i hadn’t had manhattan clam chowder in forever. but it was on the menu and the day in the village was sunny. with the scent of fresh bread baking wafting around us, we ordered a couple bowls and a couple kaiser rolls. we took it all outside to a tiny bistro table on the street next to the harbor. if we could, we would go back today.
when it was time to head out of town, we walked there early in the morning. a few blocks from the little apartment we were renting, we just wanted one more bakery visit. so in early sunlight, with a brisk breeze off the water, we walked over and placed our order for breakfast sandwiches – on the traditional kaiser roll. they wrapped them up for us to take.
there is comfort in the kaiser roll. it is most definitely a new york thing and, for me, even more specifically, a long island thing. growing up, my dad used to make breakfast sandwiches after church on sundays. he and my mom continued the tradition when they moved to florida, seeking out the best kaiser rolls they could find in bakeries run by people who had also retired from up north.
the bakery became our favorite place – in the several times we went there. witness to the ever-present crowd of patrons, you could feel there was a generous spirit there – of community and well-loved staff – diverse and embracing. because we aren’t really fancy-restaurant-types, in close second was the bar that had baked clams. the rest of the time we cooked.
somewhere down the highway on the way back, i realized we should have purchased a dozen or so kaisers to take with us. or one of the amazing loaves of bread stacked warm on metal pans or neatly in the display. because, then, we could have carried this community’s comfort with us.
back at home, i am feeling wistful for that small harbor town. not because it is beautiful. not because it is totally charming. not because it feels like a place straight out of a hallmark movie. but because – despite a feeling of sad, complicated, emotional disconnect when we arrived there – i left having been nurtured by that town. i left having reconnected with a place i have always cherished but had lost to trauma. i left feeling again the part of me that always loved it, that always felt it was a part of me, that always felt like it “fit”.
there was comfort in the kaiser rolls, comfort in my rocky beach, comfort in my old harbor town.
and, now, there is comfort in – truly – missing it.
i couldn’t begin to guess how many times i have sat on that beach. i couldn’t begin to describe all the life i have navigated there, all the pondering i have pondered, all the sun and the snow and the rain, the early dawns, the inky skies i have shared with that place. in the mystery that connects you to certain places, it was always my go-to.
and the mystery continues.
we shared time with that beach again. profound time. time wherein i stood by the water’s edge talking to the universe. once again, feet in that sand, touching that water, eyes to that sky.
some of the benches just off the boardwalk have been there forever. the curve of the metal arm, the weather-worn wooden seat – familiar touchstones that date back and back. the seagulls diving, riding the waves, rising in air currents and dropping crabshells to the ground – their caws lodged in memory.
this is not the island’s finest. there are many beaches with less rocks, fewer shells, more shoreline, softer sand, less seaweed, stronger surf. but this is the one.
i left a piece of me – a free-to-be–crazy-with-potential–wildflower-growing piece – behind on this island.
and so i thought that maybe – just maybe – i could go put my feet on this very sand, touch this very water, drink in this very salt air to both reclaim that piece and set it free.
there was no drumroll, no hoopla, no folderol. there were no fireworks or lightning bolts.
as the wind became gusty and it got colder, i merely turned reluctantly away from the water’s edge.
he was waiting for me about halfway up the beach and he held me as i stood in that very sand under that very sun, taking it all in, grateful.
we walked arm in arm to the benches and sat on the oldest one.
“each of us is in truth an idea of the great gull, an unlimited idea of freedom,” jonathan would say in the evenings on the beach, “and precision flying is a step toward expressing our real nature. everything that limits us we have to put aside.” (jonathan livingston seagull – richard bach)
as this new school year begins i think of all the teachers and mentors i have known – those who were my teachers, my professors, my mentors, those who taught my children, friends who have been teachers, my own time spent as a teacher, instructor, director. immensely different stories, all over the spectrum.
the common denominator – to empower others to push themselves without limits, to reach their own potential, to become the best version of themselves, to fly. jonathan’s imperative.
growing up on long island meant – in the sheer sense of the word island – that i was surrounded by water. i spent a great deal of time by that water, particularly when i was able to get myself there – by bike or my little vw. i was always enchanted with the seagulls that lined our coastline, seagulls swooping and diving and soaring. the book jonathan livingston seagull was a treasured possession, kept close on the little bookshelf next to my bed. my paperback copy is waterstained and priced at only $1.50, evidence of its long tenure in my life.
even back then – on a beach towel at crab meadow beach in the mid 1970s – it was clear that the search for a life of purpose and excellence meant, also, a life of self-discovery and risk-taking. but susan polis schutz’s words “let us dance in the sun wearing wild flowers in our hair” rang for me as joyful north stars.
and so i watched and studied seagulls flying in community, flying alone. i walked the beach together with others and alone. i studied poetry with others and wrote in my tree alone. i sat on spotlit piano benches with a boom mic on old wooden stages together with others and alone.
my son recently wrote some vulnerable words. his post ended with, “…stick with it no matter what. tell your story.”
were jonathan livingston seagull around, he’d nod and think of an elder seagull’s words to him, “you will begin to touch heaven, jonathan, in the moment that you touch perfect speed. and that isn’t flying a thousand miles an hour, or a million, or flying at the speed of light. because any number is a limit, and perfection doesn’t have limits. perfect speed, my son, is being there.”
i paged through my old book. and went back to the title pages.
there in pencil i had written one of the lines i quoted above:
i grew up on long island – which is, quite obviously by definition, surrounded by water. i spent the vast majority of my time outside at the beach. winter, spring, summer and fall. pebbly beaches along the sound, sandy dunes along the ocean, beach grasses and willowy reeds dominate the vegetation and, so, seeing cattails is like seeing home.
the next time we go there i’ll spend a good bit of time at those beaches. it will be time to reclaim them, to reclaim that place.
it is no surprise to learn that these plants that pull at my heart – cattails – are resilient and adaptable, persistent and resourceful, able to flourish in all kinds of circumstances and under adverse conditions.
spiritually, they symbolize peace and tranquility – the very things i always felt at those beaches back in the day, the same thing i feel as we hike through portions of our trail where we are dwarfed by the cattails surrounding us.
i slow down in those sections, soaking up the denseness of these stands on both sides of the trail. seagulls and red-winged blackbirds elicit the same when i spot them – they zip around and i stand – transported back in time to the marshland on my way to crab meadow or the dunes surrounded by sand fencing on fire island. i stand in memory. no wonder i love this trail.
we arrive back home after hiking – a tiny bit sunburned, our legs tired. the grasses and daylilies in the front yard greet us as we pull in. they are robust and their greeting is in chorus. and i realize that these, too, are the plants of the island. these grasses, these daylilies, spilling-over hydrangea, the ferns in the back, the hosta, sweet lavender…they are the plantings of the waterfront; they are familiar.
we surround ourselves purposefully – and sometimes unintentionally – with things that help us, things that feel good, things that ground us. we sink roots deep and move in the wind like the reeds in marshes, like cattails in a summer storm. we are resilient and flexible, making do with workarounds and chutzpah. we survive and have unlimited ability to thrive.
we watched the band on the lakefront at the harbor. the sky began to pastel itself into evening. the water reflected masts and the outline of the docks. at these slips i am gently transported back to northport harbor – days long ago – evenings filled with the clanking of rigs and seagulls seeking yet one more morsel. those were innocent nights and i couldn’t imagine myself anywhere else back then.
seagulls fly over our house fairly often since we live so close to the lake. their screeches fling me back in time just like the sun setting over the harbor. a lifelong sea-level girl who also adores the high mountains, i do love the water. we are fortunate to feel the presence of lake michigan – right…there. it’s not long island sound or the atlantic ocean, but it’s big water and we are aware of it, year-round.
we took a long walk along our lakefront the other day. the farmer’s market was bustling. there was a bridal party having a photo shoot in the breezes by the boats. six tiny children clustered around a cake singing happy birthday. food trucks were tempting and people wandered with big bundles of flowers. we turned from our harborfront and came back south – hugging the lake. few people, less hustle and bustle. we stood – with uninterrupted views of this really big lake – marveling at how beautiful it was and how fortunate we were to be able to walk along it at any time.
the guitarists sang and played songs from a variety of genres. they were terrific and the night was just-the-right-shade-of-cool. we sang along and i wanted to get up and dance in the grass a time or two. harbor thoughts floated as the sun set. we pasteled closer to darkness settling in and got ready to leave.
and the threshold of night – on the western sky – greeted us as we turned to go, boldly exclamation-pointing the evening.
“follow me where i go, what i do and who i know. make it part of you to be a part of me. follow me up and down, all the way and all around. take my hand and say you’ll follow me.”
“you see I’d like to share my life with you and show you things i’ve seen. places that i’m going to, places where i’ve been. to have you there beside me, to never be alone. and all the time that you’re with me, we will be at home…” (john denver)
the first time i saw the rockies i was 18. i was in the backseat of my mom and dad’s dodge and they took my breath away. i was changed – those mountains stayed a part of me.
so when it was that he was from there, it just seemed right. our path now includes going there fairly regularly and always a desire to be there more and more, to return and return, to linger. those mountains…it’s that john muir quote: “the mountains are calling and i must go.”
there will be a day soon he will follow me to long island. we’ll go to the regular haunts. we’ll bring sage with us and, having lost them forty-five years ago, i’ll take those places back. and he will be there. with me. our path will take us to the beach and to the harbor, maybe out on the sound, definitely past my old house. we’ve been there together before – because we have followed each other – taking turns leading the way – for over a decade now.
“…take my hand and I will follow you.“ (j.d.)
the path through the john denver sanctuary in aspen leads past boulders of lyrics. we amble our way through, choosing to be slow. we have returned here. we will return again and again.
“come dance with the west wind and touch on the mountain tops, sail o’er the canyons and up to the stars…”(j.d.)
we have danced in places noisy and places quiet. we have danced in places with music and without. we have waltzed on our deck, in our kitchen and on dusty dirt trails. we have carried the wind with us and discovered stars on the horizon we had not noticed before. the path winds and makes unexpected turns. laughing and crying turns. and we trust it together.
“you fill up my senses like a night in the forest, like the mountains in springtime, like a walk in the rain, like a storm in the desert, like a sleepy blue ocean. you fill up my senses, come fill me again.”(j.d.)
and we tell tales of the times we did not share together, the stories of before. sometimes we tell them over and over. they don’t get old. they are the pieces that made up who we met eleven years ago. two weeks after the day we first set eyes on each other, he came back – to see if it had really happened. sometimes you have to see home more than once to believe it.
“this is my autograph…here in the songs that i sing, here in my cry and my laugh, here in the love that i bring. to be always with you…and you always with me.”(j.d.)
and each path now – in the simple times and in the fancy times – we’ll hold hands or link arms, we’ll dance, we’ll lead, we’ll follow.
and today – after last night’s eve – we’ll turn on music. we’ll light all the twinkling lights and maybe have breakfast in the living room by the trees. i’ll remember our walk last night – all around the ‘hood – admiring lights and decorations and christmas trees in front windows. i’ll smile thinking of us standing in my candlelit studio singing carols together – in lieu of a church service. and then, a few luminaria on the deck in temperatures unseasonably warm for a wisconsin december.
and sometime this morning we will open all the cards that have made their way to us. in the last years we have started saving them – waiting until christmas eve or christmas day to open the greetings from far and wide. it is like a visit from each family member or friend then as we sit – in no rush – and read cards and letters. we know that time is precious these days and that it takes some of that precious time to sit and write cards, to select gifts, to craft messages and mementos. we are so happy to be thought of, to have community near and far.
the shiny brites are on our big lighted branches in the living room. they, too, are like a visit – specifically from my parents. i had a blue day last week in the midst of preparations – a little shopping, a little shipping, a little planning. because in my mind this year i’ve spent a lot of time on my growing-up long island. with all that remembering, it’s brought me back to 1960s and earlier 1970s christmases – times of unfettered bliss – of being a child and then young teenager in the middle of a family creating simple christmas magic. it made me miss my sweet momma and poppo. our holiday was never anything really fancy – it was just about being together. my mom didn’t plan activities for us nor did she prepare mountains of food ahead of time, except for krumkake and spritz cookies. dinner was always a turkey and all the trimmings for christmas day. christmas eve…well…my solidly norwegian grandparents would drive their gigantic beige and brown was-it-a-buick out from brooklyn, laden with the christmas eve fish pudding and rum cake. and yes, that meal is really as eh as it sounds. fish pudding, boiled potatoes, cauliflower and a white sauce with crabmeat – it’s a monochromatic meal that would horrify any child’s taste buds in the midst of christmas eve’s glimmer. we’d all survive it though and the very-frostinged layered rum cake was the reward. we lounged around and sipped eggnog and sang christmas carols while i played the organ or piano in the living room and my brother played the guitar. and then, as it got darker we’d go outside to walk around the neighborhood in the candlelight of luminaria, still singing. hot cocoa later and off to the 11pm service to ring in christmas. simple. nothing grandiose. most of it was predictable. but it brought a sense of comfort in its familiarity, just like the shiny brites on the trees in our living room.
these last years have had a different rhythm. sans advent and christmas directing, time has burst open. for those decades of immersion in church preparations yielded little extra time – and, for most years with the chaos of those responsibilities, brats on the grill were christmas eve fare. it was only on christmas morning that it was possible to – finally – take a deep breath. it’s a different season now.
today we will go to our son’s home in chicago. we’re excited to spend christmas with him, bringing his gifts and ever-present stocking, sharing in the making of dinner. we will sooo miss our daughter, but we shipped her gifts and will facetime with her after her travels out west. the rest of our families all also live out of state, so we won’t be posting those wide-angle holiday photos with scads of people posed in front of the tree. but we hold each of them close.
and tonight, on our way home from downtown, we’ll take the backroads, as always. we’ll go slow in appreciation of the beauty of the route, the festive lights, magic lingering in the air. the waiting is over.
and we’ll nod our heads together, agreeing that simplicity has been the real gift.
viriginia creeper…after the leaves have fallen. blue berries. it’s also called woodbine. and the instant that david told me that, i was back in northport.
for on the corner of woodbine avenue and main street sits skippers pub. it’s just on the other side of main from the park and the gazebo and the harbor boatslips and that place – at the end of the dock – where i have sat for hours and listened to the clanking of metal-rigged sails in the moonlight. it’s visceral.
some of the berries are gone now – only a few days since i took this picture. but as the temperatures drop, the critters have been busy, i suppose. and i hope that the woodbine berries help them prepare and stoke up.
in daydreams, i go back to skippers. sit at the bar and talk with crunch about fishing or diving or life, eat lobster bisque and baked clams, maybe sip a beer (back in the day). i go back when i was 18 or just barely 19; those earlier times were different than later.
a bunch of years back, david and i were on the island and we spent time walking around northport, spent time on the docks, spent time at skippers. we sat at the bar and ate baked clams and buffalo calamari. he sipped a guiness and i had a glass of wine. it was a little bit of heaven. i pointed out the window and, as he looked out, i knew he was looking out the same lettered window i had gazed out of decades ago. the view was a little changed – both from inside and out – of me.
but i could feel the energy of those times past and i could feel the bits of goodness that still floated about from happy moments spent there. skippers will always be a place of refuge in my mind – not because it was a pub – but because it was a place of joy, a place of innocence, of fun and friendship and tales of fishing and diving.
there will always be places we internally feel good about and, of course, the complete opposite – places that are inherently negative, that drudge up things toxic or painful. each of us can likely rattle off a few examples of each category.
skippers – on the corner of woodbine and main – will remain one of the good ones.
and now, each time i pass our dear westneighbors’ fence along our driveway and see the woodbine curling and stretching and growing on the wooden posts, i will likely smile and think of baked clams and lobster bisque and the long island when i was 18.
of course i loved them right away. they are from long island. i’m from long island. it’s simple. my people!
we have watched – many – sipandfeast youtube videos. jim and tara have brilliantly put together a life all about cooking. splendid cooking. legacy and contemporary recipes. italian-american and, as they say, new york-inspired food. now, what’s not to love about new york-inspired food?!! they make me long to be back there.
i was perusing instagram the other evening and there they were…making cocktails. because the drinks looked both lovely and refreshing on a hot summer’s night – and because they each had a sprig of mint in them – i watched. of cawwwwse!
the camera panned to tara, as she was garnishing the drinks. mint in her hand, she slapped it gently against the glass saying, “give those mint leaves a little bit of a whack to release their oil” and then added it to the drinks. simple, practical wisdom.
all of life fell into place.
just a few days earlier in the week – during dinner on our deck with 20 – i had added mint from our potting stand to our ice waters. i was curious that i didn’t really taste the mint, though there was a considerable sized leaf in my glass.
but…i hadn’t whacked it.
now i understand.
funny how that just seems to apply to – well – everything.
a little gentle whack.
sometimes, it just propels us forward a tiny bit. sometimes, it stops the whirling thoughts tornado-ing in our minds. sometimes, it nudges the spinning plates – all spread out on the horizon plane – and lines them up so that we can get to them one by one, lined up instead of spread out. sometimes it unlodges the thought bubble, bursting it into a shower of incandescent, bright creating. sometimes, it infuses a little courage, a little bravery, a little chutzpah.
“workers might want to consider these top 10 skills, which employers say are rising in importance over the next five years: 1. creative thinking.”(jane thier – fortune magazine)
mm-hmm. yup. #2 is analytical thinking. i’m pretty certain that without creative thinking, analytical thinking would hit dead-ends every time. and self-destruct.
the other night, in the middle of the night, the wee hours of the night when one is supposed to be sleeping, i was – shockingly – wide awake. we had a long conversation, chatting about places we had lived way-earlier-on, jobs we had way-earlier-on. i talked about eating lots of kellogg’s cornflakes and he talked about mountains of pbj sandwiches. we have both had histories of piecemeal, making-it-work, scrappy artists weaving a tapestry of living with rough-hewn shreds of granola-cotton, jute, hemp, fabrics not fine or finished but with torn edges and maybe a little holey.
larkfield road in east northport made it possible. many of my jobs – early-on – were on this road. i worked at the music store, the camera store, the dive shop, one of the churches – all on this road – before i left long island. i bought my cornflakes at the king kullen and my gas at the corner citgo, splurgy pizzas down the road and sub sandwiches next to the post office. i drove all over teaching piano lessons and saved whatever i could at the bank that gave away plates for deposits on the corner of larkfield and clay pitts. none of it was fancypants. but it gave me a different expectation bar and it was all setting the stage for a creative life.
it’s funny to me that it takes a fortune magazine article to espouse the merits of creative thinking. the number 1 top skill rising in importance – as if it’s something new. ahhh. but, perhaps it is.
for we know, better i’d say than many, the difference in actually choosing a creative path. creativity, artistry – these lead you in a direction that is unrevealed, a direction that is vulnerable, a direction that has no guarantees.
an accountant, say, knows that any amount of time spent on a project will be remunerated. time spent = time paid for. it’s really a lovely equation. and both of us have had positions in our lives when this equation was in place.
but the instant we list back to the artist side, all equations dissipate into a fog and people – the same ones who turn to the arts in watershed moments of their lives – suggest we might consider exposure of our work our form of payment. i imagine writing to the wisconsin energies company – “i’ll give you ten exposures for this $326 bill.” more so, i imagine their response. yikes!
and so, here we are. the workworld – so to speak – is catching up a tiny bit. employers are beginning to recognize the value of creative thinking…maaaybe. the COO of fortune, dan shapero, is quoted, “the long-term trend is pretty undeniable that the demand for skills outpaces the supply of skills.”
perhaps he – representing employers everywhere – is not looking in the right places.
creative thinking is found in creative people, the ones exposing their work to the world, the ones who scrimp and bring to fruition projects that started in a thought bubble, the ones who don’t have the same organizational principle applied to their vitae and whose vitae, perhaps, would go the way of bot-trash, but who have a thru-hiked life (sometimes many, many years of life – decades even – making age yet another employment challenge) – with creativity their north star.
as people-with-active-resumes we note that our schooling is bachelors and masters degrees – framed and unframed- in bins in the basement somewhere. our work experience is a little bit of that tapestry i was talking about. it’s been garnered in educational settings, in corporate settings, in public service, in non-profits like theatres and churches, in software startups, on stages and on radio, in studios with canvas and studios with microphones. our creative output is found in albums, in paintings, in books, in blogs, in cartoons, in plays, in workshop projects.
we get creative thinking.
i passed green eyes down to her. he got his eye color from his dad. both of them are wildly creative. their lives have already been a tapestry of edges. i couldn’t be more proud.
“the most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.” (mary oliver)
reverse threading 