green sounds different than red which sounds different than blue. green looks different than red which looks different than blue. green feels different than red which feels different than blue. so a color field of all three would seem to emit, depict, emote a wide spectrum.
i’m pretty sure that mark rothko and i would have been friends. his goal: “to capture the essence of basic human emotions on the canvas and then evoke those emotions from his viewers.” (masterclass.com) my goal: to capture the essence of basic human emotions on the piano and then evoke those emotions from my listeners. instruments – the canvas, the piano – that tap in. yes. friends.
in my mind’s eye, i can see a tour. all over the country to different art museums that house a mark rothko or two. a big yamaha concert grand on the wooden floor, placed in front of the giant color field painting, paused in silence, waiting. abstract expressionism on the canvas. and then, the translation – abstract expressionism on the piano. action. color field. repeat.
i’m pondering this painting green, red, blue. in thinking and feeling green, i ponder what i’ve already composed that sounds, feels, looks green. in thinking red, i ponder what i’ve already composed that sounds, feels, looks red. in thinking blue – specifically blue-around-the-edges in this case – i ponder what i’ve already composed that sounds, feels, looks blue.
in a push of creative courage, i can see this tour. in a room void of people or full of people, i imagine me and the painting and a piano. high ceilings, the swoosh of the sustain pedal brushes against the walls and swirls around. no other sound. yet. and then.
i’ll play for you i’ll play for you i’ll play for you
and you will hear green and red and blue as you will see green and red and blue. and maybe, if you are open to it, you will feel green and red and blue. and mark and i will have done our job.
it’s the work of all artists – really, everywhere: play for you.
i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.
some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.
i know i might be accused of over-documenting. so many photos. “1.81 trillion photosare taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.
yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.
because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.
so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.
despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.
selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.
the first time i walked by i was a misunderstander, a glancer, a critic.
i thought – and spoke aloud – that it seemed elementary to display canvasses with the primary colors…large canvasses at that, lots of wall space, valuable real estate for an art museum.
it only seems right that ellsworth kelly, in a conversation with john cage (i mean, who gets to talk to john cage!!) said, “i am not interested in painting as it has been accepted for so long – to hang on the walls of houses as pictures. To hell with pictures – they should be the wall.” and so, ellsworth created big multiple panel paintings – murals – to cover walls. they are stunning and i have been enlightened – by sheer experience of his work. you need just stand there a few extra moments and it hits you. his “austin” temple of light is on our list of places to visit. minimalism. color. breath.
we visited the milwaukee art museum and the two of us, ellsworth, richard diebenkorn and mark rothko all hung out together. their notoriety far surpasses anything we could dream of – yes, yes – by miles and miles. but they love hanging out with people who get it and we were happy for their company.
we talked about art and music and simplicity and air and light. we talked about the ocean park series and rectangular color fields and bigness. we talked about communicating basic human emotions in our work. we talked about journeys and life and times of passage, evolution. we rued the difficulty of transitions and obstacles. and then, though sans museum ticket but clearly listening in, john cage stopped by and reminded us, once again, to “begin anywhere.”
and then it was time for us to leave, to go sip wine at the public market and to talk about the magic of getting it.
we saved an article last sunday: “the best waterfall in every u.s. state”. from alabama to wyoming, we scrolled through to see how many waterfalls we had seen. there were aggressive falls and double falls, falls that trickled from natural springs and, of course, niagara falls. we have missed many. like the articles about the best small towns or best places to retire, it’s all about dreaming. a list of waterfalls.
we hike or walk many miles each week, either on the weekend or squeezed into the rest of the sun at the end of the weekday. yesterday and the day before we noticed a tiny waterfall on our trail. it didn’t make it to the list of “the best” but it gave us pause and we stopped to watch and listen. the sound of a trickling stream, the sound of a minute waterfall…both unquestionably sounds of peaceful flow. we drank it in. we stood together in a silent, still dance.
as i looked at the list of waterfalls, it occurred to me that it is not likely i will ever see all of them. there is much on our bucket lists and, though i can appreciate – very much – adding this list into the bucket, i also know that it’s not the award-winning, the listed, that will always touch us.
the best waterfalls – for me – haven’t been the grandiose waterfalls. though i can appreciate their grandeur, it is the waterfall you stumble upon in the woods, the waterfall that shows up just when you needed a waterfall, the waterfall that will never make the list that negative-ions you into a feeling of well-being.
when i was in my thirties and composing i started to dream. in my forties – composing, recording, performing – i was headed to niagara in my dreams. sometimes i’d watch the grammys and wonder. but the smaller waterfalls – despite their beauty, despite their ability to resonate or to bring peace, despite the number of times on “repeat” – will not likely show up at the grammys. nevertheless, they have fault-in-our-stars impact. even to one.
charts – the top 100, say – are compiled by detecting the songs played on a select panel of top40 radio stations. this is not objective, nor is it not machinated. many, many integrated, financial and complex symbiotic relationships go into the positioning of a song, the charting of a song. “the best songs” lists beget “the best songs”.
back in 2002 – waaaay back…up the waterfall, upstream, backaways – one of my songs charted on the secondary adult contemporary radio chart. “slow dance” made it up to #13. i was inordinately thrilled but, like many things, it did not come without a price tag. the radio promoter was steep, not to mention a little slimy. it’s a system and, at least back then, those guys had it wired. it wasn’t long before i realized that the charting did not help. it quickly flowed over the riverstones, past the boulders at the peak of the cliff and dropped – the waterfall never stopping for pause.
i don’t necessarily need to see the “best waterfall in every u.s. state”. instead, i think i’d rather see the ones that will invariably touch me, will give me moments to stop and drink them in. i’d rather see the ones that go mostly undiscovered. for even in their relative obscurity they are a gift and they count.
if the price tag had not read $9.99, i would have purchased this tiny stake sign. but, at that very moment, despite the it-made-me-pick-it-up marketing, $9.99 seemed a tad bit high for a five inch tall sign. still, ridiculously cute.
our sunroom is filled with plants – everything from an exploding ponytail palm to stalwart tiny cactus twins “the dots”, to charlie, the heart-shaped leaf philodendron to snakeinthegrass sansevieria to kc, my difficult bonsai gardenia. kc is my problem plant-child. i mist kc, i use distilled water, i have fed it and keep the bottom tray filled with moisture, i turn it to face the sun. despite my attempts to have conversation, to really share life – for i talk to it every single day – kc is stubborn. next i will seek specific bonsai gardenia plant food – there are several options online. i’ll probably do some research to really determine the proper way to nurse this treasured plant back to good health. i’m not sure where i went wrong and it means so much to me that kc will be healthy and will grow – unfettered and with wild abandon. my relationship with this tiny plant has become a challenge.
you would think, had i purchased the tiny sign, that i would have placed it in one of the burgeoning clay planters. there’s a posse of plants responding to being nurtured. you would think that the e.s.p. of choice might be one that is flourishing.
but it’s not so. i, for sure, would have placed the stake into kc’s pot. for this plant – despite its complexity – is dear to me and is most definitely my emotional support plant. kc is a tiny slice of real life, a little unrooted, a little nutritionally off. when i got it, there were two buds on it. they never opened and, instead, fell to the dirt. my nurturing is not quite right yet. something is not quite right. feeling a little defeated, i keep trying to figure it out.
one of these days, i hope, i will walk into the sunroom and a tiny bud will have formed. and then – the day it begins to slowly blossom – i will know that i have done something right, something that touched it, something that let this little plant know its cherished place in my heart. its bloom will open and i will know that kc is ready and present – with me.
in the meanwhile, i will just keep on keeping on, trying to be steady and, just off to the sidelines, giving it unconditional love. i’m trying to be patient and let it do its own thing, while i quietly do everything in my heart to support it. i am rooting for this bonsai every day and i know that the bloom that will someday come will be inordinately beautiful, exquisite in every way.
i touch a single key on the piano. depressing it, i reach for the next and then the next. i build a melody, i build the cello line for arvo, i build a blueprint upon which to put lyrics. i touch a single key on the piano. slowly depressing it, i make no sound. instead, it is silent – to our ears. yet i wonder if some tiny bit of frequency escapes and travels away, bouncing off particles in the air, absorbed into light. “the vibrations of the strings are transmitted to the soundboard through the bridges, and a sound resonates as a result of the soundboard vibrating the air.“ (yamaha)
“a sound wave is the pattern of disturbance caused by the movement of energy traveling through a medium (such as air, water or any other liquid or solid matter) as it propagates away from the source of the sound.”
it would seem apparent that we are all patterns of disturbance. every molecule, every atom within, constantly moving, disturbing all other matter.
in the way of the feathering of sound as it travels away, away, from the source, our impact upon another tends the same – energy as it gets further away and there is more surface area. a decrescendo of sorts, our notes turn pianissimo, our voices to whispers. though a quieter din, the nearly silent cacophony is out there, traveling in air. more than we realize. until it is not.
our notes and words and colors and textures dance around the others in our lives, sometimes landing, sometimes repelled by mysterious opposite magnetic forces. they are absorbed, turn into heat and may warm those upon whom they land.
the world will adjust, yes, to our patterns of disturbance. we are all pianos, concurrent notes, synchronous string vibrations, noise ever-traveling.
the universe glances down at us – from its ever-silent timelessness. space, sans air, doesn’t entertain sound. there are no pianos, no notes, no cellos, no voices that can be heard.
so, we must be who we are here – now – doing the best we can to avoid absolute discordance and strident disharmony, timbres of aggression, anger, division. instead, i would hope we would recognize the responsibility of every sound wave we make.
someone peeled carrots into the pond and then it froze over. shavings of those multicolored organic rainbow carrots on the ice surface, just below the surface…it made me laugh to see so many carrots in one place. only they weren’t carrots. they just looked like carrots. instead, it was bits of bark and dried grasses and small sticks – no nutritional value or nurture to bunnies and squirrels and chippies, deer and birds.
it brings to mind the children’s book “the carrot seed” – the little boy plants carrots despite the fact that practically everyone around him tells him – basically – that the bottom line is that they won’t come up, despite his care. the last frame of the book shows him – having persisted nurturing the seeds he had planted – pushing a wheelbarrow with the biggest carrot you’ve ever seen. the value – the power – of true nurture.
nurture: to care for and encourage the growth or development of someone or something.
at this moment, for me, it is a hop, skip and a jump from there to thoughts about healthcare and insurance, keeping wellness forefront.
insure: to secure or protect someone against (a possible contingency) this definition would lead one to believe that “to insure” is somewhat parallel – or at least supplementary – to “nurture” – seeking to keep someone safe, healthy, attempting to look out for someone’s best interests.
“insurance is a means of protection from financial loss in which, in exchange for a fee, a party agrees to compensate another party in the event of a certain loss, damage, or injury. it is a form of risk management, primarily used to hedge against the risk of a contingent or uncertain loss.” (wikipedia)
“insurance plans will help you pay for medical emergencies, hospitalization, contraction of any illnesses and treatment, and medical care required in the future.“(an insurance company)
our current (and unfortunately necessary) gap coverage insurance company states they are dedicated to a simple goal: “making health care easier for the people we serve.”
the insurance plan that will take effect in five days believes that “health connects us to each other” and that “what we all do impacts those around us”. and so, they say they are dedicated to “delivering better care to our members”.
nevertheless, the united states seems to have a grotesque insurance problem. the earnings pie – or say – the carrot cake only goes so far, particularly with major medical insurance. but then, there’s dental insurance, vision insurance, life insurance, home insurance, car insurance, major appliance insurance, small appliance warranty insurance, laptop and tablet insurance, recreational vehicle and boat insurance, travel insurance, personal, general, property damage liability insurances. americans are slicing away at their own cake…for most, never quite big enough to start with.
and then there’s business insurance…various insurance plans that companies, organizations, institutions purchase to cover costs associated with property damage or liability issues and to keep their employees safe and healthy – because companies and organizations and institutions care about their employees and want to look out for their best interests.
“your employees may be your business’ most valuable asset.” “… protect your employees …”(an insurance company)
yes.
ahh, but here’s the rest of that insurance company’s statement:
“your employees may be your business’ most valuable asset.” “… protect your employees – and your bottom line…”
hmmm.
though it may look like carrots, there are no carrots there. no nurturing. no nutritional value. just a bottom line.
it lay in the snow, the last of the sun’s rays dancing across it. it was merely a single pinecone. but the sun drew me to it and the way the light played on it called attention to the texture. up close and personal, it is a painting.
reading reveals that pinecones are the safe place for the seeds of the tree, that pinecones can remain on a tree for even ten years, that pine cones open and close depending upon moisture. more complex than you might think.
though ever-important for the proliferation of pine trees, pinecones are one of those things we pass by, often not noticing. what else are we missing – passing by the ordinary, not stopping to really look.
because we know our favorite trail well, we see the tiny shifts, the changes, the transformation. we watch the light play on the cattails and marsh grasses and catch the shadows as they fall. if one note in the woods is different, one tint of color, we draw up, stop. there are days we are stopping often, capturing the transitions, watchful.
we don’t buy a lot of new things. we are sorely behind the fashion curve – i suspect our target jeans are a few years behind-the-times. instead, we accumulate these moments of noticing. our breath is not connected to the facets of diamonds, but rather to the way underbrush berries stand out against the snow. we don’t reach for the keys of a porsche; we reach for our backpack to take on the trail. we do not watch a larger-than-life screen tv; our big-screen of choice is outside.
we look for the paintings in the snow, in the sky, in the stand of trees. we listen for the song of the breeze, of wildlife sharing space with us. the wind stings our cheeks and makes the tips of our fingers burn. we are grateful for the quiet and this path through the forest, across the marsh, along the river.
we immerse in the 3D canvas nature is providing us. no virtual reality needed.
i hadn’t thought of it in those terms before. but – suddenly – it was just as obvious an interruption to me as night is to day.
resilience is a support organization in chicago – “empowering survivors ending sexual violence” is their byline. their presence is powerful, necessary, moving survivors forward in healing and advocacy, providing education and empathy. there was nothing like that on long island in 1978.
my life was forever interrupted. and i just realized that. because – back in 1978 – i filed it all away – all the trauma, all the grief, all the stripping of innocence, all the betrayal – i placed it on a shelf in my heart i didn’t want to access, a place i didn’t want to go. no one really talked about it. i moved on.
only i didn’t.
the night-that-turned-my-day-dark wrapped itself around me and, in all likelihood, affected every single decision – good and bad – that i made from that day forward. it acted like a filter – like the kind you screw onto the front of a 35mm camera lens, coloring every scene in the aperture, every experience in life. just as in so many of these stories, no one was made to take responsibility for this act of life-interruption, for the thing that would skew everything in my heart. i was nineteen and he was free. he still is.
there are defining moments in our lives that lay down a blanket of circumstance, that wound in all directions. sexual violence is one of those.
even now – 45 years later – though i cannot dredge up all the minute details as they seem locked up on that shelf – i can feel the interruption of my life – the unmooring – the visceral line of before and after.
the sun is setting through the trees and i suddenly see clearly through the woods, without underbrush. i can feel the night fall.
the thing that has helped is that 45 years has granted me people who have been there, who have held me in grace despite it all, who have loved me even as i – at times – flailed.
i wouldn’t hope for anyone to experience the pain of sexual violence of any sort. but, because women are insanely statistically likely to be victimized and betrayed in this way, i would hope for their resilient spirits and bodies to see the enormous life interruption for what it is and to rise in the sun the next day – surviving – accessing hope, surrounded by loving support, empowered.
in a weekend of weather whiplash, it was stunningly beautiful out. the temperatures reached the fifties, the sun was out, the snow was melting, the breezes were mostly gentle. we spent most of the weekend outside. it was revitalizing – in a week we particularly needed a bit of revitalizing.
we usually take the trails – and stay on them – but this was a week of off-trailing. we trudged our way through the marsh, feet sloppy wet, laughing, just so i could get a good picture of the stand of birch. it put us in territory we hadn’t been and the geese stared at us, wondering what we were doing there. miles later, it was no wonder our legs were tired, but oh-so-worth-it.
and then – something caught my attention sticking up from the dried straw of marsh grasses. i reached down to look at it more closely and drew in my breath. a set of three-point antlers. likely not seen by anyone except us. just touching their smoothness we could imagine the white-tailed deer that had shed them. i took pictures and laid the antlers back down in the marsh, knowing that’s where they belonged.
in the days we have hiked since that day, we have seen many deer in the woods and fields. sunday was a gift of a day – alone on the trail, we had so many visits we lost count. gentle faces peered out of the brush at us – we all stood still, silent. these beautiful creatures of grace and intuition and agility, so welcome as reminders to us. they were – seemingly – everywhere around us – off the trail by the river, in the woods next to the trail, crossing our path time and again, watching us. they knew we meant them no harm; we didn’t even move to photograph them. we just watched and our heartbeats slowed down, worries abating in these shared moments.
antlers are said to signify strength, determination, alertness, and protection. in a time during which i need strength, determination, alertness and protection, i will carry them with me – in my mind’s eye. the balance of things of beauty and things from which we would choose to shield ourselves…the deer are powerful nudges to remember both exist, to be gentle with oneself, to move with conviction, to be devoted to truth and not be mired in others’ agendas, to stand – even antlerless – in grace.
reverse threading 