reverse threading

the path back is the path forward


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salvage doublebows. [kerri’s blog on two artists tuesday]

even upside-down i recognized it. a chunk of concrete – architectural salvage – signed and dated 1978 – it sat there, with an assortment of other stuff outside the antique shoppe – and called my name.

my sweet momma wanted to be an architect. she was way before her time, though. born in 1921, she loved applying her love of mathematics, but the world – i guess – wasn’t ready for her. i, too, love math. and i love design, though i haven’t had any formal training in it. but when a chunk of concrete – or any other item – calls my name, i stop and listen – at least for a moment. there is a conversation to be had.

because it was upside-down and weighs a ton, i asked d to turn it over. i made an instant decision…one, unlike most other purchases, that would have no second-guessing, no post-purchase regret. i wasn’t sure yet what we’d do with this concrete, but it was coming home with us (after some new-york-style price-negotiating). 

it’s in our living room now, in case you are wondering. it serves as a side table to a chair and is the right place for our ipod sounddock. it’s perfect. 

i was trying to explain – at the antique shoppe – to a couple people there how i try never to buy things to be used for what they are designed for. it’s my own rule of repurposing. it’s also pretty scrappy. now, now, that doesn’t mean a pillow isn’t used as a pillow or a chair as a chair, but old vintage coffee pots are our tea canisters and suitcases are our special boxes. tin displays photos with magnets. a door is a table. you get it. 

for years, i rented offices at an historic building on the lakefront. a fantastic old building with high ceilings and wood floors, only cold running water on my floor, big old windows facing the lake. when they were doing some reno work on the building, there were piles by the big dumpsters: vintage window frames, rectangles of radiator grates, old signs. it was a salvage dream. i miss those offices, but as i look around our home, the old window frames are comforting and remind me of days spent chasing concerts, wholesale accounts and mice. 

the farm table in our sitting room holds a beloved heart leaf philodendron from my daughter. the old repainted chiffarobe in my studio holds photographs of my parents. ”sisu” is painted on a piece of old wood, created by my son. there are two old rocking chairs in david’s studio: mine and his…both full of stories of long ago.

so the chunk of concrete didn’t really surprise him. i thought for sure – as we pulled in – that he noticed it too. but he hadn’t. so i pulled him over to it, certain he, too, would love it. and he did. most of the time it doesn’t take much to amuse us. 

we stood at the doorway from the hall to the living room, admiring our find. we – truly – couldn’t have liked it more. artifacts from time gone past – things that might sit out by the dumpster or in the weather in the parking lot – reclamation of interesting pieces – even roughhewn – loved in our home. we tie new narrative to these, like the doublebows on the boots we wear…a smidge of warmth, of security, of new use, another layer – this doublebow – the old stories and the new stories. we are certain of their place in our home.

sometimes i wonder why i am so attracted to peeling paint, wobbly-legged tables, old windows and doors.

and sometimes i don’t.

“every day we reconstruct ourselves out of the salvage of our yesterdays…” (james sallis)

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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what i need. [saturday morning smack-dab.]

i am a homebody. i truly love home.

but – juxtaposed on the same life-wave-riding surfboard – i love to get away. i love roadtrips and adventure, exploring backroads, immersing in new places. though i am fed noticing the extraordinary in the familiar, i thrive on images of the unfamiliar. more than once i have cried entering a canyon or at mountain-range first glimpse or surrounded by the scent of a lodgepole pine forest or the quiet of an empty trail or the quaking of aspen leaves.

so i yearn for these places – the ones we have been to and have loved and the ones we dream about.

i’m not high-maintenance when it comes to vacations. i’m not a resort-type or a cruise-type, not a disney-type or an amusement-park-type. i don’t need all-inclusive or my bed turned-down. i don’t need all-you-can-eat-any-time-of-day-or-night. i don’t need fancy or plush or luxurious. i definitely don’t need contrived.

it’s pretty simple. what i do need – is a little or big getaway. short distance, long distance. time to leave, see new things, experience new places, feel the sun from a different latitude or longitude. and then time to go home and feel the hygge that is ever-present back here, the moments that go by perhaps a little underappreciated, to feel the here and now without regret or longing, a chance to revive my homebody-ness.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2023 kerrianddavid.com


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the window of magic. [two artists tuesday]

the stairs in our home go straight up a few steps, turn 90 degrees to the left and then another 90 degrees to the left before the last few to the landing. if you turn left again you will see straight into the treetops through the office window, will pass the bathroom, and will head down a short hall to our daughter’s room. if you turn right at the landing you walk into our son’s room.

there’s a big window in his room ahead of you and it faces north. it is the window of magic. for if the circumstances are just right and the frost gathers and holds hands with the sun, this is where the crystals are found. and they are divine.

that day, in every corner, from every angle, the ice shimmered, an evanescent presence that would disappear as the window warmed. the ephemeral tiny expressions of frozen wouldn’t last. not yet. it is still fall and there will be warmer days still.

but for right then, to stand and gaze at the strands and shards and bubbly droplets is to take part in the very moment, that very moment of cold. it was to acknowledge it. and to recognize its transient beauty.

a long while ago i was gifted a necklace with a silver snowflake charm. in the tiny box was printed a brief message, “every snowflake is unique; it’s true. each one’s special, just like you.” not the thought-provoking words of mary oliver or john o’donohue, but a simple reminder of unrepeatable gorgeousness, in words anyone can grok.

these last days have been harder, a holiday with empty chairs. we are adults now and we know that this is the way of life. john pavlovitz writes, “in this season each of us learns to have fellowship with sadness, to celebrate accompanied by sorrow. this is the paradox of loving and being wounded simultaneously.”

we walked on the trail and spoke of each member of our family. we each spoke a gratitude for each person, each step on the trail punctuated by a story or some enlightenment. we laughed and i wondered what gratitude would be uttered for us, hoping that words would not be difficult for the utterer to find. our thanksgiving was bookended with early morning pumpkin pie and full bellies of mashed potatoes at day’s end. in the middle was appreciation for the people we love.

it is easy to see the cold, the long winter ahead, the empty chairs. they are apparent and they can be brutal.

it is harder to walk, peer through the window, and see the crystals and their exquisite – even if brief – magical uniqueness.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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not unimportant. [k.s. friday]

just like when i take a photograph of a person i try to avoid having extraneous people in the picture, when i take photographs outside i try to avoid any messy unnecessities.

this time i did it on purpose.

on july 29th i will have lived in this house for 33 years. i have sat out back watching the sky turn orange over the garage for 33 years. i have watched the trees grow up over the rooftops in my view. i have watched squirrels on their highways-of-highwire for 33 years.

it suddenly occurred to me that there might come a day when i can’t simply walk out the old screen door onto the deck, stepping onto the patio to watch the sky in the west. there might come a day when i live somewhere else and i won’t have access to this view.

and so the messiness of wires sectioning off the sky became important. important enough to photograph. important enough to remember.

we’re surrounded by things – and views – we have taken for granted. we see them every day – though we don’t really see them.

they seem unimportant.

yet, these familiar sights are the very things that help ground us. in a world that is politically volatile, climate that is destroying mother earth, bombastic leaders itching to reduce freedoms, disrespect and aggression out of control, it would seem that we need grab onto that which grounds us, centers us, slows down our breathing.

because i’m thready, i notice – and try to memorize – things like how the old wood floor creaks in the hallway, what it sounds like when the glass doorknob falls off, the feel of the small chain on the basement door and the decades-rubbed indent it has made, the sound of a double-hung window with ropes and weights opening, the deck cracking in cold weather, the cool painted-cement floor under bare feet in the basement, the places where the plaster has cracked. they all spell home.

and, with a world in turmoil, everything in flux, so much anxiety and grief and worry, things that are solidly familiar help.

*****

THE WAY HOME from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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read DAVID’S thoughts this K.S. FRIDAY


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we’ll see. [saturday morning smack-dab.]

i read it on facebook. her daughter had fallen in love with the perfect home and had made an offer, only to lose this perfect house they had been saving and saving and saving for to someone who offered $200,000 (that’s two-hundred-thousand-dollars) OVER the asking price. all cash. it’s insanity!

we ponder the next chapter often. we have dreamy homes in our mind’s eye and on my laptop screen, plans i have saved, photographs of houses over which we have lusted. out the window are mountains and space, oftentimes water. and never perfect grass. i’ve noticed a theme of more natural settings, without the greenscape of manicured lawn, edged and treated and de-dandelioned.

but i cannot imagine how any of that is possible. we are fortunate to live in our old house in a beautiful old neighborhood near a giant great lake. we don’t usually have tornadoes or hurricanes, ice storms or lengthy periods of time over 100 degrees with feels-like humidity pushing us to stay inside. we have winter, yes. we have snow, yes. we have very-late spring, yes, sort of. we have gorgeous fall, yes. we have thunderstorms and sometimes windy derechos, which are scary as heck. every now and then we have ice and every now and then there will be a period of time with hotter-than-heck temperatures. and we love our home…the creaky wood floors, the fluted glass doorknobs, the high ceilings, the six-panel doors, the nooks and crannies, the light. even with all its idiosyncrasies and the ever-present maintenance list, we are grateful for it.

but…the next chapter. i hear about people retiring and moving south – to florida, most often. i hear about people moving southwest – to arkansas, to arizona. these aren’t places we would choose. we have a short list at the moment: colorado, north carolina, vermont, maine. i think that’s about it for now. i’m not sure how we could afford any of those places. we don’t have two-hundred-thousand-dollars-cash-money-over-and-above-the-selling-price to entice a seller to accept our bid. my heart goes out to my friend’s daughter. buying a home these days cannot be easy – for most.

so every day, really, i tool around online looking at our top destinations, dreaming. i jaunt over to airbnb to see what it would be to live in those spots for a couple months, enough time to immerse and feel like we have gotten out of dodge. i show david pictures and we chat about the possibilities of someday. i look at calculators and equations and budget projections. yikes!

and we start to make a plan. our roadtrip. i guess we’ll see.

there’s a lot to consider and, clearly, we need a much bigger piggybank.

mostly, though, i’m guessing we will follow our hearts.

*****

read DAVID’s thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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matte, glitter, shiny. [d.r. thursday]

we are a silver ball family. the tiny tree on our sunroom table flaunts silver balls. the branches we dragged out of the woods and spray painted white a couple years ago are adorned with silver balls. the straight tall tree trunk in the bedroom that is wrapped in lights also is dressed in silver balls. the restoration hardware tree on the dining room table has one silver ball and the one on the open shelving in the kitchen has many. all. year. round. i guess, when it comes down to it, we have a silver-ball-thing.

silver balls – when you purchase sets – usually come in three varieties. there are shiny silver balls, matte finish silver balls and glitter silver balls. my favorite are the shiny silver balls (in case you wanted to know this inane bit of information). matte is dully understated. glittery is very holiday. shiny happily catches the light of day and of candles nearby, but doesn’t seem overly invested in any other kind of screaming-ornament statement. a clear winner. but they all have their place.

in a holiday season that celebrates glitter and shine, this year i made sure not to buy glitter ribbon. though i love to wrap in brown paper and glittery ribbons, our children do not like glitter. they open presents and glitter gets everywhere – even on zoom you can see the annoyance caused by the glitterstorm. so, far be it from me to be annoying – we moms do the best we can – i bought ribbon sans glitter. admittedly, i did not have to clean up the entire dining room after wrapping, so this could be a new trend.

i am guessing that the young woman working at a shop i visited yesterday does not feel as my children feel. she had very long eyelashes – butterflyesque – and glitter deliberately placed all over her lovely face. she is clearly a glitter-person.

everyone has their thing.

ours is silver balls.

*****

read DAVID’S thoughts this D.R. THURSDAY

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tiny fountain. [two artists tuesday]

in 1969, when i was ten, i stood on the viewing deck and stared at a motionless niagara falls. they had turned the falls off, so to speak, building temporary cofferdams to divert the water from the american falls to the horseshoe falls on the canadian side. my parents had pitched the trip to me as something very few people would see – in comparison to those who have seen the falls with water. but as i stood there, gazing at a waterfall sans water, i had deep disappointment to not see the majesty of that landscape as it usually existed. the next time i went to niagara falls i was sixteen and there was water, glorious water, and the static electricity made my hair literally stand on end. it’s powerful watching waterfalls…powerful and meditative and inspiring. simply water. falling.

for years it sat motionless on a living room window seat. i suppose it, like the american falls, was waiting. “un-dam the coffers” (or just add water and plug it in), this little fountain was thinking. i would dust around it and wonder why i was holding onto it, my tiny 1969-niagara.

and then one day, a few weeks ago, i picked it up and took it outside to the deck to clean it up. i added water and plugged it in and watched it come back to life. instantly, its flow, a gentle trickle, spoke to me, reminiscent of standing in a cool woods next to a stream flowing just a bit downhill. i moved it inside to the sunroom, put it on the old table we have in the eastern window that catches rays of the sunrise, and plugged it in.

this little fountain’s presence, the sweet sound of water moving, is inescapably soothing. a simplicity, the element of emotion and wisdom, moving freely, continuously, a reminder of the fluidity of these days – the coming and going of change, gentle adaptability. all good as we sit near this tiny fountain full of big lessons.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY