reverse threading

the path back is the path forward


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in the times i remember. [kerri’s blog on not-so-flawed wednesday]

in my mind’s eye i am sitting cross-legged on my growing-up front lawn. i am laying in a big field in the park. i am perched on the curb.

i am making clover chains.

back then – in simpler times – times with less awareness – times of innocence – i don’t think i noticed the complexity. i didn’t notice just how many tiny white flowers made up this one clover flower. i didn’t pay attention to the spectacular joining together of all these, the softest pale pink dusting, the clustering of beautiful rolled petals with green sheaths and raspberry-colored stems. I didn’t notice the clover flowers that were not spherical, for those were not conducive to chaining a necklace.

but now – now, i am smitten with the one sweet white clover flower. i am taken by the complicated and amazing make-up of this tiny blossom. i am overwhelmed by the exquisiteness of this singular beauty – in the midst of so, so, so many others – everywhere – in fields and fields of green clover.

i feel reminded…to be like the sweet grandson of our dear friends – who, with a large magnifying glass, studies the world to which he has access, aiming down at the ground to see leaves and bugs and flowers.

in the times i remember, i am holding a magnifying glass and i am looking at all the world to which i have access.

in the times i remember, i am seeing the tiniest things – the black swallowtail butterfly that dips over our yard – the caterpillar that consumed our dill swinging by to express a gratitude. or the bee on the wilting coneflower. or the hues of all the flowers in the meadow.

in the times i remember, i am immersing in the simplest things – the moments in the kitchen next to each other sous-chef-ing the ingredients for our tabouli: basil, parsley, mint, cucumbers, tomatoes, scallions, garlic – each rich in fragrance and texture. or washing and drying the dishes – by hand – together, ritual we sometimes practice at the end of the day.

in the times i remember, i am amazed by the sweet potato that grew pink shoots while in the stairwell basket. or the two tall cactus growing in the tiniest clay pot; neither suffering from so little dirt.

in the times i remember, the swell of the strings, the yearning of the low brass, the plaintive cello, the space between the notes, the sound of dogga clicking-clacking down the hall to us – all bring me to the right now, all-consume me.

in the times i remember, the white clover evokes visceral memories of flower necklaces, grassy conversations, few expectations.

in the times i remember, i feel just the moment at hand.

*****

we are trying to regroup, rethink and refocus our melange blogpost writing a bit. we – like you – know what is really happening in our world and do not need one more person – including ourselves – telling us the details of this saddest of descents destroying democracy and humanity. though we know our effort will not be 100% successful – for there is sooo much to bemoan in these everydays – we have decided to try and lean into another way – to instead write about WHAT ELSE IS REAL. this will not negate negativity, but we hope that it will help prescribe presence as antidote and balm for our collective weariness. xoxo, kerri & david.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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carry it with. [kerri’s blog on two artists tuesday]

dear you.

we are trying to regroup, rethink and refocus our melange blogpost writing a bit. we – like you – know what is really happening in our world and do not need one more person – including ourselves – telling us the details of this saddest of descents destroying democracy and humanity. though we know our effort will not be 100% – for there is sooo much to bemoan in these everydays – we have decided to try and lean into another way – to instead write about WHAT ELSE IS REAL. this will not negate negativity, but we hope that it will help prescribe presence as antidote and balm for our collective weariness.

xoxo, kerri & david

***

in the tiniest liminal space while the river rivers, a frozen second of film captures a painting of swirling green. with no frame of reference – no smidge of bridge over the waterway, no shoreline of rock or underbrush, no logs or boulders or turtles or fish or heron, no sky, no horizon – this tiniest second – the moment it takes to snap the photograph – becomes etched in time and space and the mystery of the image is born.

what else is real…there is beauty in the pollen-filled river, beauty as it flows slowly – slogging its way downstream, a palette filled with the pollen of nearby trees, algae exploding from the heatwave. and as we stand above it – we gaze down at it – and i am astonished at the color, the swirls, the ever-changing etch-a-sketch, like a jackson pollack painting has come alive right before us.

and the liminal space – this very tiny liminal space that the river has identified and snap-immortalized in our camera – evokes for me – once again – how momentous this very moment – that we can see this. and it, gratefully, untriggers – if there is such a thing – even for the briefest of time – the amorphous and not-so-amorphous anxiety-about-these-very-days i have been feeling.

and so i pick up the chartreuse-and-black river and carry it with me.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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balm. [kerri’s blog on two artists tuesday]

even from inside we could hear the tweeting.

i went out the back door and walked around to the front to see what was happening.

the house sparrows were building a nest above our front door, tucked carefully into the architectural elements of trim.

now, we love our birds. we take comfort in hearing them early-early in the morning. we watch them out the window on the wires above our driveway. we watch them out back at the feeder and the birdbath.

their constancy is balm for our spirits.

and in these times, there is nothing we need more.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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something else out there. [kerri’s blog on k.s. friday]

tens of thousands of people are attending their rallies. for good reason. bernie and aoc are speaking to the heart of america. they are the shining light – that glimmer you can see through the gap in the inosculated trees. their message to hard-working middle class america is balm for people exhausted-by-the-twisted-depraved-bullshit-warp-of-oligarchy, people like us.

we sat in the adirondack chairs in waning sun and listened to bernie sanders as he spoke. his words were – to me – like the sound of birds early in the sunrise or the wind chimes out back in a gentle breeze. direct to our hearts, we found ourselves hopeful, perhaps for no other reason than they “got it”. there is another way; there is sense instead of chaos.

it was like stepping outside the sickness foisted upon this country.

we are merely two days away from the possibility of an intensely corrupt chess move from the current just-itching-to-be-dictator administration – deliberately planned, contrived and soon-to-be-executed. the number of people involved in or supporting this evil is overwhelming. up close now, it makes me simultaneously nauseous and breathless.

i stood on the trail, gazing through the space in the trees – trying to see clearly. i attempted to get my camera to focus on what was beyond instead of rough tree bark, a different depth of field. it couldn’t. i could see light and color in the slit, but it was blurry, overtaken by the trees in the forefront.

but there’s something else out there, something better, something beyond what’s on deck now.

we need to focus on that, and diligently seek out that hope, that color, that light.

*****

HOPE © 2005 kerri sherwood

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thistle balm. [kerri’s blog on k.s. friday]

the last thing i expected to see – when we left the building – was anything of beauty.

and yet, there it was. just a little down the hill. growing out of a crack on the city sidewalk, a prickly thistle – with all its thorns – in full bloom.

the flowers were dynamic and dimensional. spiny. seuss-ish.

the plant stopped me. it stopped all thought. it stopped all manner of anything. it was that unexpected. and suddenly, i was distracted. and it was all about the musk thistle blooms. the mystery of prickly and stunning co-existing, a plant that can grow where others cannot.

and for a few moments, i was lost to texture and color…fuchsia and pink, purple and maroon, my heart lifting.

it is said – in the celtic tradition – that the thistle represents resilience.

i wonder sometimes how the universe knows.

*****

DIVINE INTERVENTION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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in our favor. [k.s. friday]

and the snow fell gently in the woods, rendering it muted, like the tones of ansel adams’ pine forest, snow.

it was breathtakingly beautiful.

snowflakes slid from the sky, landing on our faces, our eyelashes, our hats and scarves and coats.

everything slowed – a 78rpm record playing at 33.

stretched out into slow motion, we stood and gazed up into the trillions of perfect flakes.

and, in the way of water – a balm, worries washed away and all that was left was peace. achingly gorgeous, we stayed in it, in the serene, a cloud, unwilling to leave the soft-focus-world moments, the snow sanctuary.

“know that the universe is always conspiring in our favor.” (paulo coelho)

*****

PEACE ©️ 2004 kerri sherwood

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pointers. [d.r. thursday]

“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)

in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.

the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.

we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.

for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.

“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.

each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.

to pay attention, this is our endless and proper work. (mary oliver)

*****

read DAVID’S thoughts this D.R. THURSDAY

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soundtrack on repeat. a balm. [merely-a-thought monday]

were i to have their addresses, i would write thank you notes to ben folds, jon boden, sam sweeney, ben coleman, nick laird-clowes, paul buchanan, ron sexsmith et al….you get the picture. this soundtrack is our go-to right now. not only does it elicit thoughts of this most-marvelous-movie, but the music just speaks to us. on repeat. over and over we listen to it, never wearying of it.

there are just certain pieces that center you, that give you pause, that lift you. there are really too many to count for me. some of them are as simple as the text sound my phone makes when either of my children write to me. some of them are unembellished and sound like my husband humming along. some of them are as complex as layered music can get. some of them are silent, floating rumi’s words on their wings: “listen to silence. it has so much to say.”

these words of wisdom from this film, brilliance written and directed by richard curtis: “i just try to live every day as if i’ve deliberately come back to this one day, to enjoy it, as if it was the full final day of my extraordinary, ordinary life.” and these words on re-living days that have passed: “live every day again almost exactly the same. the first time with all the tensions and worries that stop us noticing how sweet the world can be, but the second time noticing.” i am reminded again and again as we listen.

this movie stays with you. it’s right there, beckoning you to remember. in the recesses behind the lists and tasks and daily troubles, in profound je ne sais quoi it quietly sits and waits for you. it’s a well to dip into even on the darker days and its music evokes each thoughtful scene.

we sit in many layers of complexity right now. it’s a symphony of great proportion, filled with questions, with challenges, with things begging for our angst-filled attention.

this album, on repeat, is a balm.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY