the snow was piled high on our walk around the ‘hood. stepping carefully around icy patches and those unsightly mountains of dirty snow next to the road, we strolled for a couple of hours. it was still freezing-cold out and the wind on our faces was biting. but the sun was out and, with icicles hanging off houses and treacherous sidewalks, we were stunned when we came upon this sight – early bulbs rising out of frozen ground, in a sheltered and sunny spot on the south side of the street. a signal that there is a new season to come, we practically danced on the sidewalk.
i texted her a photo and asked linda what these bulbs were. a lover-of-all-flowers, she immediately wrote back, “daffodils, i think. they look a bit damaged. like they came up and then got snowed on.” i replied, “aren’t we all? a bit damaged?”
it’s been a long hard winter. a long fall before that. a long summer before that. and, well, you know about last spring. today, scrolling through facebook, i saw a post that read, “a year ago this was our last normal week and nobody knew it.” wow. we can’t help but be a bit damaged.
but now, we look to the sun each day and note the rising temperatures, little bit by little bit. we think about coffee on the deck and a glass of wine on the patio. we look forward to the muddy trails in our favorite parks. we know that, though some things haven’t changed and the bit-of-damage is still present, there is a horizon and we are headed that way.
the bulbs will bloom, no matter how much they get snowed on. and so will we.
in kindergarten, i watercolor-painted an image of my mom. there was no mistaking her, of course. to my eyes, it looked exactly like her and i was proud as could be when she later turned my masterful painting into a tile to hang on the wall of the kitchen next to the tiled artistic expressions of my big sister and my big brother. now i wonder as i look at the photograph of this artist-sans-maestro image. why did i paint my sweet momma with two distinctly different length arms? was i proportion-inept? was i image-to-paper incapable? was i running out of room on the page in-between all the birds? maybe, oh maybe, i was just not a gifted five-year-old-watercolorist. despite all its shortcomings, my sweet momma carried that tile-painting from one house to the next to the next to the next to the next to the last. as i glance at the art of my children around me – the hand-drawn childhood notes framed on my bedside table, the painted fish-rock on the kitchen windowsill, the handmade signs in my studio – i understand her fierce everlasting dedication.
this snowman seems the snow-replication – at least arm-wise – of my ‘beautiful’ mom-painting. i don’t think i ever painted my mom in a solo piece again after kindergarten. i’m sure i painted my family, my house, my pets, flowers and sky and horses. but i didn’t paint any more portraits. no, it didn’t seem like i was gifted in any way in a depiction of a real person on canvas or paper. but i would hasten to add that i easily have portraited my mom in a million other ways.
she is in music i have written, in photographs i have taken. she is in the branches i have dragged out of the woods and the rocks that have been collected in backpacks. she is in the memories that swirl in antique shoppes and in table coffee-sitting. she is in words i speak and expressions on my face. she is in my mind’s eye, my thready heart and in that little voice in my head. she is in the letters i write and the upside-down shampoo bottles and the homemade chicken soup in my stockpot. she is in the way i push back against inequality, the way i rail against wrongdoing. she is in the merry morning sunshine and the stars that glitter at night, begging attention.
and she is in this tiny snowman we built on a bench in southport park on a snowy day in february, proportionately-inappropriate arms and all.
i read her text more than once, “imagine, over 500,000 americans who will no longer contribute to the whole.” it is unfathomable to wrap your mind around this and, yet, the devastation continues. some of this country’s governors, whipping off their masks, merrily open their state-doors to this insidious disease and more americans will lose their lives, their parents, their spouses, their sons, their daughters. for what end? so that people might visit disney on spring vacation? so that people might step out of their covid-isolated lives and ignore all that has been scientifically proven as critical aids to move the country forward? so that people might selfishly tote variants back in their carry-ons from warm hot-spots, from tourist attractions, from margaritaville, from breaks that could break us all?
i wear a small chain on my left wrist. it is literally ceiling fan chain. we found the pack of chain on my dad’s workbench in florida years ago, sometime during the period of years that both of my parents were moving to a different plane of existence. both d and i chose to wrap this chain around our wrists to mark my poppo and each time i see it, i think of him. we speak of him. we speak of my sweet momma. i keep them around – purposefully, intentionally. i want their mark on the world to be present.
a family in boston lost their father, neil, only 78 years old, to covid last april. a man who embraced life with wide open arms, his family wants to memorialize him and find a way to keep his engaged and engaging spirit in the world. their plan? to get a word he made up for a college assignment years ago – orbisculate – into the dictionary. ‘when citrus fruit squirts on you’ is the ready definition. the complete and official definition is: 1) to accidentally squirt juice and/or pulp into one’s eye, as from a grapefruit when using a spoon to scoop out a section for eating. 2) to accidentally squirt the inner content from fruits, vegetables and other foods onto one’s face, body or clothing, or onto that of a person nearby. the website has a variety of links for blogposts and goals and faq’s, ways to contribute to the important charity this lovely family has chosen to support and a petition you can sign to help move this effort forward, keep their dad around.
after her text, i spent some time thinking about the 500,000 plus beautiful souls no longer on this earth – simply because of covid, a pandemic with some preventable losses. how might we memorialize each of these people? how might we keep them present – in their own concentric circles, in their community, in the whole wide world? how might we intentionally remember?
to what end are we willing to go to not lose any more people to this virus? to what end are we each willing to sacrifice the smaller picture for the bigger picture? to what end are we willing to agree to unite in a continued compassionate endeavor to mitigate this?
and, with a nod to the brilliant idea category of this bostonian family, how will the dictionary accommodate over 500,000 new words – all of which would be worthy were each of these mortals to have their own special thingamajig-word and definition. and i hope they do.
poppochain: (noun): 1) bracelet made of inexpensive ceiling fan chain, typically worn wrapped around wrist 2) a physical reminder of enormous love 3) memorial of my sweet poppo, 1920-2012.
i touch the poppochain on my left wrist and, suddenly, i want to go peel a grapefruit.
*****
we orbisculate over to you for your haiku-turn. let them know!
these ‘miracle mittens’ have changed everything. for the first time, i am hiking with warm hands, i am walking the ‘hood with warm hands, i am outdoors – in the freezing cold – with warm hands. this is the first time i have found mittens that literally make my hands happy. they are down-filled and water-and-wind-resistant; they are an amazing entry in a wrist-saga-journey year. they are the best mittens i have ever found.
the best.
and the wrist-saga-journey continues.
the hand specialist looked at me and said, “you have a complete tear in the SL ligament.” he explained that it followed that my range of motion was pretty much nil and he added, “it would have been in your best interest had this been addressed within four weeks of your fall and resulting injury, but, now that it’s months later, we’ll address it here the best we can.”
the best we can.
the specialist in my own town looked at the mri report and, despite the words “compatible with a high-grade partial or complete (ligament) tear”, told me he saw no evidence of an injury other than something similar to a contusion, that i was fine and, with some occupational therapy, i would have ‘some’ range of motion in a year or two years.
i left that office – in my own town these months ago – and sat in the car and sobbed. the last thing i needed right then was yet another flippant bullying type. i decided then and there not to go back and started a search for a new specialist out-of-town. froedtert and the medical college of wisconsin delivered and i am now in the care of a hand specialist there and an OT i actually look forward to working with each session. there’s a long way to go and the possibility of other interventions, but i know that they will do the best they can.
the best they can.
it has been a journey, i have to say. as a human with opposable thumbs, these hands have been necessary, just in normal life-stuff. but the professional musician in me needs range-of-motion, needs extension, needs rapid movement, needs painless playing. so it has felt really important to me to look at the whole picture, to have a long-term solution, to not underestimate the impact of injuries that are part of who i am. now, with the help of empathetic experts, i can reach for the best i can.
the best i can.
the wrist-saga-journey has been – interesting – to deal with, on every level. two distinct injuries. one snowboard that wiped out both wrists and one unmarked wet floor, months later, that wiped out one of the wrists whose fractures had healed. i had two weeks off, after originally breaking both wrists, from the job-i-had-at-the-time-of-both-injuries. for the better part of the year, i just continued to keep on keeping on, playing, directing, doing the absolute best i could, despite pain, despite awkward adapting with and without casts, with and without braces, despite whatever physical repercussions might arise from using two broken and healing wrists. months later, it was merely weeks after i fell there, right at the beginning of my ninth year of tenure and – suddenly – my hands didn’t have a job. suddenly, the wrists i had forced to keep working all year were without music, were tacet. suddenly, the organ pipes and the piano boom mics and the ukulele chords and the music all over my studio were irrelevant. suddenly.
i told the specialist that wasn’t the end of the story. it’s not a short story. it’s my *hands* and they have been – and will be – part of a much longer story, part of the arc of me, part of different songs to sing, different music to play, different stages to stand on. maybe the-best-i-can is yet to come.
the best.
in the words of jewel, “my hands are small, i know/but they’re not yours they are my own/but they’re not yours they are my own/and i am never broken.”
we hang out with joey coconato every night. we hike out west with him on back-country trails, on high mountain ridges, in glacier national park and yellowstone, in the tetons and canyonlands. we camp in tiny tents and eat meals out of bags, filter our water and hang our food way up in trees. joey is easy in this world and he has inspired us day after day, taking us one more day through this pandemic, breathing fresh air into another evening when we turn off the news, the dessert for the odd buffet that is life these days. joey’s camera captures the tiny and the vast, things that become indelible in your mind’s eye – the beauty is astounding. we see glimpses of him hiking when his selfie stick leads the way or when he painstakingly plants his tripod and creates the chance to watch. otherwise, we see these trails through joey and we are grateful for his keen eyesight and his love of the outdoors. for him, the mountains and the trail seem to make all things 20/20; he is clear and committed and profoundly capable. joey sees the up-close and he sees that which is far away, both are part of his focus, the details and the big picture.
although he does not consider himself a guide, sometimes joey will have others join him on the trail. i’m guessing it is important to him that their goal for the potential of the hike would be similar, that their respect of mother earth and the basics of backpacking etiquette would be allying, that the bottom line of the trail would be the stunning goodness of being a part of the outdoor miracles of nature. it is clear by his grand hiking successes, alone and in tandem with others, that he values those around him, that he embraces sameness and differences. his generous spirit in his gorgeous workplace is not commanding nor controlling with his hiking partners. he has an overall intention, he has made all the proper regulatory reservations and permits, and he looks to his partners-on-the-trail, people he obviously trusts won’t put him in harm’s way, for input. he listens and he considers what they say, whether it is complimentary of his efforts or is critical or probing of plans he has made; he respects the dignity of each person he is with. if they push back or question him, he, without ego or agenda, looks for clarity and truth. he regularly features these trekkers and always speaks to their strengths. he films them as they hike, as they choose their own boulders on their way down the scramble-field. he encourages them. he empowers them. he takes a back seat and quietly goes about being the expert that he is and together they all get there – to the next campsite, down the next canyon, to the next summit. he is a natural leader.
my gaze alternatively shifts from the icicles in this photograph to the trees, back and forth, icicles, trees, icicles, trees. i can feel the cold air on my face staring at the sculptural ice and the changing color of the sky behind the trees gives me pause, makes me remember the day will soon end and a new day will again be upon us. it’s 20/20 this vision – clear that both exist, co-exist even.
20/20 vision is a funny thing. according to the aao, the american academy of ophthalmology, only about 35% of adults have 20/20 vision without corrective lenses. with correction, 75% of adults have this vision while 25% just don’t see very well at all. so, at best, what we see is somewhat subjective, centered on our own focus, our own viewing lens. i’m pretty certain that in life this pertains to all manners of vision. so many lenses.
these days our lenses have a pandemic-limitation as we respect the boundaries of what we should or shouldn’t do, where we should or shouldn’t go. we know that we don’t necessarily align with everyone else in our choices, but we are painstakingly figuring out how to go about life in this very difficult time, constricted and staying on the trail for the time being. now – with over 500,000 good people in our country who have died from this insidious virus – is not the time to split hairs over alliances. instead, it is the time to recognize the big picture co-existing with the tiniest details and to stay as laser-focused as possible on working together, in unity, in community, with love. now – in this time of the kind of extreme angst not seen in a century – is not the time to cease conversation, to cease looking to each other for input, to cease collaborating. it is not the time for commanding or controlling or invoking fear. perched on a cliffwall, trail transparency and accountability as guideposts, reality as his north star, joey knows all that. he is a natural leader.
so right now, if someone – in any arena, on any mountain – says, “your vision doesn’t align with ours,” i can’t help but wonder about their version of leadership. what does that really mean? whose 20/20 counts? is it the icicles or the trees? or is it both?
even the lake moaned in answer to the cold. waves pummel the ice from below, desperate for release, anxious to swirl and crash, and we can hear the sound of cracking, of squeaking, of water begging to be free. we stand and listen, transfixed by it all, this symphony in a frozen-solid world, a bit of music in the stillness of sub-zero.
for thirteen seconds we record the song of the lake, feeling a little like mother-nature-copyright-infringers. we marvel and watch, up over our knees in snow on the edge of the giant rocks that line the lake shoreline. ice, for as far as we can see, is shifting and the groans signal to us that, soon, water will win over ice, flow over stasis. soon, a lake that appears unmoving will reappear in all its moody glory and the suspended moment-in-time will pass. in the meanwhile, the lake will appear as a tundra, vast and flat, the horizon meeting the clouds, a straight white line of demarcation. the fury, the passion, the tides are hidden below the surface, furrowing their brows and incessantly working to break down the ice.
we stand there inside the song of the lake and take note of this measure of transformation.
we know in a day or two the ice will be broken up, the waves will return and the lake’s song will resume a cacophony of crashing, a minuet of quiet lapping, wild some days and gently calm others. just as we ourselves seem in suspended moments, we, too, trust the return of movement, of purpose, of the tides.
“the shadows from the starlight are softer than a lullaby…”(john denver)
in the shadows you can’t tell. nothing is precise. the edges are softer. you can’t tell age or race or gender. you can’t tell shoes or clothing style; you can’t tell anything really specific. it is all gentler, fuzzy, and, depending on the angle of the sun and the texture of the ground, a little bit blurry. seems like it might be a good way to live – softer than a lullaby.
the sun is often closer to setting when we get around to the part of the day when we release all else and go for a walk or go hiking. as we hike through the woods or trek around our neighborhood, the worries of the day, the week, the times, begin to float above us as we attempt to let them go. sometimes, in lieu of laptop-focus-sitting, we will go for a long hike to sort…to discuss…to brainstorm. those are the times it is daytime, when hours are plenty, long shadows are scarce and the sun is high in the sky. but at the end of the day, when it is time to quell the angst a bit, to ease our minds, the shadows prevail and we linger in them, often making play of their gift, snapping pictures of silly poses or just a capture of the very moment on the trail. to look at them later is to hear the lullaby of soft shadows’ reassurance.
in these last days i have begun to realize that which had been close is becoming shadow. i have begun to see, once again, that, in nebulous whirlwind life, time moves on and so do people. i have begun to acknowledge that it is time to let go. we have become shadows in the story of a community. we will fade as the sun drops lower below the horizon, as the moon rises. and with each day passing, we will be forgotten a little bit more. what i believed so deeply mattered has turned out to be evanescent, fleeting and ephemeral, vanishing like a shadow as clouds move in to replace the sun. and for that, there is no lullaby playing, no soft starlight. and there is no way to see our sadness in the shadows on the street.
but there is the promise of another rising sun, another chance for shadow-play, for tender sunlit silhouettes, for the reassurance of the blur of life and stars to come. of new photographs and lullabies.
it is doubtful – even maybe unthinkable – that this same post from a recent CNN article, a quote by Katherine Heigl, would read, “i may have said a couple things you didn’t like, but then that escalated to ‘HE’S ungrateful,’ then that escalated to ‘HE’S difficult,’ and that escalated to ‘HE’S unprofessional.'” and why is that?
when is the last time you experienced gender bias? when is the last time you experienced gender discrimination? when is the last time ‘preferential treatment’ wasn’t referring to you? when is the last time someone thought it was ok to speak condescendingly to you? when is the last time you were the target of harassment? when is the last time you were the recipient of inappropriate diminishment at work? when is the last time your employer made it clear to you that you were dispensable? like katherine heigl, when is the last time you were told you were ungrateful? when is the last time you were told you were difficult? when is the last time you were told you, as a professional, were unprofessional? if you can answer these questions without a great deal of memory-culling, you are likely a woman.
so, why is this? why did a powerhouse actress have to endure this branding? why does any woman? in this article about ms. heigl, she stated, “the more i said i was sorry, the more they wanted it.” she continued, “the more terrified and scared i was of doing something wrong, the more i came across like i had really done something horribly wrong.”
endless and looping. created by a male-dominated system to hold powerful women, women-who-speak-up, women-who-make-a-difference, women-who-push-back, women-who-point-out-inappropriateness – in check.
and it still – even in 2021 – works.
in the cambridge english dictionary, gender bias is simple: “unfair difference in the way women and men are treated.”
according to a report by the united nations, in 2019 women held merely 28% of global managerial positions. astoundingly, this percentage 28% is nearly the same as in 1995.
wikipedia gives shape to gender bias: “leaders are expected to be assertive, so women who act in a more collaborative fashion are not viewed as leaders, but women who act assertively are often perceived as too aggressive.” what??!!
jennifer lawrence, in an article for harper’s bazaar said, “”i’m over trying to find the ‘adorable’ way to state my opinion and still be likable! … i don’t think i’ve ever worked for a man in charge who spent time contemplating what angle he should use to have his voice heard. it’s just heard.”
how many times have you tried to have your voice heard? how many times have you reached out or responded in a nice-nice voice, the “adorable” voice (ala jennifer), in an effort to not escalate a situation? how many times have you alerted others to a predicament, yet they did not do anything to help? how many times have you been silenced, by the shushing of higher-ups, the lack of mature questions and answers, a conversation back and forth like all good chinwags, like all good and professional collaborations, or worse, the retaliatory actions of a superior? how many times have you been disregarded and scared?
meryl streep, interviewed in 2011, said,”no one has ever said to an actor, ‘you’re playing a strong-minded man’. we assume that men are strong-minded, or have opinions. but a strong-minded woman is a different animal.” why?
jennifer lopez railed, “i’ve always been fascinated about how much more well-behaved we have to be than men.”
michelle obama, during an interview in 2018, said, “keep fighting for gender equality, even if it makes people uncomfortable.” referring to the uptick of open and candid stories from the #metoo movement, she added, “the world is, sadly, a dangerous place for women and girls. and i think young women are tired of it. they’re tired of being undervalued. they’re tired of being disregarded.”
ariana grande, in her fight against patriarchy, is quoted, “the incredible double standards that we [women] face on a daily basis, in the industry and just in the world, it’s shocking.” she stokes hope, “i have a long list of things i’d like to change … i think, judgement in general. intolerance, meanness, double standards, misogyny, racism, sexism. … that’s what we need to focus on. we’ve got work to do.”
oprah winfrey is quoted, “i was once afraid of people saying, ‘who does she think she is?’ now i have the courage to stand and say, “this is who i am.”
my amazing and beautiful daughter, a professional coach and instructor, carried a tourist’s skis up a mountain the other day. she was also carrying her snowboard and i imagine the extra baggage was a bit cumbersome, but she recognized that this other woman needed a bit of help. she arrived at the top of the mountain to hear a man making fun of this woman’s husband for not carrying her skis. he referred to my girl as a “little snowboard instructor”. i can see her rolling her eyes from here, over a thousand miles away. she wrote on her IG that “girls gotta support each other when (they) can.” but, the icing on her gender-cake post?
she added, “also, i’m a strong little snowboard instructor, SIR.” yep. she is.
now we all need to be katherine or jennifer or meryl or j-lo or michelle or ariana or oprah and maybe we, too, will be heard. or maybe their words will help us all on this never-ending gender-journey. women helping women.
david, wearing his birthday tiara, waiting to have birthday cake
he said that he stood at the back door and thought, “i’m going to like this time of life best.” out the door, surfing through piles and piles of snow, dogdog ran the yard, bowing to the snow and snacking on it, his chin and face covered. a snowglobe day, david stood and watched our dog in his glee while the coffee brewed. moments later, he brought a steaming mug of strong black coffee to me, lounging in my flannel pjs in bed, sleepy eyes and a warm cat by my side. we clinked mugs and sipped while we talked of birthdays and time.
our day was simple. we ate, we wrote, we ate again. dogdog and babycat were by our sides, not eager to be anywhere else on this frigid day. negative temperatures in the minus-twenties weren’t at all encouraging for hikes outside, or even walks, and i made a mental note to start asking around about a treadmill. we unwrapped a winter-scene jigsaw that had been in the hall closet for years, called people, answered texts, opened a surprise gift that arrived on our frozen doorstep and puzzled at the dining room table. a late dinner and a couple of glasses of red and dogdog was begging to go sleepynightnight. he led the way to the end of the day, a valentine’s-day-birthday, a day of marveling at how dear people are, how fast time goes, how vested we are in adjectives like ‘peaceful’ and ‘promising’ and ‘content’ to describe our next. ‘euphoric’ and ‘carefree’ would be lovely too; so many adjectives, so little time.
on the deck right out the sunroom window, the wrought iron table and chairs were laden with the accumulation of days of snow. i could not help but see the round snowpile on the table as a giant birthday cake; i could not help but see the snow-shape in the chair as a little alien snowman, waiting patiently for a piece of cake. it was just too tempting and david was out front shoveling. with a couple silver christmas balls, a tiara found upstairs in my girl’s room, a tall white taper and some vintage pink-plastic-cake-numbers-that-hold-tiny-birthday-candles, i made myself laugh. sinking well over my knees in snow as i inadvertently stepped off the side of the deck into a drift, i collapsed into the snow, cracking up, just too excited for david to come around the corner of the house, shovel in hand. lemonade, i thought. this is lemonade.
and that, i believe, is what he meant by, “i’m going to like this time best.” a time when you know that lemonade – and the making of it with or without lemons – is most rewarding.
i wish i could sit with my mom right now. i wish i could be at her kitchen table with a giant bowl of her homemade chicken soup and a big glass of red wine. i wish i could be talking with her, really talking, not merely chit-chatting, but sharing all the stuff that we – very-human human-beings – go through. i wish i could feel that kind of comfort, that kind of never-ending fierce support, that kind of unconditional love, that kind of mothering right now. i wish she were here.
making my own homemade chicken soup will have to suffice. pouring a glass of wine and turning on the happy lights in the sunroom will have to do. sitting with david and pouring out my heart, tears and laughter intermingling, will have to satiate me. looking out over the backyard, staring at the lights strewn up between the trees, will have to be enough.
adulthood has its challenges. we race through our younger years at seemingly warp speed, our ever-widening circles further and further away from home. so much presses us. too much sentimentality is rejected; this world does not run on threadiness and success is not deemed reached with a collection of rocks, feathers, branches collected to remember times with beloveds. we are encouraged to push back against emotions that are confusing, that are overwhelming; this world does not reward our angst, our fear, our grief. instead it suggests that teflon hearts, insular, tough, impervious to the outside, will forward us down the road. we give less and less time to nurturing relationships; we are immersed in making a living, in getting by, in our own self-actualization.
and then suddenly, we screech to a stop. and we are there. we are adults. and, despite all the trappings, we are a little bit lost. we look around, we look back, down the disjointed path, and we realize it’s all fleeting and we, struggling, our hearts quivering, the gift of retrospect bright and shining, pine for simple. we wish we could sit and have chicken soup with our mom, or with our children, and listen and share. we wish we could say that we have learned, in all our human-imperfection, that most important of all, just as we might have suspected, are those rocks and feathers and branches. most important of all are those moments spent with beloveds. most important of all is the honest exchange of ideas and thoughts, choices good and bad, learnings and re-learnings. most important of all is the sharing of our emotions, the visceral, the belly laughs, the sobs, the mistakes and the forgiveness of our flawedness, our common denominator. and hopefully, if the world is as full of grace as we are told, most important of all is the giving and receiving of unconditional love.
i wish i could sit with my sweet momma right now and ask her…how did she make it to almost-94 without a broken-heart-from-life-stuff time and again. i wish she could, once again, reassure me that “this too shall pass” and remind me that moments in time are just that – moments in time. i wish she could tell me her coping strategies, the way she found her zen in this big old damaged perfect world.
reverse threading 