reverse threading

the path back is the path forward

Tag Archives: grief


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not yet open. [k.s. friday]

i’m trying to decide just how vulnerable to be, how brutally honest, how much to share. it’s like sitting on the fulcrum in the middle of the seesaw…you can choose either way from the pivot point.

this lovely couple – who we considered extended family and saw every sunday – was next door at the garden club’s secret garden event. we saw them from our deck, waving to us over the neighbor’s fence. we gestured we’d meet them in the front yard. giant hugs later, we started a little catching up, having not seen each other in years now. they had family tales and travel tales and many tales of adventure.

they told us they missed us. we were grateful to hear they missed our “energy” and “the fun we brought”. they asked about us.

he asked if i had a position now. i don’t. being terminated during a global pandemic at the age of then-61 with an injury to my hand doesn’t naturally lead to a new position, particularly in the arts. i’m 64 now and we can both agree that age discrimination is alive and well in our country.

she asked if i was composing, if i was “doing my music”.

i sat in the middle of the seesaw.

i’m asked this fairly frequently – people expect someone who has 15 albums already and who has also spent decades as a minister of music – to be fully immersed in music now. after. usually, i somehow deflect, saying something like ” you know, the pandemic…” my voice trailing off. then i quickly ask what they are up to, how their family is, the new grandchild, the retirement, the vacation, the joint replacement…

this time, though, with these dear people standing in our driveway on a beautiful day – post-hugs – tears sprang to my eyes and i began by saying, “eh, this might be too much information.”

and then i told them that i am not composing, that i am not “doing my music” and that i haven’t been able to. that it’s too been too much, that it was too hurtful, that – as much as my studio is a part of me, my essence – being fired devastated me in more ways than anyone can really imagine. it is not as simple as walking back into the studio, sitting at my piano, grabbing pencil and paper, placing hands on the keys. it wasn’t just any old job they took away. it was part of my soul. and – to be honest – i am having trouble recovering. still.

the fulcrum teetered and the seesaw arm – the resistance arm or the effort arm, i wonder – fell to the ground, jostling me. i apologized for the over-abundance of emotion.

they stared at me. they looked surprised; they looked sad. we were quiet for a minute, while i regained my composure and climbed back onto the fulcrum pivot.

but the words were out there. and they were the truth of it all.

and i am this coneflower.

not yet open.

*****

blueprint for my soul ©️ 1996 kerri sherwood

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some questions for you. [merely-a-thought monday]

my son shares his name. it’s his middle name. wayne.

it was in the middle of my second pregnancy we lost my vastly-loved big brother. my little girl was two; my little boy not yet arrived. i had lost grandparents before that. but, somehow, despite our sadness in these losses, in their older-age, it seemed a natural part of the life cycle. my brother was different. it was today, 31 years ago. and he was merely 41, which is twenty-three years younger than i am at this moment.

though my brain somehow grasped the details of his cancer, my mind couldn’t wrap itself around how it was possible that the world could go on if he could no longer feel it. i still struggle with this. i am not naive enough to think it all ceases because of one – but the lack of the act of feeling, the passion of feeling, the tactile, the visceral of feeling – all this – it felt – no, feels – inordinately complicated to me. the full-stop. surely, in the moments i ponder this is when i realize how utterly futile it is to try and control anything, to be utterly absorbed in stuffff, to not stop and notice the tiny delicate flowers on the path.

we are reading a book together. though the actual book has nothing at all to do with this post or my brother or pausing on trails in the woods, the title – for me – is relevant: i have some questions for you.

i do, my big brother. i have some questions for you.

i know you know, bro, how adored you always were. did you take it with you? can you feel it on this other plane you are on?

i know you loved coffee ice cream, hot cups of coffee, birthday cake. are your senses as vibrant? did you smell the peonies in our backyard? can you now catch a whiff of the lavender, the mint, the basil? can you feel the sun? are you aware of the breeze – or – are you the breeze itself?

i know you loved to hear neil diamond, loved to play guitar and sing, loved to feel your hands on projects of wood. do you float in and out now, catching snatches of song, feeling the pick in your hand, hearing the scroll saw start up?

i know you loved. are you right here – loving – right now? are you right next to your wife, your beloved children and your grandchildren, and, if we could touch incandescence, the full spectrum of color, translucent gossamer, could we touch you?

i know you are not in a physical form on this earth. but are you simply unseeable? are you, in turn, coffeesitting with our mom and dad and then swooping in to somehow steadfastly drop wisdom or strength onto the rest of us?

i know you probably don’t have any questions. but i do. and, as my big brother, you will need to find a way to answer them, as i am counting on you to explain all this.

i’ll stop – wayne – at the delicate flowers in the woods. i’ll slow down and dance on the deck. i’ll try not to worry about the angst of the day-to-day. i’ll feel and i’ll drop into pause.

there are times i know you are here. there are times i know our sweet momma and poppo are here. i wish it were easier to see you.

in some kind of trust – right smack in the middle of grace and not-knowing – i do believe you are the wind.

*****

you’re the wind ©️ 2005 kerri sherwood

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

ANGEL YOU ARE ©️ 2002 kerri sherwood (this song is not jazz, nor does rumblefish own any portion of the copyright or publishing rights of this song)

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our parents. [not-so-flawed wednesday]

neither one of them knew what it was. clearly, they both lived in a cave before i came along in their lives. but still.

“it’s a butterspreader,” i informed them. for your corn-on-the-cob. you put the butter pat in it, hold down the handle and the curved plastic screen perfectly spreads melty butter on your cob.

they stared at me as if they had just landed on plymouth rock and – supposedly – were the ones who literally discovered new land.

in unison, the choirboys said, “i’ve never seen one of those!”

i laughed. as a non-butter-user, it doesn’t matter to me if i pull the cornbutterspreader out of the drawer, but i knew that it might matter to them – one potential butter-user-depending-on-the-day and one devoted butter-user.

my sweet momma had these kind of snazzy devices. she had the yellow metal-pronged corn thingies to hold corn-on-the-cob as well. long islanders, we were pretty loyal cobcorn eaters in the summer. back then, it was all about the biggest aluminum pot in the house and boiling water. but now, my sweet momma would have loved to see 20 cut off the ends of the cob (including the stringy end), putting the whole thing into the microwave for 4 minutes. as an alternative, we could have placed it on the grill as well – unshucked – but the microwave was a little quicker.

it was a day that kind of celebrated our parents – without our really knowing or planning it.

i carmelized the onions before i added the beer – milwaukee’s best. i knew columbus was watching, laughing with glee as i put the brats in to boil. momma jeanne said they were just like his when we made them in iowa, so we have a stamp of approval. we had beans – because my momma and my poppo never had brats or dogs without having beans. and sauerkraut because, well, 20 was raised by his momma on sauerkraut. (you don’t want to know how often he eats this.) and watermelon…well, every one of our parents loved watermelon. we were our parents – wouldabeen 102, 102 today, 90, 99, still 100 and still 88.

today’s my sweet momma’s birthday. she’s the wouldabeen 102. in the way of grief, the moments sneak up and take me by surprise. suddenly, i am pitched forward into desperately-missing-her from the ever-present missing-her. it doesn’t take much.

it’s the cardinal in the backyard. it’s telling her about the new birdbath. it’s the triumphs i want to share and the failures when i wish for a hug. it’s a cup of tea or morning coffee. it’s early rising or wee-hours-pondering. it’s chicken soup. it’s rye toast. it’s upside-down shampoo bottles. it’s blue eyes. it’s hearing “to thine own self be true”. it’s her “don’t underestimate me”. it’s “i know you can do it”.

and it’s the silly corn butterspreader.

happy happy birthday my sweet momma.

*****

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the red adirondacks. [two artists tuesday]

these chairs – privy to a lot of life – over just a few days – in warm iowa sun.

we gathered to celebrate columbus’ life, to inurn his ashes, to solemnly and with great gaiety – for that is how columbus lived – say the final-of-the-final goodbyes.

it was the game of bags (cornhole for the rest of you), the bubble wands, the hula-hoops and columbus’ old 33rpm records we brought with us i think he really loved. we made his brats with beer and onions. we made the pasta sauce he liked. there was more; a lotta-lotta food – just the way he liked it. mason jars with wine and a cooler full of water and sparkling hard seltzers and beers-just-up-a-notch-from-columbus’-favorites. and he – from the next plane over – held his beloved wife’s hand as she navigated this time in his growing-up land.

the three adirondack chairs from the east-facing porch were moved, following the activity. down the big grassy hill for bags and around the south side of the house closer to gracie-cat’s-plugged-in-water-bowl to escape the howling wind. back to the porch for happy hour and in a big circle in the lawn to toast his momma’s first hostess cupcake, bag chairs a little teetery on the uneven ground.

you had to watch for the thistles in the grass – you couldn’t just run around willy-nilly without being – yowsa! – aware. but somehow that reminds me of life itself.

it was a time of red. bright bright red. a time of brilliant stand-out moments we will clutch onto, like the hugs we shared at the cemetery and at the old screen door past nightfall the last evening.

though life is like a box of chocolates – yes, forrest gump – it is also like an adirondack chair you drag from place to place. it’s about comfort, simplicity and peacefulness. an intention.

you can sit and watch life, take it all in.

you can do life and then, rest.

both, and.

we took turns with the red adirondacks. that’s what family does.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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pussywillows. [k.s. friday]

with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.

“pussywillows, cat-tails, soft winds and roses
rain pools in the woodland, water to my knees
shivering, quivering, the warm breath of spring
pussywillows, cat-tails, soft winds and roses”

(gordon lightfoot, “pussywillows, cat-tails” 1968)

smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.

as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:

but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial predator who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.

i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.

“riding on the roadside the dust gets in your eyes”

it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.

“slanted rays and colored days, stark blue horizons”

the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.

“treasuring, remembering, the promise of spring
pussywillows, cat-tails, soft winds and roses”

treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.

“shivering, quivering, the warm breath of spring”

to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.

*****

WATERSHED ©️ 2004 kerri sherwood

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tiny heart. big love. [two artists tuesday]

that babycat would be 14 today. it’s an unofficial birthday because he just showed up and no one was there to tell us all about his birth, about the litter of kittens he was from, about his momma or his papa. february 28 was the day chosen for him and we celebrated it – and him – each year.

it’s been almost two years since he became an angel-cat. and, in the way that our sweet pets profoundly impact us, we miss him every day. our babycat had a big presence in our home and lives. he still does.

i just read an article about love written by neuroscientist Stephanie Cacioppo in which she reminded the reader that it indeed is “better to have loved and lost than to never have loved at all”. all love. including our amazing animals, i’d insist.

though his own life was not nearly as long as i wished it to be, babycat saved mine. his tiny heart in the universe changed me.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the asteroid. [merely-a-thought monday]

a large-moving-truck-sized asteroid missed the earth. apparently, not by much. npr called it a “very close encounter” and nasa said it was a “near miss”. it kind of puts things in perspective. i mean, what does anything angsty mean when all could be destroyed in a moment by a united-van-lines-projectile?

i suppose the wise among us would nod slowly at that question. they’d take a deep breath and exhale audibly before speaking. and then they’d point out that there are no guarantees – for any of it – and perhaps lighter hearts would be a better way to fly through this universe, skimming along, soaring, aerial acrobatics from moment to moment.

it’s been seven years. my sweet momma glimmered her way to heaven seven years ago and now, seven years later, we are interring her ashes. the wooden box that my brother-in-law holds gently in his hands is added to my dad’s niche in the columbarium. his ashes are in a hard cardboard heart-shaped box and my dad grins as her wooden box is added next to his, relieved that it wasn’t the other way around or my momma would have had something to say about his box being wood and hers being cardboard. nevertheless, our son said it best, “happy they are resting together.”

i brought my ukulele and a songsheet and we all gathered around and sang “always” before the niche was closed. it was simple. and short. and the service a row behind us had a twenty-one gun salute followed by taps – just in time as the caretaker replaced the granite door.

it’s sobering to be in the veteran’s cemetery. pristine and beautiful, but sobering. so many headstones. so many little granite doors.

i looked up – i wanted to remember the sky – perhaps the heavens – the moments we stood there, after. the sun was shining and there was a gentle breeze.

my sweet parents whispered “thank you” to us and my momma got that stink-eye look she gets. “now go live life,” she added. and my dad reached out his hand and diverted the asteroid’s path, just a little. but enough to make a difference.

always.

*****

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we know. [saturday morning smack-dab.]

“and their eyes get all wet.”

yes, they do.

because babycat, well, he rescued me. this black and white hulking tuxedo cat was not merely a cat. he was always an angel in disguise, just like all our pets are intended.

we – truly – miss him every day. and so does dogga. the alpha-in-the-house, babycat’s presence was part of the most basic of maslow’s hierarchy. he was as necessary to a sense of rightness-in-the-world as any of the physiological and safety needs.

i suppose as time continues to go on, the lump in our throats will ease a bit.

but as the hierarchy presses, rears its pointy head and pokes at us in these times, we gather dogdog and that babycat-angel around us and tuck in.

we do know, b-cat.

*****

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SMACK-DAB. ©️ 2022 kerrianddavid.com


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polly and anna. [merely-a-thought monday]

there is a fine line between security and insecurity, a line that runs invisible through days of buoyancy and through days of challenge. we have seen it – that line – when we least expect it, just at the moments you are beginning to breathe, at the instant you are sinking a little into ease.

i suppose that having crossed the line – back and forth, back and forth – gives us the ability to tread water, to sort, to distinguish that which is important and that which is not. but that tiny vibration that sometimes trembles in my chest returns, despite any pollyanna-ing i attempt.

we sat in a starbucks the other day. i mean, literally – physically – went inside, stood at the counter, and used some gift money that had been sitting on our app foreverrr. and then we sat there and sipped coffee and shared one of those lemon cake slices with the schmear of sweet frosting. it felt out-of-body…it had been sooo long since we sat in a starbucks.

over d’s head on the opposite wall the words “you’ll make it” got my attention. i was hoping it wasn’t the universe simply placating me. i was thinking more of digging out the colorful magnetic plastic letters circa 1995 and pulling out d-a-m-m-i-t for the fridge. but i guess i will have to choose to believe otherwise, leaning on both polly and anna.

“you’ll make it” – good words when you can see the line.

i sipped my pike roast and listened to laverne and shirley’s silk-flowerish theme song in my head, “there is nothing we won’t try. never heard the word impossible. this time there’s no stopping us. we’re gonna make it…”.

sometimes, though, you just have to sigh.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY



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the trail in. [merely-a-thought monday]

when i was choosing seats for the elton john concert in north carolina, the – predictably – least expensive seats were the ones with an obscured view. a pillar, a speaker, a wall…something was in front of the seats, not allowing you to see. or maybe the seats were behind the horizon line of the stage, the apron, making elton basically invisible.

clearly these seats – still dang expensive – weren’t right. i mean, if you can’t see him perform and you can’t really see the jumbotron why not just sit and listen to ej cd’s instead? clearly, that’s not the point.

so i stayed away from the obscured-view-seats and chose seats from which we could see all the action. high up, yes. but we could see it all.

we passed a sign in the chicago botanic garden, posted by a tiny trail. “by screening out views and creating hidden areas, this garden entices you to explore just beyond what you can see.” we couldn’t see into the garden…so we took the little trail in. it was beautiful and a little magical. a little secret garden. not obvious. beyond sight.

the work of an artist – of any medium – is like that. find the places just beyond. find the line of melody that tugs, that urges, that compels. bring those places to others so that they might explore them as well. past the horizon. past the stage. you can still hear elton from the obscured-view seats and you can still feel the energy.

in a thirty-plus year career as a minister of music i always felt that it was my job to introduce the obscured secret garden to others. for faith – regardless of denomination – is that which we cannot see, that which we cannot touch. my mission was simply to open hearts through music to see beyond what you can see, to explore beyond sight. grounding in the most basic of tenets – love, kindness, generosity, peace, embrace of all others, support, truth, fairness, equality, grace – i felt it imperative to offer music that might viscerally touch a person who might not otherwise be touched, to hold it all out there gently so that a soul could easily grasp it, hold it, be wrapped in it, be comforted by it. faith in something bigger in this universe is found in a river of changing times and circumstances and staying steadfast is like the path a leaf takes on that river, both raging whitewater and lazy currents. we open our hearts to explore, even though we cannot see.

it might be time to play my piano again. maybe. it’s been a long time – a couple years now, save for a few moments a few times. i haven’t been able to play it – the magic has been obscured from view – since, well, since i felt blindsided. but now…maybe now…finally…i can see the trail into the studio. maybe now the black and white notes lifting into the air – will heal hurting even just a little, will allow exploration and sight beyond the obvious tangible horizon, will open a heart again.

mine.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY