sansevieria (snake plants) make me think of my sweet momma. after buying one for our son, i announced that we needed to get one as well. this past spring we added snakeinthegrass to our growing army of plants and it has not let us down, growing no matter what, the best part of sansevieria – its fortitude.
“snakeinthegrass” does not seem to be a loving name, for we all have encountered people we would describe as such. you know, the ones talking out of both sides of their mouths. the mean ones with agenda. the ones who, despite any variety-pack of livelihoods or assumed compassionate demeanor, go for the jugular or throw you under the bus. mm-hmm. not necessarily a nice name. perhaps we named snakeinthegrass “snakeinthegrass” to ward off the snakesinthegrass we had encountered. we hisssss when we call it by name. “sssssssnakeinthegrass,” we say. it makes us laugh. and our snake plant giggles with us and filters the air and grows taller day by day.
maybe that is how we should deal with all negativity. get a plant, name it something that is irking you, laugh every time you call it by name, let it cleanse the air and shed the bad juju. “li’l bitch” is the name of another succulent we have in the sunroom. it stabs you, without warning, if you get too close to its long branches, hidden spiny needles at the end. quite beautiful in shape and rich green, it also reminded us of people we have encountered, hidden motives just waiting to stab you. yuck! and phew! now we laugh as we talk to our plant.
kc and boston remind us of our beloved children, spikey gets his name for obvious reasons, leticia and stumpy as well. we’re not sure about ralph and, perhaps not coincidentally, ralph-without-a-real-reason-for-his-name is not doing well. perhaps he needed a different name, a name with the job of sage. several options come to mind.
time marches on and hearts heal. eventually tales of goodness mesh together with stories filled with pain. and the air gets clearer and cleaner. and the plants grow.
if you are wondering where mini marshmallows come from, wonder no more. clearly they grow on white baneberry bushes in dr. seuss-land. passing it on the trail i could not get over how oh-the-places-you’ll-go this bush was. a standout in a green forest floor, confidently colorful and nicknamed “doll’s eyes” for obvious vintage-china-doll reasons, it got my attention and it piqued my curiosity.
we watched a silly movie a couple nights ago. my sweet momma loved sandra bullock so every time i watch a sandra bullock movie i feel like my mom is right there with us, giggling or cheering her on. the movie was “all above steve” co-starring bradley cooper. its silliness is comedic fun, particularly on an evening we were not looking to be intellectually challenged. but there was an unexpectedly sweet message in this movie. mary (sandra bullock), a brilliant young woman who is a crossword puzzle constructor and has a brain full of random knowledge and would kick anyone’s patootie playing trivial pursuit, is trying to be “normal” to fit into the world. in the end she discovers the power of standing in her own shoes, which were, in her case, red gogo boots.
artists are often looked at as misfits, a little outside the box, not quite fitting in. perhaps more colorful, perhaps louder, perhaps more questioning, the job of an artist is to elicit movement in thought, in action, in emotion, in sensitivity. we are hot-pink-stemmed mini-marshmallow plants in a world of green underbrush, ever being told that exposure will grant us the ability to live in this world, to pay our bills, to get ahead. artists everywhere under the sun shudder upon hearing those words, “think about the exposure.” we don our courageous metaphoric gogo boots, go to town trying to be ‘normal’ and realize that we were really ok all along, in our own skin.
often i have heard others comment on the re-purposed stuff in our house. empty window frames, screen doors, travel-worn suitcases, branches wrapped in lights, old coffeepots doubling as canisters. we’ve been asked, “how did you think of that?” i don’t know how to answer that other than “how couldn’t i?”
i’m guess i’m not ‘normal’. in the world of christian louboutin and jimmy choo footwear desires, i’m wearing old navy flipflops and hundreds-of-miles hiking boots. in a world of oscar de la renta and ralph lauren aficionados, i’m wearing my dad’s old flannel shirt and jeans. in a world of cle de peau beaute and guerlain and creme de la mer, my face is lucky to see an oil of olay original and coppertone 30spf combo.
and i, just like artists everywhere, love to be reminded, time to time, that we were all born to stand out. each and every one of us. artist or not. no matter the road we walk. no matter the red gogo boots or hot-pink stems. stand out. in our own skin.
there is a pile of flipflops by the back door. our house is a back door house so that’s where we come in and that’s where the flipflops live. there is nothing quite like walking on old wood floors or cool tile with bare feet in the summer – it’s freeing.
and so it never fails. or – i never fail. there is a moment, sometime in the summer, when i am rushing around without thinking or watching – maybe pushing the vacuum, maybe running from one room to another, maybe going out the back door with snacks, maybe taking a doorway too close – that i will slammmmm my toes into something and, ultimately, break my pinky toe. i’m not sure that a summer has gone by without that in recent years, though i don’t remember a broken toe in the littlehouse on island. regardless, i pretty much know the moment it’s going to happen and the delicate language that ever-so-gracefully flows from my lips when it does happen prompts dogdog to go hide in the bathroom.
this summer – just a few days ago in fact – i ran into a stack of paintings that is in our sittingroom because of the drains in the basement. i almost saw it coming, though not entirely because i would like to think i would have stopped it in process. it’s not my baby toe this time. it’s my third and fourth toes, purple and painful. but, as the days go on i realize one thing – i don’t think they actually broke this time, so maybe i am making some headway.
the lesson is always to slow down. d is always reminding me….slow down! don’t break your toe!….
the old radiator in my studio was its home for years. i picked it up at a wholesale show…an old fencepost with equestrian leather…i couldn’t resist. it was perfect next to my piano. shh. quiet. ponder. dream.
it’s outside on the back deck now, really for the same reasons. shh. quiet. ponder. dream. it reminds us to take those moments and just be.
in the middle of the night last night we talked for a few hours. it was a big discussion…about life, about existence. we agreed that life is merely about those rare and outstandingly idyllic moments – a collection you might store in a little special box or place in photographs-in-the-round for a viewmaster – ready, at any time, for you to look at, review, be reminded of, hold close. not usually the gigantic stuff, but the slides of tiny, even silent, markers, instants you recognize as mica.
we had another water episode a few days ago. it seems the theme this summer. once again, drains in the basement yielded water instead of no water. a really lovely young man from the sewer-drain company came; it was their second time in just over a month. the tree roots they had cleared likely had left behind another piece. it doesn’t matter. he cleared it out and we moved on. it wasn’t without a ton of unexpected work…clearing all of david’s paintings out of the space to protect them, moving any and every thing out of the way of the water and allowing room for the technician to work without feeling nervous about anything around him. after he left and we cleaned everything up it was back to quiet.
we exercised down there again yesterday. it’s a peaceful place, even though it is a basement. being surrounded by the muse of david’s time at his easel brings a certain life to it. i imagine he wishes this little sign was in his studio, but there is a hush nonetheless, even without the sign.
our studios – places where time fills in the gaps between noise.
in the middle of existential questions about my wrist and hand, a screeching halt to occupational therapy imposed by the insurance company (don’t get me started), questions and the after-effects of betrayal, a silencing of my professional work, i have not sat there much. i enter to allow in light and fresh air, gaze at my piano and walk out. another silent day.
each morning, for at least a week, as i have sat with pillows propped sipping coffee, the window beside me wide open, i have been visited by a chipmunk. it sits atop the fence post across the driveway right opposite the window and looks in, chirping. i named him ‘sunny’ as it is often that the sun is just reaching that fencepost as he sits and the first time he was bathed in rays of light as he held his spot and said whatever he was saying to me in chipmunk i could not understand.
today, in the quiet of the morning, sun not even yet beginning to stream in the window, sunny was out there, chirping to wake us. i called out the window to him a good morning greeting. we chirped back and forth a bit before he left, satisfied he had awakened me. i watch for him now each day as the sun starts to rise.
three times in a twenty-four hour period over the last weekend i heard or saw the words “everything will be ok”: once written, once spoken and the third time bob marley sang it in the woods as we hiked the river trail.
sunday as we sat at the table on the deck in waning light a not-oft-seen hummingbird came directly over and hovered right in front of me. a couple days later as i stood on the deck, david watching, a monarch butterfly flew over to me and circled less than a foot above my head. and sunny, a chipmunk on a fence post, greeting me each day.
i guess that sometimes the universe is quietly whispering, “it’ll be ok. everything will be ok. shh.”
when the exposure notification availability showed up on the iphone, i x-ed it out. it comes every day and every day i delete it. i’m not sure we need any more reminders of covid exposure. we are already hyper aware of the dangers of this virus, the breakthrough possibility, the guidelines. last night we talked about all the places we would go were it not for this pandemic. the list was seemingly endless and we were in wonder about missing all of it.
we know that others are out there living life as any other day, as in any other time. i don’t know how to do that right now. any moment i forget about it and start talking about something fun to do or someplace fun to go, i remember. the benefit-risk factor is mightily dependent on, well, every facet involved, including higher threat and protecting ourselves and people we love. but i do know this – if it is for my children, i will do it. though we don’t get to exercise it much, that risk is unconditional.
we are finding that maybe we are more conservative, more cautious than others as we weigh our activities and destinations. it’s frustrating. we are a year and a half into this and, while vaccinations help us significantly, there is no stopping a mutating virus that wants to spread without the cooperation of everyone.
at the end of this pandemic, when there IS one, we will look around at the wreckage. lives and health and homes and jobs and security have been decimated. there are those who have been ultra-cavalier and have blatantly denied and defied any safety measures. there are those who have gone to disney, who have gathered in large unmasked gatherings, who have traveled widely. and there are those of us who have not. it’s a wide spectrum where, really, the most prudent route seems a narrower band of collaboration. and it – truly – sometimes makes me ponder what we’re missing. and, even though i ask ‘why?’ time and again, we stay on the track we have decided on, committing to an end to this insanity.
i suppose an argument against the way we are navigating through this would be that we are living out of fear, that we are limiting ourselves in a limitless world because, even when we have no guarantee for life in ANY given circumstance, we have bowed to covid-19, a frightening reality that makes us pay attention. it makes me sad to write that.
at the end others will have lived through it and have traveled and celebrated and eaten out. and hopefully we, too, will have lived through it. but our experience-list will be shorter; if traveling and celebrating and eating out are the things that count we have the tiniest list. our experience-list includes a serious respect for medicine, for science, for experts trying to help us mitigate this. it includes a deep concern for others and a wish for their good health and well-being. it lists to the end goal and not the short term. it includes the very-fewest visits with beloved children and family, in some cases none, tearing at my heart, painful. it includes much home-time, gratitude for this place in which we work and learn and cook and grow and dance. it’s much narrower than we would have imagined and, yet, it is rich in ways i also could not have imagined.
and next year, or sooner, i hope, maybe our experience-list will include irish fest and farmer’s markets and eating at the bar at wine-knot and restaurants in chicago and exploring in north carolina and live-in-person conversations with people who have been there for us, national geographic live events and long stays in the rocky mountains with mornings at cabin coffee in breck and winterfest in cedarburg and a slow dance party revisited on our patio, with people spilling into the kitchen, making drinks and preparing hors d’oeuvres.
maybe our experience-list will include a booster shot and no masks and fewer headlines about staggering loss and more news about communities coming together in support of each other.
maybe our experience-list will have less worry and less fear. the end goal.
i officiated a wedding last sunday. the bride and groom, their parents, twenty-one attendants and family and friends gathered on a venue patio under the sun on a stunning september afternoon in milwaukee.
reminding them to go slow and drink it all in, they celebrated in a ceremony i wrote for them, personal and intimate, with pieces of their romance and tidbits of what was mutually important to them. we had gathered together to talk, for them to answer questions and tell stories, and i searched for the right poetry, the right music, the right sentiment, the right words, and it was an honor and a privilege to stand in front of them and everyone there on this most important day for this most important ritual. i reminded those attending this wedding that their presence was not passive. they were witnessing this event and, in doing so, were promising to be there for this newly wedded couple, through thick and thin. to stand by them in all times, to help carry them through joys and sorrows, successes and challenges.
“i carry your heart. (i carry it in my heart.)”. i read the words of e.e. cummings as they stood, with tears in their eyes. it was hard not to weep with them. they danced down the aisle after the words, “the light will shine through your skin and they will ask, ‘what have you done with your life?’ and though there are many moments you will remember, in the end, you will be proud to say i was one of us.” life stretches out in front of them. they will be amazed at how their hearts will grow and hold the treasure trove of memories that will come. and, all the while, they will tenderly carry each other’s hearts.
i was supposed to fly that day. i had already purchased a kringle to bring to my sweet momma and poppo at the other end of my flight. but, just before i left for the airport, 20 called and told me to turn on the news. it was surreal and i dropped to the floor of the sitting room in front of the tv. i called my husband, called my beloved children’s schools to have someone tell each of them that i had not gotten on an airplane that morning and i watched the horror unfold that sunny september 11th in new york city.
a friend from yamaha in nyc sent me a picture of the world trade center location where i had just recently performed. it was destroyed. i stayed glued, watching, carrying the hearts of all those worried about someone in those towers, someone in the pentagon, someone on flight 93. it was terrifying to know this was real.
tomorrow is twenty years from the day of this tragedy. though i’m sure not a day goes by that survivors and surviving family members and friends do not think about this, it seems, in the middle of this pandemic and political chaos and climate-changed extreme-weather episodes on a grand scale and divisiveness in the nation, that the marking of this anniversary should remind us, should unite us instead of prompting the sneering that i am viewing on social media.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to defeat this global pandemic and cease the loss of loved ones.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to cross the aisle and embrace inclusivity and fairness and equality for all.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to confront global warming and climate change and save this planet for the children of our children’s children.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to turn toward each other, ask questions, have conversation, seek collaboration, surrender agenda, recognize truth, work together.
it would seem important – at the very least – to remember to carry each other’s hearts in our hearts. on wedding days and days of destruction of great proportion. it should all be the same.
when i was little, going over bridges made me nervous. not because i was afraid of heights or because i was wary of infrastructure and thought it would fall down, but because i was nervous about not being able to get back. something about going over bridges made me feel like there was no way back, especially if we were heading in the wrong direction, taking a wrong turn. i did not like to feel lost.
texas is lost. they have traversed a bridge that appears to be a hellish dead end and, i fear, with no way back. the new abortion law in texas that the governor has touted is a despicable piece of legislation, currying to the favor of men and full-scale demeaning women. that the governor would couch this as concern for the “sanctity of life” elicits a visceral response, a sickened-gut feeling. that the governor would ignorantly speak to the six weeks of freedom-to-decide as plenty, as generous even, is a slap in the face of every woman in his state. that he would put a bounty on the heads of anyone helping in this situation is disgusting wild west gunfire into the crowd.
people have spoken since this decision with more eloquence than i might muster at this moment, but it would seem that every one every where needs to speak up. as more governors make moves to further control the rights of women, we need to – we must – speak up, speak out. the ironies stacking up are deplorable piles of dung as we sit and watch legislation and policy skewed against any kind of gender equality being written, being celebrated, being enacted. sanctity is not in the building.
i read an article about the use of words in statistics. number of girls and women raped. number of girls and women sexually assaulted. number of girls and women harassed. number of pregnant teenage girls. violence against women. the use of the passive construction – noting that these descriptors don’t state the number of boys and men who raped women or assaulted women or harassed women or impregnated women or were responsible for violence against women literally shifts the focus off the guilty parties, pretends that these things have simply happened to women.
it’s hard not to be hugely cynical, disenchanted, about a country that clearly measures women’s rights differently than it measures men’s, that cares about women differently than it cares about men. once again, that yardstick is two-headed and those wielding it speak out of both sides of their mouths.
cynical. disenchanted. yes. these words. from desiderata they seem so hopeful, yet… “neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.”
perennial. usually a positive word. perennial flowers. perennial love. yet, in the docket of these days, what is perennial is the absolute denial of respect and rights for women. it is tiresome to watch the constant lostness. instead of bridges to better times, better health, equality and respect for all, a lifting up of those oppressed, bridges are being built to places of continual control, to power unleashed over others, to inequity and doubletalking agenda – with no way back.
it’s no wonder why i didn’t like bridges when i was little. no-way-back is a terrifying place, for a little girl and for a country.
(sign on the door of the milwaukee institute of art & design)
a year and a half.
jen told me yesterday that the 1918 pandemic, though most often referred to as a two-year pandemic, actually lasted two and a half years.
two and a half years.
i shudder to think of the toll this pandemic will have taken if it lasts yet another year or more. we have learned so much; we have learned so little. the pandemic has been like a kaleidoscope and like a microscope, both. it has scattered us into constantly changing patterns and it has brought everything into minute focus. yet i wonder where this will take us.
artists aren’t typically conservative in-the-boxers. we take risks, live gig lifestyles, put ourselves out there, are vulnerable and push back against things we consider inequities, ironic double-talk, disinterest in humanitarianism, opacity where transparency is touted. we aren’t quiet, for it is our job to speak – in whatever medium our talent. we are, as artists, there to raise questions, to promote pondering, communicate ideas, tell stories, express emotion, encourage engagement, inspire connection and collaboration, reiterate interdependence of all people.
though this burden does not remain singly on the shoulders of artists, even banksy has participated in making statements about safety and guidelines in this pandemic. i’m not sure how much more blatant it needs to be. encouraging covid-19 responsibility, his work in the london tube in july 2020 was titled, “if you don’t mask, you don’t get.” he spray-paints the words, “i get lockdown, but i get up again” at the end of the video featuring his rats on the tube.
though attendees were 100% vaccinated, the invitation read, “masks required at all times unless actively eating or drinking.” they provided masks, sweet ones with the initials of the wedding couple and a heart. the venues had high high ceilings, exposed rafters and ductwork. the wedding was outside, cocktail hour was outside, dancing was outside.
when the rain came, we all kept dancing. outside, twinkling lights all around, we breathed in fresh air. even with masks on.
“a lot of people never use their initiative because no-one told them to.” (banksy)
initiative (noun): the ability to assess and initiate things independently; the power or opportunity to act or take charge before others do.
wearing a mask in public spaces – and vaccination – have been scientifically proven to lower the rate of transmission, sickness and death of a deadly global pandemic. already a year and a half.
exactly what additional kind of initiative do you need?
it felt like we were away. we had never explored this area of milwaukee and, with time on our hands on a stunningly beautiful day, we walked. we decided it didn’t matter if we knew our way around or not, our phones and gps would get us back. so we left the airbnb in walker point and started north. knowing the lake was east of us, it was a natural turn to the right, the water drawing us.
the architecture of cream city brick and old warehouses is charming and i kept thinking how we needed to return to take photographs when we had more time to linger. we turned east at a warehouse that had been converted to condo living, industrial balconies lining the river with colorful bistro tables and teak adirondack chairs and strands and strands of strung lights. the evenings must be beautiful walking along the river toward lake michigan.
we could see the hoan bridge arching into the sky and headed toward it. we passed a guy on the sidewalk with a shirt that said “light the hoan” and i looked it up. “light is swiftly becoming one of the most powerful tools to breathe new life into cities,” the website promotes. i remember a beautiful suspension bridge lit across the river in east boston when our son lived there. the light changed everything and was stunning. you can purchase a bulb on the hoan, be a beacon in the night and know that people are sitting on balconies gazing and dreaming, much like staring into a bonfire. the bridge and its design drew my iphone camera toward it.
we wound our way through outdoor dining seating and along the docks, multiple times mentioning to each other that we would “come back” and explore more. it amazed me that, such a short distance away from home, we felt like we were away and adventure was simply waiting. an early evening wedding stopped us short of much exploration, but there’s always the next time.
we walked out to the lighthouse where the milwaukee river met lake michigan and stood for a few minutes before turning around. the art museum beckoned from up the lakefront; beyond that we know there are beaches and a favorite coffee house in an historic water treatment plant.
we walked back some of the way we came, sticking to the river as much as possible. flowers and shadows and railings and vintage glass finials, textures and surprises, restoration and beautiful intention our companions.
passing the docked boats, though no salt in this air, i got a whiff of the past. i could imagine i was at northport harbor, watching the comings and goings of boaters and fishermen. it made me have a taste for baked clams and buffalo calamari from skippers pub, a hop, skip and a jump away in my mind as the scent of waterfront and moored boats surrounded me.
though the pandemic and travel warnings might preclude a trip to long island, we, aloud, promised each other we would return to this walkway, to stroll along the river chatting and snapping pictures, to immerse in a sculpture walk, to find the perfect bistro table on the dock sidewalks, to dine al fresco in the swirl of memories and new adventures.
we watched ‘the wedding planner‘ the night before we left for milwaukee to officiate a wedding. sweet and predictable, it was exactly what we needed friday night as we headed into a weekend that would spell bliss for a young couple.
this morning i read that pete and chasten are parents. there is a photo of them with two babies, newborns, a girl and a boy. the article made me cry for them. they are in their bliss.
in just this last week our dear friends welcomed a second grandchild and a daughter-in-law. their family grows, love begets love – love is just that – love – and they are blissful.
we danced last night at the outdoor patio reception and i was reminded of my weddings. both times filled with love and anticipation and the simple-profound complexity of the moment and the moments to come. no guarantees, no instruction books, no wisdom-of-the-universe or sage advice granted with the words “i do”. just love. both times bliss.
love is just love. we muddle through the highs and lows, the mistakes and grace, the celebrations and regrets. and love is still just love. pure and ridiculously complicated, our hearts swell as we love, love more and love again: partners and babies and added family members and dear friends. for seasons, for forevers, we punt our way through life and love, trying as we wake, trying harder the next day. moments rich with hearts flawed by humanness, hearts stirred by emotions too intense and too gossamer to grasp.
i think it all really boils down to this. all of it. no boundaries, no definitions, no exclusions. fragile and yet ever-powerful, ethereal and sustaining, love is really just love. it’s that easy. it’s that intricate. it’s tangly and it’s linear.
massimo actually spoke a few more words in the movie. adoringly and with respect he said, “love can’t always be perfect. love is just love.”
reverse threading 