reverse threading

the path back is the path forward


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with barney. [kerri’s blog on k.s. friday]

“the longer i live, the more beautiful life becomes.” (frank lloyd wright)

if it wasn’t ‘copying’ i would also get this inked on my body. but my beloved daughter – a bunch of years ago now – chose this as a tattoo and copying it – despite the clear wisdom of this quote – would be taboo.

it is intensely true.

the longer you live, the more beautiful life becomes.

if you take sweet time to notice.

in a most wonderful day tuesday we jaunted about, gathering knowledge and trying on new hiking boots. we joked about falling arches and bunions, our feet – somehow – getting substantially bigger, the trail-running we won’t attempt, heck, the running we will never do again, pinky toes resistant to closed shoes. it is somewhat liberating to not have the same expectations we once had. there is a different bar.

at the end of this wonderfulday i stepped outside and was struck by the moon. we immediately took off – practically sprinting (note: not running) – down the road to the lake, so that we could watch the harvest moon rise and feel its moonbeam as it chased us on the shoreline.

we sat on the deck after a long walk in perfect night air along the lake. and we celebrated our day. for in it we had tended to things that feed us – writing, exercising, eating well, planning for future hikes, laughing.

we know that our next will not resemble our past. we know that there are no corporate or organizational positions in our future. we know that aging is perceived differently by the hiring crowd than by the aging. we also know that we have aged each and every day of our lives so we don’t place parameters on what is possible. we don’t underestimate the wisdom of the ages or the insights of aging, though the word sort of makes me shudder.

and then I wonder why. why does the word “aging” give me a bit of the heebie-jeebies? I looked up the word. multiple sources. and each time i discovered that 65 is considered “elderly”. sheesh. no wonder ageism is alive and well in this country. developing nations base their assignment of old age on a person’s ability to actively contribute to society. though the united nations considers old age to be 60 and beyond, i also discovered research that suggests only a tiny percentage of adults 65 and older actually consider “old” to happen before the age of 60. we are most definitely in the camp that rejects old-before-old.

according to britannica.com, “there is no single theory that explains all of the phenomena of aging.”

no single theory. well, of course not!!

barney is still out back, soaking in summer sun and winter snow and everything in every season. he houses chippies and is a resting place for birds and scampering squirrels. he doesn’t serve as a piano now, but his soul is still a piano. barney is more beautiful than the day he came out of the dank basement boiler room and arrived in our backyard.

barney and i say, bring on the mystery!

*****

read DAVID’s thoughts this K.S. FRIDAY

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the pontoon boat. [kerri’s blog on k.s. friday]

prior to going up-north i had only been on a pontoon boat once – in the carolina mountains with a black lab who loved to swim and a tiny little life-vested girl who equally loved the water and who spent time rafting alongside. our little boy had not yet even joined us, so it was a long time ago and the memory, although faded in detail, is clearly peaceful and beautiful. gloriously great fun.

the pontoon of up-north means laughter and snacks, old-fashioneds and slow cruising around the connecting lakes. it means conversation and story-telling, the search for loons, and the art of spontaneous plan-making.

we haven’t solved all of earth’s mysteries onboard, nor have we come up with a design for world peace, but we have found solutions to less pressing problems, offered and heard advice, dreamed a bit.

there is nothing quite like a pontoon boat to remind you of the power of community. and, more than once on that pontoon boat a few weeks ago, i looked around and gave abundant thanks for the others on the boat. snugged into comfy seats, sun on our faces, a summer breeze blowing, we are in a cove of deep friendship, people who can count on us and upon whom we can depend.

moments like these lend themselves to carrying a kind of a pontoon boat philosophy of life everywhere…a place of inclusion, of generosity, of comfort, a place of openness and caring. a place to share some time, to float ideas, to listen, to feel heard, to have raucous fun, to be quiet. a gentler ride through life, with people around you who will be there when the seas are rougher, when you need a little help with forward momentum, when their support is like oars in a rowboat.

we are fortunate – when we can give over to the pontoon boat. we are fortunate – life presents us with people with whom we can ride along together. we are fortunate – we are reminded of the sheer gift of community. we are fortunate – and we take time to be grateful.

the loons watched us and then, after a few seconds of study, they determined we were simply co-existing with them. they paddled away, riding our rippling wake.

*****

TIME TOGETHER: https://www.youtube.com/watch?v=orq9Q6Wd5O4

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watermelon time. [kerri’s blog on k.s. friday]

dogga adores watermelon. he also adores blueberries and carrots. he’s a big fan of any kind of chip, cracker or cheese. really, any dog-safe morsel of people food – except bananas – are in his taste-treat wheelhouse. he finds us easy to convince – those eyes of his – complete amber eye-to-eye contact.

back in the day, when i lived in florida, you could find watermelon at many rural corners, much like boiled peanut stands – a pick-up truck with a bed filled with watermelons fresh off the vine for buyers to choose from. i remember breaking open melons, sticky sweet, a tiny bit cooler than the air temperature. these last few days here in wisconsin remind me of those hot summer days down south, with nights that don’t cool down and humidity lingering so much in the air you can see it. chilled watermelon helps.

in the olden days (as my poppo used to refer back) watermelons had seeds. lots of them. you’d stand out back on the patio or on the deck spitting pits over the railing – contests of whose would gain the most ground. now, we are lucky – seedless watermelons have changed life, like seedless mandarins. no more contests over the deck rail, but so much easier to eat. ahh, the end of the folksy tradition of the watermelon-seed-spit. probably not a big loss.

dogga will accept any treat he is offered. he clearly trusts that we will keep his well-being and his people-food tastes in mind, so when i cut up the watermelon the other day into bite-sized pieces, he was right there, by my side, waiting. it’s his summer too.

but time doesn’t stand still. we simply cannot believe that it is labor day weekend already. the summer flew by. and soon, a bit later on, we will be barreling through fall. it’ll be time for apple-picking and pumpkins, jeans and boots and vests. part of me yearns for that – autumn – my favorite time of year.

but watermelon is plentiful right now, and, so, our moments will include dabbing our napkins on our watermelon-slice-sticky faces in the middle of these hot summer days, these days of intense heat.

dogga doesn’t seem to have yearnings for later-on. somehow he knows that any time at all is too precious to waste. his wisdom is in his absolute presence. whether it is watermelon time or apple time or cranberry time or blueberry time…it doesn’t matter. he is just there – appreciating all the wanna-bites of the season.

so in the middle of winter – when it’s frigid outside and we humans are wishing for a little warmth while dogga is relishing the piles of snow – we may summon up these days in the sun. hopefully, even in our baselayers, wool socks and down coats, we might taste the summer we – hopefully – memorized. we might close our eyes and remember the sweetness of cold watermelon.

or, because this world is what it is and we are fortunate beyond belief to be able to purchase produce from nations and places far and wide, we may buy a watermelon – in the cold of winter – from the grocery store. we’ll take out the big carving knife and the cutting board and slice it into triangles, with great anticipation. and we’ll take a bite of the top of the triangle, easily the best bite of all melon bites.

and we’ll be back – standing in the hot sun, with sticky hands. because watermelon has that power. even without seeds.

*****

GOOD MOMENTS: https://m.youtube.com/watch?v=WbiKiz1NZYs

(copyright 1997, 2000 kerri sherwood)

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pink high-tops. [kerri’s blog on k.s. friday]

we wore pink. our daughter said we’d get bonus points and we love bonus points. so we wore pink. i had on pink converse high-top sneakers and sported a pink floral drawstring backpack. david had on a pink v-neck t-shirt.

and we went to see barbie, the movie.

there’s a lot of talk-talk about this movie. and, for once, i’m not going to enter the fray. instead, i’m just going to say we loved it. and, we’d like to see it again, revisit some of the one-liners and implicit (and explicit) comments on our society. our tickets were from our daughter so it was extra fun to exchange texts about it after-the-fact. mostly, there are some really defining moments in this movie. it is unexpectedly thought-provoking. and, if you haven’t already seen it, we would both absolutely recommend it.

as you already know, when i was young i wasn’t allowed to have a (cultural icon) barbie. in an excerpt from a previous post about barbie and my mother:

when i was 38 i got a package from my sweet momma. of course, it was from poppo too but he was pretty much a follower on this one. i excitedly opened the big box and there was a note inside. it read something like, “surprise! it’s about time…thought you could have one of these now.” curious, i continued to rapidly unwrap.   inside this simply wrapped gift (for my momma had to mail it to me across the country and everyone knows that those sticky bows get squished when you mail them) was —- wait for it —- a barbie doll with chandelier earrings in a huge party dress with pastel flowers glued onto it! now, that – blossom beauty barbie – sounds like an unusual gift at 38, but you have to know the back-story…

my momma would not let me have a barbie when i was growing up. ahead of her time, she felt that the barbie-body was somewhat unconscionably derisive for women and the feminist in her was railing against having her own little girl fall prey to that attitude. and so, she never let me get a barbie of my own. instead, she got me the doll penny brite, an adorable, flat-chested, bright-faced, modestly-dressed doll who just looked 1960s happy. a little later i got a skipper doll, who was barbie’s younger sister – clearly she hadn’t inherited the same physical genes barbie had. not being particularly well-endowed myself, in later years, i teased my mom that she had given me nothing to aspire to, but she just pursed her lips and tried not to laugh.

so this was a big deal – getting a barbie from my momma. it’s too perfect that it happened to be one of the tackiest barbies out there. but i received this from her when i had my own little girl and she probably guessed i was about to start buying her some barbies (so as not to be “the only one” in her group of little girlfriends without one, like me, still recovering from non-barbie-ptsd.) momma was quirky that way.

but because of my little girl, i was finally able to immerse in barbie-world. so the movie was particularly poignant as a recovered non-barbie-r, errr, delayed-onset barbie-r. the set, the barbie-house, the barbie-car, the use of product messaging, the language … the pink – all the pink – was pretty splendidly on the mark. and the messages were loud and clear. “it is literally impossible to be a woman…” and “it is the best day ever. so was yesterday, and so is tomorrow, and every day from now until forever.” and “you can be anything.” not to mention the quotes about patriarchy and gender inequality and humanness and the digs at capitalism, the question of play, the differences and similarities between men and women. all conversation fodder. ahh, go see it.

and then there is this moment at the end of the movie, when barbie inventor ruth handler (played by rhea perlman) says to barbie, “we mothers stand still so our daughters can look back and see how far they have come.” this moment made me cry.

the passing of the baton. no matter if we are born in 1921, 1959, 1990…the baton gets passed on. and the pink. it took my momma 38 years, but she passed it on. in a curious coincidence, she was 38 when she birthed me. the baton had already been passed. holding still, ever-holding.

we hiked past the dogwood off-trail. the tiny berries were almost all gone and the stems were exposed. pink. i immediately thought of barbie. it was a direct-connect.

and it made me want to run home and put on the converse high-tops i had fished out of my beloved daughter’s closet.

in color psychology, barbie pantone pink is the confluence of femininity, fashion, and vibrancy. in the dictionary, vibrancy is the state of being full of energy and life.

pink. in my world, it reminds me of my beautiful girl and her brilliance in the world.

i’ll be wearing those pink high-tops a little extra this fall.

*****

i will hold you (forever and ever) ©️ 2005 kerri sherwood

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holding on. [kerri’s blog on k.s. friday]

because we hike these trails often, we notice subtle changes. new sprouts, thicker vegetation, fallen trees, vole-holes on the path.

this day we noticed this large limb – suspended. it had fallen. because we’ve had large limbs fall in our yard, we know that their size – particularly from far away – belies their weight. this broken branch, even dead wood, had to be mighty heavy.

and yet – the next tree over caught it and was holding on. merely three points of contact, like one hand and two feet on a ladder, these three little v’s where significantly smaller branches met. three points. and so, we will watch it. we wonder how – nestled into the other tree – it happened to fall just right. we wonder how long it will be there – high up in the other trees that show no sign of leafing, of life.

support doesn’t take much. it’s astounding to walk in forests and see evidence of mighty holding up mighty, mighty holding up small, small holding up mighty. nature caring for nature.

i stood staring at the tree from the trail. i looked at david, also staring. we know that the physics of how this branch fell into these three points, how it distributed the weight, must play into why it was held there. but as i stood there i could only think about how that could work in the people-world.

points of contact. support. extending branches of encouragement, reassurance, compassion – these could make all the difference for others. how often i have seen a plato-esque meme on social media reminding us to be kind – for everyone we meet is fighting a battle we know nothing about.

big limbs holding tiny branches. tiny branches holding big limbs.

points of contact.

they will hold a fallen tree in the woods. they will hold you stable on a ladder. they will hold your heart steady.

and – in this forest of humankind – at any given moment, you might find you are one of someone else’s branches, the bridge between falling and held, the difference between holding on and letting go.

*****

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on a wire. the universe of all. [ kerri’s blog on k.s. friday]

it was by itself. high on the wire that’s included in the squirrel highway system, it perched, alone.

mourning doves are usually together, in pairs. cooing in our backyard, pondside, they are cleaning up under the birdfeeder, welcoming the day or bringing an enchanting beginning to the evening. we have a particular fondness for them.

but it has been rare to see one by itself.

if i had to imagine what it was doing, i would say it was talking to the universe. way high like that, it would seem to be a little bit closer to infinity, to whatever it perceives as divine. it sat there, quiet.

i don’t require an intermediary either. my prayers are whispered on the trail, on the pillow, blowdrying my hair, chopping onions. in my own life, i have now found – after repeated learnings – that grace is all around and the divine is not in some building somewhere.

on the contrary, i wonder about those buildings now. for i, personally, have experienced the worst hypocrisy there – in communities that are waxing poetic in mission statements and disappearing in actually participating in those sentiments.

and so, i sit on the wire with the mourning dove. we both find this universe beautiful. we both find it challenging. we both lift longings up and we both ask for mercy in our living. we both live in the mystery and immensity of faith. i would imagine that sole bird does not wrestle with religious underpinnings, historical narrative stories or philosophical questions. that bird-on-the-wire is not concerned with the begats nor the maps of supposeds. i’m guessing we are kind of in alignment with the basic tenets – goodness, kindness, love, peace, generosity, fairness, grace. just like me, like, well, all of us, it has a direct-connect with its deity and the universe.

it is not likely – though i have learned never to say “never” – that i will ever be in a church again. i gave my entire heart to working at one at 19. they did not warn me of any danger, protect me or aid me. i gave my entire heart to working at one in latest life. they did not warn me of any danger, protect me or aid me.

i don’t blame god. for my god isn’t stuffed into nooks and crannies of the church. my god isn’t clinging to any specific denomination. and my god isn’t justifying any wrongful behavior because of some building.

to be in a sanctuary, one must feel in a place of refuge or safety. stone walls, brick, wooden altars, pews, organ pipes, artifacts, relics with touted significance – these are not naturally-occurring as safe or as refuge. the leadership and the community must bring that. and, in bookended experiences – on either end of my three-plus-decades of such work – though i brought every ounce of heart in, i walked out with my heart destroyed.

and so, the mourning dove and i sit on the high wire sanctuary together. we gaze at the sky and the divine tethers us in gently-held gossamer threads, tied to all the rest. i’m not sure what my dove friend is thinking, but i know that i am in prayer. that the universe yearns to hear each of us. that, even though i may feel alone on the wire, i am now more in the community of truth than in those fraught buildings.

i and the mourning dove are in the “church of nones” and the universe of all.

*****

ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood

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our dividends. [k.s. friday]

we did not birth a baby together. until all these bunnies. our new-parent-juju is rising. together, we watch over them, noticing how they are growing, changing, their different puff-ball tails, their different markings. truth be told, we are not sure how many bunnies we actually have. we suspect that the number is rapidly increasing – as different sizes are showing up – all in the same day. so we are likely parenting multiples – twins, triplets and beyond.

my sweet momma used to tell me that when she discovered she was expecting – a decade after having my sister and brother – she wanted to have twins. she wanted me to be twins. she didn’t get all regretful or anything, but she just wanted me to know that she wanted me to have a sibling close to my age.

i wasn’t a twin. and my sister and brother grew, lightyears ahead of me, leaving home and marrying while i was just reaching double-digits. i, ever the little-sister, had special relationships with both of them and treasured time and sleepovers at their homes. but i can see the wisdom of my mom’s wish for twins. she called me their “dividend”.

and so i grew up – post-just-turning-double-digits – with older parents. they were already in their mid-fifties when i was a mid-teenager. and they were from a generation a little bit more old-fashioned. so, i s’pose i was a little bit more old-fashioned too.

they were already at the stage where suddenly they had a little bit more time to pay attention to the birds, the animals around our growing-up house, their garden. while i always appreciated their zeal, i didn’t stop in the zooming-around of a teenager to partake in much bird or wildlife watching or spend a lot of time in the gardens. after they moved to florida, in their last home together, they would sit for hours gazing out at the lake behind their home, watching for waterfowl, tiny lizards and traces of lurking alligators. witnesses of nature. it always brought them peace.

and now i get it.

last night we sat on the deck as the sun began to fall behind the horizon. the night air was cooler and the birds, chippies, squirrels, bunnies were busy. we marveled at the hummingbird flitting in to the feeder and we laughed at the antics of a gleeful dogdog, who was outsmarted every time by whichever bunbun was in the yard. we both sighed. the day was coming to an end and our yard-family was getting ready to tuck in.

the joys of dividends are numerous we see. old-fashioned goodness.

my sweet momma and my poppo – over in the next dimension – smiled knowing smiles and clapped their hands as they watched me, as they watched us.

*****

and goodnight ©️ 2005 kerri sherwood

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draw of the microphone. [k.s. friday]

it’s been a minute since i’ve sung into a microphone. for that matter, i haven’t spoken into a microphone in a while either. i haven’t run cables or tested monitors, used earpieces or balanced sound in a space. i haven’t hung condenser mics over my piano or booms in front of the keyboard. no neumanns or shures, no audix.

it’s not like you forget, though.

we walked past the meadow off-trail and nature had clearly sent in her sound engineer. the meadow hawkweed microphones stood ready and able to amplify all the ambient sounds of the woods. it made me giggle a little thinking about these tiny microphone-like clusters soaking up all the noises around them, running them through some sort of nature-equalizer and tossing them back out through an invisible speaker system.

in every good venue sound system, decisions are made for each and every performance. tiny – sometimes barely perceptible – turns of the dials, slides of the sliders, mutes and unmutes all define what the listener will hear. in the best scenario, the listener hears sound as it really is, nothing distorted. in the best scenario, sound is pure, unadulterated, unfiltered, offered as true, crisp, present, full-frequency-range. the piano sounds luxurious; the voice rides above it. exquisite.

how would nature balance it all – the call of birds, the busy peeper-frogs, the wind in the high leaves of the forest, the wings of butterflies, the tease of chipmunks and squirrels in the underbrush, the crunch of human footfall, conversation, hushed tones of worry, laughter, breath. would nature pare down all tones of negativity, choosing instead to pan to the positive? or would nature allow for all of it – a cacophony of life as it exists in the moment?

the draw of the microphone is powerful. i wonder if the butterflies nearby felt it too.

*****

IN A SPLIT SECOND ©️ 2002 kerri sherwood – holding many dear ones so close in these moments…

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proud at pride. [k.s. friday]

and tomorrow we will go to chicago. we’ll metra downtown and walk to boystown. there will be sooo many people. and with them, we will stand on the corner of halsted and waveland and watch our son perform on-stage outside in the rainbowed city.

and we will celebrate pride.

to say i am overjoyed at his producing of music these days would be an understatement. his zeal is full-on and he is squeezing every last minute of every day as he works in his professional position full-time and djs edm (electronic dance music) the rest of the time.

at his condo in chicago, in his studio, he demonstrated to me how he creates. as an analog artist, it was a fascinating experience to glean this complex digital mixing of tracks, layering, feathering, a sedimentary piece of music produced with great intention. it is hard not to dance as i watch. it’s hard not to be aware of the invisible bit of baton i hold, poised to pass. and i am aware of the contagious quivering of excitement, the gift of his sharing his process, how much i understand – on a cellular, heart level – how this creating feeds him. and then…then, there’s the joy…

different genres, but i still grok how my son feels. knowing that what you are producing is resonating with someone – someones, if you will – is powerful inspiration. i won’t forget the release of my first album and, even at number fifteen years later, it was with both the same excitement and vulnerability as the first. time and study and experimenting and lessons bank courage, though, so we each keep on keeping on, growing – much like anything in life to which we give time and attention.

i’d imagine that the day my yamaha c5 was delivered into my studio felt much like the day he upgraded his decks and gear. i’d imagine the day i stood in the sitting room with the chicago radio station on – waiting – and then my music aired – the first airplay ever – feels much like his tracks being signed to major edm labels, waiting to be released. i’d imagine the applause, stepping into the apron, at the end of a piece, feels much like the exhilarated dancing and cheers of the crowds at his gigs. i get it.

you know you are merely one artist in a universe of artists. humility. relevancy. there is much to learn. for both of us. always. the arc of an artist is never really done.

we have spent nights watching our son stream from clubs. 2am is later than it used to be but it’s a thrill to watch him in his element. we’ve listened to every single track he has sent us, every idea, every gesture in whatever iteration. we’ve connected our remote speaker and played his music during our happy hour, i’ve listened with ear buds on soundcloud, spotify, iTUNES. but tomorrow…

it is with much pride we will stand and watch our son. it is with much pride that we will be surrounded by his friends and by the community. it is with much pride that we’ll dance and cheer along with the gathered crowd. it is with much pride that we celebrate pride.

*****

UNFOLDING ©️ 2004 kerri sherwood

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the nails popping. [k.s. friday]

barney’s nails are popping, its layers are peeling back even more, rust is gathering on surfaces subjected to air and moisture. this is not a surprise. barney has been outside in the sun and the rain and the snow and ice and wind and humidity and drought for almost ten years now. a decade has a way of peeling things back. i wonder what barney might look like in another decade or maybe two. its soul will be intact; its boxy exterior will be falling away, opening strings, hammers, soundboard to the world. and always, its soul, present, true.

barney is no less beautiful now than the day it arrived in our yard. in fact, as it changes, its transformation is a metamorphosis into an aged piece of art sans any expectations. it stands as a stalwart symbol of constancy in our backyard. it reminds me that soul is resilient, fluid. no matter the weathering, the chippies and bunnies nesting, the birds stopping off to rest, the squirrels sitting and taunting the dog. no matter only eleven white endpieces of keys are left. no matter the line of popped nails in a row along its upright top. its soul – exposed – carries on, aged and stronger than before.

“this is the first, the wildest and the wisest thing i know: that the soul exists and is built entirely out of attentiveness.” (mary oliver)

if barney needed to express itself, tell stories of its past, the narrative of a life of a hundred years, it would merely stand and speak – firmly planted. time and nails have loosened its jointed wood and the container of a million tales, and have – figuratively – unlidded the top of the shoebox under the bed or on the top shelf of the closet. every story counts and, as we sit in the backyard, we pay attention. we listen to barney, giving credence to its voice, glad that even in its aged appearance – and its agedness – it is not silent.

in ways i can’t explain, i can feel the nails popping.

*****

THE BOX ©️ 1996 kerri sherwood

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