we waited for it. and the bit o’ sun showed up on christmas morning – after several days of fog. it was a moment of hope – to see that shining orb trying to burn its way through. it didn’t last long – it ended up raining – but it counts that it was there.
i woke early the other morning. snugged under the comforter and the quilt, open window by my side, i could hear birds. it’s unusual to hear them quite so zealous in the winter, but for a few minutes – on this not-as-cold winter dawn – they were there and it was exquisite.
we walked through the antique shoppe and stumbled across the frame of a lampshade tied with bits of muslin, satin and gauze. i was immediately back in the old farmhouse in iowa where several fabric-ed repurposed lampshades hung in a corner. we walked on, but that time-spent surrounded me for a few minutes and i texted the owner of the airbnb – just to let her know about this visceral fondness – the memories. they were there, swirling around me.
some things are indelible. they etch into us as touchstones of comfort. the sun, early-morning birds, memories. they feed us in times of extreme hunger, times when we really need something to hold onto that is somehow tangible even in its fleeting.
and some things are meant to be laid down. they are shadows. they starve us, they compel us into deeper waters where it’s harder to differentiate good from not-good and we feel a bit lost, out to sea. it’s too noisy, too raucous, too frenetic – when we are merely seeking serenity. we work to lay it all down – that which impedes us, which makes us stumble, which blocks us.
in this very first week of the new year i am hoping that this is the year i personally may be able to put a few things to rest. we all have them – those open manila file folders in our heads or hearts. i – like you – yearn to take a sharpie, label them “done”, slap the folders closed and staple them shut.
but even in this rapidly-approaching-medicare age of mine, i know there is work to get there. nothing worth doing is easy…isn’t that the saying? though i don’t have the flip-the-page-a-day-over-the-metal-u-rings-at-a-glance calendar that my sweet momma had, i want to flip the pages over to get there.
we all take out the manila folders and peek inside. it’s a hunger. to get to “done” on those folders and to get to “start” or “start again” on others.
and sustenance helps. the generous. the most basic. even crumbs. even the most transitory, the most evanescent. if it was there – if it fed us – it counts.
minus the beyondness, minus the trees, one would barely know it was foggy.
but context is everything.
up close, the boulders are clear. they are like the notes on the page, the score. technically, they are vital. but context is everything and it is the artist’s job to look beyond the obvious, to seek that which tells the whole story, that which evokes more. it is the musician’s job to play that which is beyond the obvious, to play that which evokes. more.
peter spering, in an online forum that was great-debating which – of technical wizardry and feel – was more important in playing music, wrote the words “…technically great but creatively dull”.
the boulders without the foggy trees: we have all heard this music, seen this art, read these words, watched this dance. if you have listened to a computer rendering of a piece of sheet music, you are aware of neat and tidy technicality, seamless, even perfection. you are also aware of the lack – of any emotion, any expression, any air, any space. boulders will only sound like boulders. there will be no question. there is no beyond. there is no fog.
to answer the this-or-that question from the forum – technical chops or feeling – is both impossible and necessary. music is the expression of the human condition. music is love in sound. it is a marriage of both the technical and the evocative.
yet…if art is to convey questions and answers, to explore and navigate, to inform, to find meaning…if the recipient is to be moved, to be smitten by life, then music – the simple and the complex – must be played with heart. and technical wizardry will cease to matter if it falls upon souls with nary a touch, without any dents or brushmarks or trace that it had been there.
“it is enough when a single note is beautifully played.” (arvo pärt)
because a single note – played with heart – will impact you. it will bring you to a place where – even without standing on the shore – you can see the fog, the trees, the dim horizon.
and you are able to “feel the world stand still”. (arvo pärt)
and when it comes to the end of the year – already – and we gaze into the shiny brite mirror of the year that has passed, what do we see?
on either december 31 or january 1 we will take out the calendar – the one i write in with mechanical pencil – every day – a few words jotted down, a tale of the day, a meal, a quote, a visit, an appointment, some moment i wish to remember. and we will sit with it in the light of happy lights and christmas trees.
each year it is a journey – through that which we recall and that which we have forgotten. each year we find a treasure. each year we find something courageous. each year we find generosities that have sustained us. each year we find days that were hard and days that were easy. days of strength, days of weakness. we find sadnesses and unexpecteds. we find decisions and repairs. we find frogs and hawks and eagles. we find challenges of spirit and heart. we find recipes that have nourished us.
we head into the new year – just a couple days away now – reflecting, ruminating – with thoughts of what to do differently, what to change, what to let go of, what to hold onto. we wish to be better, do better, feel better. we set intentions.
and – in looking in the mirror – we are harsher than we need be. we forget some of the rest. the moments inbetween all the lines in the calendar. the ordinary. the giving. the grace. the laughter and the light. the things i didn’t jot, didn’t remember to journal, or wanted to just simply let simmer in my heart without being written down.
we wake – in a couple days – in a new year. each day a ridiculously big gift. beyond all else.
“may you recognize in your life the presence, power, and light of your soul…” (john o’donohue)
foresty forest is our new nighttime-video obsession. from the vantage point of our pillows, under a cozy comforter and handmade quilt, with dogga at our feet, the window cracked – all seasons – we watch the youtube life of foresty.
foresty lives in a van that – with a toolbag of skills – he built out into his home. he hails from canada – his accent giving that away – even if his pride in the immense beauty of his native country didn’t. rocko, his jack russell terrier, is his constant and truly incredibly intrepid companion. well, rocko and his ninja aircooker (ever since his treasured crockpot died). foresty’s travels take him high into mountainous areas – both in canada and the states – and he keeps a log of the summits he (and rocko) have successfully completed. he is totally someone you could invite over for dinner – with a sense of humor and a world of stories accompanying him. he has an immense and supportive patreon community and it’s no wonder why. he has simplified his life, focused his intentions, and he brings home everywhere he goes.
one thing – among many things – i have learned from my children is the ability to make home. both of them have moved more times in the last decade than i have moved in my entire life. and yet, each time, they have made it home – any dorm, apartment, condo, house, shared space – roomy, tiny and tinier, all. they have found community and forged friendships; they have created routines and sought out those activities which are important to them. they have created home. in any tree hollow.
“don’t limit yourself to living in your shell. the possibilities are endless.” (a post by susan – with a photograph of snails)
no limits. out of shell. flexibility of spirit. transformation.
dark into light. reflection. the sun rests, stands still. it is the solstice. and then…
in the middle of the hustle and bustle and festivity going on around us, i stand still in the living room. i’m gazing at the shiny brites i grew up with. i turn and see the note that my daughter and son wrote to santa. i turn and see branches from the front yard, from long island, from colorado. i turn and see the pinecones we collected while hiking on our trail a few weeks ago. i turn and see wrapped presents on the table, ready to be shipped or delivered. a timeline of life – the dots pinpointing moments.
we are home at this beloved old house. we are fortunate.
and it is winter solstice. a turning point.
and i know – that sometime out there – the snailshell that has wrapped itself around me will break open. and i will crawl out, stunned by the rays of light and grateful that i can grasp onto their filaments of fiery energy. whatever was dormant will rise with the sun. whatever was painful will ease. whatever was without conclusion will have justice. whatever was dark will be light. whatever is possible will be possible.
and – wherever i go – i will take home with me. i will be home. in any tree hollow.
mid-december. we are hiking. our favorite local trail that we know so well. carols are playing in my head as i sort through the christmas tasks yet to do, a little shopping left to finish. we round the bend and there – stretching in long shadows from a low sun across amazingly-green-green grass – is a music staff of lines.
if there is any season that is closely associated with music, it is this. the shadow-staff pushes my focus into memories as we walk.
i am deep into advent preparations back there in the recesses of thought. it’s been a bit since i have allowed myself to really think about it. in my last position as a minister of music i brought three decades of experience, the wisdom absorbed from many congregations, intuition gleaned as a stage artist and performer, and a heart full of dedication to the community. though it may not seem apparent to a churchgoer (or any religious institution attendee) the research and time that a music director will undertake for the music in that venue is immense. when it is well done, there is more to it than assigning a few songs to a few slots in a service.
the other day we had old-fashioneds with our dear friends. we stood at their kitchen counter and jen brought out a new recipe along with a very nice bottle of bourbon and deluxe cherries and an orange, complete with pre-cut curly peels for the side of the glasses and swizzle sticks. it was lovely – an experience in itself – we celebrated our time together in this season. as we each took sips following her cocktail-making, she looked up and said, “wow. this is really bourbon-forward!”. it was too much, too strong, too bourbon-ego, too solo. yowza! to continue to sip on a bourbon-forward old-fashioned can leave you cold to old-fashioneds in the future; it may even kill your yen for an old-fashioned. it will definitely undermine your bartending je ne sais quoi and the bar you are serving may suffer from your mixology. we all laughed and added some squirt to tone it down, swizzle-sticking to perfection. and suddenly – with jen’s good instincts – an exquisite old-fashioned, all ingredients integrated!
this morning we listened to the song that i am attaching to this post. it’s called “you’re here” and i wrote it while i was rehearsing the choir for the christmas cantata i arranged in 2019. it was recorded on an iphone sans proper mics with an out-of-tune church piano, so it’s pretty raw tape (so to speak). the thing it reminded me was of my approach as a minister of music.
for me, any notes on a music staff in a church need be about resonance. how might i help the people there connect with their faith, that which cannot be seen, that which is fragile and strong, that which elicits love and joy and many questions, and that which tethers us to each other in the community? any worthy minister of music knows that is fluid and knows that each year in their work will bring more answers. this is not something you start out knowing. it is a practice and one must be humble enough to be learning from those around you, honing as you go. one must bring one’s game – professionalism, collaboration and service-oriented, stellar learned gut on-the-fly flexibility, tenderness and sensitivity in delivery, the innate ability to shape a worship service and its emotional journey, the buoying of others, joy-joy-joy of creating music and emotion together, the integration of every musical gift you have been given. and love. it’s what you put forward.
because i had never experienced it – ever- before – in any position i held, there are days i still wonder about being fired – particularly in the middle of a global pandemic – particularly after eight years tenure there. wondering, even now – three years later. especially at christmastime. because in every way i knew how – in the music programming of any church in which i was involved or employed – i was the squirt in the old-fashioned.
oh well. in the words of john o’donohue, “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”
i get these specific emails – practically every day. they are from some church-administrative-oriented website. the latest emails address church staff and salaries. oh my! what a can of worms that is. though i don’t usually open them, i was forced to one day – the devil made me do it. the email was called “why fair compensation matters” and the first lines in the email read, “we believe when those employed to service in the church are paid adequately and fairly, they’re free to focus on their ministry work. the result? freedom from financial burdens and a flourishing ministry.” flourishing. it makes me think of green grass on the trail – even in december – despite all odds.
yes. yes. just as in choice of bourbon – or, for that matter, bartenders – you will get what you pay for, what you value. remember – you are about your customers and their experience – the community in your seats and on your barstools. skimp at the bar and the reputation for your old-fashioneds will get you in the end. likewise, the thing you don’t want in your place of worship? the bourbon-forward director. it’s too much, too strong, too bourbon-ego, too solo. not enough squirt.
it is truly about what you put forward – in your life, in your work, in love – and how you smush it all around, integrating it, with a swizzle stick.
merry advent from my place off the bench, sans baton.
“all i can do is be me. whoever that is.”” (bob dylan)
it’s an imperative. composing, songwriting, producing, performing – they aren’t really choices. they are inherent – something inside that begs you to feel it. it is an ancient call for an answer that tugs and prods and taunts until you comply, baring your soul. it makes you vulnerable and demands courage and fortitude, sacrifice and a stalwart sense of purpose. it is not a straight path. It is fluid. it is failure and a phenom. it is devastation and ecstasy. it is necessary.
standing backstage – our son and the board clearly in view – i am whisked away to the place parents are taken when they see their children doing something they wildly love to do.
i have stood on a giant mountain – one of the highest skiable terrains in the united states – and felt this feeling as our daughter flew past on a snowboard, everything in her aligned in the freedom of expression that single piece of wood opened in her.
and now i have stood on a wood floor in a crowded nightclub – way past my bedtime – and felt the exhilaration of my son’s music – truly moving him, bringing forth who he is from a place deep in his heart.
and in both circumstances, i have been in awe. and in both circumstances, i have celebrated.
because though they have both been scrappy and deliberate, non-traditional, intentionally creating the ability to have the room to express – with any combination of full-time work, layered jobs, skimping and saving, lack of resources – in an ever-changing river, they have led with who they are. what is important to them – deep down – is their truth. their heartbeat. figuring it out as they go.
our son is an EDM artist – electronic dance music. his music is powerful and pulsing, driving you to dance. it is layered and complex and technical and, as a composer – even understanding a slice of the process – i stand back in wonder. we are both creating music and, even in its difference, it has the same goal.
“some people feel the rain. others just get wet.” (bob dylan)
he is feeling the rain. and his music invites everyone else to feel it as well. that’s the imperative. it’s what has compelled me to compose. it’s what compels me to write. it’s what compels david to paint. it’s what compels the potter to sculpt, the dancer to dance, the climber to climb, the actor to act, the skier to ski, the athlete to push, the chef to craft, the aerobatic pilot to soar on bluesky days, the creator to create. it takes some guts. but it’s necessary. for the world.
“dear artists. don’t hold back. that’s it…” (okuntakinte)
in most rehearsals, i would remind the choir that their smile could be heard. there is a major difference to the timbre of voice brought forward with or sans smile. the same is true with speaking; even when you are not seen, the difference in tone is distinguishable.
it’s the season of the christmas cantata – a major work of multiple pieces with various voicings, instrumental lines, accompaniment and narration – closer to an hour in length. i’m writing this on the sunday morning that was usually chosen as the day of performance – the second sunday in december. i can’t even begin to remember how many cantatas i’ve directed – and written and arranged – through my decades as a minister of music. just recently a facebook memory came up – it was my post thanking the choir and worship band at a church where we had just performed such a work. the creation of narrative and song is exhilarating – for both director and participants – and everything drives to the downbeat. there is a glow that emanates from such a group – these people who have diligently prepared a musical piece of larger extent – and the camaraderie that weaves its way through – it is joy.
it’s been a few years now since i have directed a cantata. i’m guessing it’s a few years since many of the people who participated have sung or played a cantata. not every minister of music or choir director is up to it and some choose other programming. while you are preparing weekly anthems for sharing in service you are concurrently rehearsing this large work, so it takes time and energy, a compositional spirit, an innate ability to discern cantatas of value, ingenuity, the ability to rearrange on the fly, the belief in showcasing your choir – as a choir – accommodating any ability level, the recognition that simplicity is potent, much flexibility and humor, meticulous planning and true dedication. it is knowing as a conductor – in the moment after the downbeat – that you will merely guide this integrated group of singers and musicians through this visceral experience of purity. yours is a backseat to the magic – this is not your microphone. it is an undertaking not for the meek.
to say that i miss cantata-day would be understating. the gift of music is to make resonant that which is hard to see, that which is not tangible. the gift of music is to evoke powerful imagery and to open emotions tucked away. the gift of music is to bring forward beauty and the magnificence of producing something together. the gift of music is to offer just that – the gift of music. impactful, moving, music has the ability to change souls.
we pass the leaf on the trail – so very obviously lips curled in a smile. i think about all the times i have urged a singer to smile, all the times i have listened to the difference between smiling and not smiling – like the difference between the keys of d minor and e minor. vast.
and right now – as i write this – i wonder how many choirs are gathered on chancels, singing their hearts out, smiling inside and out.
“… the road is long with many a winding turn that leads us to who knows where, who knows where but i’m strong strong enough to carry him he ain’t heavy, he’s my brother
… so on we go his welfare is of my concern no burden is he to bear we’ll get there
… for i know we would not encumber me we ain’t heavy, he’s my brother
… if I’m laden at all i’m laden with sadness that everyone’s heart isn’t filled with the gladness of love for one another
… it’s a long, long road from which there is no return while we’re on the way to there why not share?
… and the load doesn’t weigh me down at all he ain’t heavy, he’s my brother
… he’s my brother he ain’t heavy, he’s my brother he ain’t heavy, he’s my brother
(bob russell / bobby scott – he ain’t heavy, he’s my brother)
queen anne’s lace does not bow down under the weight of the snow. it stands – upright – proudly holding what looks like a single-scoop of snowfall. despite the wind, despite the force of gravity – queen anne’s lace bears the burden, singing along with the hollies “and the load doesn’t weigh me down at all…..”
we have a thing or two to learn from nature. long roads, winding turns, shared concern for welfare, love for one another.
we are witness to miracle after miracle out here. they are tiny; they are vast. we stand at the wayside of nature’s rest area – in the fallow that is late autumn and early winter – and we watch as the journey of the woods marches on. working side by side, arm in arm, shoulder to shoulder, the forest and its inhabitants are thrust onto the long cold road ahead, eventually seeking spring. the ecosystem is symbiotic and nothing is encumbered more than the next. even in any not-knowing, critters and plants and trees alike trudge on, sans complaint. they carry with them the exchange of energy and the work of the fallow. they are strong. and it ain’t heavy. they are brothers-sisters together.
and they are waiting for us – the humans – to catch up to their simple wisdom.
lake michigan – and its looming presence – it’s always there, though sometimes we don’t notice.
i’ve been around water my whole life: long island and florida and here. i’m not sure if i have thought about what that means to me. i’ve lived most of life at or around sea level. i have always been able to – via a short walk, short bike hike, short drive – get to a large body of water. and, regardless of whether or not i am on the shore of that immensity, i can feel it.
the last few days have pulled me out of center – whatever center i have mustered in recent times. in the middle of the middle i can’t feel the grounding gravity that usually helps – perspective that keeps the rest at bay. i know the flailing time is limited and that we are not trapped there. adrift in the onslaught of emotion, i tune in to the things that balance me. i listen for the windchimes outside, i stand in the living room and look at the lit trees, i sit at the kitchen table opposite d, we take hikes in cold air, we light a candle.
i fend off the pining for the high mountains, knowing i can’t get there right now. in guided imagery i sit at the side of the brook – on a log – in the lodgepole pine forest – high on the mountain. i – curiously – am never on the shore – of rock or of sand.
have i always taken the water for granted? do i take this presence – merely a block away – for granted? is it human to pine for the things we don’t have, things that are harder to access?
yet, if i imagine being away from the water – any water – i have a visceral reaction. for it’s always been there and i hardly know what it would feel like without it.
the days i have sat on the coast – sandy beach beneath me – i can feel the deep breath that powerful surf affords.
the days we have hiked streamside up the mountain, the days we have sat on its bank or on rocks in the middle of rushing water – i can feel the the deep breath that the flow affords.
the days we hike along our favorite local trail – river at our side – i can feel the deep breath that its familiarity in all seasons affords.
the days we choose to walk by the lake – on its bouldered shoreline or on its beaches – i can feel the deep breath that an unbroken horizon affords.
and the water – the innate healer – is always there. grounding.
“take a course in good water and air; and in the eternal youth of nature you may renew your own. go quietly, alone; no harm will befall you.” (john muir)
i wonder if they breathe a sigh of relief when they come upon a trail. do they huff and puff, trying to slow their heartbeat having bushwhacked their way to this place? do they glance around – tentatively – looking both ways before stepping out? are they exhausted from finding their way? is a bit of clear-path welcome in their wilderness? do they wonder how long they should stay on this which is not a game trail?
the wilderness is a big place.
as we hike – in places mostly not as wild as we would wish – it is a gift of our time-on-trail to cross paths with the spoor of other creatures. we go slow, quietly – peering into the forest – far back in the meadows – to catch a glimpse of these elegant deer, busy-gathering squirrels and playful chipmunks, birds of many calls. we count ourselves fortunate they share the space with us.
it is possible they are deep in the woods – camouflaged – peering back at us. i wonder if they ponder our hiking on the trail. i wonder if they wonder why we are not bushwhacking through underbrush, running when flight is the answer. i wonder what they wonder.
they don’t know if or what we have bushwhacked, how we have arrived at the path on which they see us. they don’t know where we have been, what we have seen, where we have come from. they don’t know what desire path we have created in the woods for ourselves, what watershed at which we stand.
it is all a mystery – back and forth – what we do, what they do. yet, we share the same options for arriving at a destination. we can take a well-beaten path, a planned laid-down trail. we can go the way that is prepared ahead. or we can bushwhack our way free.
reverse threading 