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not so ruthless. [two artists tuesday]

i dare not hang them inside (or even on the actual front of the house, for that matter). but they will find their place. my mom and dad’s old christmas lights were in the bottom christmas bin in the storage room in the front of the basement. all bins had to be moved for the water utility folks to replace our water line so it seemed a decided task to go through the bins and, maybe – if i could find any ruthlessness – pare it all down a bit.

this is not a task for the nostalgic.

my digging and sorting and organizing and paring-notparing-paring-notparing down was like listening to all the old christmas record albums at once. it was frank sinatra and the carpenters and jim nabors and the firestone orchestra and chorus and herb alpert and the tijuana brass and dean martin and john denver and bing crosby and julie andrews and burl ives and doris day. it was old glass ornaments sprinkled liberally with glitter and felt cut into homemade trees with elmer’s-glue-laden-decorations. it was golden angels and hardened flour-water wreaths and crocheted bells and plastic poinsettia corsages and thick red yarn for stringing. it was cloves and pomegranate seeds and macaroni and tinsel and sugar-coating and silver sleighbells and styrofoam snowmen. it was crayon-printed “kirsten” and “craig” signatures, old red stockings-to-hang and fuzzy santa hats. tree skirts and tablecloths. rogers’ christmas house treasures and andrea’s christmas candle bubble nightlights. gift tags with long stories in a simple “from”.

as i was standing over those bins on thursday and friday, half my body buried deep into the bottom of the piles, i came upon a snowman ornament. “to kerie, from patrick” read the gift tag i had saved in the box from circa 1982, a gift from a piano student to me, his teacher. i took a picture and sent it to patrick, now my friend across the country on instagram. instantly, i had one of those heart rushes you get when you stumble across something tiny yet just simply precious. reaching out and letting him know seemed obvious. (not to mention a distraction when i needed one.)

i pulled my sweet parent’s vintage lights out and, because of that way that wires entangle even in the best of circumstances, i took my time detangling. i plugged each strand in, tightening the bulbs and removing the ones that had burned out. on the dining room table, i put together one long strand with working bulbs and made a decision. this year – as opposed to most all other years – i would wrap our front porch rail with memories. i would carefully place each old bulb so everyone passing could revisit a time long ago, decades in fact, a simpler time. i would succumb to the multi-colored-lights this year. on purpose. and after the new year, i will gently place them back in one of the bins, next to the painted-glass ornaments and the trees made of construction paper and paste.

and though next year we’ll likely go back to white twinkling happy lights out front, i will always remember the multi-colored lights and the enormity of love-filled stories and i will – just-as-always – know they will be a treasured part of my heart.

there were three overstuffed bins when i started. with a few things to donate and much in bags to dispose of, there are neater, tidier, more organized bins now. but there are still three.

*****

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magic fluff. [two artists tuesday]

though we are not ‘good’ at many plants, it seems, we are ‘good’ at ornamental grasses. maybe it’s the soil, maybe it’s the sun, maybe it’s location, but grasses have given us a sense of garden-accomplishment that nothing else (shy of mayyyybe the cherry tomatoes and basil and lavender this year) has bestowed upon us.

we won’t cut them down. no pruning. they will stay through the winter, magnificent plumes golden against the drear, against the snow, reminding us of good fluff of the day.

i imagine tiny animals sheltering in their masses, dense bush allowing warmth and security and invisibleness. maybe tiny chipmunks, with pantries of birdseed they have stolen from the finches and sparrows, waylaid from intrepid robins and scarlet cardinals. we’ll just keep filling the birdfeeder. judging by the birds partying in our backyard yesterday, i think we may try and find another birdfeeder to hang as well. i have turned into my parents.

dogdog comes inside each day now, laden with seed pods. if wishes were granted on seedheads, we would have so many magical dreams coming true. he seems to not mind these tiny hitchhikers tucked into his very-furry fur. we pick them off, one by one.

and now i think, who’s gonna stop us from wishing on each one? these grasses grace us in more than one way. let the magic commence.

*****

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blame it on target. [two artists tuesday]

despite efforts to stay in the calendar, target has pushed me into the holiday season.

i was there for just a few items, including tissue wrap for a gift basket. thinking the best deal would be in the back left corner of the store – where they were setting up all the holiday displays and multitudes of wrap and bows and fancy-schmancy gifting options – i wandered back that way. as i meandered, stopping at a display of soft pastel body poofs, swinging by the smaller-food-processors-than-my-1982-food-processor-which-has-just-broken aisle, glancing sideways at a big display of dark chocolate truffles, i tried to ignore the tempting tiny trees, happy lights, holiday napkins, plates, cups, mugs, towels, sweaters, hats, a way-cuter-than-it-sounds-tiny stuffed gnome display, and variety packs of trinkets along the way. stay focused, i thought. go directly to the gift tissue, do not pass go, do not collect $200, pick up the gift tissue and deliberately make your way out of the department. resist, resist, resist. save it – that department – for later-later.

i was not successful.

the twinkling rice lights drew me in. tall, skinny trees caught my eye. ornaments in long bins made of boiled wool and snowflakes begged to be touched. i was a goner.

i wandered around december-in-target for probably just shy of an hour. and, though i had been prepared to push back against the urge to decorate early, i was smitten. this from a person who, along with the other half of the decision-team, has left up in our living room – for two whole years now – big branches we painted white planted in galvanized metal containers strewn with white lights. who am i kidding? the instant i headed back into that department, i was committed.

i put tiny white seed lights in my basket.

one of my favorite concerts was lit by the brilliant stage manager keith who, when i released my blueprint-for-my-soul album, set up ladders and lean-tos on stage and spotted soft white light off them. it created indirect-direct shadow, indirect-direct downlight. the perfect combination. it mattered to him.

the strands were zip-tied around the trees at the garden. long, long strands of colors, a rainbow requiring patience and long tedious hours that will ultimately premier as lightscape 2021. designers – brilliant like keith – have put together a show of festive wonder, the perfect combination to embrace all those who walk through. it matters to them.

the real question? it is whether you are a multi-colored-lights person or a white-lights person. what matters is what matters to you. both celebrate. both lift spirits and wrap the season around you. for years and years now i have been a dedicated white-lights person, really loving the dreamy quality of twinkling stars, tethered from the milky way and brought inside. all year round.

this year – in this season we jump into earlier and earlier each year – i just might have a little nod to multi-colored-lights. mm-hmm. just a little one. perhaps i’ll dig out my mom and dad’s vintage outdoor light strings, the ones with big multi-colored bulbs, some with paint flaking off the glass. i may grimace a tiny bit hanging them on our rail out front, but then i’ll think of my sweet poppo, up on the ladder every year, stringing them across the front of our house, winding them around our christmas trees. or maybe i’ll take out the smallest strand of colored lights i have tucked away and gently wrap them around a little tree, a nod to the ever-important-but-not-represented multi-colored lights. i’ll invite a little bit of lightscape to our house. a little bit of multi-colored magic. just because.

i’m guessing it will all happen a little sooner than i originally thought. clearly, it’s target’s fault.

*****

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the banana in cherrytomatoland. [two artists tuesday]

keeping the late late summer cherry tomatoes together will stimulate their ripening, i read. the ethylene emitted by them will urge them from green to pale yellow to orange to red. putting them in a brown paper bag with a banana or an apple would speed things along. right now, they are on the counter in a plastic, hopefully bpa-free, container, lidless, soaking up the sun. somehow, these tiny little tomatoes, regardless of size or shape or green innocence or red wokeness know all about impact on each other and a banana or an apple entering their tomato-only-zone would only help them.

that’s the kind of community we should all live in, work in, play in. because as barry manilow, yes, the guy who writes the songs, said, “everything you say and do is having an impact on others.”

it’s not like we are not aware of that. simple kindnesses as we go about our day make a huge difference – the concentric circles ever-widening, cherry-tomato-land goodness spreading, stimulating ripening, encouraging more goodness. it’s not as pollyannaish as it sounds. in every interaction we have a choice. the expression “there are a hundred ways you could have answered that/handled that” is worthy of our attention.

i’m from new york. growing up on long island is different than growing up in the midwest or the south or even the west coast. there is a rat-a-tat kind of rhythm to conversation there. lots of questions, lots of words. it seems aggressive, but it’s really not. it is, however, easy to interpret it that way. if you want to know about something, you ask. it’s a kind of pummeling with questions; you don’t ask one gentle question and patiently wait.

take the cherry tomatoes, for example. you could ask, what kind of cherry tomatoes are those? (and then wait.) or you could ask: what kind of cherry tomatoes are those?where did you get them?were they from seeds or tiny plants?how did you plant them?did you have to use topsoil?how much water did you give them?how often?do you have to fertilize them?what about sun?do they need to be in the sun?how long did it take before they bore fruit?do they only produce one set of tomatoes or do they keep producing?are they sweet?did you pick them before they were ripened?what about when it got cold?when did you pick the green tomatoes?how did you know what to do with them?can you still eat them?will they ripen?

i’ve had to tone down the newyork in me, slow down the question-pummeling (this is not as easy as it sounds), soften the edges of speech a little. the accent has mostly disappeared, but the rhythm is ever at-the-ready, prepared to garner answers or information or directions, not willing to miss the details. and those details…ever-important. my big brother could tell a story with more words than you can imagine; his details were picture-painting and precise and i loved every minute of his newyork style of storytelling.

we were on long island with my dear friend crunch when he was ordering a pizza. he said: “do you want gahhlic knots with the pizza?whatdyathink, gahhlic knots too?yes or no?are you hungry for gahhlic knots?they make great gahhlic knots at luigis. do you want some?tell me, i gotta awwduh. hello?” and then, in the car on the way to get the pizza and the garlic knots: “ya gotta turn up here.yeah, turn left.yeah after the driveway, turn left.here.left.ok.in about two blahhcks you’ll turn right.right.yeah, about a block now.right.uh-huh.right.yeah.hee-uhh.right.turn.ya gotta turn!”

david was losing it in the backseat. i had jumped right in. suddenly the impressionable pattern returned and i was also speaking, stepping all over crunch narrating where i was to turn. allowing no time for him to keep talking or answer anything i was saying – and vice-versa – we both just kept tawwwking and tawwwking, over each other. david’s laughter was contagious.

there had been (and have been, who am i kidding?) times – admittedly – when, in the middle of a more shall-we-say “heated” discussion d has looked at me and said, “let me finish.” hanging out on long island in the middle of pummeling vocal patterns has helped him realize i mean no harm. and i have adopted his “there are a hundred ways you could have answered that”. because it has an impact – the way we answer, the way we handle stuff.

we both try to be aware, in this still-covid time of much-togetherness and less-time-with-others, of our interactions, knowing that even the slightest acidity can affect things and will ripple outward in our day. instead of leeching negativity into each other, in the most intimate and the most community of interactions, i would rather encourage ripening, blossoming, flourishing.

i want to be like the banana in cherrytomatoland.

*****

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tennis with diebenkorn and pärt. [two artists tuesday]

“now, the idea is to get everything right – it’s not just color or form or space or line – it’s everything all at once.” (richard diebenkorn)

each time i have stood in front of one of the ocean park series paintings, i have been totally engaged. the light, the color, the form, the line, the space – richard got it all right in these. they are fantastic abstracts, luring you in. we left the san francisco museum of modern art with a richard diebenkorn book, one of those coffeetable type books – large with gorgeous illustrations and text. i keep it in my studio, to gaze at and sink into.

i do not know much about painting. at all. i have learned, though, that composition is, across the medium-board, still composition. a painting, a song, a dance, a poem needs someone to receive it, someone to interact, to respond, someone upon which it may fall. and for the artist, though imperative to do the work regardless, it creates the space for the flow to go back and forth, like a tennis ball across a court. each bounce and bounceback adds a little wisdom, a little emotion, breath. as i stand in front of richard’s ocean park paintings, it is as if i can hear his even breathing in my ear.

i stood on the dock up-north, gazing down at the water, light and sun playing on its surface. were i to have chosen colors to paint this, and not the black and white of the paintings i have spattered – the only paintings i have done as an adult, i might have chosen these tones. they are the colors i love to be surrounded by. this would be an abstract painting of getting outside without getting outside, to be there without being there.

but i did not paint this. nature took care of the color and form and space and line and i merely captured what nature made easy. there are many of these now – photographs of the abstract – all with strings tied to my heart and memories in my mind’s eye of outside. i keep thinking they would make a good coffeetable book…”getting outside inside”….a title, an invitation…for those sulky days when one needs the bounceback of the breath of the woods or the water, the space of the mountain trail or the rocky beach.

the gift of glassy lake reminds me that there are other mediums to explore, textures i might consider. i imagine richard diebenkorn and arvo pärt, on two sides of the court, two dimensions, lobbing the ball back and forth. abstractionist and minimalist – both extending an invitation. i start to answer.

*****

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images of water ©️ 2021 kerri sherwood


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bubbles and flame. [two artists tuesday]

and i stood in the stream with incandescent bubbles parting around the boulder i was on, watching the miracle of light and sun and dimension and water and rock. every color in the spectrum was represented; none got top billing. mostly, it was gorgeous and inspired happy. i cannot think of a mountain stream that doesn’t.

saturday night, because there was no mountain stream nearby, we stared into the bonfire, listened to the pond gurgle and clinked glasses as the night fell. we lit the tiki lanterns and our treasured small gas firepit and stoked the fire with dry wood we had gathered from our yard and limbs that had fallen in recent months. it was chilly but the fire was warm and we decided to eat outside right next to it, setting up our pop-up-dinner table and stools for some homemade chicken soup lit by candles. some things are magical even in simplicity.

dogdog ran around until he conked out on the patio next to us and the dark settled in, interrupted by tealights and fire and bulbs strung over the pond. there may not have been any mountain stream to sit and tarry by, no bubbles to reflect the light of day, but the fire licked the darkness and its dance…just as gorgeous and inspiring happy.

*****

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never-leaving. [two artists tuesday]

it was mesmerizing. we sat on rocks on the edge of the high mountain stream, sinking into the sound of babbling water, sun filtering through the trees and cool air wafting around us. i didn’t want to leave.

i remember a day, long ago, when i stood alone in the middle of a river. pants rolled up high, toes curled into the pebbles under my feet, sunlight on my face. whispering a prayer to the universe, gratitude, honoring time spent, i waded back to the shore, sitting on river’s edge to dry off, not wanting to leave.

i remember a day, a few years ago, when we stood on the edge of a lake. we whispered love to my sweet momma and tossed kindness into the air. it floated for moments on the breeze and settled into the tiny lake she loved with her big heart. and we stood quietly, not wanting to leave.

i remember a day, a couple years ago, when we stood at the edge of this same stream. i stretched out my arms, embracing it. i laughed, sheer joy in jeans and boots, staunchly refusing to move, not wanting to leave.

i remember a day, merely a couple weeks ago now, when we stood at the edge of a mountain lake, watching a candle glow in celebration of a life well-lived. the sun began to wane and the aspen glowed as it began its dip. and we sat on the beach, not wanting to leave.

and a couple days ago, we stood on the dock, the sun beginning its dance with the trees across the lake and we lingered, procrastinating, postponing, not wanting to leave.

and back to this stream. in the moments on the rocks, perfect paintings right in front of us, time lifted from sadness and worry, i wanted to build tiny boats from leaves and send all that angst downstream. i wanted to sit in the peace and the canvas nature created with light, shadow, water, reflection. i wanted to bring that purity with us, carry it out and back to the truck, across the pass, through the tunnel, down the mountain, across the great plains and home.

the tiny rock looks like a coin. a granite reminder, a token, of something always there.

to touch it is to touch never-leaving.

*****

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images of water ©️ 2021 kerrianddavid.com


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enchanted. [two artists tuesday]

and golden was the glow from the forest as we walked

into the sun low on the horizon,

our feet swishing through leaves on the trail,

our gaze above us, to the canopy.

the quaking aspen invited us, “stay,”

rustling in percussive background

to our hearts beating and wishing.

the respite in the woods,

the time on mountains,

the black and white of this stand,

we immersed in immense beauty.

stopping in the middle, the path forward and back,

we stood tall,

breathing deeply,

and shimmered with them,

enchanted.

*****

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i left it there. [two artists tuesday]

i left it there.

we had a few hours and needed a fix in the mountains. just a short distance away from congested civilization was a trail that lead into higher elevation and quiet. everything else slipped away as we climbed and followed the columbine.

i was moved by this fragile blossom on the side of the trail. delicate and perfect in every way that flowers are perfect, i picked it up, turned it over, felt its short life. like the sun, its tiny petals radiating from the center. its flawlessness is simple; its budding-lifeline complete. it was laying in the mountain meadow, waiting to be noticed. not much different than any of us.

and then, i laid it back down where i found it. and it will be there for the next person who hikes by, glances over and sees it. one sun-low-on-the-horizon-fall-dried-flower-blossom, past its season but not past its beauty.

that’s why i left it there.

*****

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