i took pictures and laid the antlers back down in the marsh, knowing that’s where they belonged.
in the days we have hiked since that day, we have seen many deer in the woods and fields. sunday was a gift of a day – alone on the trail, we had so many visits we lost count. gentle faces peered out of the brush at us – we all stood still, silent. these beautiful creatures of grace and intuition and agility, so welcome as reminders to us. they were – seemingly – everywhere around us – off the trail by the river, in the woods next to the trail, crossing our path time and again, watching us. they knew we meant them no harm; we didn’t even move to photograph them. we just watched and our heartbeats slowed down, worries abating in these shared moments.
antlers are said to signify strength, determination, alertness, and protection. in a time during which i need strength, determination, alertness and protection, i will carry them with me – in my mind’s eye. the balance of things of beauty and things from which we would choose to shield ourselves…the deer are powerful nudges to remember both exist, to be gentle with oneself, to move with conviction, to be devoted to truth and not be mired in others’ agendas, to stand – even antlerless – in grace.
reverse threading 