reverse threading

the path back is the path forward


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peonies and babies. [two artists tuesday]

they will bloom pink. hot pink. soft pink. their scent will waft across the backyard and fill the patio with sweetness. peonies are this graceful gift of spring, blooming once a year and stunning the universe with rich layers of soft petals. were there to be a time-lapse camera on the peony, what would be the soundtrack of this wondrous flower?

this peony (and a smaller one next to barney) is truly the star of the yard. without much help from us, its beauty will reign supreme over all the grasses and all the hosta and all the day lilies. it is – despite all efforts by dogga – a survivor. and every year we marvel at how much bigger it is growing and how healthy it looks.

a quick google search reveals that peonies symbolize romantic and non-romantic love, as well as friendship and happiness. ours, blooms waiting, was a gift from dear friends, transplanted from their yard, a haven of flowers. it is stoking up energy; its gorgeousness is innate.

there is a new baby coming into the family. a baby girl. the other day i had the absolute delight of seeing the ultrasound of this baby merely four months from her premiere appearance. stoking up energy, dreaming about wearing hot pink onesies and puckered vintage polly flinders dresses. yes. wondrous stuff.

i remember that feeling. thirty-three years ago yesterday my daughter was born. pink quickly became her color. i know now’days there is a movement to have babies in monochromatic tones, beiges and earthy tones, greys, muted colors, gender-neutral. but back in the day, i celebrated this beautiful beloved baby girl with the pinks of the rainbow.

and so, each year, right about the time the peonies are getting ready to burst forth, i am celebrating her birth-day, celebrating the hot pink of her zeal in life, celebrating the opportunity this universe gave to me – to be her mother. to be the mother of her little brother, whose toddler color was blue-jean-oshkosh-overalls. the fragile blooms a dominant force in our yard, their presence in the world a dominant force in my heart.

peonies and babies. miracles.

*****

listen to car, the garden’s instrumental interpretation of PEONY.

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the light between us. [two artists tuesday]

on the side of the willis tower – downtown chicago – is affixed the atmospheric wave wall. created by the same artist whose rainbow bridge we loved at the milwaukee art museum, olafur eliasson’s piece is striking and imbues the colors of the lakefront – sky, clouds, water in all its moods.

in speaking about his piece, olafur – also a climate and community activist – says, “what we see depends on our point of view: understanding this is an important step toward realizing that we can change reality. it is my hope that this subtle intervention can make a positive contribution to the building and to the local community by reflecting the complex activity all around us, the invisible interactions and minute fluctuations that make up our shared public space.”

the steel catches the light of the sun. the piece seemingly shifts with the movements of everything around it, with time as time passes.

we have not yet seen it at night – lit from behind – but i imagine it is stunning – with light escaping from the intersection of the colored tiles. the places of light: in-between.

just as weird as it was to sit on the train it was equally with wonder to move freely about in the city – after all this time and so much that has happened in our country – sans innocence. it is with a bit of heightened awareness we move in the world now, though i don’t suppose heightened awareness helped any of the victims of the latest violent rages at the hands of angry out-of-control people. it is impossible to figure out why the wrong front door or the wrong driveway or the wrong ask-of-a-neighbor could elicit such unconscionably brutal responses.

we were driving to the grocery store. we took the route we usually take, a side street. two-thirds of the way down this road – before the traffic light – our attention was driven to a guy on the sidewalk, staring at us. brandishing something – we don’t know what – he flailed his arm around, pointing to the sidewalk, swinging, pointing, staring at us.

pre-whatever-phase-one-would-call-the-phase-that-this-country-is-in we probably wouldn’t have thought twice. we might have wondered what he was doing, might have wondered why he stared at us, might have pondered what he was brandishing. but we wouldn’t have been entirely creeped out and we wouldn’t have planned a different route home and, perhaps, a different route to our store for the continuing future. it felt like the place between was unsafe. and i find that devastatingly sad.

we live in a normal midwest town. only – i guess – not so much. our town is now known – in these last years of the more-unsafe-phase – for a plethora of events that have no light in-between. our small city is as broken as every other small city, as every other big city.

were there to be a wall of art to represent this phase of our world what colors would it be?

in his rush to get one of the coveted front spots at costco, the guy in the infinity cut me off in the parking lot. i parked in a different row, but watched as he got out of his car. he bent down and pulled out some kind of revolver, tucking it into the back waistband of his pants. then he walked into the store.

i must say – i haven’t ever felt a need to protect myself in costco. maybe from overspending, but never from violence. it was disturbing – almost to the point of turning around and going home – to know this guy was walking around – maybe getting a rotisserie chicken or ribs or a bottle of wine or eddie-bauer-sweats or glucosamine-in-bulk – with some big handgun in his pants. i told d about my reticence to go into the store.

we have a code word for anytime we are in a situation that suddenly feels unsafe. post-parade-massacres, post-grocery-store-shootings, post-concert-devastation, post-festival-tragedies, post-school-maulings – post-all-of-it and in the middle of all of it – we know to drop everything and get out or get away if either of us senses danger. no questions asked. no lingering. just go.

it is without light in-between that this country has come to this point. the intersections of peoples and genders and ethnicities and belief systems and economic statuses and, apparently, any differences whatsoever, seem to have no light. they are not backlit nor are they reflective of the sun streaming over this land.

“our shared public space.” shared. from sea to shining sea.

how do we create the invisible interactions and minute fluctuations of a safe shared public space? how – in a country that seems to have insidious anger and no shortage of violence – do we find the light in-between us? because “we can change reality”.

*****

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hummingbird reminders. [k.s. friday]

we have been tracking them. like really good private investigators – ok, not so brilliant but quietly watching – we watch the map that shows when they might get here. the map plots everywhere a hummingbird has been sighted and so we are anticipating seeing one anydaynow. we are waiting. with no promise at all.

“waiting for a train to go or a bus to come, or a plane to go or the mail to come, or the rain to go or the…” (dr. seuss – oh, the places you’ll go)

it seems that waiting is a thing. “i can’t wait till….” we find ourselves saying. impatient for time to slip by and for the anticipated moment to arrive.

yet, exquisite it is to sometimes simply linger, to stretch out minutes, to wade in the shallows of right now. waiting need not be passive. instead, it is filled with arrows-forward-arrows-back present-time. it is the only thing we can really feel, the only air we can breathe, the only. it is all that we have at the moment.

i’m sitting against the headboard, my pillows falling into the abyss between the iron bars. i can feel wrought iron against my back as i think about readjusting my stack of fluffy polyester and down alternative. i can hear the taptaptap of david typing next to me. i can hear the gentle easy breathing of dogdog at my feet, dozing and dreaming. if i stop typing i can hear birds outside, the pond gurgling, wind in the trees, every now and then chimes. if i close my eyes i can taste the last sip of coffee and see the maypole i thought about on monday’s mayday.

there are many things i cannot wait for. to see my daughter, hug her, hear her voice in the same room. to watch my son perform at pride festival in chicago. to take a roadtrip. to finish a long chapter that has had challenges.

but i am reminded – every day – that to rush would be to miss it all along the way. i am reminded to stroll or, at most, skip.

our trail has signs that designate a trot as the terminal gait. were i on horseback i would be tempted to canter – for the thrill of it. but i would go back and do it all again – walking and, maybe but not likely, trotting. i would stroke the mane of my horse and talk quietly about all we were seeing. i wouldn’t worry about the end nor would i gallop cause i couldn’t wait to get there.

i’d go slow. and try to relish the now, pushing back impatience so as to wait to feel the restlessness of waiting.

the hummingbirds remind me.

it’s all we have at the moment.

*****

waiting ©️ 2005 kerri sherwood

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the burn. [k.s. friday]

they chopped down, chainsawed, mulched, chemicalized, burned. they decimated the whole forest to eliminate the invasives. and – in the way of oncological medicine, of environmental eradication programs, of corporate and organizational ousting – the good cells may somehow survive, burned edges and all.

to be a tree with burn marks is to be human. one cannot traipse through this life without them. we all carry with us whatever balm has helped us get through the fires. we lean on the surety that spring will come, eventually.

as we hike the trail, we know that it is not one hundred percent that only the good will keep on. it is not a certainty. instead, it is a risk, a gamble, that there may be cells that escape treatment, there may be invasives that escape annihilation, there may be people-in-power-with-ill-intent who either escape the pointed fingers or are the ones corruptly pointing them.

and in those cases, the worry is that those cells will reproduce, those invasives will take over and choke out the organic, those people will destroy the place. a ravaging burn. devastation. and the good cells, the good plants, the good people will be left to fend for themselves, to remain upright – stalwart – to grow despite the odds.

it is good friday for those who are keeping a religious calendar. a day of destruction following betrayal and many burned edges. as this sacred story goes, three days later there is a resurrection. and the targeted jesus rises.

as we hike the trail, we notice the green shoots growing out of the ground, their top leaves still blackened. we marvel at the tenacity of these plants as they garnered energy best-as-they-could, regardless of the burn. the good xylem and phloem somehow survived.

there are naturalists who are watching closely, tending to the native plants best as they can. there are doctors and nurses and researchers and clinical trial experts who are watching closely, tending to patients and health and life best as they can. there are, therefore, it would seem, allies who are dedicated to the truth, to transparency, to the best parts of an organization who are watching closely, tending to the burns of the sacrificed.

“i want to know if you will stand in the centre of the fire with me and not shrink back. (oriah mountain dreamer)

shrinking back will allow the devastation. standing in the fire – the center of the fire – will allow the resurrection.

*****

and you were there in all of my suff’ring.

you were there in doubt, and in fear;

i’m waiting on the dawn to reappear...” (you were on the crossm.mayer, k.butler, a.assad) 

TRANSIENCE ©️ 2010 kerri sherwood

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rooting for midwest express. [two artists tuesday]

it’s exactly how i draw horses. back in the day i had a book that taught me how to draw them. i was horse-crazy and i studied this book and practiced over and over. i did not retain much of all that study – or all of the other books i read about horses – but i can still draw a horsehead. so when we flew over this island on our approach to the tampa airport, i was astounded to see the first vestiges of my own drawing. i named it van gogh horse – for obvious reasons. high tide and angle and an active imagination helped, but i sure do think it looks like a horse.

it had been three and a half years since i had flown. we’ve read many articles about aggressive passengers and, i must admit, that doesn’t sound too enticing. i can’t imagine being rude to people who are tending to your needs as you zoom through the sky. not to mention all that recirculated air and the folks in the seat behind us hack-coughing. ahem. so it was a little nerve-wracking.

but it was also magical. you forget. i spent a lot of time looking out the window, mesmerized by the cloud formations and the landscape below, checking the flight plan on my phone to see where we were (technology is pretty amazing!) and taking photographs. i looked – i am sure – like the quintessential tourist-on-the-airplane. but i didn’t care. we have driven everywhere in the last years so it was like a small miracle to jaunt from milwaukee to tampa in two hours and forty minutes.

i remember days i flew often. midwest express airlines and real plates and real silverware and gourmet meals and mimosas in the morning or wine in the afternoon. and, the pièce de résistance…warm chocolate chip cookies. it was an experience – a whole experience. i flew midwest as often as i could, flights to los angeles and nashville and south and out east.

the most memorable experience was the – only – one time the airline lost my luggage. i had concerts and appearances in boston and all my attire was in my suitcase. a midwest express representative – jimbo – who is still my friend on facebook – immediately set to helping me, told me to go buy some necessities, including concert attire, and send midwest the bill. i am mostly a jeans-wearing performer – though there were some exceptions that particular trip – so that kept the costs down a bit, but they covered every last thing i needed. customer service at its best. i called all those items “my midwest express collection” and flew midwest loyally until the airline was no longer.

in a memory-filled moment with the smell of baking chocolate chips in my mind’s eye, i googled the milwaukee-based airline and was jazzed to see it is hoping to make a comeback one of these days. i wish them well. here is the best news:

“the airline plans to bring back the cookies if it starts flying again.” (milwaukeemag.com)

i know that can take some time and some luck. but warm chocolate chip cookies fresh out of the airline’s tiny kitchen could encourage me to start flying more again. i mean, people can’t be ornery with cookies.

if i had to draw an airplane experience – even though i am clearly not gifted at drawing – i would draw people in cushy two-across-seats, trays down, real plates and silverware, coffee cups and mimosas, warm chocolate chip cookies, linen napkins. smiles and horses out the window.

i am rooting for midwest express.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY