reverse threading

the path back is the path forward


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go away. come back home. [kerri’s blog on k.s. friday]

by this time i am likely a little bit homesick.

no matter where i am there comes a point when this happens.

when i was little – and everyone else went to sleepaway camp – i tried it on for size. twice. the first time it was ok. we went to camp koinonia in upstate new york and i was with my best friend susan. we stayed in a screened-in cabin with bunkbeds and there’s not much else i remember, save for the lanyard-making. the second time it was another upstate sleepaway camp and, again, i was with my best friend susan. that time did not go well. it rained a lot that week and that contributed to my wistful homesickness. i remember kickball and crafts and i remember a bit of weeping. i didn’t try it again.

i guess – as much as i now love going away – traveling and adventure, immersing in new places – even my favorite places – i am also kind of a homebody. i miss our house, our routines, my feet on our old wood floors, our dogga.

paradoxically, i feel fortunate to have gotten away from home. we needed a little bitta time out of town, a little bitta time away from the usual stuff, a little bitta time near family, a little bitta time in the mountains.

i think even a short stint of time away interrupts us. it grants us fresh air. it pokes us to not take loving our home lightly. it stirs up the wish-we-were-closer proximity yearnings. it gives us fresh eyes to return to our routines and the projects and challenges on our plates. it makes coming home sweet.

i am really, really familiar with the view out the front door of our house. this tree has been there the entire three and a half decades i have now lived here. and i have seen the sky and the seasons change through the arc of its branches.

the trees next to the sidewalk on our road have been aging out. one by one we wake up or arrive home to the roar of heavy chainsaw sounds. it makes me worry about our tree. it would be tough to see that tree removed.

going away and exploring – meandering around – is good for the soul. it’s invigorating and can take you out of your comfort zone. it’s rejuvenating. it gives you space.

coming back home – after going away and exploring – is also good for the soul. it affirms the everyday, the mundane, everything you consider ordinary, the very-familiar. and it elevates appreciation of all of it.

*****

MEANDER from AS IT IS ©️ 2004 kerri sherwood

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my monogram. [kerri’s blog on k.s. friday]

i saw the letter k immediately. one always sees ones initials, i suppose.

it immediately made me think of the way i used to sign everything – back in the day. (note: “the day” means the 70s – which is now – shockingly – half a century ago – which makes me laugh aloud!!)

i used a combination of my initials K, E, A – joined together – nothing extraordinary, it looked like this:

i used it everywhere. i signed my poetry with it. turned in lab reports with it. i autographed my lyrics in black-and-white-speckled composition books. i signed all my greeting cards with it and left notes on crunch’s windshield adorned with it. my monogram traveled with me everywhere.

and soon, recipients of my dedication to this began to use it back to me. i even have a beautiful gold necklace that was gifted to me with my cherished self-designed monogram.

and then, the guitar strap.

it was a present.

it was during the time that tooled leather had more than a minute. like everyone, i already had tooled leather keyfobs, bracelets, belts, change purses and full-sized handbags.

but the guitar strap stood out.

i used this guitar strap for five decades on my guitar. i had compartmentalized what it represented, the person who had given it to me, the time of which it reminded me.

until one day, a few years ago.

when you join together with a partner much later in life, you are full of the stories of the rest of the time you were not together. it’s rich history, narrative begging to be shared. and so, these stories start to tell themselves a little at a time as you get to know each other. and so one day i told him the story.

in horror he listened. he held me as i wept. he gently asked questions. he was quiet with me.

the bungie cord tightly lashed around the compartment of the sexual abuse flung free, snapping back, narrowly missing us. and the box was opened.

i removed the guitar strap from my guitar, unweaving the leather cord that held it onto the neck just under the tuning pegs. i stared at it for a few minutes, my monogram tooled into stiff leather that had somewhat softened through all the years.

and i took it outside and placed it in the garbage can.

*****

THE BOX from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

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makes me think of. [kerri’s blog on k.s. friday]

amaryllis makes me think of my sweet momma. the color pink makes me think of my daughter.

on the windowsill of the bathroom there are two small bottles. one is estee lauder’s ‘pleasures’ and the other is a tiny daisy-capped bottle of marc jacob’s daisy perfume. two scents that remind me of those same two beloved people.

because i am thready (some may say overlyyy thready) i surround myself – intentionally and unintentionally – with tokens of remembrance – some actual, some merely floating in my heart – filaments that connect me to people – and make me think of people – whether they are nearby or far away or on another plane of existence entirely. threads. woven in.

this bulb – a gift – requires no attention whatsoever. you just place it anywhere and it will take care of itself. no water needed. it contains all the water and nutrients it needs to flower. it has stored carbohydrates so it is self-sustaining and can bloom without any care.

i am thinking that between the plethora of mcdonalds fries i ate in my teenage years on bike hikes, the wavy lays and cape cod chips in later years (and even recent later years!!), ever-reassuring mashed potatoes and the daily morning breakfast david makes each day that includes yummy potatoes, i have plenty – plenty!!! – of stored carbohydrates. one would then extrapolate that i would be self-sustaining and would bloom without care. but, the flora world has it all over us on this one. i do not have the advantage of the waxed amaryllis bulb. water, nutrients and care are necessary.

the pink-waxed amaryllis is just starting to get closer to blooming, a flower stalk straight and tall from the center of the bulb, the bud tightly wound. i visit with it each day, marveling at it.

and i think of dearest jen every time i look at it.

*****

CONNECTED from RELEASED FROM THE HEART, THE BEST SO FAR ©️ 1995, 1999 kerri sherwood

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all of it. [kerri’s blog on k.s. friday]

it never fails to amaze me. even the familiar turn in the trail. even the familiar trees. even the angle of the sun which has shone on us so many, many times here. even the sky, this midwest sky, sometimes ornery, sometimes brilliant. still. still, i love this curve of path. still, i love these tall pines. still, i love the tease of sun through the highest branches of needles. still, all of it.

in a world that presents unexpecteds every day – some of which are more difficult than others of which are tiny or enormous gifts – there is this. there is the still-all-of-it.

and so we go here. and we process life here. we are silent and we talk-talk-talk. this woods has kept us company through it all. this path has led us when our feet didn’t know where to go. these trees have wrapped us in scent and held us in strength, towering over us. this sky has graced us with all weather.

and we have always arrived back at the trailhead, safe. we have been freezing and sweltering. we have been covered with snow and sopping wet. we have been exhilarated and bone-achy tired. but we have always been safe.

so it shouldn’t really surprise me. this place is a haven, a sanctuary, shelter for our hearts and minds. i imagine one day – if we might live elsewhere and no longer hike in this place – we will look back, remembering and reminiscing. and we will nod our heads and agree – yes…it was all of it, all of that place. every single time.

*****

GOOD MOMENTS from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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the hallway. [kerri’s blog on k.s. friday]

and in her waking-up, in the tease of spring, in the liminal space between seasons, mother earth offers up her flowers. it’s a tiny posy of possibility, an olive branch extended to stave off impatience as we pine for warmer days, for everything to green up. and, in this waiting zone, these dried flowers spur our imagination, carry us forward.

it’s the interim times – the periods in-between – the time spent in the hallway before the next door opens – these are the reluctant times. we are reluctant to sit in the hall. we are reluctant to wait and see. we are reluctant to accept a zone of time sans shape. we think it all – the minutes and seconds, hours and years – needs definition. we are reluctant to be still. we don’t understand what feels like a screeching halt. we yearn to move, yet we are frozen in fallow.

but we are morphing. we are beautiful winter nosegays tucked into mason jars. we are march and april. we are stoking up. we are no less beautiful than verdant june and july. we are just different.

and for this time – we are somewhat rustic, somewhat fragile. we are color-muted now to be opulent later. we are the quiet before the fortissimo, meek before rackety. we are simply waiting.

we read the same paragraph over and over again, listen to the same strains of music time and again, sit and pace and sit and pace. we are the dried wildflowers, the straining buds, the transitional space, the interlude. we are the hallway.

and then.

*****

UNTITLED INTERLUDE from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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bricks and boundaries. [kerri’s blog on k.s. friday]

the snow fell in a not-so-unexpected twist of march. it was heavy and wet and, in its stickiness, made the world around us beautiful. we were both glad for it. now, a few days later, we are ready for tulips and daffodils. but for those days that it stuck around, it was perfect.

the old wall out front is one of my favorite things about our yard. it is far from perfect; its mortar is shedding. but it is gorgeous old brick and divides the upper yard from the lower yard. when the water company did their thing out front, i was worried it would topple. my fears were alleviated when they dug next to the wall and i could see that there was a four-foot footing deep into the ground, at least holding up the structure in a basic way. not that some of the bricks would not individually separate from the wall, but the wall itself would remain stable.

boundaries are kind of like that. weather – or things – or people – can try to undermine them, but a good solid foundation – and some sisu – will ultimately keep them standing.

this is something i have needed to remind myself.

in a time when finessed narrative and the non-telling of truth has been rampant, i need remember to stand firm, to hold fast, to grit my teeth and trust what i know to be true. i need remember that people are all fallible and that gossip is a more powerful force than truth and that anyone who doesn’t ask questions – seeking truth – should be paid no heed.

i have discovered – painfully – that people will attempt to knock all your bricks down for their own purposes, whatever those may be. i have discovered – shockingly – that people will declare their own righteousness and – yet – will fabricate whatever it takes to be right, to be more powerful, to be better. i have discovered – disappointingly – that people will betray others for agenda.

i haven’t really understood completely why i love that old brick wall so much. we could have our yard smoothed out – level the higher and lower portions – or smooth out the difference in a gentle slope. but i truly do love the wall. the old bricks – which have endured decades of time and the changes and challenges that weather brings. the old bricks – with a patina that no tumbler would be able to attain. the old bricks – worn in just the right way – bits and pieces broken off, yet still standing.

mostly, i have discovered that old brick walls have a real purpose in life.

as do boundaries.

*****

BOUNDARIES from RIGHT NOW ©️ 2010 kerri sherwood

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my nest. [kerri’s blog on k.s. friday]

i felt it as we pulled in our driveway.

most of the time i can feel this. though sometimes, i am too busy or rushed. and though sometimes, i am frazzled with thoughts. and though sometimes, i am worried or distracted. and though sometimes, i have forgotten the simplicities in the midst of complexities.

i felt it though. and it was palpable.

the driveway greeted us as we pulled in – familiar cracks along its way. the wires overhead tugged and dipped in the wind. the leaves leftover from fall and winter blew in front of us. the house whispered, “welcome home.”

and this time – this time – i heard it. clear as day, as they say.

the whisper of a home – this place i have gone to for rest and nourishment, for creative work and rejuvenation, for the growing of beloveds and the gathering of friends, for belly-laughter and sob-filled tears, for refuge and solitude. this sanctuary. this place.

as we drove – on our way home – i could think of nothing better than to enter our home, hug on dogga, throw on my sweats and comfy boots, prepare a small meal. in this place.

my nest.

“this morning, in the fresh field,

i came upon a hidden nest.

it held four warm, speckled eggs.

i touched them.

then went away softly,

having felt something more wonderful

than all the electricity of new york city.” (mary oliver)

*****

THE WAY HOME from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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potatoes and teamwork. [kerri’s blog on k.s. friday]

an unusual event, we went out for dinner. we had received a gift card as a present and were excited to use it, having saved it for some time. we had great anticipation.

when we walked in, the seating hostess was slammed. there was quite a crowd, yet this young lady maintained her grace and sense of humor, eventually leading us to a table for two. another young woman brought us glasses of water and placed menus in front of us. when our server came we ordered drinks and the bartender sent over two glasses of wine. we studied the menu carefully – trying to decide which of the dinners we would share – our practice – lingering on the salmon choices. we enjoyed our wine, chatting and watching the other diners in the small bistro and the young person who was bussing and cleaning the tables. the chefs in the kitchen prepared a lovely salmon, baked potato and fresh veggies just exactly the right al dente. we finished dining and, noting the crowd yet to be seated, decided to leave and give others a chance at sitting and enjoying a meal.

though i know – because it is as it is – there were defined roles in this restaurant and most definitely a laddered order of authority, it seemed to us, merely observers, that everyone was functioning with great collegiality and camaraderie. and, as observers, we appreciated that, for it made for a lovely dining experience. if we were able to see cracks in the foundation of employee genteel collaboration, it might have undermined the feeling of our dinner. if they were there, we were unaware. if so, i suspect they were able to work it all out, trust each other, rely on loyalty. it was a smoothly operating machine, despite the challenges of crowd and small space.

the thing that stood out for us – in that dining experience – was the obvious appreciation that each employee had for each other. there was no pointed ill will or jostling of power. they just worked together even though they might have been stressed. it is the power of allies, of a good team, the respectful valuing of each member of the team. they built a good team there – dedicated to the same mission.

i thought about our eating-out making dinner a few nights later. needing some good ole comfort food, we decided to “make us some mashed potatoes”.

so i started thinking about mashed potatoes – ours, simply potatoes and a little bit of salt and pepper, mashed with a potato masher. not the fancy-schmancy add-butter-milk-sourcream-cheese variety, you can’t get much simpler than ours. yet, they are a stalwart addition to any meal. a fluff of mashed potatoes flanked by veggies and maybe a veggie burger or a chicken breast. comfort indeed. no push-pull of power there. no agenda-jostling. just mashed potatoes. they don’t need special billing, yet they know their place in dinner is important. they feel the aretha franklin r-e-s-p-e-c-t.

and, there is nothing quite like that first forkful of mashed potatoes. the yum. it’s coming home on a plate.

i felt a funny rush of appreciation for mashed potatoes. we don’t think enough about the elements of our dinner, the workers in the restaurant, the people who add value, meaning, resonance, life to organizations to which we belong. we don’t ponder the integral nature of their existence on the plate, in the bistro, in the institution, how much we count on them. we don’t realize – until the grocery store is strangely out of potatoes – how much we depended upon them, their place on our dinner plate – or, by extension of these other examples – their hard work as we celebratorily dine out or their place in the soul of our organization.

sometimes, it’s the loss of potatoes that makes us miss potatoes. and then we wonder – after-the-fact – what can we do to make sure potatoes are always preserved, always available?

we thanked each of the workers and servers in the restaurant and we tipped well. we always do, no matter what. if tipping is not within our means, we will not go out. for the reason we are having the experience at all is because of the good work of those good people.

so – after my musing about mashed potatoes and teams of people – i’ll just say this: do not minimize the importance of mashed potatoes, the value of mashed potatoes. they are often the glue in a meal, and skin-on mashed potatoes are rich in fiber, low in calories, and have nutrients like vitamin c, potassium and vitamin b6.  all building-blocks.

and we all need good building-blocks. and a little respect.

*****

COUNT ON YOU from AS SURE AS THE SUN ©️ 2002 kerri sherwood – THIS SONG IS NOT JAZZ NOR DOES RUMBLEFISH OWN ANY PUBLISHING RIGHTS TO IT. THIS SONG IS 200% OWNED BY THE COMPOSER AND PERFORMING ARTIST KERRI SHERWOOD.

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rogue potato in parking lot

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a front is a front. [kerri’s blog on k.s. friday]

the front was obvious. the edge was unmistakable. i know there have been other days when it was so, but for some reason – this very week, this very day – it was profound. clear-cut demarcation. dense clouds meeting blue-blue sky – a distinct line.

though often – most days, really – the clouds co-exist with the blue sky, this made the front system – windy, cold, raw, a bit nasty – inordinately clear. there was no doubt where it was and where it wasn’t. this front did not hide in tall cumulonimbus plumes. this front did not pose as puffy cumulus clouds, lurking in wait for opportunity to tower and turn into thunderstorms. this front was what it was. it was not duplicitous.

i must say i appreciated that about this front. it was just so clear, so transparent, honest, if you can attach such an adjective to a weather system. i stopped at a light and grabbed my camera to try and capture the line in the sky. it was a good day to remind myself that lines like this really do exist. nature is straight-forward about its intention. it’s not pretending to be something else.

a front is a front. blue sky is blue sky. a storm is a storm. nothing two-faced about it.

as usual, humans could learn a lot from nature.

“compared with the intense purity and cordiality and beauty of nature, the most delicate refinements and cultures of civilization are gross barbarisms.” (john muir)

*****

HOLDING STEADFAST from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

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my cello. [kerri’s blog on k.s. friday]

i sold my cello this week.

i would be lying if i told you i didn’t cry at the string shop.

i did cry. i’m crying now.

i am a professional pianist. a composer. proudly a yamaha artist with an intensely beautiful C5 in my studio and fifteen albums plus of vulnerability out in the world. i play the guitar and the ukulele. i dabbled on the trumpet in college for five minutes or so. but, oh…the cello.

the moment i touched my cello i had a bond with it. and, holding the idea close of learning to play mournfully heart-draining melody lines, i purchased it. because artists dream, i played.

but reality is reality.

and now – with 45° of wrist forward range of motion – my cello needed a new home. it’s just a fact.

i held onto it long after i knew this. it’s hard to let go a dream. and i’ve never before sold a beloved instrument.

yet, cellos – like all instruments – need to be loved on: played, listened to, tweaked, played more. a paesold, german-made, warm and resonant in tone, it begged to come out of the corner of my studio. though i tried to ignore it, it is like ignoring the stare of an australian shepherd who clearly wants you to do something (and we have experience with this). so my cello kept staring at me and staring at me. even without entering my studio – for i have not spent much time in there in these most recent years – i could feel the stare of the cello through the wall.

until finally.

i know this cello is valuable. yet, the string shop i sold it to – for much less than its value – was full of string music and luthiers working, a performance space and a full marching line of cellos on the wall. it will not be lonely as it waits to be re-homed.

the shopowner knew how hard it was for me to sell this cello, to leave it behind, to leave at all.

i touched its maple and spruce, exquisitely varnished. i spoke to my cello. and i blew it a kiss as we left, entirely and utterly choked-up.

and i wondered how my cello-dream might morph into something else.

because it’s still raw.

*****

LAST I SAW YOU from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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