reverse threading

the path back is the path forward


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golden moment. [kerri’s blog on k.s. friday]

they were luminescent as the noon sun caught them in its grasp. magical. glowing. each individual seed seemed poised for takeoff, ready to catch the breeze, twirl and fly.

it is much like how i am feeling as i painstakingly go through the house … the bedrooms, the attic, the basement …

the memories all gather on the plume, ready to catch the next breeze and twirl in front of me, bringing me back to moments a long while ago – many decades or even just a few years.

they are golden, these memories, and i give them time as i touch the relics, leftovers saved. i’m trying to go slow, even as i wish to accomplish much quickly. my thready heart relishes what i can remember, even when it sorts to sadness, even when it sorts to tears. in the timeline of life, i am bobbing around like the crazy super balls we had as kids – the ones with bouncing trajectories you couldn’t predict. the wham-o super ball would zig and zag and i am zigging and zagging through time just like that.

sometimes i have to leave a box or a bin or a pile for a bit, step away and breathe through it. i have found that touching these objects – the tactile – makes it all real and up-close, almost like it’s now. and, because i am the sensitive, emotional type, i have to step back … back into the room, straighten up, look out the window, pet the dog, sip some water. it can be overwhelming, this going back stuff.

as the bins empty and the sorting keeps going – this is merely phase one – i can feel the space opening. i can feel the air of whatever is next. i will still save many things, though i know that perhaps some will be relinquished in phase two or three. it gives me a bit more time with the artifacts of my life.

and the treasured antiquities nod as i put them in the save pile. they know it is their golden moment – their chance to twirl for me, their flight with me. they are as luminescent as the plumes, ever so countless, glowing in the noon sun.

*****

HOLDING ON, LETTING GO © 2010 kerri sherwood

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the vine knows. [kerri’s blog on d.r. thursday]

as autumn moves into full bloom, it is track-able on our westneighbor’s fence. the virginia creeper vine is fully immersed in the transition of seasons – producing berries for the birds, changing color day by day.

but there are fewer and fewer leaves now on the vine. dark is longer and colder and the cicadas and night crickets have ceased their song. in turning back the clock, there’s no turning back the clock.

and we head full-tilt into this season, knowing that winter’s lull will follow, that a time of fallow will start.

we blink back the wistful for summer, for early fall’s warmth as we head into the colder seasons. and we try to remember what we treasure about this next season, just six short weeks away.

with different eyes we look to the horizon of each day – changing our expectations, sorting to presence and appreciating each remaining leaf.

and soon the fence will be bare, save for the vining twigs.

but under the soil there is a gathering momentum of energy. and one of these days again – in the way that nature continues and continues – in the way that goodness goes on – it will burst open and we’ll see growth again. the vine knows.

in the meanwhile, we will wait and watch.

and hope.

*****

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what we are. [kerri’s blog on flawed wednesday]

“life is only a reflection of what we allow ourselves to see.” (trudy symeonakis vesotsky)

when i started my first teaching job – at a K-2 primary school in the poorest part of a county in florida – i found out quickly that the previous teacher had a favorite record album that she played over and over and over. i’m not sure how much music teaching she did, but i know that she played this record for every class, every day. it was a female artist’s album, one of her earliest. in those days her albums were all contemporary christian fixtures, full of praise songs, lyrics based on biblical messages and worship.

even back then – in this very first teaching job in the very first school – i knew that it was not appropriate to play this album ad nauseam like the students described their previous teacher doing. i was not teaching at a religious-based school; this was a public school and i had a different obligation to these children. it was most definitely not to foist christian music upon them.

in perusing social media i just saw rumors that there will be an “alternate” half-time show for the super bowl game, featuring two country artists who i thought knew better. in these times – in a world that draws strength from its diversity – it is unbelievably tone-deaf to think that we need an alternate quote-unquote “all-american” show and just the mere suggestion of what that definition likely means makes my stomach hurt. if we are to believe what we are reading in social media about this show, it is steeped in an incredibly narrow definition of faith and family and freedom – and what “all-american” actually is. it is painful to think of the people i know who will watch this – cheering – steeped in audacious narrowville.

i grew up going to church with my family. i spent 35 years as a minister of music in various christian churches across the country. never would i ever presume to foist christian music or philosophy – as a whole – upon this nation. never would i ever resort to the hateful rhetoric that is pieced – cherry-picked – from religious writings to justify disrespect of others, even ill-intended evil. never would i ever even begin to suggest that god – or any name you might choose to call a divine presence – would sort people into colors or ethnicities or genders or economic castes.

in the many, many years i spent in these buildings of faith – many of which, i learned, were disparately skewed to hypocrisy – i came to understand gandhi’s quote: “i like your christ, i do not like your christians. your christians are so unlike your christ.”

my own takeaway from a lifetime of work – if we allow ourselves to see the world as a tapestry of differences, respectful compassion, tolerances, a generous embracing, then we see in technicolor, our lives are beautiful and full of the possibility of growth and learning from others. if we allow ourselves to only see a one-dimensional homogeneous world, if that is all we tolerate, that is all we believe is worthy, then we are, as well, one-dimensional and our lives are limited in mediocrity.

if life is – truly – only a reflection of what we allow ourselves to see, i would hope for all to open their eyes. i would hope for all to see what they are espousing – or proselytizing – with their words or – complicitly – with their silence. i would hope that the reflection of reality – real truth – unobscured by agenda or any form of bigotry – would be what we all see so that we might deal with the ugliness of mushrooming propaganda and contempt.

we are our reflections.

*****

read DAVID’s thoughts this FLAWED WEDNESDAY

same photo – upside down

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on dirt. [kerri’s blog on two artists tuesday]

this is the best place to think. it’s the best place to ponder, to wonder, to sort, or to just – simply – take one step after another. it’s the best place to be quiet and the best place to have conversation. we link arms. we walk. and walk. and walk. we can see why pct hikers keep on going. it is cleansing and powerful. and your body feels the world, your tactile connection with the universe, your feet on dirt.

in a moment i won’t easily forget, i recently had a chance to be forehead to forehead with a horse. we stood that way together for several minutes and i could feel his breath on my face. with both of us – boots and hooves on dirt – connected by touch, i could feel the rest of the universe gently holding space, woven in tapestry with us, close by. powerful moments.

particularly in these times, for more reasons than you will imagine, i am finding the reminder of this connection to the universe to be of comfort. particularly in these times, when there is little to comfort us here in this country, i am finding the reminder of this connection to the universe to be bigger than any story of our land – it overarches the evil intention of stories personal and of the populace. particularly in these times, with so little promise of goodness, so little accountability, so little compassion, so little attention to truth-telling, i am finding the reminder of this connection to the universe to be steadying.

i will keep my feet on the dusty dirt of the trail. i will take any chance to share forehead space with another living creature. i will remember how connected – interconnected – i am with this universe. i will draw hope from that.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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when? [kerri’s blog on merely-a-thought monday]

on the same night we waltzed in the rain, we strolled up and down main street, window-shopping. we were too drenched to go in anywhere and that wasn’t the point anyway. we just wanted to etch it all – best as we could – memorize it.

the harbor had always been a refuge and i was grateful to see the post at the information booth – in several languages – declare “may peace prevail on earth”. this tiny microcosm of the world – the village park – this space that drew people and strollers and children and dogs and laughter and music – this space certainly was shining a light on the possibility of community…shared community.

but peace is not prevailing on earth these very days. the people of our country are struggling as are people around the globe. my heart sinks as i think of all the places where real-live people are fighting for their very lives, where real-live people are being dehumanized, where real-live people are starving, where real-live people are being run over by self-centered, extremist regimes.

and i wonder, if not now, when? when might compassion rise among all people? when might we all realize the immortality of our time here, living it with generosity toward each other? when might warring cease? when might evil forces slink away in humiliation – forever defeated?

when might this world come to its senses – to actually prevail in peace?

when, indeed.

*****

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the wake. [kerri’s blog on d.r. thursday]

i could see the maple tree up over the roof of the house. it had really grown a lot in the decades since our family lived there. i thought about all the time i had spent in that tree…an innocent poet trying to piece together the world, make sense of it. back then, i was proud to spend time with my family, my beloved dog missi, on the piano bench or the organ bench or tucked against the trunk of my tree, riding my bike (or, later, driving my little vw bug) to the beach or the harbor, studying, doing homework. i taught piano lessons and worked at various part-time jobs – all on or adjacent to larkfield road – the main artery through our town. going back to these places after long years away makes one realize how small it all was – this world around me – with everything nearby and a steadfast belief in rainbows and sunrises and seagulls.

i wasn’t street-wise back in those days – not at all. the guys i worked with loved to test my naïveté by telling jokes and laughing before the punchline. in an effort to mask that i never really got the joke (particularly if it was a “dirty joke”), i’d laugh when they laughed. they caught me every time. but i didn’t care. it was a happy life and i was ever-so-slowly learning about the real world.

i wondered how it would feel when we first drove down into northport from high above the harbor. this cherished town, this dock – a place of inspiration for me – had taken on different meaning from the time long ago, when i left so abruptly. the sadness i felt leaving a place so ingrained in me had never left. there was grief, deep grief. as my innocence was shattered, my home – these shining places that were part and parcel to who i was had been tarnished. nothing was the same and i wondered what that would feel like, if i would feel misfit.

at first – as i’ve written – there was a disconnect. i’m certain it was a protective measure, something that would maybe prevent me from feeling the grief, touching it, maybe releasing bits of it. but the spirit – of the little village, the harbor, the dock, the gazebo, the beach, the maple tree in the distance – all swirled around me. and, as d and i created new memories there, my guarded heart opened.

the sunsets over the harbor are stunning. the inky nights on the dock are magical. i took them with me as we left, this time slowly, not fleeing.

and as we sit at the little bistro table in our sunroom, with driftwood and rocks from that place, it’s a different kind of grief i feel now. it’s the grief of missing a place that is indelibly etched in me, that is part of what has made me who i am, that is woven into what will heal me.

“…the waters part to let them go.

the wake follows, alone.”

(night dock – january 1977)

*****

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set the nose. [kerri’s blog on not-so-flawed wednesday]

littlebabyscion stayed home. good thing. we would have been dwarfed in the middle of all the trucks on the highway going into the city. at least big red had a bit more presence than LBS would have had. even so, it was like being in a cave – we couldn’t see anything else but the trucks. no view, no signs, nothing. just trucks.

it was a breath of fresh air when we got to the george washington bridge and the trucks veered left to traverse the bridge on the upper level. suddenly we could see the water. suddenly we could see signs. we could see the skyline of the city. we had perspective of where we actually were, instead of just inching along in a cluster – no real choice but to move ever-so-slightly in this cotillion of semis – with zero idea of our exact location.

this country feels that way right now. we are surrounded by corruption to the nth degree and it is insanely hard to try and stop hyperventilating and get any kind of perspective – we are seemingly inching along in a clusterf— of lawlessness, all pretense of the constitution removed, the horror of being controlless, with only the worst of the worst locating us.

there were moments when it was hard to breathe in the middle of all these trucks. i kept wishing there was another way off the island, but every artery has its issues and there are snagging problems getting off every way you go.

so we endured. and we went ridiculously slow; it took three and a half hours to get off the island and across the city. but we got there.

and so, i suppose that there is a lesson here. it’s not like we pulled over and gave up. we set the nose of big red to get there – west on the island, across the east river, across the hudson river and beyond. and, despite it taking longer than we ever anticipated, we got there.

i hope the same premise somehow applies to this redwood-forest-new-york-island country.

*****

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comfort in the kaiser rolls. [kerri’s blog on two artists tuesday]

i hadn’t had manhattan clam chowder in forever. but it was on the menu and the day in the village was sunny. with the scent of fresh bread baking wafting around us, we ordered a couple bowls and a couple kaiser rolls. we took it all outside to a tiny bistro table on the street next to the harbor. if we could, we would go back today.

when it was time to head out of town, we walked there early in the morning. a few blocks from the little apartment we were renting, we just wanted one more bakery visit. so in early sunlight, with a brisk breeze off the water, we walked over and placed our order for breakfast sandwiches – on the traditional kaiser roll. they wrapped them up for us to take.

there is comfort in the kaiser roll. it is most definitely a new york thing and, for me, even more specifically, a long island thing. growing up, my dad used to make breakfast sandwiches after church on sundays. he and my mom continued the tradition when they moved to florida, seeking out the best kaiser rolls they could find in bakeries run by people who had also retired from up north.

the bakery became our favorite place – in the several times we went there. witness to the ever-present crowd of patrons, you could feel there was a generous spirit there – of community and well-loved staff – diverse and embracing. because we aren’t really fancy-restaurant-types, in close second was the bar that had baked clams. the rest of the time we cooked.

somewhere down the highway on the way back, i realized we should have purchased a dozen or so kaisers to take with us. or one of the amazing loaves of bread stacked warm on metal pans or neatly in the display. because, then, we could have carried this community’s comfort with us.

back at home, i am feeling wistful for that small harbor town. not because it is beautiful. not because it is totally charming. not because it feels like a place straight out of a hallmark movie. but because – despite a feeling of sad, complicated, emotional disconnect when we arrived there – i left having been nurtured by that town. i left having reconnected with a place i have always cherished but had lost to trauma. i left feeling again the part of me that always loved it, that always felt it was a part of me, that always felt like it “fit”.

there was comfort in the kaiser rolls, comfort in my rocky beach, comfort in my old harbor town.

and, now, there is comfort in – truly – missing it.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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children and dreams. [kerri’s blog on merely-a-thought monday]

it made me cry. it was all i could do not to down-and-out messy cry. had i lost control it would have been ugly. i grieved for every single american child as i struggled and hiccuped my way back to some semblance of calm. phil vassar’s lyrics were poignant and profound and deeply troubling.

the concert was amazing. phil vassar is a prolific songwriter, a consummate performer, his voice strong, his ballads clear. i’ve seen him in concert several times and was thrilled to see him again. he is now 63 and, having had both a heart attack and a stroke, he is making his way back – to the attention of the public – for the public forgets quickly.

there are artists you hold onto, particularly when you are an artist yourself. you know when there is something absolutely special about someone – you can feel it. every song, every note, every sung lyric – this man is a master singer-songwriter. there’s nothing really fancy about him…he plays a painted acoustic yamaha piano, often standing (which i can totally relate to). his band is extraordinary and tight, the perfect backup for him.

“cause 419 lakewood had no silver spoons/just an old beat up upright that played out of tune/now i’m singing and living the life that i love/and when i count my blessings i thank god i was an american child/an american child/’cause dreams can grow wild born inside an american child.” (american child – phil vassar)

every american child.

and that’s why i cried. because it’s no longer the same. i cried for my adult children. i cried for my friends’ grandchildren. i cried for the children i don’t know. i cried for what this country has lost, the dreams that have been violently stolen, the hope that has dissolved, the democracy that hangs by tiny filaments.

at the end of the concert, phil vassar – in seemingly no hurry at all – sat on the edge of the stage and chatted with people, took selfies with his fans, signed shirts and hats and cds.

i stood at our seats and watched, both proud of him and a little bit stunned at how very gracious he was – his obvious, deep gratitude to a concert hall that should have been filled.

i knew he couldn’t hear me – and i didn’t go up to tell him – but as i stood there i whispered, “you’re relevant, phil vassar. you’re so relevant.” deep down, he already knows. he’s always been relevant.

an american child. the american dream.

“there is no trust more sacred than the one the world holds with children. there is no duty more important than ensuring that their rights are respected, that their welfare is protected, that their lives are free from fear and want and that they can grow up in peace.” (kofi annan)

a promise once made/will it shine, will it fade/will we rise with the vision or fall?” (american child – john denver)

*****

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waltz in the gazebo. [kerri’s blog on k.s. friday]

we had the gazebo all to ourselves. it is likely that the tropical-storm-nor’easter had something to do with this. no one seemed inclined to be strolling about, nonetheless lingering on the gazebo.

so we danced. on the rain-soaked boards of this beautiful age-old gazebo, we waltzed to the music on my phone – the cherish the ladies instrumental if ever you were mine – the very piece we irish-waltzed at our wedding, surrounded by a circle of family and friends.

and on this dark starless night, with rain drifting in under the domed wood of the gazebo, it was not only magical. it was a little bit healing. it was sacred.

for here we were – both literally drenched – all alone on the gazebo of my youth – lifting the cellophane of the old magic slate – starting a new history.

just a couple people passed by in the park, walking the edges of the harbor. they paid no attention to our slow dancing. much is the way of new yorkers: you do you they imply.

we weren’t looking for an audience, so that was good. we were just sinking into the night – in the middle of the storm – in the middle of the storm.

and i could begin to feel the old break away a bit and new replace it as our feet got jumbled together in the waltz we hadn’t waltzed in a while.

i clicked play a second time, lifted the cellophane a second time.

just to make sure.

*****

SLOW DANCE © 2002 kerri sherwood

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