it’s the last two. the very last two jalapeño peppers. today or tomorrow we’ll make ann’s jalapeño poppers recipe and celebrate the crazy-abundant harvest of these two relatively small plants. their season is clearly over; there are no tiny flowers left, there are no miniature peppers. these plants are done producing. but, in a new discovery, i have found that we can overwinter these perennials (more easily sustained in warm climes) – if we bring them indoors before the first frost we can give them a headstart for next year.
last year we only had one plant. its harvest is what convinced us to have two this year. maybe next year it’ll be three. in these last years, we have discovered the equation of this garden – what we get out of this garden is a direct result of what we put into it. it – and the experience of it – remain part of us, for we have paid attention to it.
like artistry – if you follow the imperative – being true to who you are – and who you’ve been and who you are becoming – and not beholden to societal expectations or fiscal returns – its produce potential is crazy-abundant. amorphous, ethereal, it will shape and re-shape, build and break down, condense and stretch – you are feeding it always. in the quiet and in the noisy, in season and out-of-season, overwintering. it’s all fluid, continuous.
i wonder when i will compose again. sometimes i can feel it building – the tension of the imperative. on those days i walk into my studio and touch my piano. it’s just a gesture, an acknowledgement. but it counts. it connects me back and forward, both. it is perennial.
and i can see – they are one and the same – these jalapeños and my music.
“not even the tiniest perennial grows only to die. it comes back again and again when the season and the time is right.” (kate mcgahan)
when i was younger – a teenager – i used to sit in the tree outside my window and write. shy – at first – of using the word “poetry” to describe what I was writing, my sweet momma suggested the word “reflections”. so back then i adopted that word for a bit. i consider now how much time in my life i have spent writing reflections, writing lyrics, writing poetry…how much time i have spent – even figuratively – in that tree.
for obvious reasons – the gift of the early days of a new year – i am gazing back on the year we just exited, reflecting on the river we traveled. it’s why i keep a pencil-written calendar – i want to remember. all of it. the tough moments and the moments that seemed divine, the hilarious moments and the times I couldn’t stop crying. all of it.
as i look back on all the spindly memories i can muster, i wonder about the year’s journey. was i compassionate enough? was i courageous enough? was i stalwart enough? was i stubborn enough? was i flexible enough? was i unconditional? did i keep my mouth shut at the right times? did i speak up at the right times? did i shout at the right times? did i choose wisely – based on knowledge and truth and values? did i comfort? did i stand in love, act from love, embrace love – enough?
it’s snowing as i write this – under a delicious quilt looking out the window. if i turn my head just right, the happy lights are reflected in the six-pane window. if i cock my head to the side, i can source the mind-bank of reminiscing, albeit a bit helter-skelter and most definitely incomplete. if i close my eyes i can hear the silence of the morning; i can intend quiet. i can wade in the river.
i suppose that in the rearview mirror of our lives, we all have much to ponder. we each take up a tiny bit of space here and it matters. we flaw and we flounder and we – sometimes – maybe not as much as we would wish – sometimes we flourish.
i think that as i take spindly-sapling steps into this new year i am hoping to reveal as much as possible in the reflection in the river. it’s time to look that reflection in the eye. it’s time to be the same we are. it’s time to change.
if i wish to be a strong oak, resilient and leafy, then i must live as a strong oak, resilient and leafy. or an aspen. or a maple. or a lodgepole pine. or a willow. no matter.
grounded, supporting other life forms, part of a bigger picture – a bigger ecosystem – mindful that we are simply a grove of humans in a giant universe. perhaps we all need be mindful of what we are reflecting back. we are rooted together – with branches that reach for each other, for spirit. interconnected, we share this earth. we share responsibility. we share the mirror.
my eyes struggle to make the reflection clear. but rivers are like that. they are never entirely static. they keep moving. and things are a bit blurry.
i am diving into the worlds of facebook marketplace, ebay, poshmark, craig’s list. we are spending long days in the basement – going through, organizing, separating out that which is to be kept, that which is to be sold, so much of which is to be donated. thirty-five years – in the same house – is a long time to accumulate things and there are many boxes and giant plastic bins to open…and…this is not our first rodeo down there. it’s been nasty weather and it’s negative-whatever outside so this a perfect time for this. i know that any stopping of the momentum will – yes – stop the momentum. so we don’t stop.
on a shelf unit with many books of many colors, i came upon a collection of volumes – all ten of them, making a complete set. they are the 1908/1909/1910 copyrighted gold-leaf-gilt-edged editions of “the bible and its story – taught by picture lessons”. there are beautiful penned illustrations throughout, published by ira hiller (ny). it is a significant collection. but not one that i want to keep. i don’t remember the backstory – where or who these came from. and i know that, though i have not once opened them to read, there is someone ‘out there’ who would want to add this to their personal collection. and so, i will sell it. with the exception of a little water damage on volume 6’s back cover, it’s in quite excellent condition. research will help me set a price – i’ll not ask for top dollar, though, for i want to move this out and into someone else’s hands for their own home library.
it’s an interesting predicament – setting prices. even with research, it all seems somewhat arbitrary. a thing is only – truly – worth what someone else will pay for it, i am reminded. and so, i keep that in mind as i hold things in my hand, maybe photograph them for memory-sake and place them on the dining room table for an ad photo shoot, the writing of a description, pricing and uploading. i wonder what value someone else will have for these things – so many things – that were mine but that need to move on.
for value is a funny thing. for some, it is in the name of the maker, the label tucked in the collar, the brand on the purse or the jacket or the furniture piece or the vehicle. for some, it is the gilded antique, the collectible, the museum piece. for some, it is the barbie doll or the hummels or the annual dated ornament. for some, it is the scrap of paper found in an old purse with toddler-print that says “i love you”. for some, it is the yoyo quilt your grandmother made; the one in which you recognize the fabric of clothes you once wore. in amish tradition, “an object cared for in a home can turn into a shining thing.” (sue bender)
the things i or we choose to keep may not be the festooned bric-a-bracs of someone else’s sensibility. they may be much simpler, more thready and less dollar-attached. they have old narrative worn into their object-souls and – even now, decades later maybe – they can still elicit an array of emotions. the relationships, the art form, life’s riverdance all woven into the things we may choose to keep.
we keep unearthing, unboxing, moving items from one spot to another. “life’s all about moving your patches around,” and i believe this to be true. it’s all fluid. we will keep working until we finish the first pass through of the stuff-of-life and then – and only then – will we be able to start the second pass through.
“simplify and then go deeper, making a commitment to what remains.”
“all i can do is be me. whoever that is.”” (bob dylan)
it’s an imperative. composing, songwriting, producing, performing – they aren’t really choices. they are inherent – something inside that begs you to feel it. it is an ancient call for an answer that tugs and prods and taunts until you comply, baring your soul. it makes you vulnerable and demands courage and fortitude, sacrifice and a stalwart sense of purpose. it is not a straight path. It is fluid. it is failure and a phenom. it is devastation and ecstasy. it is necessary.
standing backstage – our son and the board clearly in view – i am whisked away to the place parents are taken when they see their children doing something they wildly love to do.
i have stood on a giant mountain – one of the highest skiable terrains in the united states – and felt this feeling as our daughter flew past on a snowboard, everything in her aligned in the freedom of expression that single piece of wood opened in her.
and now i have stood on a wood floor in a crowded nightclub – way past my bedtime – and felt the exhilaration of my son’s music – truly moving him, bringing forth who he is from a place deep in his heart.
and in both circumstances, i have been in awe. and in both circumstances, i have celebrated.
because though they have both been scrappy and deliberate, non-traditional, intentionally creating the ability to have the room to express – with any combination of full-time work, layered jobs, skimping and saving, lack of resources – in an ever-changing river, they have led with who they are. what is important to them – deep down – is their truth. their heartbeat. figuring it out as they go.
our son is an EDM artist – electronic dance music. his music is powerful and pulsing, driving you to dance. it is layered and complex and technical and, as a composer – even understanding a slice of the process – i stand back in wonder. we are both creating music and, even in its difference, it has the same goal.
“some people feel the rain. others just get wet.” (bob dylan)
he is feeling the rain. and his music invites everyone else to feel it as well. that’s the imperative. it’s what has compelled me to compose. it’s what compels me to write. it’s what compels david to paint. it’s what compels the potter to sculpt, the dancer to dance, the climber to climb, the actor to act, the skier to ski, the athlete to push, the chef to craft, the aerobatic pilot to soar on bluesky days, the creator to create. it takes some guts. but it’s necessary. for the world.
“dear artists. don’t hold back. that’s it…” (okuntakinte)
in these days – in any days – i could sit and – for long periods of time – stare at a dancing flame. much like cumulus clouds lazily floating by in a brilliant sky, my imagination drinks in the possibilities…every moment a different shape. constant flux.
“i do not understand the mystery of grace – only that it meets us where we are and does not leave us where it found us.” (anne lamott)
no given moment – as i have learned – is static. no given moment – as i have learned – is untouched. every everything is moving and swirling and spinning and the unexpected is right around the corner. just exactly when you think nothing is going to ever change. it’s fluid flame.
enthralled with it (my astrological element is fire) i took out my camera and started shooting flame photos, one after the other. it took less than a minute. it’s sometimes hard to remember that, in the overall arc of time, change is the only constant. one needs only watch the flame to get a sense of the evanescence of it all.
these moments – in the dark cool of a late summer night – the sounds of a few tenacious cicadas on the wind and squirrels scrambling along the wires and branches – watching the fire column interpretive dance – were glimmers. they visually reminded me of change taking place – that i can feel, that i can intuit, that i cannot even imagine.
and for a few minutes – precious minutes in these days – i gave over to the flame, grace and the mystery.
it needs to be below 32 degrees fahrenheit for icicles to form. this is wisconsin, so that’s not really a problem here. it’s winter. there are stalactites of ice everywhere. when they form on gutters is when i start worrying. ice-damming is a cruelly-lurking by-product of our winter storms. but ice forming elongated frozen crystal teardrops on ivy? that’s another thing.
the howe caverns guide was a handsome young guy. susan and i were mid-teens and, thus, instantly in love with his chiseled face as he led us through the stalactites and stalagmites of the caves. fred prendergast was his name. now – ask me what we did last weekend and i may not remember. but fred? yup. how on earth does that work?
i hadn’t seen these beautiful tiny icicles before. they were a product of the neighbor’s garage eaves overflow dripping onto the ivy on top of the fence during a period of time that the temperature dipped below freezing. clearly, a number of things had to align in order for us to see this chandelier of baby icicles.
they didn’t last and, very soon, they were gone. but in the meantime, i captured many photos of them teetering between existence and not-there. looking closely, you can see the layers – one drop of water freezing at a time – vertical layers upon layers. like snowflakes piled inside long lucite columns, each one different, suspended from fragile ivy branches. they were fascinating and prompted me to research icicles just a bit more.
when we left howe caverns, we were – ok, i was – convinced that fred would be my future…that somehow this summertime-employed-cave-guide would search the world – or at least the state of new york – and i would one day be mrs. prendergast. we would give cave tours together and study stalagmites and stalactites. our children would be the children of two studied scientists and our home in upstate new york would be a place of knowledge-seeking.
fred never found me. somehow – in the way of the teenage crush – i was able to process that he never looked.
but his lessons about the stal-ites stayed with me. and i couldn’t help but remember when i stood in front of these tiny icicles on display.
i wonder what fred and the missus (or the mister) are doing.
in the middle of tempestuous times, you stand firm, dedicated and focused. you fight for what you believe in, you hold fast to what seems important. you are a warrior and you have a mission and you are unparalleled strength.
and the times pass and the seas level out and you slowly allow the storm to dissipate and the roiling foam on the waves to evaporate. you are a survivor and you have grace – for yourself, for others – and you are immeasurable learning.
“the way you look at things is the most powerful force in shaping your life.” (john o’donohue – anam cara)
it is in the tight holding-on, the clenching, the grudge, that the embers burn hot, easily sparked. it is in the loose acceptance, the fluid release, the forgiveness, that the embers are merely for warmth.
i could hear the firetruck getting closer and closer, until suddenly red lights were spinning around our living room. our neighbors had a chimney fire. they were fortunate and the fire department responded quickly and doused the inside of the chimney with chemical to extinguish the fire. we’ve gotten several chimney estimates in recent months, now put aside for a bit of time in order to budget in the pricey work. our neighbors have the stainless steel flues we want to install and so we wondered about how those could allow a fire to start; we thought the reason to install those was to avoid such a danger.
but it seems that even with stainless steel flues, one must chimney sweep them every few years. because the residue builds up. and then it waits. for the perfect moment, so to speak. a spark – uncontrolled – to ignite.
life lessons from a chimney. we hold dear to things we never want to forget. these memories are close to our hearts and cherished. i guess we need be mindful of those other things…the residue…the things best lived through and then forgotten, washed out to sea, chimney-swept from the places in our hearts residue might hide.
there is a gold frame around the old black and white photograph. a still life of a family. it was taken in the 1920s and it captures the still-life of my sweet poppo’s family…at that very moment: his dad, his mom, his brothers and sisters as young children and babies.
i don’t have another like it; there is not another portrait – at least not in my collection of photos – that has both his biological parents and all his brothers and sisters. my dad lost his mom to metastasized breast cancer when he was merely eight years old. my grandpa married a woman – the only paternal grandmother i knew – who was willing to take on six growing children. life was not still.
in the way that families sometimes splinter, my dad’s family lost touch after the death of my grandparents. there was some rift and there were plenty of hurt feelings and, then, there was silence. i grew up the rest of my life without my cousins, without sharing in their stories, without the chance to know them or love them. it was like the still-life-portrait was carefully cut up and only my dad was left.
one of my uncles had drowned in the swimming hole in upstate new york during their teenage years. another uncle was lost at sea during the war. i think my third uncle passed somewhere along the way maybe in brooklyn, where they all grew up, as did one of my aunts, a fun-loving californian who always went by her nickname. and the aunt who had children – who would be my first cousins, wished for but lacking in my own circles – was in new england.
a couple years ago – after i broke my wrists – when i was sitting with casts and a laptop and the pandemic had just begun, i decided to google them. i wrote a bit about finding them – a golden moment of connection. suddenly, through research and social media and, unfortunately, posted obituaries, i discovered two of my four cousins.
i reached out, one on either coast. they reached back. and the ripped pieces of portraits that could have been taken through the years began to assemble. tiny bits of photo paper, a little glue, stories to be told.
my dad – on the other side but not too far away – smiled when i had my first conversation with his sister, my aunt. he no longer remembered the details of whatever the rift was and, besides, it was a ridiculous fifty years prior. how long does one hold onto these kinds of things?
my aunt, with a touch of brooklyn and a touch of boston, told me stories and i really pined to meet her, to hug my dad’s sister, to hear of my dad as a youngster, to sit with her. but covid and fragile health sadly combined to prevent this.
my cousin called while we were driving to the grocery store. he told me that earlier in the morning his momma, my 99-year-old-would-have-been-100-in-three-months-aunt helen, had died. once again, the still-life photo shattered. i would not capture a picture of us together, our jowls matching, perhaps our eyes, perhaps the curve of our faces. i watched her service online yesterday, trying to memorize the smiles and tears of my lost-now-found relatives.
i’m grateful for the brief conversations and the fact that she knows i looked for her, for her children. i’m grateful to have contact with two of my cousins and to someday meet their families and the families of my other two cousins who were holding a spot for their momma in that other plane. with great joy i listen to stories they tell me and i know that we’ll share time and snapshots, close-ups, wide angles, portraits, candids – reaching back and reaching forward – of our lives together.
i learn every day to let go, to hold on, to appreciate it.
there is no limit to how long you can stare at rushing water. cool mist enveloped us as we stood there, watching. in the land of 250 waterfalls, we, as even babbling-stream appreciators, stood and took in this gorgeous sight.
it is unusual for us to be in the midst of many people these days, even outside. yet, here we were, transfixed by the looking glass falls, along with at least thirty other carsful. everyone, with different accents and languages, exchanged greetings on the way up or down the rock steps. everyone was smiling. everyone was kind. the waterfall brought us all together before we parted and looked for the unbeaten path, the trail in the woods, the less-trod, less-populated places that would be quiet. in those moments of togetherness, though, the sheer force of the water spilling over granite seemed to be a cleansing balm to anything that would keep us all separate.
we stood still on looking glass rock trail the next day, just listening to the stream below us. a hiker jaunted by us, intent on making tracks. he turned around and asked us if there was something worthwhile to look at. that, in itself, was a funny question, considering the absolute beauty of the place we were standing. i responded that we weren’t looking, “we’re listening.” he nodded and said something about serenity, then pushed on.
if there were a place i could choose to stand as this year turns into next, i think i would pick one of the 250 waterfalls, or, for that matter, the stream. a reminder that all things keep moving. that everything is fluid. that the edges are smoothed by the water that runs over and over and over them. that dropping worries and angsts and all negativity into the moving, rushing fall or even the whitewater river or gurgling brook, will allow that very water to carry it all away.
“it’s time to let it all go,” he said as we were visiting together. he’s right.
as this year turns its head toward the sun of a new year, i drop it all into the water and start again. we are merely riverstones in this fluid looking-glass-filled life.
reverse threading 