these stunning plumes rise above the grasses, catching the breezes, the last vestiges of light as the sun sinks, a place for lagging butterflies to linger a moment, catch their breath.
but – the tiny seeds that form these stunning plumes are actually tiny swords that find their way onto clothing and dogga and into every manner of places and stab us time and again. they are inescapable. they are incessant. they seemingly multiply like the needles from a fresh-cut scotch pine in december – and january and february and even march.
it’s a problem.
reluctant to deal with it, we put up with the pointy seedheads for a while, poking fun at their stubborn ability to show up – simply everywhere – even while suffering.
until it just seems silly that we are enduring this pointed attack on our peaceful existence – capitulating to these ornamental grasses – these beautiful, elegantly flowing sculptures around our yard.
but it’s solvable.
and so, we decide to snip off the plumes that bend over, arcing to attach themselves to dogga or our passing-by. we decide to snip off the plumes that block the sidewalk to our front door. we decide that we can have it both ways – gorgeous grasses with upright plumes catching the light, the wind, the creatures but no low-hanging attack plumes. we figure out what to do with our – beloved – grasses.
because that’s what adults do when faced with – even the smallest – problem. we negotiate a solution that will not cause more pain.
i have no doubt we’ll all fall over it at some point – the precipice.
there will be some moment of grief, some slight, some jarring change, some out-and-out grotesque manifestation of this-thing-that-is-coming that will be the precipice for each of us.
i have already felt it. i fell over it on new year’s day. i realized that this thing that is coming now – in 2025 – this new administration’s cruelty and revenge, the emphasized attitudes disenfranchising people, the new way of being in this country, the gloating extremist, isolationist stance this country will take in this world – is already taking a toll. the precipice is real.
for the life of me i cannot understand wanting such things. i cannot understand turning my back on the rights and needs and experiences of my own family or friends. i cannot understand being a cheerleader for what’s coming. and, on new year’s day, it pushed me over the precipice and i spent the day grieving. for all the light i have tried to seek, for all the light i have tried to be, this thing-that-is-coming faster-than-fast pushed me under and into darkness.
it is real.
there will be fallout. fallout for people who know it’s coming, for people who bandwagoned and didn’t bother researching, for people who have family and friends against whom they voted. and that’s the part that made my heart hurtle over the cliff.
even though i knew it – and have known it for a couple months now – the fallout – part of which, of course, is silence – is painful beyond imagining.
knowing is hard.
i imagine i am not alone…one day at a time it all becomes more and more real…and so one day at a time there are others who are over-the-precipice-ing. it’s not going away and, as we are gleaning, it will only get worse and worse. and people voted for all of it. and i wonder – again and again – if it ever occurred to them to think about their own families or friends or community that might be drastically impacted by this new reality – the one they were choosing.
and so the fallout will gain momentum. not just the stuff that the new administration is going to set in place – the stuff that will marginalize more and more people, that will push people down – those already disenfranchised, those about-to-be disenfranchised. the fallout will lift up others – those with self-aggrandizing agenda, those with monster motives, those who perpetuate hatred, those who are clearly soul-less. and the fallout – well – it will snap the binding of relationships at their core, it will silence conversation, it will destroy friendships, it will undermine families.
because it’s real.
now – each time we are hurtled over the precipice – for it is likely that will be more than once – it will be our job to climb back up, to seek safe shelter and to heal from the pummeling of the precipice-fall. even a little bit. to keep going. to get to – what we hope will be – the other side of all this. to survive.
i saw the letter k immediately. one always sees ones initials, i suppose.
it immediately made me think of the way i used to sign everything – back in the day. (note: “the day” means the 70s – which is now – shockingly – half a century ago – which makes me laugh aloud!!)
i used a combination of my initials K, E, A – joined together – nothing extraordinary, it looked like this:
i used it everywhere. i signed my poetry with it. turned in lab reports with it. i autographed my lyrics in black-and-white-speckled composition books. i signed all my greeting cards with it and left notes on crunch’s windshield adorned with it. my monogram traveled with me everywhere.
and soon, recipients of my dedication to this began to use it back to me. i even have a beautiful gold necklace that was gifted to me with my cherished self-designed monogram.
and then, the guitar strap.
it was a present.
it was during the time that tooled leather had more than a minute. like everyone, i already had tooled leather keyfobs, bracelets, belts, change purses and full-sized handbags.
but the guitar strap stood out.
i used this guitar strap for five decades on my guitar. i had compartmentalized what it represented, the person who had given it to me, the time of which it reminded me.
until one day, a few years ago.
when you join together with a partner much later in life, you are full of the stories of the rest of the time you were not together. it’s rich history, narrative begging to be shared. and so, these stories start to tell themselves a little at a time as you get to know each other. and so one day i told him the story.
in horror he listened. he held me as i wept. he gently asked questions. he was quiet with me.
the bungie cord tightly lashed around the compartment of the sexual abuse flung free, snapping back, narrowly missing us. and the box was opened.
i removed the guitar strap from my guitar, unweaving the leather cord that held it onto the neck just under the tuning pegs. i stared at it for a few minutes, my monogram tooled into stiff leather that had somewhat softened through all the years.
and i took it outside and placed it in the garbage can.
the magic wand – infused by the sun – stood tall in the reeds. if only i could pluck it out and take it with, still full of its magic, still glowing, i thought.
it was a brilliant day. the sky blue-blue, the air crisp, the trail ready for us, quiet, winding. we pass by marshes and bogs and woods – the hoofprints of deer preceding us, crossing the way from safe-place to water source.
and then the magic wand glimmered and reached out, tapping me on the head, bestowing glimmer magic, begging the question: and what will you do with this?
i carried the glimmer as we hiked. it was quite like carrying a toddler – full of energy and zeal, ready to get down out of my arms and run, run, run. the glimmer knew that it had work to do and there is no time to spare. for the power to light dark places is not to be underestimated, the ability to drop a spark into ash is not to be underplayed. the glimmer was anxious and excited, both.
and yet, the magic wand knows this: that relighting the dark and touching the grief of flame doused by others, the pain of trauma caused by others is not easy. dark cannot be readily relit if there are only shadows and no room for light. grief cannot be easily eased if there is no corner of the heart untouched by it. pain cannot be addressed without balm to the wound.
the glimmerwand was trembling at the end of the trail, still held in my arms. i wanted to hold onto it, to believe it would be that simple.
but the wand knew better. like the extended finger of ET the extra-terrestrial, it touched the center of my chest, through down vest and thick thermal and baselayer shirt, directly to my heart.
and it told me it would always be there – this light from the sun. it would wait and wait. and it would be with me – with me – diffusing fear, enlivening exhaustion. and i could reach down and touch it any time, this glimmer, and it would warm me up from inside out.
“people start to heal the moment they feel heard.”(cheryl richardson)
it is not likely we always know. moments when people are sharing something with us – something raw, something of import, something life-changing. no, we don’t always know. because these things of significance – along with great gravitas – don’t always come with drumrolls or prologue announcements. they are stammered out, with some reticence and a side of fear. and we have a choice – an opportunity – as someone standing nearby or walking alongside, someone close-in or someone peripheral. it matters not – in humankind – our interconnectivity supersedes our concentric circle.
as we stand – in the fire – with someone who is sharing, our presence acknowledges their pain, their angst, their experience, their feelings. our being-there shines light into dark, into the fog.
in our indifference, we yield great power to hurt others, to walk on, to overtly turn our attention away from the sharer, to underplay this very part of their journey they wish to share.
she said, ” it is vitally important how those around react to the news of trauma, for that is powerfully profound in how a person heals.” both the overt overlooker and the covert minimizer add to the burden one is already carrying, the burden that will likely be buried further and further inside – more and more difficult to excavate, heal and release.
instead, we can choose not to perpetuate the pain of others. and they can aid us in transforming the place where our own pain may be held. we can each reach beyond silence – for the other. we can hover with each other and offer wisps of hope.
we can bear witness.
it doesn’t take much. we are all together in this big world – full of the potential not only to delight us but to devastate us. we walk together. we can support others in feeling heard. it’s really the least we can do: listen. really listen.
an empty canvas. a roadtrip with no predetermined destination. where do you go from here, davidrobinson?
an empty staff. a roadtrip with no predetermined destination. where do you go from here, kerrisherwood?
artists’ journeys, rife with intersections, foist decision-making upon us in our quest to create. simply starting is sometimes an uphill challenge. the questions are never easily answered. the value of what we are doing is never really clear. or is it – the value assigned to what we are doing is never really clear?
we have a daily decision, a choice to “begin anywhere” (john cage) and speak to the world around us and what we see through artists’ eyes. we write, we paint, we compose. we either create or we step away from the canvas, the staff paper, the qwerty keyboard. we know that nothing we do will change the world. we know that everything we do, like you, will change the world.
where do we go from here?
last night anderson cooper’s chyron read, “meanwhile, back in the real world.” the real world. a world fraught with chaos, trembling with the fever of a pandemic and the disease of racism. we, as people, turn to the sages of old for words of wisdom. we turn to art for honest displays of emotion. we turn to music for expressions of pain and hope, grief, despair, love, action, change, fear, questions.
questions like – where do we go from here?
Every day just gets a little shorter, don’t you think? Take a look around you and you’ll see just what I mean People got to come together, not just out of fear
Where do we go Where do we go Where do we go from here?
Try to find a better place but soon it’s all the same What once you thought was a paradise is not just what it seemed The more I look around, I find, the more I have to fear
Where do we go Where do we go Where do we go from here?
I know it’s hard for you to Change your way of life I know it’s hard for you to do The world is full of people Dying to be free So if you don’t, my friend There’s no life for you No world for me
Let’s all get together soon, before it is too late Forget about the past and let your feelings fade away If you do I’m sure you’ll see, the end is not yet near
Where do we go Where do we go Where do we go from here?
1980. it’s not often i have listened to this song since four decades ago when i recorded it. i was a mere 20. listening to it warbling now, in the way that only old cassettes can warble, has been a mixed bag: this cassette master, with little studio experience, with reel-to-reel recording, with no auto-tune for my young nervous soprano-ish voice, with too-sweet flute lines and picked guitar, measures-too-long-instrumental-interlude; i am catapulted back.
it is shocking to hear the innocence. it is shocking to hear the pain. if my wednesday post this week was too much, i would hasten to add that this will be as well. this is a song about stripping a young woman of choice, of what should be the blissful love of first intimacy, of no justice, of no opportunity to process. it’s the story of sexual assault in the late 1970s. it’s the story of sexual assault any time. it changes everything. every trajectory. it’s my story.
NO BALLOONS is a song of the times. especially for someone who listened to john denver, james taylor, carole king, joni mitchell, bread, loggins and messina, america, england dan & john ford coley, the carpenters – the A-team of verse-chorus-verse-chorus-bridge-interlude-chorus. simple melodies, simple instrumentation, simply written, simply sung.
i can’t believe i didn’t write it in the vein of led zeppelin or kiss. it should have been a screaming heavy metal song, full of pointed weapons of anguish, of power-stripped anger. instead, it sounds like a sweet love-gone-bad song, “you take away my hopes, my dreams, you give me no balloons to fly.” only it’s not. it’s about no air. no breath.
“and now with my eyes closed, i no longer see the pain in yours or feel it in mine…” and that was a product of the times as well. i closed my eyes and silenced my voice. i stopped feeling it. or did i? “and i cried as long as the rain lasted and when it stopped i stopped.” was it really that simple?
until this week i really never thought i would share this song again. after all, the song is 40 years old; i’m an alto, perched firmly on the tenor shore. but somehow, between the #MeToo movement and the swirling-around-us-in-the-world-contention and public court battles in recent media and the lack of regard for those who truly need help or healing and my aunt’s texted article and the weeping inside of my younger-self and my silenced-silence, it felt like it was time to be vulnerable and candid and believe that our muddy-boots-narratives might make a difference for someone else.
we each have a story, a timeline, an arc that takes us through this life. things we want to remember in detail, things we desperately want to forget. things we have lived boisterously out loud, things we have lived in despairing silence. the tapestry that holds all these threads together is the soul of our experience, the way we can hear others and truly listen, the empathy we can employ in a world that seems to cite MeFirst instead of UsTogether.
i wouldn’t wish this experience on anyone. i’m pretty sure that every day since those-dark-days-in-the-late-70s i have both been affected and have effected because of them. i have made choices and non-choices, taken action and had reflexive reaction. i have searched for answers.
but i also know that my heart was blown open. i am not standing on a different rung of the ladder, too high up to understand or remember, too discurious to ask, too blinded to see, too discriminating or apathetic to care.
i am next to anyone who needs me to listen, really listen. i am next to anyone who needs me to jump and catch their balloons before they have flown too far to reach.
reverse threading 