as autumn moves into full bloom, it is track-able on our westneighbor’s fence. the virginia creeper vine is fully immersed in the transition of seasons – producing berries for the birds, changing color day by day.
but there are fewer and fewer leaves now on the vine. dark is longer and colder and the cicadas and night crickets have ceased their song. in turning back the clock, there’s no turning back the clock.
and we head full-tilt into this season, knowing that winter’s lull will follow, that a time of fallow will start.
we blink back the wistful for summer, for early fall’s warmth as we head into the colder seasons. and we try to remember what we treasure about this next season, just six short weeks away.
with different eyes we look to the horizon of each day – changing our expectations, sorting to presence and appreciating each remaining leaf.
and soon the fence will be bare, save for the vining twigs.
but under the soil there is a gathering momentum of energy. and one of these days again – in the way that nature continues and continues – in the way that goodness goes on – it will burst open and we’ll see growth again. the vine knows.
“life is only a reflection of what we allow ourselves to see.” (trudy symeonakis vesotsky)
when i started my first teaching job – at a K-2 primary school in the poorest part of a county in florida – i found out quickly that the previous teacher had a favorite record album that she played over and over and over. i’m not sure how much music teaching she did, but i know that she played this record for every class, every day. it was a female artist’s album, one of her earliest. in those days her albums were all contemporary christian fixtures, full of praise songs, lyrics based on biblical messages and worship.
even back then – in this very first teaching job in the very first school – i knew that it was not appropriate to play this album ad nauseam like the students described their previous teacher doing. i was not teaching at a religious-based school; this was a public school and i had a different obligation to these children. it was most definitely not to foist christian music upon them.
in perusing social media i just saw rumors that there will be an “alternate” half-time show for the super bowl game, featuring two country artists who i thought knew better. in these times – in a world that draws strength from its diversity – it is unbelievably tone-deaf to think that we need an alternate quote-unquote “all-american” show and just the mere suggestion of what that definition likely means makes my stomach hurt. if we are to believe what we are reading in social media about this show, it is steeped in an incredibly narrow definition of faith and family and freedom – and what “all-american” actually is. it is painful to think of the people i know who will watch this – cheering – steeped in audacious narrowville.
i grew up going to church with my family. i spent 35 years as a minister of music in various christian churches across the country. never would i ever presume to foist christian music or philosophy – as a whole – upon this nation. never would i ever resort to the hateful rhetoric that is pieced – cherry-picked – from religious writings to justify disrespect of others, even ill-intended evil. never would i ever even begin to suggest that god – or any name you might choose to call a divine presence – would sort people into colors or ethnicities or genders or economic castes.
in the many, many years i spent in these buildings of faith – many of which, i learned, were disparately skewed to hypocrisy – i came to understand gandhi’s quote: “i like your christ, i do not like your christians. your christians are so unlike your christ.”
my own takeaway from a lifetime of work – if we allow ourselves to see the world as a tapestry of differences, respectful compassion, tolerances, a generous embracing, then we see in technicolor, our lives are beautiful and full of the possibility of growth and learning from others. if we allow ourselves to only see a one-dimensional homogeneous world, if that is all we tolerate, that is all we believe is worthy, then we are, as well, one-dimensional and our lives are limited in mediocrity.
if life is – truly – only a reflection of what we allow ourselves to see, i would hope for all to open their eyes. i would hope for all to see what they are espousing – or proselytizing – with their words or – complicitly – with their silence. i would hope that the reflection of reality – real truth – unobscured by agenda or any form of bigotry – would be what we all see so that we might deal with the ugliness of mushrooming propaganda and contempt.
this is the best place to think. it’s the best place to ponder, to wonder, to sort, or to just – simply – take one step after another. it’s the best place to be quiet and the best place to have conversation. we link arms. we walk. and walk. and walk. we can see why pct hikers keep on going. it is cleansing and powerful. and your body feels the world, your tactile connection with the universe, your feet on dirt.
in a moment i won’t easily forget, i recently had a chance to be forehead to forehead with a horse. we stood that way together for several minutes and i could feel his breath on my face. with both of us – boots and hooves on dirt – connected by touch, i could feel the rest of the universe gently holding space, woven in tapestry with us, close by. powerful moments.
particularly in these times, for more reasons than you will imagine, i am finding the reminder of this connection to the universe to be of comfort. particularly in these times, when there is little to comfort us here in this country, i am finding the reminder of this connection to the universe to be bigger than any story of our land – it overarches the evil intention of stories personal and of the populace. particularly in these times, with so little promise of goodness, so little accountability, so little compassion, so little attention to truth-telling, i am finding the reminder of this connection to the universe to be steadying.
i will keep my feet on the dusty dirt of the trail. i will take any chance to share forehead space with another living creature. i will remember how connected – interconnected – i am with this universe. i will draw hope from that.
on the same night we waltzed in the rain, we strolled up and down main street, window-shopping. we were too drenched to go in anywhere and that wasn’t the point anyway. we just wanted to etch it all – best as we could – memorize it.
the harbor had always been a refuge and i was grateful to see the post at the information booth – in several languages – declare “may peace prevail on earth”. this tiny microcosm of the world – the village park – this space that drew people and strollers and children and dogs and laughter and music – this space certainly was shining a light on the possibility of community…shared community.
but peace is not prevailing on earth these very days. the people of our country are struggling as are people around the globe. my heart sinks as i think of all the places where real-live people are fighting for their very lives, where real-live people are being dehumanized, where real-live people are starving, where real-live people are being run over by self-centered, extremist regimes.
and i wonder, if not now, when? when might compassion rise among all people? when might we all realize the immortality of our time here, living it with generosity toward each other? when might warring cease? when might evil forces slink away in humiliation – forever defeated?
when might this world come to its senses – to actually prevail in peace?
i could see the maple tree up over the roof of the house. it had really grown a lot in the decades since our family lived there. i thought about all the time i had spent in that tree…an innocent poet trying to piece together the world, make sense of it. back then, i was proud to spend time with my family, my beloved dog missi, on the piano bench or the organ bench or tucked against the trunk of my tree, riding my bike (or, later, driving my little vw bug) to the beach or the harbor, studying, doing homework. i taught piano lessons and worked at various part-time jobs – all on or adjacent to larkfield road – the main artery through our town. going back to these places after long years away makes one realize how small it all was – this world around me – with everything nearby and a steadfast belief in rainbows and sunrises and seagulls.
i wasn’t street-wise back in those days – not at all. the guys i worked with loved to test my naïveté by telling jokes and laughing before the punchline. in an effort to mask that i never really got the joke (particularly if it was a “dirty joke”), i’d laugh when they laughed. they caught me every time. but i didn’t care. it was a happy life and i was ever-so-slowly learning about the real world.
i wondered how it would feel when we first drove down into northport from high above the harbor. this cherished town, this dock – a place of inspiration for me – had taken on different meaning from the time long ago, when i left so abruptly. the sadness i felt leaving a place so ingrained in me had never left. there was grief, deep grief. as my innocence was shattered, my home – these shining places that were part and parcel to who i was had been tarnished. nothing was the same and i wondered what that would feel like, if i would feel misfit.
at first – as i’ve written – there was a disconnect. i’m certain it was a protective measure, something that would maybe prevent me from feeling the grief, touching it, maybe releasing bits of it. but the spirit – of the little village, the harbor, the dock, the gazebo, the beach, the maple tree in the distance – all swirled around me. and, as d and i created new memories there, my guarded heart opened.
the sunsets over the harbor are stunning. the inky nights on the dock are magical. i took them with me as we left, this time slowly, not fleeing.
and as we sit at the little bistro table in our sunroom, with driftwood and rocks from that place, it’s a different kind of grief i feel now. it’s the grief of missing a place that is indelibly etched in me, that is part of what has made me who i am, that is woven into what will heal me.
we had the gazebo all to ourselves. it is likely that the tropical-storm-nor’easter had something to do with this. no one seemed inclined to be strolling about, nonetheless lingering on the gazebo.
so we danced. on the rain-soaked boards of this beautiful age-old gazebo, we waltzed to the music on my phone – the cherish the ladies instrumental if ever you were mine – the very piece we irish-waltzed at our wedding, surrounded by a circle of family and friends.
and on this dark starless night, with rain drifting in under the domed wood of the gazebo, it was not only magical. it was a little bit healing. it was sacred.
for here we were – both literally drenched – all alone on the gazebo of my youth – lifting the cellophane of the old magic slate – starting a new history.
just a couple people passed by in the park, walking the edges of the harbor. they paid no attention to our slow dancing. much is the way of new yorkers: you do you they imply.
we weren’t looking for an audience, so that was good. we were just sinking into the night – in the middle of the storm – in the middle of the storm.
and i could begin to feel the old break away a bit and new replace it as our feet got jumbled together in the waltz we hadn’t waltzed in a while.
i clicked play a second time, lifted the cellophane a second time.
i couldn’t begin to guess how many times i have sat on that beach. i couldn’t begin to describe all the life i have navigated there, all the pondering i have pondered, all the sun and the snow and the rain, the early dawns, the inky skies i have shared with that place. in the mystery that connects you to certain places, it was always my go-to.
and the mystery continues.
we shared time with that beach again. profound time. time wherein i stood by the water’s edge talking to the universe. once again, feet in that sand, touching that water, eyes to that sky.
some of the benches just off the boardwalk have been there forever. the curve of the metal arm, the weather-worn wooden seat – familiar touchstones that date back and back. the seagulls diving, riding the waves, rising in air currents and dropping crabshells to the ground – their caws lodged in memory.
this is not the island’s finest. there are many beaches with less rocks, fewer shells, more shoreline, softer sand, less seaweed, stronger surf. but this is the one.
i left a piece of me – a free-to-be–crazy-with-potential–wildflower-growing piece – behind on this island.
and so i thought that maybe – just maybe – i could go put my feet on this very sand, touch this very water, drink in this very salt air to both reclaim that piece and set it free.
there was no drumroll, no hoopla, no folderol. there were no fireworks or lightning bolts.
as the wind became gusty and it got colder, i merely turned reluctantly away from the water’s edge.
he was waiting for me about halfway up the beach and he held me as i stood in that very sand under that very sun, taking it all in, grateful.
we walked arm in arm to the benches and sat on the oldest one.
if he were still in this plane of existence, my sweet poppo would be 105 today.
as much as i miss my dad, as much as i would love to sit with him, to talk with him, to be quiet with him, to hug him, under the circumstances that we find ourselves in this country at this time, i would have to say i am glad he is not here.
because my dad’s heart would be utterly broken.
my dad fought against all this. he fought for the freedom of this country. he fought against fascism and authoritarianism. he fought against cruelty. he fought for democracy.
my dad’s own freedom was stolen from him when he was taken prisoner of war in WWII, his army air corps b24 shot down over the ploesti oil fields, his fellow dedicated airmen parachuting out, taken into camps by bulgarian forces.
my dad persisted through all of it – his injuries, his solitary confinement, his fear.
my dad came home, back to the country he loved, the country for which he fought and sacrificed, the country with a democracy about which he was zealous, the country where he and my sweet momma would build their own family.
so if my dad were here now, he would be crushed by what is happening. he would be crushed by the evil and deliberate intentions now set in place. he would be crushed at how his country is being severed. he would be crushed that anyone – any one! – in his family would champion any of this horror. he would be crushed that his family – his very family – had broken apart because of that. he would be ravaged by utter sadness.
my dad would be unable to celebrate his big birthday.
because no chocolate ganache cake could make it all better.
there are plenty of trees where we hike. oaks, sycamores, birch, maples, pine, hickory, black walnut…there is quite a list. so it is no surprise that, as we are hiking, there are browned acorns, drying acorn shells and big black walnuts dropped on the trail, scattered everywhere, even dropping on us as we walk.
when i came across this branch, it was the brilliant green of the acorn that got my attention, the too-soon-ness of its place on our trail. i wondered – for a few moments – about what broke this branch that fell. it occurred to me that its natural aging, its natural place in the ecosystem of wildlife and forest had changed; this tree had somehow stress-shed this branch, this acorn.
there’s a lot of too-soon-ness…especially now, i think to myself.
and – a few moments later – i was back pondering the lists in my head…the to-dos, the worries, the problems to sort, the existential questions.
“lists engulf us – creating the illusion that our lives are full.” (plain and simple journal – sue bender)
the lists swirled and i organized them in the spaces of my brain as we walked in the early part of our hike.
but – in the way that being out in the forest, along the river, skirting meadows on a trail does – it all slowed down. and the joy of the trail took over. and, instead of the noise – internally or externally – the quiet serenity held my attention.
and this morning i find myself – once again – grateful for the sheer moment. even in this moment of the throes of a miserable cold, i am grateful for the simplicity of our givens.
“in that tiny space between all the givens is freedom.” (s.b.)
and it nudges me to simplify even more. the space of needing less, of making do, of knowing not a lot really matters.
the acorn is an ancient nordic symbol of life. my sweet momma kept a silver one in her purse and, now, so do i. maybe the acorn on our path was there to remind us.
“it’s time to celebrate the lives we do have.” (s.b.)
“each of us is in truth an idea of the great gull, an unlimited idea of freedom,” jonathan would say in the evenings on the beach, “and precision flying is a step toward expressing our real nature. everything that limits us we have to put aside.” (jonathan livingston seagull – richard bach)
as this new school year begins i think of all the teachers and mentors i have known – those who were my teachers, my professors, my mentors, those who taught my children, friends who have been teachers, my own time spent as a teacher, instructor, director. immensely different stories, all over the spectrum.
the common denominator – to empower others to push themselves without limits, to reach their own potential, to become the best version of themselves, to fly. jonathan’s imperative.
growing up on long island meant – in the sheer sense of the word island – that i was surrounded by water. i spent a great deal of time by that water, particularly when i was able to get myself there – by bike or my little vw. i was always enchanted with the seagulls that lined our coastline, seagulls swooping and diving and soaring. the book jonathan livingston seagull was a treasured possession, kept close on the little bookshelf next to my bed. my paperback copy is waterstained and priced at only $1.50, evidence of its long tenure in my life.
even back then – on a beach towel at crab meadow beach in the mid 1970s – it was clear that the search for a life of purpose and excellence meant, also, a life of self-discovery and risk-taking. but susan polis schutz’s words “let us dance in the sun wearing wild flowers in our hair” rang for me as joyful north stars.
and so i watched and studied seagulls flying in community, flying alone. i walked the beach together with others and alone. i studied poetry with others and wrote in my tree alone. i sat on spotlit piano benches with a boom mic on old wooden stages together with others and alone.
my son recently wrote some vulnerable words. his post ended with, “…stick with it no matter what. tell your story.”
were jonathan livingston seagull around, he’d nod and think of an elder seagull’s words to him, “you will begin to touch heaven, jonathan, in the moment that you touch perfect speed. and that isn’t flying a thousand miles an hour, or a million, or flying at the speed of light. because any number is a limit, and perfection doesn’t have limits. perfect speed, my son, is being there.”
i paged through my old book. and went back to the title pages.
there in pencil i had written one of the lines i quoted above:
reverse threading 