reverse threading

the path back is the path forward


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a bounty of astounding. [two artists tuesday]

it is most astounding to me. each and every time. it doesn’t matter the shining of the sun or the drizzle or the misty humid air or dusk falling around us. and though it is familiar – oh, so familiar – it is new when we visit, our footfalls on the path erased and lasting as we walk. i’m comforted by this trail. and it teases me – into truly wondering about thru-hikes and exquisitely ordinary days that explode into extraordinary just by entering them.

this is an easy trail. we have hiked many others. easy trails, moderate trails, difficult trails. elevation gains, a little scrambling here and there. but when – and it is often – we need an old quilt of a trail and time to be quiet, to think, to talk, to sort, to sink into astounding beauty, stillness and ever-percolating life, we hike here, close by.

my camera is ready. i try to capture it all to remember. the trail is full of linear lines now as the underbrush succumbs to the season. a bounty of astounding. even in transition.

i believe – as we enter the woods – that it greets us back.

and as we leave – filled up – it waves and whispers, “see ya.”

“have you ever tried to enter the long black branches of other lives —
tried to imagine what the crisp fringes, full of honey, hanging
from the branches of the young locust trees, in early morning, feel like?” (mary oliver)

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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the trail in. [merely-a-thought monday]

when i was choosing seats for the elton john concert in north carolina, the – predictably – least expensive seats were the ones with an obscured view. a pillar, a speaker, a wall…something was in front of the seats, not allowing you to see. or maybe the seats were behind the horizon line of the stage, the apron, making elton basically invisible.

clearly these seats – still dang expensive – weren’t right. i mean, if you can’t see him perform and you can’t really see the jumbotron why not just sit and listen to ej cd’s instead? clearly, that’s not the point.

so i stayed away from the obscured-view-seats and chose seats from which we could see all the action. high up, yes. but we could see it all.

we passed a sign in the chicago botanic garden, posted by a tiny trail. “by screening out views and creating hidden areas, this garden entices you to explore just beyond what you can see.” we couldn’t see into the garden…so we took the little trail in. it was beautiful and a little magical. a little secret garden. not obvious. beyond sight.

the work of an artist – of any medium – is like that. find the places just beyond. find the line of melody that tugs, that urges, that compels. bring those places to others so that they might explore them as well. past the horizon. past the stage. you can still hear elton from the obscured-view seats and you can still feel the energy.

in a thirty-plus year career as a minister of music i always felt that it was my job to introduce the obscured secret garden to others. for faith – regardless of denomination – is that which we cannot see, that which we cannot touch. my mission was simply to open hearts through music to see beyond what you can see, to explore beyond sight. grounding in the most basic of tenets – love, kindness, generosity, peace, embrace of all others, support, truth, fairness, equality, grace – i felt it imperative to offer music that might viscerally touch a person who might not otherwise be touched, to hold it all out there gently so that a soul could easily grasp it, hold it, be wrapped in it, be comforted by it. faith in something bigger in this universe is found in a river of changing times and circumstances and staying steadfast is like the path a leaf takes on that river, both raging whitewater and lazy currents. we open our hearts to explore, even though we cannot see.

it might be time to play my piano again. maybe. it’s been a long time – a couple years now, save for a few moments a few times. i haven’t been able to play it – the magic has been obscured from view – since, well, since i felt blindsided. but now…maybe now…finally…i can see the trail into the studio. maybe now the black and white notes lifting into the air – will heal hurting even just a little, will allow exploration and sight beyond the obvious tangible horizon, will open a heart again.

mine.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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drive it or pull it? [saturday morning smack-dab]

we can’t decide between the kind you drive and the kind you pull.

i mean, if you drive it, then you have to drive it everywhere, unless we tow littlebabyscion behind it, in which case it would be a really-really-big rv and neither of us can picture driving that kind of lumbering size down the highway. but if it’s the kind you pull, you have a vehicle. but then you have to pull it. and back it up. and fit it into parking lots. and juggle it around to get it into camping spots. that brings me back to the kind you drive. the small kind you drive.

the imperative?

a bathroom. and, preferably, a shower.

with a tiny kitchen, a bathroom, a shower and wifi we can go anywhere; we can rule the world. every other day i talk about this. because who doesn’t think about this, i wonder…

the wander women have figured it out. of course, they planned with great intention and are retired, so access to wifi on all workdays is not a sink-or-swim. for us, right now, we need to just-keep-swimming and wifi is the life preserver as we continue to work on our own plan.

i keep transferring visiting the rv place from one weekend to the next. probably because my rent-it-now signature pen is itching, the brochures are stacking up. ahhh. plan….

but really. it’s just delicious to think about all those backroads, all those mountains and canyonlands and seashore beaches at our disposal, dogdog hanging out with us, a tiny fridge filled with good food to make on our tiny stove, grilled on our tiny grill. music and art and wordswordswords created on an adventure Out There on-the-road-again.

i’m totally game.

d and me and dogga and willie nelson.

*****

read DAVID’s SATURDAY MORNING SMACK-DAB thoughts

SMACK-DAB. ©️ 2022 kerrianddavid.com


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out till sundown. [d.r. thursday]

the birthday of my big brother passed quietly. he would have been 72. as always, it was a day fraught with a mix of sadness and memory, a recipe for some light-stepping, a sobering reminder that the things i was angsting about that day – and there were many – were truly of little consequence.

the river trail greeted us at the end of day. we needed a walk in the woods.

“i only went out for a walk and finally concluded to stay out till sundown, for going out, i found, was really going in.” (john muir)

our breathing slowed down, despite our best efforts to bring the layers of anxiety with us. it would be better to just be silent, i thought to myself.

nature hung up prayer flags on our route and i’m now sure that i should have hung prayers on each one. i think that is why they are there…to mark each and every soul on this good planet, alive or floating…to give us a place to put our worries, like a clothesline of hopeful…to take our breath away with color and life.

the officer was in the parking lot as we approached littlebabyscion. somehow the sun had fallen all the way past the horizon while we were on the outskirts of the trail and darkness filled in the gaps. we know the trail well and kept hiking, followed the baby fox for a bit and, then, the sounds of wildlife in the forest accompanied us the rest of the way. he told us that others might have cited us for being there past sundown. but he didn’t. we thanked him and apologized, saying it was a surprise how quickly light became dark, how we had become lost in time.

i’m sure that the prayer flag leaves clapped, fuchsia burst into laughter, green grinned. the woods – the sundown – had done their jobs well.

*****

PRAYER 24″x9″

read DAVID’S thoughts this D.R. THURSDAY

a few other thoughts on nature’s prayer flags


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a chicken and a cow in autumn. [two artists tuesday]

my nephew called. i guess technically he isn’t my nephew now but neither one of us cares about the technicality of it. we talked a couple years ago but not since. no matter. he was ironing and he thought of me. he described how ironing makes you just kind of slow down and lets your mind wander. and so he followed his instinct and dialed. i told him i was glad he wasn’t thinking of me as he was washing the floor. he agreed and said that a washing-the-floor conversation wouldn’t be as whimsical.

whimsical.

i loved how he used that word. we slowed down our hiking, shuffling our feet through the leaves on the trail, david encouraging me to chat. my nephew and i laughed and told stories, asked questions, laughed some more. later, in some text-reminiscing, he asked me if i still had the beer cap earrings he had bought me when we were together up-north many years back. he said, “you’re one of my favorites.” i walked slowly into flashes of another time of life. it was a gift.

from the deck it looks like a chicken. suddenly a chicken leaf fell from the maple tree and landed squarely on our little curlicue-fence. i stopped at the top of the steps and drew d’s attention to it. “look at the chicken back there!” i insisted. we laughed at the chicken on our fence. ok, not exactly. but imagination is a funny thing. we make castles out of refrigerator boxes and gazelles out of cumulus puffs. we create out of thin air.

“have you noticed that autumn is like a yellow cow?” (pablo neruda) “have they counted the gold in the cornfields?”

we are not alone in our imaginings. pondering leaves, clouds, swirls in the lake’s surface, rocks on the trail, i wonder what it would be to not ponder these things. i feel like i might laugh a little less, like there would be a little less whimsy.

i’m not sure how autumn is like a yellow cow, though i am sure that is valid for pablo. it’s all good. it makes the world go round with a little more pizzazz. there is gold everywhere.

right now i’m just wondering where exactly my beer cap earrings are.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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sense? [merely-a-thought monday]

there is a vintage mailbox in our bathroom. it’s over on the wall under the window and current magazines and catalogs live there. it was the first mailbox we had after this old house was sided and the mailslot was covered over. there is still a little door inside the foyer where the mail used to wait after delivery, but it hasn’t been used in recent years. for a while i would keep treats in there for piano students as they left. one student, in particular, loved this tiny door and would check it every time after his lesson. if i had grandchildren i would most definitely keep surprises for them in there. a girl can dream…

when i walked into the bathroom the other day it just so happened that the way the magazines were stuffed into the mailbox revealed one word – sense. sometimes the universe has a sense of humor. no pun intended. for “sense” was what i was seeking at that moment. a layer cake of sense.

predatory lending in the student loan arena began around 2000. the arrow of the poison bow hit david in graduate school. it has not let go since. navient – one of the big student loan lenders – took part in subprime loans, private loans, misrepresented loans, aggressive forebearance-steering, sloppy accounting, the list goes on. and people’s lives – real people in the real world trying to make a real living and pay off real debt – have been skewered forever. crushing debt…in story after story in which interest is principalized, in which families aren’t given income-driven options, in which the debt rises instead of falls even as diligent efforts are made to pay down this farce of lending.

i walked into the bathroom – inbetween phone calls with navient during which they were unable to even supply the simplest of information – how doesn’t this feel like withholding while deadlines loom near? i’m gobsmacked by the murkiness of it all. dysfunction rears its ugly head.

“student loans were never meant to be a life sentence,” (united states secretary of education miguel cardona)

2001-2022. that’s a pretty long sentence. predatory indeed.

and now, as we – in our sixties – join in hopeful song with millions of others – of various ages – who have been – thisisnotanexaggeration – victimized by student loan lending malpractice, more than a few things happen. there is a mysteriously quiet change made for privately-held FFEL loanholders, a screeching halt. and then, there is an uprising putting the whole kitnkaboodle on hold.

to which naacp president derrick johnson said, “the very people blaming this administration for inflation are coming after the policies that will ease the pain of inflation on those most impacted.” he adds, “this is hypocritical. when we bail out billion-dollar corporations, it’s never an issue. but when it comes to lifting people who need the help most, including pell grant recipients—51% of which go to students whose families earn less than $20,000 a year—somehow it becomes an issue.”

so many stories. so many we-the-people. so many families. and their general welfare.

but that’s what predatory is.

i rolled my eyes as i walked into the bathroom. “sense”

so much of it all doesn’t make sense.

thinking that it actually might, makes me sad.

i’m going to check the little mailslot in the foyer for a treat. a girl can dream…

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY


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just three. [k.s. friday]

we stood in the grocery store in brevard, right by the display. the food lion price for the charming smushy-flat white pumpkin was $8.99. it called to me, “you need me! bring me home!” but i got hung up on the price tag and we didn’t buy it.

we’ve had a pumpkin or two most years, often a pie pumpkin that we place on this funny wrought iron stand with arms, making it look like a pumpkinperson. we’ve gotten gourds – interesting shapes that tickle us. but not yet a white pumpkin, even though i really love how they look.

budgets are sometimes fun-oppressors. but any artist can tell you they are necessary. and any artist can tell you that there’s been at least one time that an $8.99 pumpkin – even one that might do the dishes and sorts socks – has not made the cut.

there is a sweet apple orchard out in the county. there is wine-tasting and a distillery at aeppeltreow, so there are spirits and spirited fun. there are a zillion apples and there are pumpkins and gourds and apple cider donuts. two years ago we picked out our tiny patch o’ pumpkins from their flatbeds and gardens of choices. coming home with a pear-shaped gourd and a couple smaller that were wart-laden we felt rich.

we bought pumpkins in aspen that same year and carved jack-o-lanterns at our airbnb with our daughter, leaving our artwork and extra candles behind for the next guests.

last year we featured our aging pear-shaped gourd in our sunroom, put out some orange happy lights and indulged in apple cider donuts at the orchard. despite the gluten they were worth it.

i think this year we will get a white pumpkin. and maybe two orange ones. three in all. just three.

but it will truly be magical.

*****

MILLNECK FALL ©️ 1996 kerri sherwood

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read DAVID’S thoughts this K.S. FRIDAY


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slowly. [not-so-flawed wednesday]

we almost did it. almost. almost ordered thai food for pick-up.

but we didn’t.

we’d been hiking and were cold and tired. and we didn’t reeeeally want to make dinner.

but we did.

eventually.

we got around to it.

slowly.

we pulled our adirondack chairs into the last vestiges of sun in the yard, sipped wine, had a happy snack. when the sun disappeared, we brought our glasses inside and painted rocks – from the sand near the beachhouse – at the kitchen table, for we had hidden all the ones we previously painted. time stretched out in front of us, slow, a glorious saturday night.

instead of pad thai, we made tacos with homemade seasoning, had one of the last two avocados from my sister, watched a hallmark – yes, hallmark – movie under a big sherpa blanket, had two squares of chocolate.

hiking – tough elevation climbs – on this last trip to north carolina reminded me to go slow. it was the lesson i brought home from vacation. set a slower pace, don’t set too high a bar, mosey a bit, let living happen.

so i planted the painted rock on our sunroom table on top of sandstone from those smoky mountain trails. the other side of the rock reads, “no. slower.” you know…take a backroad, linger in the setting sun, sink under a blanket, climb a little slower.

my snapchat alerted me to a flashback. two years ago. on a balcony in aspen. the caption: “i don’t want to leave.” i remember slowly packing up, slowly loading the truck, slowly driving away. it was hard to go – as always – but slower made it a little easier.

i leave summer slowly and i step into autumn – my favorite – slowly. i wasn’t really ready for flannel. i pulled off the summer sheets for the last time in the season, thinking about how it feels on a hot night to place your face on a cool spot of the pillow. flannel isn’t like that.

but at the end of the night, after hiking and tacos and wine, chocolate and blanketed-movie-watching, in a house chilled by blustery northwest winds, the flannel was warm and i found myself snugged in soft stripes, slowly drifting off.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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witnesses. [two artists tuesday]

out of the corner of my eye i caught a glimpse of him leading her over to the edge of the garden. something about his tenderness made me stop and linger. he had his hands on her shoulders and was looking right into her face. and suddenly, he got down on one knee.

they were strangers – and remain strangers – but i had goosebumps of excitement as i watched him on his knee. we couldn’t hear anything, really, but when she threw her arms around him and he was beaming, it was pretty obvious. family and friends spilled out of the places they had hidden in the botanic garden and surrounded them, celebrating.

it was a moment in time. and we were witnesses to it.

we walk along the shoreline and marvel at the expanse of lake michigan. often – after the work day is over – the sun is lower in the sky to our west, so the sky over the lake is starting to turn all crayola-like as we walk. our shadows get longer, longer. it would seem we are on stilts. we stop for a minute to appreciate it all, take a picture, hug. witnesses to the end of day, one that we cannot recreate no matter how hard we try.

we walk on, sometimes entirely quiet, sometimes reviewing our day. we marvel that it is mid-october. already. witnesses to time flying, warp-speed, flimsy tendrils floating you cannot harness.

our trail was mostly empty on saturday. hiking there – in the woods – is like wrapping in a comforter. the turns and twists, the meadows, the fallen logs…they are known to us, familiar. it had been a couple weeks. many leaves had fallen. the ones that remained were yellow, some red, some orange. some of the trees were hanging on – their leaves were still green, but i imagine the color changing tiny bit by tiny bit even as we passed by. witnesses to autumn.

we often photograph our shadows. there is no worry about smiling in a photograph of your shadow. funny thing, though…we almost always smile anyway. the capture in time we got to be in a place, together, passing through, witnesses to a moment.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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102. [merely-a-thought monday]

102.

my sweet poppo would be 102 today. were he here, i would treat him to a scotch on the rocks, a good steak on the grill (that he doesn’t have to stress over), chocolate ganache cake, a hot cup of coffee. i would tease him and poke at him, asking him if he remembered to get my momma an anniversary card (for they were married on his birthday and it would be their 79th anniversary and, for some reason, this was always my job through the years – to take on the angst of wondering if my dad remembered…).

i wish he were here.

we were in our airbnb in the little mountain town.

we had just arrived that day. took a walk downtown, had pop-up happy hour on the porch, made a sheet-pan dinner, relished being there.

a warm and welcoming old house, there was a wine bottle stand in the dining room that held books and brochures of the area, menus and hiking trails, places to forge metal and horsebackride, guides to hundreds of waterfalls. good resources to plan our next days.

i randomly pulled out the small book on the end of the shelf and flipped it open. this was the page it flipped to. “how do you like them apples?” because i am redundant (yepyep) and because some things stick in my mind more than others, i have already written about how my dad always said this. kind of a nonsensical phrase, sometimes appropriate in context, sometimes not so much. it is with tremendous fondness i hear or see this phrase. it goes along with “do you think the rain will hurt the rhubarb?”

i held it open, photographed it, wanted to pack it away in my backpack. i was held – suspended – in a moment with my dad. he smiled from afar and thought he was pretty clever to pull it off.

he wanted to live to 100. if you asked him how he was, he would tell you that he was going to live to 100.

but he didn’t.

i wonder if he’s shaking his head on the other side, incredulous that things just work out how they work out, in spite of our plans, saying, “how do you like them apples?”.

though we loved that they were there – particularly me – we didn’t open the brochures much. we just punted and found ourselves on gravel roads in the woods seeking trailheads and climbing to waterfalls and granite outcroppings in forests of rhododendron, surprised again and again by howdoyoulikethemapples moments.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY