we had the gazebo all to ourselves. it is likely that the tropical-storm-nor’easter had something to do with this. no one seemed inclined to be strolling about, nonetheless lingering on the gazebo.
so we danced. on the rain-soaked boards of this beautiful age-old gazebo, we waltzed to the music on my phone – the cherish the ladies instrumental if ever you were mine – the very piece we irish-waltzed at our wedding, surrounded by a circle of family and friends.
and on this dark starless night, with rain drifting in under the domed wood of the gazebo, it was not only magical. it was a little bit healing. it was sacred.
for here we were – both literally drenched – all alone on the gazebo of my youth – lifting the cellophane of the old magic slate – starting a new history.
just a couple people passed by in the park, walking the edges of the harbor. they paid no attention to our slow dancing. much is the way of new yorkers: you do you they imply.
we weren’t looking for an audience, so that was good. we were just sinking into the night – in the middle of the storm – in the middle of the storm.
and i could begin to feel the old break away a bit and new replace it as our feet got jumbled together in the waltz we hadn’t waltzed in a while.
i clicked play a second time, lifted the cellophane a second time.
in this moment, in this time, despite all the challenges it has faced, it is facing, it will face, despite all it does not know, it persists – growing in the top rail of the fence that spans the river.
this tiny plant is grabbing on to life. and living it.
for years i wore a yellow livestrong bracelet on my wrist. it was a small way of saying to the world that i – like millions of others – was part of wanting to raise awareness and generate support for cancer survivors.
i wore it through many years of performances at oncology and survivor events across the nation, through losing a dear friend to cancer, through scares i personally had. i’m pretty sure i had it on when heidi and i worked with lance armstrong and the tour of hope and i had it on the day my big brother had been gone fifteen years. i had it on when i recorded the bonus tracks i am alive and you make a difference for my as sure as the sun album. somewhere along the way, i stopped wearing one but i saved the last one i wore. my support did not stop.
these bracelets raised over $100 million and, with that, the livestrong foundation “unites, inspires and empowers people affected by cancer. [the foundation] provides free cancer support services to anyone facing cancer today.” the current president and ceo of livestrong has said that there are still sales of over 30,000 bracelets a year, so it is clear that this simple rubber bracelet – launched in 2004 – has been a long-term icon of cancer support.
i’d venture to say: goodness makes people step up.
which is why it is of particular note – as i am writing this ahead – on sunday – merely two weeks since joe biden sacrificed his re-election campaign for this country and, subsequently, endorsed the campaign of kamala harris – that in these very last two weeks her campaign has generated $310 million – an extraordinary amount. “two-thirds of the july total came from first-time donors, and a majority of the total was raised from donations of $200 or less,” the campaign said. goodness makes people step up.
i read that former president jimmy carter – an icon of benevolence – turns 100 in october. his centennial birthday is not his biggest goal. voting for the first woman president and for the upholding of democracy is his north star, is keeping him going, is exciting him, even in these late days of his life. goodness makes people step up.
we read and research, watch videos and listen to podcasts. we – in our own zeal to maintain the true democracy of these united states – wish to be able to do something, to make a difference. it was in one of many op ed pieces we in which we immersed, we heard the best advice about that: do what you do. do what you are good at. (not verbatim)
and so, we write. it’s what we do. it’s the thing we know to do. we write and write and write.
there may be days you disagree with one of us, with both of us. and that’s ok. that’s what it means to live in a democracy – you get to have your opinion.
but it is our hope – our fervent hope – that, like us, if what you read disturbs you, that you follow it…you do the research…ask questions…search your heart and soul. it is our hope that the popularity of the angerwagon does not tease you into passivity, does not step on the goodness that we know is in you. it is our hope – and we will repeat this over and over and over – that you really look at what it is you wish for…really, truly wish for…for you, your family, your grandchildren, your extended family, your friends, your community, this country…and evaluate – clearheadedly and grounded in truth – what it is you will vote for.
because goodness makes people step up.
“there is no greatness where there is no simplicity, goodness and truth.”(leo tolstoy)
and the daisy turned skyward – cup-full. and as i passed, it reminded me of abundance and plenty.
for the measure of both abundance and plenty is not rigid. it is variable. my plenty is different than yours. and different expectations apply to abundance. it does not serve me well to gauge mine – my plenty, my abundance – by your standards. no, that comparison is not right. there are similarities. there are dissimilarities.
instead, i’ll look at the daisycup. i’ll set my face to the sun. i’ll count the times the dogga runs around the pond. i’ll gaze at the pussywillows on the white bathroom windowsill. i’ll savor the creak of old floors under my bare feet. i’ll tighten the back screen door handle. i’ll watch the house finches dine on grape jelly. i’ll feel his hand wrapped around mine.
we’ll go look for turtles from the bridge. we’ll clink glasses on the deck. we’ll listen to the wind in the chimes. we’ll paint rocks, write words and create big pots of soup. we’ll walk in sync on the sidewalk. we’ll make leftovers and serve them with happy napkins. we’ll relish time with family, with friends. we’ll make plans; we’ll revise plans. we’ll kiss goodnight.
an unusual event, we went out for dinner. we had received a gift card as a present and were excited to use it, having saved it for some time. we had great anticipation.
when we walked in, the seating hostess was slammed. there was quite a crowd, yet this young lady maintained her grace and sense of humor, eventually leading us to a table for two. another young woman brought us glasses of water and placed menus in front of us. when our server came we ordered drinks and the bartender sent over two glasses of wine. we studied the menu carefully – trying to decide which of the dinners we would share – our practice – lingering on the salmon choices. we enjoyed our wine, chatting and watching the other diners in the small bistro and the young person who was bussing and cleaning the tables. the chefs in the kitchen prepared a lovely salmon, baked potato and fresh veggies just exactly the right al dente. we finished dining and, noting the crowd yet to be seated, decided to leave and give others a chance at sitting and enjoying a meal.
though i know – because it is as it is – there were defined roles in this restaurant and most definitely a laddered order of authority, it seemed to us, merely observers, that everyone was functioning with great collegiality and camaraderie. and, as observers, we appreciated that, for it made for a lovely dining experience. if we were able to see cracks in the foundation of employee genteel collaboration, it might have undermined the feeling of our dinner. if they were there, we were unaware. if so, i suspect they were able to work it all out, trust each other, rely on loyalty. it was a smoothly operating machine, despite the challenges of crowd and small space.
the thing that stood out for us – in that dining experience – was the obvious appreciation that each employee had for each other. there was no pointed ill will or jostling of power. they just worked together even though they might have been stressed. it is the power of allies, of a good team, the respectful valuing of each member of the team. they built a good team there – dedicated to the same mission.
i thought about our eating-out making dinner a few nights later. needing some good ole comfort food, we decided to “make us some mashed potatoes”.
so i started thinking about mashed potatoes – ours, simply potatoes and a little bit of salt and pepper, mashed with a potato masher. not the fancy-schmancy add-butter-milk-sourcream-cheese variety, you can’t get much simpler than ours. yet, they are a stalwart addition to any meal. a fluff of mashed potatoes flanked by veggies and maybe a veggie burger or a chicken breast. comfort indeed. no push-pull of power there. no agenda-jostling. just mashed potatoes. they don’t need special billing, yet they know their place in dinner is important. they feel the aretha franklin r-e-s-p-e-c-t.
and, there is nothing quite like that first forkful of mashed potatoes. the yum. it’s coming home on a plate.
i felt a funny rush of appreciation for mashed potatoes. we don’t think enough about the elements of our dinner, the workers in the restaurant, the people who add value, meaning, resonance, life to organizations to which we belong. we don’t ponder the integral nature of their existence on the plate, in the bistro, in the institution, how much we count on them. we don’t realize – until the grocery store is strangely out of potatoes – how much we depended upon them, their place on our dinner plate – or, by extension of these other examples – their hard work as we celebratorily dine out or their place in the soul of our organization.
sometimes, it’s the loss of potatoes that makes us miss potatoes. and then we wonder – after-the-fact – what can we do to make sure potatoes are always preserved, always available?
we thanked each of the workers and servers in the restaurant and we tipped well. we always do, no matter what. if tipping is not within our means, we will not go out. for the reason we are having the experience at all is because of the good work of those good people.
so – after my musing about mashed potatoes and teams of people – i’ll just say this: do not minimize the importance of mashed potatoes, the value of mashed potatoes. they are often the glue in a meal, and skin-on mashed potatoes are rich in fiber, low in calories, and have nutrients like vitamin c, potassium and vitamin b6. all building-blocks.
and we all need good building-blocks. and a little respect.
i own 200% of my original pieces of music, my original songs. 100% of that is the compositional copyright and the other 100% is the sound recording copyright. with the exception of one vocal song which i collab’ed on, and one song where i gave my dueting partner a percentage for a few lyrics he changed, i have solely written each piece.
i did not find myself near the bluebird cafe in nashville or any of the listening rooms in nyc or los angeles when i was writing any of these albums. by the time i was writing for albums i would be recording, i was a mom of two small children, one a tiny toddler. my writing took place in the midst of potty-training and reading stacks of books, pbj’s and grilled cheese with the crust cut off. my growing-up piano was the instrument on which i wrote my first three albums, surrounded by barbies and matchbox cars, vhs tapes of barney and disney movies. i wrote with children on the bench, children under the bench, children on my lap.
in my most recent composing, a bit ago now, i still found myself writing this way…with many plates spinning and in short spurts of dedicated time. it was a practice i honed through the years and it served me well, this multi-tasking.
vocal song lyrics are found on scraps of paper, on pa-pads, on napkins, with letter names of notes and jotted rhythmic gestures next to the words. some of these took weeks of fine-tuning, changes and wordsmithing. others took ten minutes. total. slow dance is one of those.
the album as sure as the sun is one that celebrates life and love and relationship, in its many facets. after five instrumental albums (and another nine albums later) with the very best producer – also my arranger and a consummate musician – i worked with a nashville producer on this vocal full-length. in los angeles for some pre-recording meetings, we put the song same sweet love to pencil and paper, adding it to the lineup for asats production. it’s a totally different energy to collaborate on a song – to share the writing – and something i had little experience with. we both ended up singing on this song and we co-own it.
the very wide spectrum of love – and its impact, its mystery, its universally understoodness (and not-understoodness) – is one of the emotions to which songwriters gravitate. powerful and complex, there is no limit to reaching listeners, a strong connection the tie between music and emotions, a driving force.
i’ve read that a recent psychology of music study revealed that in every decade over the past six decades (since 1960), as much as 67% of all song lyrics were about romantic love. it’s not surprising.
when i do pick up pencil and paper again, looking at the line-up of songs already written for a potential next vocal album, i’d imagine that there may be some editing. i’d imagine that the arvo pärt note-smith will step into the instrumentals. i’d imagine that some lyrics will change in the line-up, maybe a melodic gesture or two, maybe the harmonic structure. i’d imagine that – maybe – in the review of these last years there might be a few new pieces, maybe a whole album’s worth of songs or instrumentals that muster their way past my editing delete-r.
i’d guess that there might be songs about transition, about relevance, about aging, about simplicity. i’d guess that there might be songs about hard decisions, hard times, hard losses. i’d guess that there might be songs about love, in all the corners of one’s life.
and i’d guess i’ll own 200%, back in my studio, comfortable writing alone.
i am a fan of happy endings. i would guess that’s something on which we likely agree. i mean, who doesn’t love any sort of happy ending – quiet or gushy – any part of the happy spectrum.
and so, in the past couple of weeks – with people we love close-in struggling with serious issues – i want to linger in the happy ending. perspective has slapped us upside the head a few times over these weeks and, teetering a little on shaky ground, we are holding firmly to happy conclusions.
on days when hikes generate deep pondering or the dinner table yields questions about uncertainty, googling about things we know little, we tend to list to an evening of a little couch-sitting and a movie of choice that will – most definitely – have a happy ending.
this could be a hallmark movie. or it could be my big fat greek wedding, which makes us laugh every single time, dozens of times later. it could be about time or love actually or the proposal. it could be sweet home alabama or ps i love you or the family stone. the fuzzy purple zippy dvd holder is the keeper of our cherished movies and we can pick pretty much anything from it and sink into the couch cushions, sighing.
we don’t feel like we are sticking our heads into the sand. we don’t feel like we are fancying escapism (though who doesn’t?!). we don’t feel like we are pollyanna-ing our way into the lull of sleep. we are painfully aware of the precariousness of it all.
instead, we feel like we are reminding ourselves of the possibility. we are immersing in the potential of goodness. we are restoring that place inside from which we draw strength that we might pass on to others, the place from which we can hold others close, lift them up, ask the universe for grace and their healing.
we are taking a deep breath and seeking the happy ending. remembering that they do exist.
it’s been a minute since i’ve sung into a microphone. for that matter, i haven’t spoken into a microphone in a while either. i haven’t run cables or tested monitors, used earpieces or balanced sound in a space. i haven’t hung condenser mics over my piano or booms in front of the keyboard. no neumanns or shures, no audix.
it’s not like you forget, though.
we walked past the meadow off-trail and nature had clearly sent in her sound engineer. the meadow hawkweed microphones stood ready and able to amplify all the ambient sounds of the woods. it made me giggle a little thinking about these tiny microphone-like clusters soaking up all the noises around them, running them through some sort of nature-equalizer and tossing them back out through an invisible speaker system.
in every good venue sound system, decisions are made for each and every performance. tiny – sometimes barely perceptible – turns of the dials, slides of the sliders, mutes and unmutes all define what the listener will hear. in the best scenario, the listener hears sound as it really is, nothing distorted. in the best scenario, sound is pure, unadulterated, unfiltered, offered as true, crisp, present, full-frequency-range. the piano sounds luxurious; the voice rides above it. exquisite.
how would nature balance it all – the call of birds, the busy peeper-frogs, the wind in the high leaves of the forest, the wings of butterflies, the tease of chipmunks and squirrels in the underbrush, the crunch of human footfall, conversation, hushed tones of worry, laughter, breath. would nature pare down all tones of negativity, choosing instead to pan to the positive? or would nature allow for all of it – a cacophony of life as it exists in the moment?
the draw of the microphone is powerful. i wonder if the butterflies nearby felt it too.
we saved an article last sunday: “the best waterfall in every u.s. state”. from alabama to wyoming, we scrolled through to see how many waterfalls we had seen. there were aggressive falls and double falls, falls that trickled from natural springs and, of course, niagara falls. we have missed many. like the articles about the best small towns or best places to retire, it’s all about dreaming. a list of waterfalls.
we hike or walk many miles each week, either on the weekend or squeezed into the rest of the sun at the end of the weekday. yesterday and the day before we noticed a tiny waterfall on our trail. it didn’t make it to the list of “the best” but it gave us pause and we stopped to watch and listen. the sound of a trickling stream, the sound of a minute waterfall…both unquestionably sounds of peaceful flow. we drank it in. we stood together in a silent, still dance.
as i looked at the list of waterfalls, it occurred to me that it is not likely i will ever see all of them. there is much on our bucket lists and, though i can appreciate – very much – adding this list into the bucket, i also know that it’s not the award-winning, the listed, that will always touch us.
the best waterfalls – for me – haven’t been the grandiose waterfalls. though i can appreciate their grandeur, it is the waterfall you stumble upon in the woods, the waterfall that shows up just when you needed a waterfall, the waterfall that will never make the list that negative-ions you into a feeling of well-being.
when i was in my thirties and composing i started to dream. in my forties – composing, recording, performing – i was headed to niagara in my dreams. sometimes i’d watch the grammys and wonder. but the smaller waterfalls – despite their beauty, despite their ability to resonate or to bring peace, despite the number of times on “repeat” – will not likely show up at the grammys. nevertheless, they have fault-in-our-stars impact. even to one.
charts – the top 100, say – are compiled by detecting the songs played on a select panel of top40 radio stations. this is not objective, nor is it not machinated. many, many integrated, financial and complex symbiotic relationships go into the positioning of a song, the charting of a song. “the best songs” lists beget “the best songs”.
back in 2002 – waaaay back…up the waterfall, upstream, backaways – one of my songs charted on the secondary adult contemporary radio chart. “slow dance” made it up to #13. i was inordinately thrilled but, like many things, it did not come without a price tag. the radio promoter was steep, not to mention a little slimy. it’s a system and, at least back then, those guys had it wired. it wasn’t long before i realized that the charting did not help. it quickly flowed over the riverstones, past the boulders at the peak of the cliff and dropped – the waterfall never stopping for pause.
i don’t necessarily need to see the “best waterfall in every u.s. state”. instead, i think i’d rather see the ones that will invariably touch me, will give me moments to stop and drink them in. i’d rather see the ones that go mostly undiscovered. for even in their relative obscurity they are a gift and they count.
we wake up early anyway. there’s no alarm clock on saturday morning. yet, before the sun is barely above the horizon we are awake. we both lay and listen quietly to the quiet. birds, chipmunks, the pond out back, maybe the waves on the lakeshore if it’s windy. for just a little while, before the lawnmowers start or cars drive by or people empty their recyclables into the new big blue waste containers, if we close our eyes we can picture being wherever we want to be.
my big brother has now been on a different plane of existence for thirty years. 30. as of yesterday. it is shocking that so much time has passed by. for the longest time i had a hard time understanding how the world could go on, when he could no longer feel it. and yet, it did. those of us left behind had broken hearts and missed the sound of his laughter, the details of his stories, his giant bowls of coffee ice cream. we are left wondering how he is present with us, what he can see, what, if anything, he feels. it was a friday.
“this life is not a dress rehearsal.”
the magic of friday night seems ubiquitous. for those in a traditional workweek, the weekend stretches out in front of you, friday night’s yawns delicious and lingered in. there are two glorious days to follow, days of errands or adventures or catch-up or sleep or just simply nothing. two of them. days to declutter your brain a little and sink into a little less routine.
and then, suddenly, sunday.
and, too fast, monday.
and we find ourselves wishing for friday.
yet, there is something about mondays that we should probably lean into. another day. here.
i stand here, in the kitchen in the world in all its complexities and all its flaws, and the dog gives me a kiss before he starts his breakfast and i bring david freshly-brewed coffee in a favorite mug. he smiles as i approach his pillow and the dog pounces on the bed. the sounds of early-early monday morning are like the sounds of saturday, like the sounds of friday. the certainty of monday is no less or more certain than the certainty of saturday or friday.
i imagine my brother took with him the sounds of morning, the sounds of his beloveds, the sweet taste of first java and ice cream in a late-night bowl. i don’t imagine he reached out to grab things as he floated; there were certainly no trappings as dear as the party he had on thursday-the-day-before just being near those he loved. his hologram remains with each of us, his humor and brilliant mind within our grasp as we speak of him. he made – and makes – a difference in this world for us.
we can choose to shut down the party on sunday. last call before midnight, enough time to sleep for the new week. or i guess we can recognize it can keep going. to be standing here, now, in this spot – with all its chaos and all its bounty – is party enough.
the day starts in quiet. the sun is barely over the horizon. the birds are singing, chipmunks chirp. i can smell the coffee brewing. i am here. i don’t know how the world goes on once i can’t feel it anymore. but for now, i can.
reverse threading 