“hope…it makes you breathe differently. it makes your heart beat faster. it makes your knees weak and your ability to wait strong. it makes you weep with anticipation and holds you close with others who are also hoping.” (reverse threading, dec. 7, 2018)
i have done time on the kitchen floor. like you, i have been brought to my knees with grief, anxiety, worry, pain, shame, fear, sadness, loneliness, anger, disappointment. when you are on the floor, any movement seems monumental. anxiety is crushingly powerful. it seems unlikely you will rise. and even as you go about your days, doing the things you do in life, it seems you will remain on the virtual kitchen floor.
but then, there is a moment. it appears illusory yet it is luminous. it is a mere butterfly wing, the slightest of silk tendrils, but it is there. elusive and tiny, it asks for absolute focus. like viewing through the eyepiece on binoculars, you slowly steady your gaze. something inside you knows. something tells you to reach for it and hold it gently in your shaking hands. it is hope.
“hope. there aren’t many words like this…describing that which you can actually – viscerally – feel in your body. it makes you breathe differently. it makes your heart beat faster. it makes your knees weak and your ability to wait strong. it makes you weep with anticipation and holds you close with others who are also hoping.” (reverse threading, dec. 7, 2018)
like many of you, i have laid awake many nights now. exhausted when i lay my head down and then, voila!, wide awake. the middle of the night has many monsters these days. it used to be that as i lay awake and would get hungry and hungrier, i would convince david that the perfect thing, rousing him from sleep, would be to have a 3am bowl of cereal together. since we went dairy-gluten-free i’ve substituted and have chosen a banana in the wee hours. somewhere i read that bananas are sleep aids, so waking david up to have a banana seemed like i was helping him. but now, we have no bananas.
we need to go to the grocery store. but it’s complicated, with disinfecting wipes during our trip there and being absolutely careful upon our return home to wash everything or store it for a period of time. it’s important, vital. we step back from the person who is a personal-space-invader. we make room on the walking path for those coming the other way. we marvel at the recklessness of large numbers of people still gathering in spaces. we weep for those who have succumbed to a disease that is apparently sorely underestimated.
this painting, eve, is a beautiful landscape of color and shape. eve, religiously historic as the first woman.
is it possible that the apple of eve and adam, the one in the story from the tree of the knowledge of good and evil, could now be seen as a casualness toward the spread of this pandemic, a cavalier attitude, a lack of regard toward social distancing or the peril facing citizens, medical personnel, workers at essential businesses? the apple that, in the story, changed everything, for all time?
in the last year of my sweet momma’s life, at not quite 94, she would say astonished things like, “i looked in the mirror and i look like an old woman!” we would laugh together when we mentioned her age and that she had earned every last wrinkle, every age spot, every grey hair. never have i seen a more beautiful old woman. in a life that spanned from 1921 to 2015 her hazel eyes saw vast changes, world hurdles, family loss and strife, wild technological advances. and love.
barney was born around the same time as my momma. i wonder about the life he had before he arrived in the basement boiler room. was he a honkytonk piano, a barroom upright, a sunday school accompaniment, the instrument in someone’s drawing room? he was headed to the scrap guy when we met him and we intervened. i suppose as he has lingered in our backyard these last five years he would wonder about the reflection in the mirror, his outer shell, those wrinkles, that peeling laminate, the keys that no longer play. does he realize that chipmunks perch on his brow and snack on acorns? does he realize that birds land, patiently in wait for their respective and restrained turns at the birdfeeder? does he realize that his soul remains rich, his exterior beautiful in its aging?
i laid awake for hours in the middle of the night last night. i looked in the virtual mirror in my mind and saw wooden stages and boom mics, big pianos and blue jeans. i realized, suddenly, that i am older. despite everything that would suggest to me, try to convince me of, the contrary, i have gotten older.
scrolling through social media during this time of distancing it is stunning to see all the ways people are incorporating posting with streaming, youtube, visiting with google hangout, facetime, videoconferencing with zoom, webex, as they try to be there without being there. it’s exhausting.
my 1970s-lingering-self puts on readers and starts to read the directions. the chipmunks are perched on my brow and i resource apps to stay in the loop and do my part to help keep people connected in a time where connection could easily fall away.
i take a deep breath and remember the day that my sweet momma’s iphone facebook status read (from her assisted living facility in tampa) that she was checked in at a miami dolphins game in miami. i quickly and quietly fixed it for her.
and then i giggle and think, ‘heck. if she can do it, i can do it.’
it is the symbiosis of peeling back the layers, honoring the wrinkles, relying on each other’s strengths in the mirror and working together, the virtual birdfeeder our community.
there are moments when both dogga and babycat seem to be on the same page. sweetly tuned in to our every emotion, they put aside their own agenda to curl up, their warm bodies tucked in against one or both of us, just being there.
in this time of necessary and vigilant waiting, as we defer to healthcare workers, scientists, the experts, all in their prodigious work, perhaps this is the most potent aid we can offer. to curl our warmth and any practical and safe help we can muster around each other. to acknowledge each other’s worry, each other’s fear, each other’s process. to be tuned in, to listen, to offer words of comfort. to stand with each other, hold each other’s hands, even from afar. to quietly just be there.
this is an old woods. while we still can hike in it, we are driving -without stopping- to the woods and, generally without seeing anyone else, taking a hike. it is grounding to be in a woods that is old, a woods that is natural.
around us many trees have fallen. they lay quietly on the ground, nurselogs to others, the white rot fungi that is sharing their space an invitation to symbiosis.
we spend time looking up at the very-mature-trees standing, reaching to the sky, parallel to each other, taking in the sun. they too share their space. they have endured storm and wind, snow and torrential rain; they have endured times of thirst and times of excessive heat. they are still enduring.
i suspect most of these trees are much older than us. their rings of life could tell stories of lack, stories of abundance, stories of challenge and stories of ease. yet, they quietly stand, swaying in the wind like cattails along the curves of a slow river. not one boasts of its steadfastness; not one complains of its fall. the wisdom of the ages seemingly is in the long story. not in the angrily staccato-ed punctuation of a self-indulgent-short-story.
we step into the forest and the community of trees seems to sigh, pleased to see us again. it is not the prettiest of woods. but it is deeply, silently reassuring. life goes on.
my emotional well was full when i woke up today. thinking of us, our children, our families, our dear friends, our community, this world. i desperately want to gather our beloveds in, hold them close, protect them.
i have no words for all of this; i have too many words for all of this. i fear that none of them are helpful, none of them are wise. it’s just me. and, like you, carrying the weight of the world one step at a time, one quiet minute at a time, staring out the window and wondering.
in these times. the emotional upheaval is exhausting. worry is the crux of insomnia. we measure every step, every decision. we look to each other for reassurance, for a fast-receding touch of normalcy. we feel…lost.
in these times. we remember other times we felt this way. other times of confusion and fear, of social responsibility and adherence to new rules, new realities. too many calamities to name, it seems. too many times…lost.
this little book Peri Winkle Rabbit Was Lost was the product of such a time, as david created it – a one-of-a-kind – in response for a call for a children’s book that addressed the tragic hurricane katrina, a book given to children that offered empathy for the plight in which they were standing, their lost.
we, as artists, do what we can to offer comfort, to bring a little solace, a moment of breathing, a slice of hope in darkness, a tiny map in lost-ness.
we, as people, look to the arts for a little solace, a moment of breathing, a slice of hope in darkness, a tiny map in lost-ness.
in these times. standing in the darkness with each of you. maybe together we will not feel as lost.
blind faith. every day. dare i say that is the way we live?
live (verb): to be alive or have life. we rise, we go about our day, never really certain what or who will cross our path, never absolute about any single thing we might encounter or be challenged by or be gifted with. we make plans, we have hopes, we dream of freely checking off that which is on our list-of-things-to-do and our bucket list.
in this moment now, we cannot see the moment of the past or the moment of the future, but we know that they are there; they exist. there is much we cannot see. words that elicit emotional response but nothing you can see as a thing with your eyes – love, grace, forgiveness, freedom. you can see evidence of them but not an actual thing, like the simplicity of a table or a chair. faith is one of those amorphous things. present as a gentle reassurance, zealous as a fire in your heart. you can no sooner lasso faith as you can lasso love. both are omnipotent; both are invincible.
“well i will walk by faith, even when i cannot see.”(walk by faith – jeremy camp)
and so we keep walking, never really knowing anything for sure. we trust. we trust the next day will come. we trust we understand these words that capture that which we cannot see; we embrace them. we trust we have life and that #allwillbewell.
but it suggests giving over to something bigger than us. it suggests belief in a universe where we are aligned with each of the stars in the milky way, where we are equally important – each of us, where we are held and richly loved and granted grace and forgiveness. where we lay our heads down to sleep and rest, believing, blindly, that next will come with the sun.
none of it is easy – our lives are not pre-scripted for ease. but we have been gifted with big hearts, thinking minds and the ability to keep on, despite all of life’s ambiguity.
my sweet momma loved these words, “breathe in faith. exhale fear.” no real proof. unless of course you count all those around you who love you, who have loved you and who will love you. the grace you have been granted with each day. that new day that comes.
“none of us knows what might happen even the next minute, yet still we go forward. because we trust. because we have faith.” (paulo coelho)
sometimes it takes a little practice. one foot in front of the other. stepping lightly.
1980. it’s not often i have listened to this song since four decades ago when i recorded it. i was a mere 20. listening to it warbling now, in the way that only old cassettes can warble, has been a mixed bag: this cassette master, with little studio experience, with reel-to-reel recording, with no auto-tune for my young nervous soprano-ish voice, with too-sweet flute lines and picked guitar, measures-too-long-instrumental-interlude; i am catapulted back.
it is shocking to hear the innocence. it is shocking to hear the pain. if my wednesday post this week was too much, i would hasten to add that this will be as well. this is a song about stripping a young woman of choice, of what should be the blissful love of first intimacy, of no justice, of no opportunity to process. it’s the story of sexual assault in the late 1970s. it’s the story of sexual assault any time. it changes everything. every trajectory. it’s my story.
NO BALLOONS is a song of the times. especially for someone who listened to john denver, james taylor, carole king, joni mitchell, bread, loggins and messina, america, england dan & john ford coley, the carpenters – the A-team of verse-chorus-verse-chorus-bridge-interlude-chorus. simple melodies, simple instrumentation, simply written, simply sung.
i can’t believe i didn’t write it in the vein of led zeppelin or kiss. it should have been a screaming heavy metal song, full of pointed weapons of anguish, of power-stripped anger. instead, it sounds like a sweet love-gone-bad song, “you take away my hopes, my dreams, you give me no balloons to fly.” only it’s not. it’s about no air. no breath.
“and now with my eyes closed, i no longer see the pain in yours or feel it in mine…” and that was a product of the times as well. i closed my eyes and silenced my voice. i stopped feeling it. or did i? “and i cried as long as the rain lasted and when it stopped i stopped.” was it really that simple?
until this week i really never thought i would share this song again. after all, the song is 40 years old; i’m an alto, perched firmly on the tenor shore. but somehow, between the #MeToo movement and the swirling-around-us-in-the-world-contention and public court battles in recent media and the lack of regard for those who truly need help or healing and my aunt’s texted article and the weeping inside of my younger-self and my silenced-silence, it felt like it was time to be vulnerable and candid and believe that our muddy-boots-narratives might make a difference for someone else.
we each have a story, a timeline, an arc that takes us through this life. things we want to remember in detail, things we desperately want to forget. things we have lived boisterously out loud, things we have lived in despairing silence. the tapestry that holds all these threads together is the soul of our experience, the way we can hear others and truly listen, the empathy we can employ in a world that seems to cite MeFirst instead of UsTogether.
i wouldn’t wish this experience on anyone. i’m pretty sure that every day since those-dark-days-in-the-late-70s i have both been affected and have effected because of them. i have made choices and non-choices, taken action and had reflexive reaction. i have searched for answers.
but i also know that my heart was blown open. i am not standing on a different rung of the ladder, too high up to understand or remember, too discurious to ask, too blinded to see, too discriminating or apathetic to care.
i am next to anyone who needs me to listen, really listen. i am next to anyone who needs me to jump and catch their balloons before they have flown too far to reach.
nine. i have nine fingers i can use right now. and, like chicken marsala, i am putting them on the keys and following the music. two weeks after breaking my wrists i was back playing and directing. who needs wrists anyway? who needs all ten fingers?
music can’t be stopped. it’s in the sound of the sunrise, the sound of your baby waking up, the sound of the clink of coffee cups. it’s humming as you ready for your day, singing along in the car, laughter shared over the phone. it’s in the hug you give your children as you drop them at school and the help you give your aging parents. it’s in dinner you prepare for loved ones, and in the volunteering you do for a local service organization. it’s in the walk in the woods, a stroll by the water’s edge. it’s in the quiet weary at the end of the evening, the sighs of a life-day done well. it’s in dreams and in hope. and it can’t be stopped.
we will always turn to the arts for comfort, for meaning, in joy and in sorrow. the music follows us; it surrounds us. it waits silently, ready to volume-up when necessary, hush-down when needed. it’s background. it’s foreground.
reverse threading 