and we are witnesses. to the thistle. to the meadow. to this slice of the earth.
we watch, as time passes. we note changes, dramatic and subtle. we are aware of the nuances of these moments – transitory. we are inside the ephemeral.
we are intentional; we fritter away.
and the thistle is witness to us as we stand still – for little bits of a while – in admiration. our gaze is focused, memorizing beauty, not questioning the randomness of our attention.
just holding it all in wonder. just perceiving the glorious. just unmoving and moved.
sharing this space of time – together – within the perpetuity of it all, what do the thistle, the meadow, this slice of earth see – looking back at us?
it was a cacophony of sound in the restaurant. so.many.people. but it’s chicago and it’s summertime and it was a beautiful night and a trendy 7pm dinner hour, so it’s to be expected. we leaned in to hear our daughter speak and figured most eateries at that hour would be similar. i’d imagine that the frequency decibels would be all over the place and that any recording of the ambient sound would have to be compressed in mastering to accommodate the full spectrum, most especially the louds, the gain between quiet dinner and boisterous restaurant.
i’ve looked over the shoulder of my producer probably hundreds of times, watching the waveform of my music. reducing sound and hours of composing to crisp contrails, manipulating them, editing, mixing, ultimately mastering – it’s complexity, the telling of narrative, an artform in itself.
i would imagine that – somewhere – there is one colossal frequency wave. it started when all-time started and it keeps going. it builds and wanes and layers all manners of sound – the roaring ocean, a tiny peeper frog, a destructive tornado, a baby’s first cry. it mixes piano and the gentle ding of a triangle, cymbal washes and sweeping cello lines. it wraps in first graders singing in denver and the country artist on the flatbed in nashville and the happy guy in the shower in fort wayne. it expands with the din of the city and gets tiny under northern lights and the milky way. it soars over countries, soaking up rich sounds of tradition and ritual, vernacular music.
and then, the frequency wave – giant, unending, inclusive of all sound – is distilled by the wind. it becomes a bit less distinct, its edges are less rigid. particles break off and float, and, though they remain in the atmosphere a long while, they begin to fade, eventually fading as if to zero.
but just as the wave feathers on one end, it grows on the other, pushing forward. and all things continue. all sounds have a place in the wave.
and we listen to live music and the birds at 4am. and we listen to the voices of beloveds and mournful foghorns. and we listen to laughter and sighs. and we listen to the rain and the silence of sunrise. and we listen to harmony and dissonance and cacophony.
roller-coaster-soap-opera-never-a-dull-moment-ever-changing life gifts us with people along the way.
some of them are in it – with us, as it’s said, for a season. we fill each other’s cups with the companionship of friends or loved ones, but time has a way of placing itself between people and proximity of place or heart push at the ability to spend time. schedules and responsibilities and changes interrupt the flow together and we drift.
some people are in it – with us – for specific reasons. they are colleagues, they are universe-drop-ins who walk alongside as we grow and evolve, in our work, on a walk we have chosen, a trail we have been set upon. they stop at waysides as we travel on and we lose touch.
others are just there. they may be constant companions; they may be in-and-out. but, whenever we wish or they wish, they are there and we are there. they ride the coaster with us, laugh with us, ponder with us, cry with us, get pissed with us, celebrate with us. we share stories, we share the truth, we share disappointments, challenges, impossible summits. it can be weeks, months, years and it is just as easy. they are touchstones in our lives and, likely, always will be. we spend time together and time apart, but they are never far away. they are our posse. and we could not do life without them.
we stopped on the trail and i sat on a bench, pulling off the boots that were making my feet beyond sore. jen offered her socks; she offered her boots. instead of rendering her shoe or sock-less, i used her bandaids. we loaded up my feet with bandaids and i didn’t tie the boots, clomping through a few miles in the snow, curling my toes to keep them from falling off. i whined about it and i apologized for whining about it. and i promised that next week – in our next hike – i would wear different boots. two times hiking in these was enough. we talked about feet most of the way back, for there is not much we won’t discuss – at length. brad yawned through my health insurance rant, but he listened intently anyway. we cheered with dark beer and brandy-old-fashioned-sweets at a neighborhood bar next to the railroad tracks. we made plans and talked about life and the previous week, another episode in the sitcoms and serial drama miniseries of our lives. right there, listening and caring. there.
we’ll have snacks at happy hour – though it will be followed shortly by a huge dinner together. but we all love to eat and the up-north gang does it well. we’ll talk about everything under the sun and we’ll laugh. nothing is off the table as we all age together, listing the things we are concerned about. we are an all-inclusive in-service about all that stuff, comparing notes, making recommendations, giving advice. it’s totally reassuring. we know who to call if – any time of day or night – there is water in the basement or if the tv antenna falls or if we need new tires or a pair of glasses. there. they are right there.
the perch a couple nights ago was done to perfection, as were the potatoes and cabbage slabs. 20 was in his glory; his wheelhouse includes fishhhh (as he says it) and cabbage. we eat together twice a week. every week. we take turns cooking and every meal includes wine and chocolate. he goes way back – 30 years almost – and his presence is a rock for us. through thick and thin he has remained steady. we keep track of the week by our mondays and thursdays together. there.
and there are those people – who can call on the phone from far away or across town – and with whom we can pick up as if no time has passed. we can laugh about the seinfeld episodes of mutual time, we can pine for time spent, we can rue how quickly time has passed. the thing we know – no matter what – is that they – and we – are there. whether we see them or not, no matter if it has been a long while, these people are always part of the very fabric of our lives and they are vital. they remember who we were, how we changed, what we went through. they know the gumption it took to get us to where we are now. they recognize us. they are from our elementary schools, our high schools, our colleges, our first jobs, our professional ladder rungs along the way. they are the people we met on airplanes, while shopping, at tennis tournaments, across the street. they are random and superbly unique and we celebrate meeting them – wherever it was. they are in our mind’s eye standing aside us through it all, whether in person or in spirit. their souls entwine with ours.
and then there are the beloveds. people whose dna is connected to ours in some way, people whose curve-of-face resembles ours, whose expressions we know by heart, without whom we would never be who we are. they are scattered, too, around the world and, though we wish – yearn – to see them often and more often, it is not so. nevertheless, they hold the prime spots in our hearts and are always right there, a breath away. our families.
so many chances to love, to feel love. so much time spent together. so much gratitude on the coaster.
right now – in this quiet early morning – i can hear the chippies at one of the birdfeeders. there’s a certain metallic sound as the seed, disbursed by scrambling tiny feet on the edge of the feeder, hits the metal chipmunk-squirrel-prevention plate below. i’m pretty certain the chippies giggle every time they jump from there to the edge of the feeding trough. there is an abundance of seed in this feeder and they know it, returning time and time again to fill their adorable cheeks, run off, run back, jump, giggle, gorge, run off, all on repeat.
that is what i wish for my children, the imperative: an abundance of seed. to know that there is always more out there for them: more possibility, more to learn, more adventure, more challenges, more successes, more love. to always know that they are rooted and capable. to always know acceptance and compassion and support and fairness. to know that they can be confident in the world, always. to know that, whether they need it or not, i will always be their biggest fan and will always hope for their biggest and littlest wishes to come true.
i knew, even as an adult, that my parents were cheering me on. i knew that they did the hard work of letting go as i moved away. i knew that they were ever-present – and still are. i knew they wished all good things for me and held steadfast during all hard things. their love was a perennial birdfeeder, infinity-abundance-filled and there whenever i needed it.
i used to text both of my grown children every night to say goodnight. somewhere along the way it was brought to my attention that this might be a tad bit annoying. though i, personally, would adore hearing from my sweet momma every single night – especially now – i realized that she would also have respected it had my desire been for her to not continue this practice.
i stopped my goodnighttext practice, but i didn’t stop my goodnights. they are now just simply silent kisses blown in their direction, like dandelion fluff on the wind. infinity-floating and always here.
“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)
in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.
the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.
we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.
for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.
“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.
each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.
to pay attention, this is our endless and proper work. (mary oliver)
reverse threading 