“you are not only responsible for what you say, but also for what you do not say.” (martin luther)
january 8. we are a week into the new year. we are in the thick – in the territory of resolutions – things we will do, things we won’t do, things we wish to change.
in the way of good conversation at dinner the other night, 20 showed us a photograph of martin luther with this quote. we all shook our heads in agreement. moral silence, not speaking truth to power, not speaking against injustice or wrongdoing or marginalization – a key figure of the protestant movement (and even more specifically – what became the lutheran church) had a few things to say about that. we spent a bit of time swimming in this.
because we are in the thick.
we just passed by the third anniversary of the insurrection of our country’s capitol. white christian nationalism has upped the ante on the lack of moral responsibility – with silence, divisive words, blunt negation of the events of this day. where are the martin luthers of the day? seems a bit antithetical…with a big dollop of hypocrisy to boot.
but we need not be in the nation’s capitol to witness irresponsible words or irresponsible silence. we need not be traipsing down pennsylvania avenue to be in the thick – to be complicit, to be implicitly consenting, to actively perpetuate that which is dangerously wrong. we need merely to look around – closer in – at our own state, city, community, the organizations in which we are involved.
we are in the thick – of the new year. it would seem the most important things we might do – as we start down the 2024 road – is to be certain to be aware, be informed, ask questions, avoid making assumptions or just believing what we are told. it would seem important that we speak up, speak out, speak for, speak against injustice, wrongdoing, marginalization, agenda, a lack of transparency, discrimination, abuse, evil.
for in speaking up or out or for or against – in seeking truth, advocating for truth, insisting on truth – as citizens of this land, our states and our communities, as conscientious participants in organizations and institutions – we would be doing the responsible thing.
and in not? the converse – irresponsible.
martin’s words remind us to think about where – in the thick – we resolve to stand.
the spaceship hasn’t arrived and i am still – the tiniest little smidgiest iota of a bit – procrastinating. not entirely, but yes…enough. i’m wondering if there is such a thing as an estate sale while you are still alive and well and living in the house.
we waited for it. and the bit o’ sun showed up on christmas morning – after several days of fog. it was a moment of hope – to see that shining orb trying to burn its way through. it didn’t last long – it ended up raining – but it counts that it was there.
i woke early the other morning. snugged under the comforter and the quilt, open window by my side, i could hear birds. it’s unusual to hear them quite so zealous in the winter, but for a few minutes – on this not-as-cold winter dawn – they were there and it was exquisite.
we walked through the antique shoppe and stumbled across the frame of a lampshade tied with bits of muslin, satin and gauze. i was immediately back in the old farmhouse in iowa where several fabric-ed repurposed lampshades hung in a corner. we walked on, but that time-spent surrounded me for a few minutes and i texted the owner of the airbnb – just to let her know about this visceral fondness – the memories. they were there, swirling around me.
some things are indelible. they etch into us as touchstones of comfort. the sun, early-morning birds, memories. they feed us in times of extreme hunger, times when we really need something to hold onto that is somehow tangible even in its fleeting.
and some things are meant to be laid down. they are shadows. they starve us, they compel us into deeper waters where it’s harder to differentiate good from not-good and we feel a bit lost, out to sea. it’s too noisy, too raucous, too frenetic – when we are merely seeking serenity. we work to lay it all down – that which impedes us, which makes us stumble, which blocks us.
in this very first week of the new year i am hoping that this is the year i personally may be able to put a few things to rest. we all have them – those open manila file folders in our heads or hearts. i – like you – yearn to take a sharpie, label them “done”, slap the folders closed and staple them shut.
but even in this rapidly-approaching-medicare age of mine, i know there is work to get there. nothing worth doing is easy…isn’t that the saying? though i don’t have the flip-the-page-a-day-over-the-metal-u-rings-at-a-glance calendar that my sweet momma had, i want to flip the pages over to get there.
we all take out the manila folders and peek inside. it’s a hunger. to get to “done” on those folders and to get to “start” or “start again” on others.
and sustenance helps. the generous. the most basic. even crumbs. even the most transitory, the most evanescent. if it was there – if it fed us – it counts.
and it is time. to put it all away. the christmas trees are piling up in those grind-them-into-mulch places. the new year has arrived and with it the giant plastic bins come back upstairs. i’ll soon – with some reluctance – gently put away all the tiny trees, my mom and dad’s shiny brite ornaments, my children’s framed note to santa, the silver and snow-white of winter, all the gestures and mementos of the holiday season. the living room will look bland for the first few days, until i get used to it again.
it’s always a time to look around and imagine. imagine change of some sort – changing a look, rearranging, culling out, even minimizing. i run around – in my head – with ideas, things i’ve seen in catalogs or magazines, on hgtv or online – pondering, maybe doing a wee bit of rearranging here and there – thinking i’m too used to it to see it all as it is.
and then i stop and look. as if i just walked into our home for the first time. what do i see? what stands out? what gets lost? and, mostly, how does it feel?
we have both many hand-me-downs and many vintage pieces (read: old/re-purposed). they are in every room in our house. i wonder what our home would look like if we had started fresh and chose everything in it for specific purposes. how would it look with a narrow wood and pipe dinner table instead of my treasured sisu music productions’ office oversized teak table? how would it look minus the old desk and chifforobe in my studio? how would it be to change out the old cabinets in the kitchen – like most home-buyers these days? or to replace the cedar chest and old china closet in the dining room with cabinetry more suited for the space? to exchange the dresser i got from lois or the chest i got from miss peggy, the chimney cabinet from hayesville, nc or the ones i got at a wholesale show for my office space? the re-painted wicker set from the lanai in florida or the butterfly chair from one of the kid’s dormrooms? the gingham print reclining wingchair with fabric on the back that our angel babycat – in brattier moments – redesigned? and what about all those branches and rocks, driftwood and aspen and hagstones and miniature boulders, flat top red rock, tiny cairns?
it is a time to clean out – both figuratively and metaphorically. the beginning of the new year pulls at most of us that way. i’m already starting to rise to the culling part of that equation. though it’s never easy. give away, sell, find people who need the excess things we have.
the rest?
the replacing? the new purchases? the changing out? the shuffling around, the rearranging? not so much.
it’s home. it feels like home. and we’re used to it.
i spent much of last year looking back. way back. way past up-close. way way back – way way past the smallest of trees on the horizon. it was necessary and painful and shocking and mighty tedious.
“… the mind clings to the road it knows / rushing through crossroads / sticking like lint to the familiar…” (mary oliver)
and then you peel back the lint that is dryer-vent-covering it all. you wipe off the fuzzy pieces. you take a good hard look at what’s really there, at what you have softened with the padding of trying to forget, of stuffing you have piled on top of your frame, of what you have buried, of the traintracks you have sprinted ahead on, leaving the veritable picture of perspective – the v of traintracks running far behind – away away – with trees so small you can barely discern they are trees. and there it all is. raw.
and you can see it. and your brain tries to stop you from seeing it. both. so you sit with it – laden – burdened – in the retrospect of it all – connecting the dots, sometimes nodding your head in sudden understanding, sometimes eyes wide, horrified at it all.
it is surreal. you are back there. you can feel it. but you know – that in merely a blink – you can be where you are right now…where you are really.
and suddenly, you are at a crossroads. you must choose between replacing the lint – tamping it back down and turning your face away from it – or recognizing it as a shield, pulling it all out – this ancient insulation – discarding it and then staring at what’s left – what is now feeling air and space and attention.
“trauma creates change you don’t choose. healing is about creating change you do choose.” (michelle rosenthal)
and then, after some time – some processing, some sorting, some meaning-making, some swearing, much courage, sheer survival – you glance at all the baggage laying next to you – rolliebags and backpacks, crossbody bags and trunks, paper bags and reusable grocery sacks – and you pick up only that which you wish to carry.
and you make your way back up the tracks to the place you really are. the place by the big trees.
minus the beyondness, minus the trees, one would barely know it was foggy.
but context is everything.
up close, the boulders are clear. they are like the notes on the page, the score. technically, they are vital. but context is everything and it is the artist’s job to look beyond the obvious, to seek that which tells the whole story, that which evokes more. it is the musician’s job to play that which is beyond the obvious, to play that which evokes. more.
peter spering, in an online forum that was great-debating which – of technical wizardry and feel – was more important in playing music, wrote the words “…technically great but creatively dull”.
the boulders without the foggy trees: we have all heard this music, seen this art, read these words, watched this dance. if you have listened to a computer rendering of a piece of sheet music, you are aware of neat and tidy technicality, seamless, even perfection. you are also aware of the lack – of any emotion, any expression, any air, any space. boulders will only sound like boulders. there will be no question. there is no beyond. there is no fog.
to answer the this-or-that question from the forum – technical chops or feeling – is both impossible and necessary. music is the expression of the human condition. music is love in sound. it is a marriage of both the technical and the evocative.
yet…if art is to convey questions and answers, to explore and navigate, to inform, to find meaning…if the recipient is to be moved, to be smitten by life, then music – the simple and the complex – must be played with heart. and technical wizardry will cease to matter if it falls upon souls with nary a touch, without any dents or brushmarks or trace that it had been there.
“it is enough when a single note is beautifully played.” (arvo pärt)
because a single note – played with heart – will impact you. it will bring you to a place where – even without standing on the shore – you can see the fog, the trees, the dim horizon.
and you are able to “feel the world stand still”. (arvo pärt)
“as the wind loves to call things to dance / may your gravity by lightened by grace.” (john o’donohue – to bless the space between us)
we swoop the plastic sheet from the proverbial magic slate, clearing the picture that was so clearly there, and we start the new year. all images of the year we have tugged along with us – each of the years we have scribbled and tugged along with us are erased – even though all the evidence is still there as impressions on the wax. the slate is ready for a new drawing. the stylus is at hand. the wind is blowing.
“it is a serious thing / just to be alive / on this fresh morning / in this broken world.”(mary oliver)
we babystep into this new day, crawling toward life goals and intentions, aware of our rapidly beating hearts and the fearlessness we are trying to adopt as a mantra. we are gingerly. we are bold. we hold hands. we brush others away. we are independent. we are always interdependent. we are open to horizons we don’t recognize, yet our pinkies hold onto barely discernible wistfulness threads, like helium balloons tied to our wrists, weightless yet there.
“when you should have felt safe enough to fall toward love…” (john o-donohue – for someone awakening to the trauma of his or her past)
we lean toward the whispers that pull us forward, trying to shed that which has tethered us behind. we recoil less. we are brave. we revisit. we recount. we shuffle the next step and the next, eventually picking up our feet, courageously trusting our breath – that it will truly still be with us a few yards down the way, that this scrutiny and release will be stretching. that our daring will eventually invite us to dance, just like the wind.
“i went searching in a foreign land and found my way home.” (sue bender)
and the universe holds us under the sun and the moon and we – actually – have more than we need. and it is a new year. and – no matter where we are – in any river – we are home. we are ready to dance.
“you are not a drop in the ocean. / you are the entire ocean in a drop.” (rumi)
tomorrow it is likely i will throw out every underwire, save one or two. i have had it. i will no longer participate in whatever torturous intention with which underwire bras were invented. done. i am convinced they are caveman mentality – with agonizing pain at its center. not one to be a prima donna about such things, i have endured – for years…no! for decades – the excruciating pain that is an underwire brassiere. i have not sought a solution until recently, when i decided i could no longer engage in the absurd wire-them-up behavior.
some chick named marie tucek invented the precursor to the underwire bra – a breast supporter that was an upgrade from a corset – good heavens! – so that we could all have “defined shape and additional support”. it’s a device. i am pondering as i write this why such a sensitive area of our bodies needs a metal device poking at it. as a woman who does not need “additional support” i am not sure that anything could provide me the “defined shape” of the idyllic american breast. for heaven’s sake, this is all insane! and so, i have finally jumped on the wirelesswagon, having asked for informant help from my sister, my nieces, my dear friend.
we shopped the other day. the older women trolling the bra department eyed david at my elbow, leering at him as if he were some sort of bra ogre, lingerie department lingerer, foundations fiend. he was stalwart, though, and stayed by my side as i sorted through hangers and sought out correct sizing. he was patient as i planted myself in the fitting room, ready for bra-war. trying on bras is trying on bathing suits to the exponential power. you out there know what i mean.
so there are wireless bras pretty much for everything…the lightly lined comfort, the no side-effects, the t-shirt, the super soft, the lift, side-smoothing, back-smoothing, non-banding, cloud-like… it is the TGI friday’s menu of bras. wayyy too many to choose from and slightly confusing. not to mention slightly terrifying. because – once you have purchased and worn this $42 miraclebreastholder, it is yours-yours-yours. and there are no take-backs, regardless of whatever bra-mistake you might have made. so this is a big decision, particularly if you are thrifty. and freedom isn’t free, as they say.
i guess my point here though, is that my new year will have at least one amazing and positive new difference. wire-free, i will walk in the world, smiling more and knowing that i will not have little black and blue marks on my body from my feminine undergarment.
and when it comes to the end of the year – already – and we gaze into the shiny brite mirror of the year that has passed, what do we see?
on either december 31 or january 1 we will take out the calendar – the one i write in with mechanical pencil – every day – a few words jotted down, a tale of the day, a meal, a quote, a visit, an appointment, some moment i wish to remember. and we will sit with it in the light of happy lights and christmas trees.
each year it is a journey – through that which we recall and that which we have forgotten. each year we find a treasure. each year we find something courageous. each year we find generosities that have sustained us. each year we find days that were hard and days that were easy. days of strength, days of weakness. we find sadnesses and unexpecteds. we find decisions and repairs. we find frogs and hawks and eagles. we find challenges of spirit and heart. we find recipes that have nourished us.
we head into the new year – just a couple days away now – reflecting, ruminating – with thoughts of what to do differently, what to change, what to let go of, what to hold onto. we wish to be better, do better, feel better. we set intentions.
and – in looking in the mirror – we are harsher than we need be. we forget some of the rest. the moments inbetween all the lines in the calendar. the ordinary. the giving. the grace. the laughter and the light. the things i didn’t jot, didn’t remember to journal, or wanted to just simply let simmer in my heart without being written down.
we wake – in a couple days – in a new year. each day a ridiculously big gift. beyond all else.
“may you recognize in your life the presence, power, and light of your soul…” (john o’donohue)
and the shiny brite spaceship gathered all the excess – from the basement, the attic, every nook and cranny – and took off at warped speed, giant contrail following it, chugging into outer space, lugging it all to the delighted beings on another planet.
in my dreams.
no…this is cleaning out that i can’t avoid. it is time.
and all the books on our planet on this topic – ie: the konmari method (ala marie kondo), claire middleton’s sentimental person’s guide to decluttering, etc etc etc – don’t reeeeally help. (however – here’s a pro tip – sitting and reading these books certainly does successfully delay actually doing it!)
the other day we sold rockband. it was a complete set and kept in pristine condition. we sat in a grocery store parking lot and waited for the guy who bought it off craig’s list to show up. because it was christmas eve i brought a giant roll of wide ribbon so that he could simply wrap the box in lots of ribbon to put under the family tree. the moment he drove away in his hatchback – stuffed with the huge box in which i had carefully wrapped all the elements and instruments of the game – i was hooked.
it’s time to clean out.
i guess the first place to start is the closet and the dresser. now, we only have one dresser – i have four drawers and d has one. our closets are small – remember, this is an old house – and it’s difficult to see everything because they are too tightly hung with clothing. looking at my clothes, i always ponder a few things: will this ever fit again? how can i give this away when i have emotional attachment to it? will i need this skirt/dress/pair of pants/blazer if i ever have a “traditional” job again? what about concert attire? and shoes…yikes. there’s a whole ‘nother issue. i haven’t bought many shoes at all in recent years – like the last ten or fifteen, but i still have shoes that i wore in 1995, so there are a few pairs in my closet, the closet in the sitting room and in a bin in the basement. the ones i wear over and over? very few. i suspect that is a theme…for most of us…for most of the things we place on our bodies and on our feet.
and so, it’s time.
it’s not like you haven’t read this here before. it is – yes – a recurring theme. i googled my own writings and was reminded this yen-to-shed-stuff has been going on for years. even in 2021 i wrote about the “lateral list” of things to do. let’s just say i’ve been gaining momentum. gearing up. stoking my ruthless.
eh. let’s just say i’ve been procrastinating. isn’t that what basements and attics are for? the indulging of procrastination. yup.
anyway, i have been bitten by the craig’slist, marketplace, ebay bug. maybe a few things can generate a grocery trip or two. otherwise, “free porch pick-up” and “donate here” sound good.
the up-north gang gathered before the holiday and sipped brandy slushies. we each talked about how we had saved bins of toddler clothes, toys, trinkets for our children, now, all grown-up. we have the corners of attics and storage rooms in basements with giant plasticware carefully storing these treasures we were certain our children would want. only they don’t. they don’t want any of it. here we are, children of great depression parents – certain we were doing the right thing, the frugal thing, and yes, yes, the sentimentally thready thing – and they, children of children of great depression parents – are far enough removed from all that heavy sense of handing-it-down/passing-it-on responsibility – that they all astoundingly tell us “no thanks”. without remorse. even flippantly. as opposed to our voices when our own parents passed bins and bins and boxes and such on to us…respectfully and gratefully accepting it all, even with no clear idea what to do with it, just trusting in the storage capacity of our basements and attics. so here we all are – with bins and bins and boxes and such – in the emotionally perilous journey of cleaning out. not for the meek at heart.
it’s time.
and so, is there anyone out there who would like vintage puffy santas or the sesame street vintage play gym or a smattering of noritake china with teapot or a collection of disney vcr tapes or an 8-track player complete with 8-track tapes? perhaps multiple tiny oshkosh overalls or polly flinders smocked toddler dresses? or some fenton hobnail milk glass pieces? or decorative plates for hanging?
reverse threading 