so right now we have harvested four tomatoes. i know that four tomatoes does not a stockpot of marinara sauce make. but these four tomatoes count and later today we will place them on a special plate and have them with our lunch, delicious-homegrown-bite by delicious-homegrown-bite.
our basil and flat-leaf oregano and rosemary have gone to town and are a delight to use in recipes. our mint insists on flowering and is kind of spindly. (yes, yes, i know the flowering part sort of causes this, but no amount of cutting back seems to help.) and our tomato plant – well, despite our best efforts at loving this little potting stand garden to fruition, it’s eking out very few tomatoes. that’s ok. we still are in awe of the whole process, and watch, in utter happiness, as our little garden grows.
there’s a guy on youtube who is hiking the colorado trail. more than once we have heard his mantra: what goes around, comes around. he is in the practice of doing good deeds for others, on the trail and off. and he recognizes each time someone does something for him, or the universe tilts in his favor. i’m betting he would love our little garden too. not necessarily for its tomato and herb yield, but because of the tender loving care we are putting into it and the joy it is bringing us.
i’m thinking that’s true of most things you tenderly and lovingly care for.
our old door – leaning against the house on the back deck – is not high in the himalayas. it’s not at everest base camp or, for that matter, on any scaled summit. but, like the space in which our other prayer flags fly, our deck provides a place from which to release prayers and mantras into the wind, to hope for compassion, peace, strength, wisdom, and good will.
the cracked-paint white door leans against the white lapped vinyl siding of the house. walking sticks – mostly from mountain trails we have hiked – lean nearby.
our colorado prayer flags have faded and shredded to nearly invisible. i imagine many, many prayers blown far and wide, the wind pulling at the string on the northeast side of the house, a place of distinct breezes off the lake.
i decided to make our own. they do not have the words of prayers on them. they are not specific in a colorful palette. instead, they are black-and-white, save for one white-and-black flag. sewn of thin bandanas and seam tape, i was pretty excited to string them up.
and with them, as they are beginning to catch the breeze, as they begin to get tattered and worn and sunbleached, they will begin – just as the others – to send wishes of goodness and positive energy into the world.
we aren’t going to get all hung up about color or what is printed on the flags. for us, in these times, it’s all about the intention.
bunbun et al seem to love the new hosta. we added them to the back garden – along the new fence – last summer. and then bunbun’s momma added her family to the backyard.
it’s not that we don’t love hardy purple-flowered hosta. they are the hosta of my youth, the stalwart souls of shady gardens everywhere. they come back, despite pretty much anything.
but those white-flowered hosta – big solid-colored blue-green leaves – and the waterfall of white flowers bent under the weight of their blooms. i’d see them in nestled in mulch on our walks. i’d see them in peaceful garden center strolls. ahh, i was in hosta-desire.
most of our yard – prior to last summer – has come from others. plantings, cuttings, full transplants from people dear to us. so it has been less about landscape-planning and more about gratefully accepting gestures of friendship and generosity.
and then, when it was time for a fence, it became about planning.
our fern garden is tucked into the back left, over by the garage, under a canopy of many big old trees. we dug up and transplanted all the hosta from along the back fenceline to over by barney – kind of a vintage garden, old-fashioned flowers tucked in next to each other, next to our almost-100-year-old piano. it’s where our sweet peonies are and all the daylilies.
along the back fence, though, we now have various-sized ornamental grasses. switchgrass and zebra grass, blue sedge and a big piece of driftwood that tiny birds seem to love. they perch and linger, eyes on the birdfeeder, waiting their turn for the birdbath. we added three of the darker-leafed hosta. these are the ones bunbun loves. tiny bites of leaf – evidence of bunny snacktime.
each day – with the coolest watering wand and hose gifted to me by my niece – i wander slowly around the backyard, taking note of new growth in each of our plants – the gifted ones, the carefully-researched, chosen ones. it’s simplicity at its best – a slow walk nurturing all the living things back there. we fill the birdfeeders, knowing the chippies and the squirrels love them too. we clean and refill the hummingbird feeder and late dusk watch the hummer fly in to do its feeding circuit. we scrub out the birdbath daily, refilling it – just as the woman walking through the parking lot told us to do when she enthused about our purchase on the rolling flatcart and i asked her about things we should know.
it’s a slower summer. because of circumstances, we don’t know if we will be able to travel much. but that makes dogdog happy. and, in my imagination, i can hear the house wrens and the cardinals and the robins and chickadees and sparrows clapping. and bunbun’s ears perk up too.
barney’s nails are popping, its layers are peeling back even more, rust is gathering on surfaces subjected to air and moisture. this is not a surprise. barney has been outside in the sun and the rain and the snow and ice and wind and humidity and drought for almost ten years now. a decade has a way of peeling things back. i wonder what barney might look like in another decade or maybe two. its soul will be intact; its boxy exterior will be falling away, opening strings, hammers, soundboard to the world. and always, its soul, present, true.
barney is no less beautiful now than the day it arrived in our yard. in fact, as it changes, its transformation is a metamorphosis into an aged piece of art sans any expectations. it stands as a stalwart symbol of constancy in our backyard. it reminds me that soul is resilient, fluid. no matter the weathering, the chippies and bunnies nesting, the birds stopping off to rest, the squirrels sitting and taunting the dog. no matter only eleven white endpieces of keys are left. no matter the line of popped nails in a row along its upright top. its soul – exposed – carries on, aged and stronger than before.
“this is the first, the wildest and the wisest thing i know: that the soul exists and is built entirely out of attentiveness.” (mary oliver)
if barney needed to express itself, tell stories of its past, the narrative of a life of a hundred years, it would merely stand and speak – firmly planted. time and nails have loosened its jointed wood and the container of a million tales, and have – figuratively – unlidded the top of the shoebox under the bed or on the top shelf of the closet. every story counts and, as we sit in the backyard, we pay attention. we listen to barney, giving credence to its voice, glad that even in its aged appearance – and its agedness – it is not silent.
in ways i can’t explain, i can feel the nails popping.
somehow breck knows. nature, in all its wisdom, whispers “it’s approaching” and breck’s gorgeous aspen leaves begin to turn.
we sat against our pillows with coffee this morning, a cool breeze through the bedroom windows. the crows were cawing and i could hear the lake pound the rocky shore. there is a beach hazards alert today calling for rip currents and higher waves. it’s a little grey out – the day i am writing this – and you can feel fall in the air. the wistfuls are at bay, waiting just a little longer to kick in.
but the grasses are evidence, as plumes of gold and maroon shoot up toward the sky. the cherry tomato leaves are beginning to yellow. the long stems of daylily flowers – sans blooms – are drying. the chippies are amping things up. there are just a few less birds in the morning and we hear geese overhead. up-north, along the side of the lake as we paddled, there were pockets of color. maples turning just a bit, reds and yellows, catching the sunlight. the mornings were cool, sweatshirt-worthy. playing bags in the garage invited a few yellowjackets, their quest to stay alive in september always pre-empting my ease outside as i try to avoid getting stung. it is quieter here at home during the day; school has started. it’s dark now when we wake up and the sun is setting earlier in the evening. autumn is arriving. we are standing at the edges.
we sat on the deck late saturday afternoon after a day of chores around the house. we talked about how it is already september. we tried to remember june. i opened the photo gallery on my phone and went back to the end of may so we could track the events these months. dates and happenings blurred as we strolled through pictures and not-too-distant memories. how does this happen? time flying by.
at the end of a week fraught with sudden worry, we were grateful. we had ridden the roller coaster of fear and intense concern, we had been lingering for days in not-knowing. we reached the end of the week with a few answers, the best of the possible worrisome scenarios. and we were grateful.
breck’s leaves quaked in the breeze that picked up that evening. a few raindrops fell on us. we stayed in our adirondack chairs on the deck and turned our faces to the sky. autumn is coming – in the way seasons roll round and round – and we are happy to greet it.
the crystals on our outdoor chandelier are catching the sunlight, their exquisitely-cut facets sparkling toward the sun, the clarity of spheres throwing prisms of light and, in the dark, casting intricate shadows – strung pendalogues with silhouettes illuminated by moonlight.
uh-huh.
ok. i give. it’s plastic. all plastic. except for a couple metal strap parts and the solar pack.
so when we ordered it – this solar chandelier – we expected some heft and prepared how to hang it on the old door that sits behind the glider on our deck. we talked to jeff at the ace and decided upon a hinge we’d attach to the door with a wrought iron arm that we could move in an arc, depending on how we wanted the chandelier to be hanging. we had wanted to hang it over barney – for that old piano in our backyard deserves a chandelier – but it turned out that the chippies and squirrels and birds won over a lighting fixture, regardless of its beauty.
the box came. lighter than, well, we expected.
and when we took it out of the box and attempted to unwind it from itself, we were a little skeptical that it would fulfill the lofty dreams we had for a chandelier outside.
nevertheless, we are not the kind of people who give up on something before we give it a chance. we decided to try it on for size before packing it and shipping it back.
we hung it on one half of the birdfeeder’s shepherd hook. turned on the solar pack and waited. night fell and this earnest little ithinkican-chandelier lit up. “sweet,” we both thought aloud. we hung it under the umbrella over the table and it cast ridiculously interesting shadows up. then we hung it on the awning and wondered if it would ever make it to the door and the hinge-arm-shenanigans we had ready for it.
plastic or not, it has us intrigued.
this morning i can see it out the window of the bedroom. the eastern sky is full of warm summer early morning color. as the sun rises, the crystals catch it. they glitter.
i worry about the ferns. fragile, willowy, tender shoots determinedly growing up from under the pile of leaves waiting, decaying, protecting the garden through fall’s end and winter’s scourge until, finally, spring. and then, there they are. despite it all. back in the northwest corner of the yard, tucked in along the fence line and next to the old garage.
they start slowly, peeking out, and then – voila – they are taller, taller, and unraveling their curly tops, like a modern dancer, curling up one vertebrae at a time, opening and embracing dappled sunlight. without concern for any part of history or future, they just grow. they are perennials, so keeping them healthy – a bit of simple nurture – ensures this fern garden in the back of our yard.
i’ve grown other plants in this yard through the years. ornamental grasses, day lilies, ferns, hosta, a couple peonies, these are the thrivers. purple iris, black-eyed susans, a planted lavender garden all fell to the wayside.
the neighbor’s snow-on-the-mountain, creeping under the fence, devoured the iris. wild mustard gave the black-eyed susans a run. the lavender was taken over by boxwood elder on a rampage.
but the delicate ferns…through dogdog’s puppyhood and now his adulthood…through the drought and maybe too much sun and maybe too much rain…through the late-late springs and the early winters…have survived.
in each of them i see the fortitude of the dancer, practicing unfurling vertebrae by vertebrae, forgetting all else – all negativity, all lack, all the torrential storms – in the tender, rich, vibrant forward-movement of now. full of beautiful.
“there is an entire forest full of the most incredible flowers, plants and trees inside you, and you are ignoring all of it to nurture a single tree that they planted inside your heart and abandoned.
the people who left you this way don’t deserve to become your favourite stories to tell. you are a massive forest full of beautiful and vibrant stories and every single one of them deserves you more than those that abandoned you to hell.”
as barney ages in our backyard, he clings to his original form – he is a piano, first and foremost.
barney has spent the last four years in our backyard. his presence is inspiring. rescued from the dark church basement boiler room he had been in, the light of the sun and weather he now endures have brought nuance to his life as a piano. no longer serving his original purpose, he has a new destiny.
but barney’s soul remains the same. you look at him and you know he is a piano. no ifs, ands or buts. and he is cherished.
there is a different kind of power in his spot in the backyard. it’s not one of crescendo-ing music. instead it is now one of steady quiet. it is one of a history of service and workhorse reliability. it is one of a history of the dawn of creative moments and the dusk of amens sung in sunday school classrooms or weekly meeting rooms of committees or choirs. his piano-soul now resounds in the chirp of every bird or chipmunk, the sound of the wind and the rain, the glint of the sunlight deepening the wrinkles of his keys.
reverse threading 