reverse threading

the path back is the path forward


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the people who love you into being. [k.s. friday]

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“all of us have special ones who have loved us into being. would you just take, along with me, ten seconds to think of the people who have helped you become who you are….ten seconds of silence.”  (mr. fred rogers)

he brought it up on the trail.  the movie we had recently seen.  not an action thriller or a mystery.  just a movie about a man who changed the world.  mr. fred rogers.

quietly hiking on the trail, he broke the walking-arm-in-arm silence, “i’ve been thinking about all those people.  those people who loved me into existence.”

what could you possibly be more grateful for?  that trail of thought found us yesterday morning and wove its way into all day, skirting along the edges as we cooked, back into the center on facetime, at the table with wine glasses, in a late night text out of the blue.

the people who love you into being.

mr. rogers got more specific, ” from the time you were very little, you’ve had people who have smiled you into smiling, people who have talked you into talking, sung you into singing, loved you into loving.” what kind of legacy do you have to be known for this kind of wisdom?  it changes everything.

the people who love you into being.

we spoke of these people on and off all day and late into the night.  there was a moment i could feel shadows that were cast by any of those we talked about falling off, light covering the shadow.  reasons.  seasons.

the people who love you into being.

too many to list.  too many to remember.  we backtracked and stood still in our memories, telling stories and finding wonder as names – and the dear picture of that person in our mind’s eye – spilled out of us.  a wealth of being-makers.  every one of them a builder in the construction of some piece of us, like a giant box of tinkertoys or lincoln logs or even crayons.  so much  potential.  a wildly wide spectrum of color and characteristic, texture and depth. profoundly moving.  a tiny bit of shake-up.  both.

the people who love you into being.

ten seconds.  nowhere near long enough.

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GRATEFUL from AS IT IS ©️ 2004 kerri sherwood

 

 


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waiting. and waiting. [k.s. friday]

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on an unusual foray into facebook-scrolling, i came across a post by a friend that quoted tom petty.  “the waiting is the hardest part,” it read.  yes.  the hardest part.

i remember d telling me that arnie’s mom had an addition to the adage that when one door closes, another one will surely open.  she said, “it’s the waiting in the hall that’s hell.”

i feel like i am waiting.  just like this sunrise, there is a division of light and dark – a line you can see.  the hall.  it’s not still dark.  it’s not quite light.  it’s the in-between zone of co-existence.

i suppose we can co-exist with waiting.  we can co-exist with not-knowing.  not-knowing about tomorrow.  not-knowing where it goes.  not-knowing what will happen.  not-knowing if dark will linger or if light will overtake the dark.  not-knowing how the story turns out.

questions on the keys.  answers somewhere in-between the notes.  quarter tones of ambiguity.  i stand an arm’s length from creating.  i wait.  there is no sign, there is no clear indicator of any return-on-my-creative-investment.  the hall doesn’t provide a reason to write.  it is not a door.  it is full of question.  it is a gathering storm of hope.  it is a waiting place.

the hall is just for me.  jumbled and clear, both.  a stew of hearing all the old notes floating – thousands of them – and seeking the new ones.  lyric snatches appear on scraps of paper, waiting.  melodic gestures fall from my hands as yearning to keep-on-keeping-on falls from my eyes.

i’m trying to be patient in it.  to reconcile all the other mysteries and issues and complexities before i step closer.  to do the ‘other work’ first.  to be solvent and steady.  for the time on the bench to be worthy.

why does a composer compose?  why does a composer wait?

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WAITING from JOY ©️ 2004 kerri sherwood


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out there. [k.s. friday]

moab.k. out there.

out there

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out there ©️ 2019 kerri sherwood


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the music waits. [k.s. friday]

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there was not room on island for my piano, sheets of blank score paper, baskets of notebooks of lyrics, melody smidges, chord progression fragments.  they waited at home for my return.

consumed by many tasks and layers of work since we arrived back home, we are surrounded by boxes and bins still unpacked.  there is much to do.  we have many other things tugging at us and these packed boxes, although frustratingly in the way, have sunk to a lower rung on the list of things-to-do.

i have been in and out of my studio, grabbing music as i need it, playing through a piece here and there, reviewing music for work.  i have added a few notes to notebooks, to my calendar, a line of lyric here and there to remember on scraps i hope not to lose.

the other day i pulled out cds, finding a few with pieces that didn’t get tracked.  rough cuts of piano for under lyrics, rough cuts of piano instrumentals.  every artist has them…the cuts that didn’t get finished, the cuts that didn’t make it to the album.  scraps of paper, notebooks of ideas, rough cuts of beginnings.  they all eventually lead somewhere.  no idea, no melodic gesture, no lyric stands alone.

and so, my really beautiful big resounding piano waits for me as i am quiet.  pencils i’ve saved from The Boy’s and The Girl’s pencilboxes sit atop, next to blank score paper, notebooks and pa pads.  they all wait.  the muse waits.  the music waits.

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WAIT A WHILE ROUGH CUT et al ©️ 1995-2019 kerri sherwood


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the box. [k.s. friday]

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“the box: a place to put all the stuff of our lives.”  (from BLUEPRINT FOR MY SOUL liner notes 1996)

the old black suitcases store stuff.  treasured moments, all in a jumble, some decipherable, others bits and snatches of times we want to remember, so we keep these feathers and ticket stubs, notes and river stones, scraps of wrap, cards, red rock.  they proudly sit in the dining room, in a stack, their vintage scrapes and broken handles call to me each time i pass them by.  they shower me with memories and times i have passed through, moments i have lived.  i can feel what is in them.

in another box, in another place, are old dreams.  torn vestiges of paper with lyrics, a few notes scribbled in the margins of old spirals.  there are visions and imaginings, goals and undetermined outcomes.  like you, these are the things undone.  there are no ticket stubs or photos in this box; these are the things that have not come to fruition.  these are the things that beckon over and over.  these are the things that demand i consider and reconsider what i am doing today, tomorrow.  these are the things that make me question.  each time i pass them by.  i can feel what is in them.

i am reminded:

“a ship in harbor is safe.  but that is not what ships are built for.”  (john a. shedd)

these are the full liner notes:

“the box:  a place to put all the stuff of our lives.  sometimes this place really hurts.” (BLUEPRINT FOR MY SOUL 1996)

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THE BOX from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

 

 

 

 

 

 

 

 

 


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and now. the song. who knew? [k.s. friday]

and now songbox .jpg

the sun set on another day on island.  and the moon rose.  who knew?

four years ago, when david walked down the aisle to this song, who knew?  who knew what would come, what adventures would appear, what challenges would rear up, what tiny moments would tear up in our eyes, what heartaches would befall us?  who knew?  who knew what chaos would reign our world, what gentle calm would envelop us, what times with family would look like, what times without loved ones would feel like?  who knew?

four years ago, when david walked down the aisle to this song, we were decades younger, starting out all over again, baby-stepping into an unknown, beguiling, mysterious future.  who knew?  who knew the times of decisions, of direction-choosing, of sacrifice, of abundance?  who knew the dances we would dance, the cries we would cry, the pages of life filled with, well…life?  who knew?

there we stood, last night, on the back porch, white happy lights glowing on the railing, watching the moon rise over our little bay, high in the sky, gigantic, tiny hog island in the distance.  we wondered aloud, in wonder, about the wonderment of it all.  who knew?

and now…….looking forward…..outward….onward….with great love….

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AND NOW ©️ 2015 kerri sherwood


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before and after. galena. [k.s. friday]

galena songbox

your toes curl.  your breathing is shallow.  adrenaline rushes.  your legs are a little shaky. your hands feel tingly.  butterflies in your belly.  you are on the edge.  in that tiny place between before and after.

i gingerly walked to the edge of the canyon, my daughter encouraging me.  at the moment i stood there, feet firmly planted, no guardrail, nothing between me and canyon wall, my heart slowed down and i breathed in both the enormity of the moment and the taste of both before and after.  my girl and i laughed, loudly, the sound echoing across the vast canyon.  and then, it was after.

i sat at the piano, ready to record this first piece GALENA of the first album, 24 years ago, savoring the safety of before but ready for after.  at the edge of the put-it-all-out-there canyon, i walked onto the stage, brand new cds in the lobby, ready, with quivering knees and boots that gave me confidence.  and then, in what felt like a minute, it was after.

now, many album and stage edges later, many life and love moments later, many work and play split-seconds later, i wonder what the next after will be.  i can feel the edges; i can see them.  i’m aware of my toes curling.  my breathing is shallow and adrenaline rushes.  my legs are a little shaky and my hands feel tingly, butterflies in my belly.  there is a canyon beckoning.

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GALENA from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

 


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millneck fall. [k.s. friday]

millneck fall songbox

every fall, my sweet momma and my poppo would load us up in the dodge with the old wicker picnic basket and a small cooler.  we would drive out east on long island or head north into upstate new york.  the baby of the family with siblings already out of the house, i always had a friend along.  susan went everywhere with us.  we would take mad libs and gum, snacks and cans of soda and we would talk and giggle our way to the apple farm.

it wasn’t like we couldn’t find apples near us; the jaunt away to apple-picking was the point.  the walk in the orchard, the drive through leaves of indescribably stunning color.  we’d stop at roadside picnic tables and take back country roads.  we’d go to fall festivals and arboretums where mums and the latest-hanging-on sunflowers populated the walkways.  millneck manor was one of those places.  so was planting fields.  treasured memories of time spent together.

a while later, as a young adult, i continued the tradition.  when the weather insisted on sweaters and jeans, i would make my pilgrimage to millneck manor and to planting fields, maybe driving out east or upstate.

and now, a long while later, i think of those places, those times.  the memories are sweet, macintosh-apple-sweet.  but the yearning is real.  every autumn makes me just as wistful.  i think of my children jumping in leaves and pumpkins carved with silly faces.  my parents and the old dodge.  pies with homemade crust, hot soup and cocoa, the smell of cinnamon and caramel candles.  fires in the fireplace or outside around the firepit.  jeans, sweaters, boots.  and apples.

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MILLNECK FALL from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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all you can. [k.s. friday]

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“do all the good you can,  by all the means you can, in all the ways you can, in all the places you can, at all the times you can, to all the people you can, as long as ever you can.”    (credit for quote is unclear)

this sounds like a good mantra for one’s life.  it would seem that it would bring satisfaction and accomplishment to someone invested in its mission.  it would seem that it would create joy for others.  it would seem that, were everyone to simply live by this precept, the world could actually be a place of peace.

but people are not infallible and personal agendas reign over the collective.  competition is fierce and the caste system hasn’t vaporized.  people keep score and vindication is a driving force.  people are self-serving and power-controlling and will knock those down in the way.

children are not born with the desire to exploit others or minimalize or marginize them.  they are not born with hatred in their hearts.  children are born with the ability to embrace all, include all.  they are not born with a scorecard in their hands.  they are born with the generosity of innocence.  they are not born with fear of places and peoples different than them.  they learn that.

we can teach our children to play nice.  but we need model it first.  we need do all we can.

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ALL YOU CAN from AS IT IS ©️ 2004 kerri sherwood

 

 


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holding steadfast. [k.s. friday]

holdingsteadfast songbox.jpg

it is against the odds that this tree clings to rock and doesn’t topple into the lake with a great splash and float away.  instead it stubbornly holds on, a steadfast intention.  the rock, the basso ostinato.

at a time when holding steadfast seems mightily important, i wonder about the questions we have been asked.  will you stay?  will you leave?  will you love it here?  in the midst of all the infighting, are you going to give up? will you hold on?

the answers may not be directly related to the actual intent of those questions.

will we hold on?  yes, we will hold on.  we will hold steadfast to our integrity.  we will hold steadfast to the reasons we came here in the first place.  to make a difference, to bring ideas and change, to apply that which we have learned, studied, experienced over at least 80 combined years of work, higher education and profession.  to be honest and transparent and collaborative.  to try and instill a sense of working together into a community divided by narratives too numerous to list.

will we hold on?  yes, we will hold on.  we will hold steadfast to our belief that people should be kind to each other, that people should not work around others nor should they undermine others, that people should instead lift each other up, not drive stakes into another.

will we hold on?  yes, we will hold on.  steadfastly.  to honoring art, the driving force behind this initiative.  to honoring creativity and the blossoming of beauty and wisdom, staunch tenets of artistry.

will we hold on?  yes, we will hold on.  steadfastly.  to believing all is possible.

but, in answer to the real intent of the question asked us….will we hold on?

we will not hold on if others cannot join us in what is real, what is truth, what is most important.  we will not hold on in the fire of pettiness or shameful self-serving underhandedness.  we will not hold on, holding still while others take turns throwing rocks at us, at the real goals of this place, if those are indeed about art.

the answer to the question is not up to us.  we can either cling to the rock, holding steadfast or we can topple, with a refreshing splash, into the lake and float away.

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HOLDING STEADFAST from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood