we had the gazebo all to ourselves. it is likely that the tropical-storm-nor’easter had something to do with this. no one seemed inclined to be strolling about, nonetheless lingering on the gazebo.
so we danced. on the rain-soaked boards of this beautiful age-old gazebo, we waltzed to the music on my phone – the cherish the ladies instrumental if ever you were mine – the very piece we irish-waltzed at our wedding, surrounded by a circle of family and friends.
and on this dark starless night, with rain drifting in under the domed wood of the gazebo, it was not only magical. it was a little bit healing. it was sacred.
for here we were – both literally drenched – all alone on the gazebo of my youth – lifting the cellophane of the old magic slate – starting a new history.
just a couple people passed by in the park, walking the edges of the harbor. they paid no attention to our slow dancing. much is the way of new yorkers: you do you they imply.
we weren’t looking for an audience, so that was good. we were just sinking into the night – in the middle of the storm – in the middle of the storm.
and i could begin to feel the old break away a bit and new replace it as our feet got jumbled together in the waltz we hadn’t waltzed in a while.
i clicked play a second time, lifted the cellophane a second time.
no matter how many fresnels, how many gels, how many follow spots, how many tracks, how much confetti, how many bubbles, how many furries – it does not match the energy in the giant pavilion as it built through their performance.
our son and his musical EDM duo partner aced their set – their music setting the heartbeat – and, from a new vantage point in the middle of the crowd, it was sheer joy to watch.
PRIDE milwaukee was a celebration of freedom – freedom to respectfully love whomever you choose to love. there is nothing like being embraced and encouraged by a festival-sized crowd to be whoever you are. it’s like there was a mash-up of the words of cher’s “believe” and marlo thomas’ “free to be” ringing in my ears. empowering. tolerance.
and i stood in the middle of all of these thousands of people – all just being who they are, all dancing and laughing and hugging and feeling in their skin – wondering how anyone can reject acceptance, how anyone can squelch love and draw parameters, how anyone can vote against LGBTQ rights and freedoms, how anyone can wish to instill fear in a community, how anyone can righteously think they are above others.
i was proud to be at PRIDE.
one of our son’s friends said, “you are such supportive parents.”. i thought to myself – wow – that’s redundancy at its best – “supportive” and “parents”. aren’t they one and the same?
yes, i was proud to be at PRIDE.
on saturday night, surrounded by thousands of others, i danced with my hands to the sky, grateful to be here in this community of people loving people, granting each other the freedom to be, grateful to choose to be a mom who was there.
and then, the reality of right-now crept in.
and i thought about the peril part. the danger of this precipice between democratic freedom and autocratic elimination of rights, of silencing LGBTQ, of the denial of acceptance and empowerment and support.
and i thought of the deplorable act of voting for this abhorrent administration – against family members or friends or people in one’s own community.
i thought about ALL the cruel policies, sweeping up and discarding in the name of xenophobia and racism, banning rights, freedoms, hotlines to help, books, HIV/AIDS resources in the name of homophobia, gleefully destroying healthcare, food security, assistance in the name of oligarch wealth. it’s sickening.
“there’s a land that i see/where the children are free/and i say it ain’t far to this land from where we are/take my hand, come with me/where the children are free/come with me, take my hand, and we’ll live
in a land where the river runs free/in a land through the green country/in a land to a shining see/and you and me are free to be/you and me
every boy in this land grows to be his own man/in this land, every girl grows to be her own woman/take my hand, come with me/where the children are free/come with me, take my hand, and we’ll run
to a land where the river runs free/to a land through the green country/to a land to a shining sea/to a land where the horses run free/to a land where the children are free
and you and me are free to be/and you and me are free to be/and you are me are free to be you and me” (1972…free to be…you and me – stephen lawrence/bruce hart)
and, astonished at the speed at which evil takes over, i wondered: where did this land go?
there are about 200 seeds in a single dandelion fluff. even in the gentlest of breezes, the dandelion field scatters everywhere – seeding, seeding – more dandelions, more dandelion fields.
oh, the mayhem.
88 keys.
the clusters of piano keys that might be in any piece of music. consider just a three-note composition. in the simplest of equations, assuming once the first choice is made you must move on to the second choice and then the third choice, one has 88 keys to choose from x 88 keys to choose from x 88 keys to choose from – merely 681,472 options for any given composer on any given day working to write just the first three notes of a melodic gesture.
oh, the mayhem.
choices.
for the painter and a canvas, a writer and a pad, a dancer and a wood floor, a potter and blocks of clay, a blogger and a computer keyboard.
it – the imperative to mayhem – calls us. to make something out of it all. to birth something out of the raw materials, to use our tools to create, to choose direction, to express artistic vision – what we see or hear or feel – a passion – that might – or might not – touch others.
there is no guarantee, no real proverbial “if you build it, they will come”. it doesn’t just happen that way. it is an imperative nonetheless.
the imperative to show up, to engage in the mayhem.
i’ve done much of my composing in-between other things, stealing time – minutes even – to write something – anything, something that might be universally understood, something that gives air to a thought, an emotion – something in my internal or external world. scraps of melodies, bass line roots, ideas only until i might make them airborne.
mayhem steals my imagination and lifts it past the stuff-of-the-day. it pokes and prods me, not allowing for passivity, foisting ideas and snippets of muse upon me.
it’s a bazillion seeds in a dandelion meadow, a bazillion pianos, a bazillion pencils and pads, a bazillion brushes and a bazillion paint pots.
the magic dots showed up. it is a happy day to wake up and see them.
with just the right angle of the sun and just the right angle of the miniblinds across the room on the east side windows of the bedroom, they sometimes – but not all the time – appear.
it is a little bit like fairy dust, the twinkle at the end of a magic wand, floating bubbles, glimpses of angel wings. and what could possibly not be good about all that?!
i have awakened in this room most of the 35 years i have lived here, save for bedroom rebuild/remodeling time and other moments here and there. with five windows, there is no shortage of light. it is bright and, though – like rooms in old houses – not big, it is airy.
it is spirit-lifting to wake up and see them…these magic dots dancing on the wall. and, during a time that is testing my spirit in more ways than i care to think about, i am grateful for the dots.
they poke at me, prodding me with mary oliver urgency – “what do you plan to do with your one wild and precious life?” “eh??” they add. “well?” they insist.
they know – these magic dots – that there is much to be done. they know there is much to work through, to see to the other end, to process.
but seeing them reminds me to carry them with me. to not forget the fairy dust, the magic, the bubbles, wings in the middle of it all. to hold it all more lightly.
for, like, the magic dots, it will all disappear as the sun rises and the rays tilt in a different angle. with one turn of the miniblinds, they will be gone.
but in the meanwhile, they invite me to dance with them.
en pointe, arm in fourth ordinary position, the queen lace stands in late winter. curved seed petal over her head she stands in the brilliant sun, ready to release all the rest, to grow, to start over.
way back in the day, one of my favorite times in each week’s schedule was when my little girl took ballet lessons. she had a pink leotard and tights and tiny ballet slippers. we parents sat on the wood floor in the hallway just outside the entrance to the dance studio, gazing in wonder at our little girls – dancing. tiny ballerinas. the sweetest ballet.
our play group back then gathered in our houses, with a revolving schedule. when we were anywhere near a piano, i’d play music and all the little ones would dance. it was amazing and inspiring to see all these tiny people dancing with abandon. so much joy.
we passed the queen anne’s lace and i could see these tiny dancers as we passed by – arm curved and raised overhead, on tippy-toes, swaying, twirling in the wind.
in my mind i raised my arm up – over my head – and pirouetted around. right there on the trail. what better way to greet the sun of each new day, i thought.
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“as the wind loves to call things to dance / may your gravity by lightened by grace.” (john o’donohue – to bless the space between us)
we swoop the plastic sheet from the proverbial magic slate, clearing the picture that was so clearly there, and we start the new year. all images of the year we have tugged along with us – each of the years we have scribbled and tugged along with us are erased – even though all the evidence is still there as impressions on the wax. the slate is ready for a new drawing. the stylus is at hand. the wind is blowing.
“it is a serious thing / just to be alive / on this fresh morning / in this broken world.”(mary oliver)
we babystep into this new day, crawling toward life goals and intentions, aware of our rapidly beating hearts and the fearlessness we are trying to adopt as a mantra. we are gingerly. we are bold. we hold hands. we brush others away. we are independent. we are always interdependent. we are open to horizons we don’t recognize, yet our pinkies hold onto barely discernible wistfulness threads, like helium balloons tied to our wrists, weightless yet there.
“when you should have felt safe enough to fall toward love…” (john o-donohue – for someone awakening to the trauma of his or her past)
we lean toward the whispers that pull us forward, trying to shed that which has tethered us behind. we recoil less. we are brave. we revisit. we recount. we shuffle the next step and the next, eventually picking up our feet, courageously trusting our breath – that it will truly still be with us a few yards down the way, that this scrutiny and release will be stretching. that our daring will eventually invite us to dance, just like the wind.
“i went searching in a foreign land and found my way home.” (sue bender)
and the universe holds us under the sun and the moon and we – actually – have more than we need. and it is a new year. and – no matter where we are – in any river – we are home. we are ready to dance.
“you are not a drop in the ocean. / you are the entire ocean in a drop.” (rumi)
he invariably joins in. dogga cannot just watch us dance. he stands on his strong aussie legs and joins with us. it is utterly one of the sweetest things. he’s like that with hugs, too. he wants to be a part of it.
since we love to dance together – even a few steps here and there – he has plenty of opportunities to watch (and join). we dance in the front yard, on the back deck, in the living room, in the kitchen. there is nothing like a slow dance to (literally) slow you down, tune you inside, make you feel like everything-is-going-to-be-ok in the world. maybe that’s why we’ve always danced together – from the very beginning.
and to think that dogdog is right there, with us, makes me realize that – actually – he must love when we dance.
there is a scene in “sweet home alabama” when – as a little girl and a little boy on a beach – he tells her he wants to marry her so he can kiss her any time he wants. later – after the whole circle of the story plays out, the camera returns to the two of them, grown, on the beach in a pouring-rain-lightning-storm. he asks her why she would want to be married to him and she responds, “so i can kiss you anytime i want.”
it is a classic moment.
were we all able to stay in that simplicity, relationships between two people – any two people – who love each other might have a better chance in this complex world. so much work goes into our love relationships, and sometimes we all forget they are about just that – love.
yesterday a friend told us that – during covid – after her husband had a heart attack – along with many other serious difficulties – she was unable to see him for weeks. and then. now, she is grateful to be able to touch his skin. simply that. touch his skin. it doesn’t take away the tough moments or the potential arguments or slights or angsts, but she tells us – eyes glistening – that, for her, it is about touching his skin.
sometimes it is simply a kiss. sometimes it is touching skin. sometimes it is a dance.
their genre is listed as: jam band, bluegrass, country music, psychedelic rock, neo-pyschedelia, progressive bluegrass, rock and they are fearless about crossing all the invisible lines.
i don’t think i have been at a concert where absolutely everyone stood up and where absolutely everyone spanned the widest-ever spectrum of age. tie-dye, flannel, jeans, bell-bottoms, patch-laden vests and jackets, leather, maxi dresses – it was an everything-goes phenomenon of fashion. mostly, people wore their love of this band and gigantic contagious zeal.
“you’re going to do so much dancing,” our daughter texted, laughing. she was right. the dancing never stopped. everyone – again, absolutely everyone – danced with everyone, absolutely everyone.
the sidewalk and lobby outside the theatre in milwaukee made me feel a little out-of-body and a little like it was 1976. security officers, metal detectors, bag searches, lots of cigarette smoke and that distinct smell of pot…yes…a little out-of-body. there were so many people. it’s been a minute since we have been in a mob. we wove our way through, ordered a wine at the bar, asked if we could bring it inside and found our way to our seats.
the adorable couple next to us were probably the ages of our kids. they had left their three year old and their one year old at home with his mom. they were at their fourth string cheese incident concert. they had hard seltzers in their hands and seemed to be in bliss. the guy on the other side of me was already a tad bit wasted. he must have decided that i was not a worthy neighbor because he and his seatmate moved somewhere in the first few minutes. i wasn’t totally unhappy about that. to reiterate, a little out-of-our-element.
SCI played non-stop for hours, only taking an intermission break. their energy ignited the happy-factor in the audience and the whole concert was one giant ovation.
we laughed as we made our way out through the crowd, found littlebabyscion in its parking garage and drove home. sometimes a little out-of-body is good for the soul.
and we will give thanks over costco rotisserie chicken and homemade mashed potatoes.
and we will play favorite cds in the happy-lit sunroom as we set a table, thoughtfully choosing cloth napkins, deciding which place, which memories we want to evoke.
and we will speak of others gathered around tables and tv trays, spilling into family rooms from dining rooms and kitchens filled with light and food and conversation.
and we will call and have chit-chat, maybe even a facetime visit.
and, if the rain holds off, we will take a hike in the woods. it will be slightly warmer and there are few dishes to wash.
and it’s possible we will watch a movie or two, with a duraflame log burning but not stressing the fireplace and chimney.
and we will dessert on brownie bites, perhaps a dollop of whipped cream, perhaps a few raspberries. or ice cream from our yonana, still a dollop, still a few berries.
and we will miss those not here…those gathered with others, those too far away, those on other planes. we will speak of them in our gratitudes and hold them all close.
and we will sit – and stand – and maybe even dance – in the day, even in its liminal space.
and we will begin to decorate with fluff and pine to welcome the season, earlier than usual.
reverse threading 