when we sit on the deck – which we so often do – we look out onto our backyard. it is serene most of the time, a sanctuary for us – like a cozy private courtyard.
breck is growing by leaps and bounds. once again, we are surprised by this aspen tree’s response to spring. it is the happiest little aspen, filling out and getting taller. it practices quaking every day in the breezes that come off the lake or come in from the south or west. but sometimes, there are winds that are coming out of the plains states with much more power. and this young resilient aspen bends in its path. it worries us as we watch, wondering if we need to somehow stake this sapling, to help support it. we will likely go ask the good people at schwartz nursery – because they know. in the meanwhile, breck bends to the east when the gales come. we sit on the deck and, from that vantage, see it point to the right, nodding its trunk – “ahead, ahead,” it seems to say.
the almost-monochromatic of this photo appeals to me. there is more than meets the eye – these tones, movement in the background. i stopped to take a picture off-trail. i found the small green meadow strikingly beautiful. and there it was again – the response to the wind – bending, listing. “ahead, ahead.”
the messages come whether or not we notice them. they are all around us, tiny universe sticky-notes that flutter and attempt to attract our attention. we can ignore them if we wish. we can be too busy, too distracted, too engrossed, too stubborn, too riddled with our own schtuff.
or we can look at all the ways we are offered wisdoms. we can listen carefully as the sun rises or sets. we can see the greens in the green, the movement in the steady. we can rustle around in the world – aware of the air we breathe, the sun on the top of our heads, the cottonwood as it passes on the draft.
we can nod our heads in response to the wind – whatever the wind is for us – and whisper, “yes. ahead, ahead.”
breck is having a growth spurt. like when your toddler suddenly grows inches and miles and you cast aside the tiny outfits, reaching for the next sizes up.
you don’t really know what to expect about how a child will look when a baby is born. every day – in the middle of the chaos that is parenthood – you look at this precious child, pretty much incredulous. there are days when nothing about their tiny face and body looks much different. there are days when you have an inkling of what this little person will look like as they grow. there are days you stare and wonder whose child you are holding.
breck is kind of like that. for years since we brought breck home from – yes, breckenridge, colorado – it has looked like a small quaking aspen sapling. potted and then in the ground in numerous places in the backyard, its leaves were small, easily-identifiable aspen leaves, the classic well-loved shape of mountain breezes and stands of shimmering, rustling.
and then, this summer.
breck is now – apparently – an awkward teenager. the new leaves are giant, the new growth resembles the beanstalk that jack planted. it is as high as the lowest point of the garage roof and each day there are new leaves up there, new inches. we are not quite sure what is happening out there. but it sure looks like breck is having the time of its life.
breck’s vigorous growth this very summer seems really hopeful to us. in these past five summers we have watched breck maintain, keep status quo, a little teeny growth here or there. we’ve been grateful it has sustained. we feel inordinately connected to this little tree that made its way home from the high mountains with us in littlebabyscion.
we wonder about its sudden enthusiasm. we wonder about its new and different leaves. it feels like it is somehow bursting out of slow-and-steady into what-the-heck-full-steam-ahead.
breck is leafing out now. tender chartreuse mini-leaves populate its small branches. we are not quite at put-away-the-winter-coat but we are definitely at hope-springs-eternal. leaves! surprise! spring. already! but it’s just an aspen. and it’s just budding.
no, there is no “just”.
i suppose surprise is exactly that – surprise. it is that which we are pleasantly startled by – like fragile leaves – or that which we are astonished by – or astounded by – or by which we are stunned into silence. the things we would not expect of nature, of others, of ourselves, of a community, of life itself – these things surprise us. and in the winter of surprise, the winter of fallout – no matter how long the season lasts for us – we find ourselves underground, sending out roots, trying to stabilize, to process, to center ourselves, to recuperate.
there are those who peripherally try to help. they try to encourage moving on, letting go. their words are often statements that start with “it’s just…”. it is hard to listen to another person when their first words minimize that which you are going through. i remind myself not to use this word – “just”. it’s like the word “fine” for me. neither here nor there, “fine” sits somewhere in the middle of the emotional spectrum, not committing to either side. “just” sits in alphabetical order to the right of “fine”and the left of “let go” and “move on”.
we brought breck home from the high mountains, a sapling, a tiny piece of that which we dearly love. the aspens quake up there – the slightest of breezes brings their song. it was 2017 and, in the way of not-knowing, we didn’t know what the future would hold for us or for breck or for the world. time has now gone by – six years of time – and we look back, both in awe and shuddering. it has not been “just” six years.
it’s been Six Years. and there is not likely one of us who – without pause – can say it “just” went by.
“accept. adjust. arise,” she said.
breck has withstood it all, accepting its new home, the new everyday details of its life. transplanting, drought, heavy rain, sleet, snow, freezing temperatures, heat indexes over 100. it has adjusted and adjusted. so have we.
now, breck’s buds have turned to chartreuse. not “just” green. instead, a brilliant shade of living. it’s rising-rising-rising.
breck rode home in the back. just shy of five years ago. it came potted in black plastic and we happily bought it a giant clay pot so that it could live on the deck with us, next to the old glider, tucked in by the house and shielded from too much wind. we watched its tiny leaves quake in the breezes and marveled at this piece of one of our absolute favorite places, breckenridge, colorado.
during the winter we wrapped the bottom in plastic to protect the pot and keep its roots a little warmer; plus we weren’t really sure where to plant our tiny aspen. our yard isn’t that big and there are big trees that could block the sun from breck, not to mention that we wondered about the possibility of breck’s potential height. twenty to eighty feet is a significant range and, even with a norm of fifty feet, planning might be necessary.
we doted on breck and talked to it every time we passed by. when our daughter house-sat for a summer, we asked her to talk to breck as well. we did not want this displaced tree to feel akilter, out of place, lonely.
a couple summers ago we planted breck in the ground. we placed it back in the corner of the yard, right in the center of ferns and hosta, under a bit of shadowy guidance of some big oaks and maples and next to the big pine tree. we could still see it from the deck and the patio and we hoped it would flourish in its new spot, for, surely, it had outgrown its pot.
breck did well in the summer until things grew up around it. the thing about aspens is that they need sunlight. its branches began to suffer; there wasn’t enough sun getting through. we needed to transplant this baby tree.
in the middle of dogga’s running circle there are some ornamental grasses. they live next to his roundabout sign (the european variety – clockwise). very carefully, in the fall, we moved our sapling aspen into this wide open spot, full-sunlight-possible. we have watched it as it adjusts.
aspens have a cloning nature and, though we cannot see this, breck is hopefully sending out other stems underground. one day in the far future when breck is no longer, there will be new growth and, thus, its clone can live thousands of years. as long as there is sun and rain and things aren’t covered in concrete, our backyard will always have the potential of being an aspen stand.
now that it is spring – well, sort of – we are waiting. there is new rich copper-brown growth and there are buds, leaves patiently timing their grand opening. we will watch carefully and research what breck might need to sustain. we want to give breck every chance to thrive.
we can’t wait to sit on the patio in adirondack chairs in warm sun watching the new leaves of our cherished little aspen quake in the breeze.
we moved the sunflower. it was on the deck for a few years now, rusting behind the aging wooden glider, tucked between the kitchen window and the bedroom window. it greeted us each day we left and came home. it watched over my girl as she house-sat during the summer, a couple ago now, when we were on island. she didn’t know it, but i had asked it to keep her comings and goings safe and each time she left and came back to smile good days upon her. it came home from a cedarburg festival with us, having called us over to ponder its purchase. we walked the length of the festival and talked about the sunflower. then we went back, after more debate than most probably make about purchases, and bought it. about two weeks ago we moved it. now its place is next to barney, surrounded by peonies and wild geranium and daylilies and snow on the mountain. it is happy there.
when you’ve lived somewhere for quite some time there are naturally places that you go that feel better than others. for me, there are places in this town that have immediate warm responses for me, places that have held me, places that are part of my cairns, places where i have dreamed and imagined, places where a community has meant the world to me. there are other places that conjure up memories i would rather forget with visceral responses i can actually feel; i generally stay away from those spots not wanting to relive moments of grief or poor judgement or anger or betrayal or grand disappointment. i have learned, though, that sometimes the best way to process those is to drive past, to acknowledge, to breathe deeply, to maybe weep. in the same way that actual places remind us, mementos from places we hold dear make it into our special boxes or find their way into our home like sticks accumulating in the walking stick vessel in our sitting room or rocks added to the stones around the pond. some mementos are bigger than others, like the sunflower from a gloriously sunny festival-going day in a town we adore browsing or the 5′ long driftwood from a long island beach that graces the mantel or the high mountain aspen branch wrapped in lights in the dining room. and then there’s barney. there’s no escaping this beautiful piano in our backyard, aging with us.
i’ve shared barney’s story before…how he escaped the junk man’s junkyard destination and, for a small price, came here to share life with us. from a basement boiler room to a place of honor near the pond in our tiny yard he sits and invites the company of beautiful plants, munching squirrels and cutie-pie chipmunks. yet he is a memento. and the place he came from is no longer a favorite place. instead, it is a place i now avoid, with emotions that elicit a physical response and a little vibration i can feel in my chest when i think about it. and so how do i avoid attaching these feelings to barney, i have wondered.
my growing-up piano is in our basement. movers moved it there many years ago, before there were walls in the stairwell. i wonder what will become of it if we ever move. it proudly holds art books and a small stereo and sits in david’s painting studio with a couple rocking chairs and his gorgeous old easel. i have thought about ways to repurpose it. and yet, it is so dear that it will, for right now, stay there just as it is, with music in its bench and the little index card on which is carefully printed in eight-year-old font “practice makes perfect”.
there is a piano of size in my studio. it sits at full stick, waiting patiently. i was in there yesterday and it whispered to me, but, for right then, i was consumed with the finishing of putting things away. there is still music to file, organ music still to go back into cabinets. i must decide what to do with the poster that hung on the choir room wall that reads, “if you ask me what i came into this world to do, i will tell you i came to live out loud” or the metal cut-out words “it’s all about music” or the white strands of happy lights that were woven around the blackboard that listed rehearsals and demonstrated strum patterns and had dates of parties for that well-loved community held at our house.
maybe once i decide what to do with all of it – including the emotional wreckage part – i will again sit at my piano. drive past, acknowledge, breathe deeply, weep. my piano is full of empathy i can feel and some day, soon i hope, i will be able to sit and play – in a studio cleaned and inviting with mementos of goodness and intentions of evolution. then i will walk out of the studio and down the hall, through the kitchen and the sunroom and outside onto the deck. and i will sit on the old settee and listen to the pond and the birds and watch the chipmunks scurry across the top of the old piano that shares space with the sunflower and a couple green-eyed metal birds.
in answers that have come with a few months of time, i have found that the piano-ness of barney has overcome the where-it’s-from-ness. the peeling back, the wrinkles, the embrace of its tiny community in our yard…these things have usurped the rest.
instead, barney and the sunflower together greet us upon leaving and greet us upon returning home. together, they both bring joy and reassurance to our backyard and they both smile good days upon us.
reverse threading 