reverse threading

the path back is the path forward


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stuff happens. [k.s. friday]

“step confidently,” the stio catalog reads. there is an ad for boots – winter boots – and gorgeous pictures of snowfall and mountains and terrain where confidence could be challenged. we were just talking with 20 about those yaktrax you strap on your shoes to instill a bit of chutzpah as you walk on icy trails. anything to keep us outside. cause stuff happens.

yes. stuff happens.

and it happens fast. without warning.

a couple days ago i was walking from the kitchen to the sunroom – sans yaktrax – to let the dog inside. holiday music was playing and i was busy thinking about my next task as i approached the step down to the tile floor by the back door. i did a little math. i’ve successfully navigated this step – only one – at the very least – one-hundred-twenty-two-thousand times. but, somehow, and i have no idea how, i missed the step and fell flat – kerplunk-kind-of-flat-like-in-cartoons – on my knee. the one time i didn’t reach out my hands to stop myself – i guess those two other falls taught me something – but my knee took the entire brunt of the trip-fall.

i’m not sure the first thing out of my mouth was pretty or anything i’d be proud to mention here. my reaction – as i laid on the cold floor – was incredulous, thinking i was running out of appendages, wondering what vortex in the universe we had fallen into or if mercury was in retrograde or just what was happening here.

the xray technician told me that’s why it’s called an accident – because there is no real reason, but i was about as amused by that as other people to whom i have said those words. no real reason. she said, “stuff just happens!” uh-huh.

the nurse practitioner at the urgent care told me she concurred with the radiologist and – thank goodness – there was no fracture. geesh. she said a few days and we’ll see how it goes.

patience is now in order. time to spend with my knee horizontal doesn’t fall under “my favorite things” column. i’ll be hobbling around and sitting and trying to get things done, in a slew of time i can only label as “fraught”.

and i’ll be trying to figure it all out.

*****

FIGURE IT OUT ©️ 2010 kerri sherwood

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the fat seagull. [k.s. friday]

“you must begin by knowing you have already arrived. your true nature lives as perfect as an unwritten number, everywhere at once across space and time.” (richard bach – jonathan livingston seagull)

i followed the seagulls on my ten-speed. to the beach, always the beach. later, i followed them in my little blue volkswagen, their screeches out my open window, their soaring showing me the way. and i felt kin to richard bach, his writings about freedom and passion and dreaming and the meaning of life. we met at the beach – crab meadow – and talked telepathically. well, i talked. i don’t know if he was listening. he was on the west coast and i was on the east, though i suppose jonathan livingston may have been able to deliver any message of gratitude i had.

and so we arrived at the fat seagull. it is beyond me why we had never discovered this bar and grill tucked into the downtown of manitowoc. it’s a cheers! kind of place, people who know each other gathered at the bar and around tables, eating, drinking pints, playing games, talking. in the way of wisconsin pubs, there is a vast menu and we order a thursday special to split. the bartender tells us that the two wine glasses they had were broken so he gives us diminutive stemware and charges us less. we choose the bottle still corked, wondering who last drank out of the open bottle and how long ago that might have been. we are kind of strangers in a strange land…17 draft beers and traditional old-fashioneds surround us and our tiny wines.

we listen to live music and gaze around – at people, at the bar, the old wood floor, the ceiling. it is a study in perfection. we feel alive – out and about – a two hour drive each way – food we didn’t prepare – wine we didn’t pour. we talk about how it feels. we laugh and dance. we don’t realize it’s raining out; it had been a beautifully sunny day. we are glad to be there.

we end this week in uncertainty. we reach backwards, examining all we have done – so far – in life and work, what we have accomplished, what we have not. sixty-something is not youth, nor is it aged. it is somewhere in-between, located wherever we are. we bring all we know – and all we do not know – with us. we try to trust that we have arrived, that we are on the tarmac – or – in the terminal, that we – too – despite our lack of certainty – have flown, screeching and soaring.

“instead of being enfeebled by age, the elder had been empowered by it; he could outfly any gull in the flock, and he had learned skills that the others were only gradually coming to know.”

*****

TAKE FLIGHT ©️ 1997, 2000 kerri sherwood

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off the trail we know. [k.s. friday]

each time the trail curves, i can imagine it. next.

but as weeks go, this one has been harder. we tried our best to be positive, to believe that the new bend in our road is not so fraught. but, the fact of the matter is that it is. fraught.

we are pretty tough. kind of scrappy. definitely frugal. well, most of the time. we have both been presented with lean times in our lives. even our life together has had its lean times. we always eat leftovers. we always repurpose things. we always turn the shampoo bottle upside down. we always keep the heat low. we haven’t bought a vehicle in sixteen years. in some unknown intuitive move for which we are now grateful, we put off the big chimney-fireplace project, necessary but ridiculously expensive. we haven’t flown in three years. we find sanctuary in a forest we know well. we know where the trail curves.

and each time the trail curves, i can imagine it.

as the sun glimmers on what-looks-like the other end, i think – this is just one day, one week, one time in our lives. tomorrow will dawn and it might be a completely different day, starting a completely different week, a completely different time in our lives. and we just don’t know. again.

we are now in a woods we do not recognize, on a path we can not anticipate. off the trail we know. anxiety hikes with us, as do worry, sadness and disappointment. we worked hard on our plan, but the best laid plans are laid down. and this week, as weeks go, this one has been harder.

the sun quivers through the trees in front of us, setting. we keep walking.

day is done, 
gone the sun, 
from the lake, 
from the hills, 
from the sky; 
all is well, 
safely rest, 
god is nigh.  

fading light 
dims the sight, 
and a star 
gems the sky, 
gleaming bright. 
from afar, 
drawing nigh, 
falls the night.

(taps - d. butterfield/unknown)

*****

IN TRANSITION ©️ 1995 kerri sherwood

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thongophone. in the park. [k.s. friday]

flipflops and pvc. a marriage!

a merger between old navy and, say, dupont could bring play to the whole wide world. stands of thongophones could be simply everywhere. i can see it…people gathering, favorite flipflops in hand, making music.

it was hard to resist the pull of this two-octaved structure. flipflops – the paddles provided – were chained to the wooden stand, laying on the ground, waiting. it was just a delicious invitation – “try me, try me,” it called. and then, channeling the group chicago, “thongophone, in the park…”.

pretty crazy, it had good pitch for polyvinyl chloride, not necessarily known for its musical talent. and the flipflops? well, everyone knows how i feel about flipflops. they are the symphony of summer, so definitely a good choice.

i, generally, don’t walk up to faux musical structures like this. i usually stand back and watch others discover and play, reveling in their adventuring and exploring sound.

but this time was different.

i played first on the lower octave side. for some reason, the first piece i played was the first piece on my first album, galena. the first day i played galena was also in one of those situations i don’t usually take part in…instead, sitting back and watching others and supporting their fun.

that time was different too.

that time – encouraged (read: pushed) by three girlfriends, playing at the piano in the restaurant in galena, illinois – set me on a road i didn’t know was coming. less than a year and a half later, i released my first album. now, fifteen albums and a variety of singles and blahblah later, i look back.

and i look forward. i’m not sure what’s there. but this past week i stood at my piano and played and sang three songs for d and one of his dear friends. it’s been a long time. i apologized for the dust in the studio. i apologized that it was a little messy in there. d said rob cried. despite the dust and remnants of previous work piled around.

by sheer coincidence, today is the anniversary of that first album – 27 years ago. lots of flipflops ago.

today is a good day for a dustcloth, some garbage bags and a storage bin or two.

it’s not a thongophone in the park. it’s my piano.

*****

GALENA ©️ 1995 kerri sherwood

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it’s in our vote. [k.s. friday]

the midterms are rapidly approaching. the rhetoric is amping up. the tv ads, the phone calls, the billboards, the texts, the email messages, the political mail in the mailbox – all dedicated to sway our vote.

i realize that this is the way to raise money, that this is the way to get one party ahead of the other. many voters will elect to vote a straight party ballot. some will vote without asking any questions. some will vote without any information at all. some will vote for vapid minds, choosing the rough edges of spewed anger, covert scheming. they are voting on a bandwagon – with truth obscured – and haven’t looked past the exterior of the candidates.

i was chatting quite some time ago with a college professor. he was teaching a class three days a week and was talking about his experiences. “anybody can be brilliant for an hour and a half,” he quipped. i laughed, thinking how true that is.

but it’s the long haul that counts. it’s what’s at the crux that counts. i wonder what is in the center of what motivates the candidates we are considering. what is past the exterior, what are the things they affirm, believe in, wish to move forward?

anyone can look pious, even righteous, in brevity, for short spurts of time. but these same pedestalized people can bring to the table masked and unmasked agenda that is riddled with inequality, marginalization, discrimination, divisiveness, violence, a thwarting of social, racial, gender, financial equity all under the auspices of brilliance. it is our responsibility to peel back the layers, to poke through the season-of-midterm blahblah, to examine the intentions, the integrity, of the people we choose – truly, in every arena – to represent us.

how these people manifest in their communication, their compassion, their fairness, their steadfast evenhandedness, their actual brilliance – not the hourandahalf variety – should tell us something important. if a person does not represent the values we uphold ourselves, the ones we would lay out to each and every one of those we love, why would we elect that person to represent us, to reflect us? if our vote was revealed to our loved ones, our children, our family, friends, community, colleagues, would we take comfort, would we have pride, in what was revealed?

for it is in our vote that we truly show what is beyond the exterior. it is in our vote that we truly show what is in our heart.

*****

FIGURE IT OUT ©️ 2010 kerri sherwood

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the trail in. [merely-a-thought monday]

when i was choosing seats for the elton john concert in north carolina, the – predictably – least expensive seats were the ones with an obscured view. a pillar, a speaker, a wall…something was in front of the seats, not allowing you to see. or maybe the seats were behind the horizon line of the stage, the apron, making elton basically invisible.

clearly these seats – still dang expensive – weren’t right. i mean, if you can’t see him perform and you can’t really see the jumbotron why not just sit and listen to ej cd’s instead? clearly, that’s not the point.

so i stayed away from the obscured-view-seats and chose seats from which we could see all the action. high up, yes. but we could see it all.

we passed a sign in the chicago botanic garden, posted by a tiny trail. “by screening out views and creating hidden areas, this garden entices you to explore just beyond what you can see.” we couldn’t see into the garden…so we took the little trail in. it was beautiful and a little magical. a little secret garden. not obvious. beyond sight.

the work of an artist – of any medium – is like that. find the places just beyond. find the line of melody that tugs, that urges, that compels. bring those places to others so that they might explore them as well. past the horizon. past the stage. you can still hear elton from the obscured-view seats and you can still feel the energy.

in a thirty-plus year career as a minister of music i always felt that it was my job to introduce the obscured secret garden to others. for faith – regardless of denomination – is that which we cannot see, that which we cannot touch. my mission was simply to open hearts through music to see beyond what you can see, to explore beyond sight. grounding in the most basic of tenets – love, kindness, generosity, peace, embrace of all others, support, truth, fairness, equality, grace – i felt it imperative to offer music that might viscerally touch a person who might not otherwise be touched, to hold it all out there gently so that a soul could easily grasp it, hold it, be wrapped in it, be comforted by it. faith in something bigger in this universe is found in a river of changing times and circumstances and staying steadfast is like the path a leaf takes on that river, both raging whitewater and lazy currents. we open our hearts to explore, even though we cannot see.

it might be time to play my piano again. maybe. it’s been a long time – a couple years now, save for a few moments a few times. i haven’t been able to play it – the magic has been obscured from view – since, well, since i felt blindsided. but now…maybe now…finally…i can see the trail into the studio. maybe now the black and white notes lifting into the air – will heal hurting even just a little, will allow exploration and sight beyond the obvious tangible horizon, will open a heart again.

mine.

*****

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stretching, not ripping. [k.s. friday]

the threads are stretching, stretching…but not ripping.

barney stretches and yawns, still a piano, always a piano. his soul – tenacious and flexible and resilient – centering back to itself, despite weather, despite weathering. it’s late day and the shadows are long. there are small mounds of birdseed, assorted fallen leaves, bits of white at the leading edge of the keyboard. no matter. his aging exterior belies the zeal inside of him, the sorting of memories being played, sustain pedal lifting notes into the air and holding them there. barney has come to knowing that all the notes are still there – stretched across the atmosphere, lingering. he is not fearful of this process in the sun and the rain, snow and blustering winds.

“if you let your fears control your actions, then you are not going 100 mph through it, enjoying it.” (sue aikens)

barney does little these days. he is home for wildlife, the birds, the chippies, the squirrels – they know him well. but he is still going 100 mph through it, whirling and dancing in his beautiful body in our backyard. one day he will look even less like an upright.

but the chickadees and house finches, the cardinals and robins will glance over at him and think, “there’s that sweet piano.” for they, too, will still recognize him.

*****

HOLDING ON, LETTING GO ©️ 2010 kerri sherwood

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just three. [k.s. friday]

we stood in the grocery store in brevard, right by the display. the food lion price for the charming smushy-flat white pumpkin was $8.99. it called to me, “you need me! bring me home!” but i got hung up on the price tag and we didn’t buy it.

we’ve had a pumpkin or two most years, often a pie pumpkin that we place on this funny wrought iron stand with arms, making it look like a pumpkinperson. we’ve gotten gourds – interesting shapes that tickle us. but not yet a white pumpkin, even though i really love how they look.

budgets are sometimes fun-oppressors. but any artist can tell you they are necessary. and any artist can tell you that there’s been at least one time that an $8.99 pumpkin – even one that might do the dishes and sorts socks – has not made the cut.

there is a sweet apple orchard out in the county. there is wine-tasting and a distillery at aeppeltreow, so there are spirits and spirited fun. there are a zillion apples and there are pumpkins and gourds and apple cider donuts. two years ago we picked out our tiny patch o’ pumpkins from their flatbeds and gardens of choices. coming home with a pear-shaped gourd and a couple smaller that were wart-laden we felt rich.

we bought pumpkins in aspen that same year and carved jack-o-lanterns at our airbnb with our daughter, leaving our artwork and extra candles behind for the next guests.

last year we featured our aging pear-shaped gourd in our sunroom, put out some orange happy lights and indulged in apple cider donuts at the orchard. despite the gluten they were worth it.

i think this year we will get a white pumpkin. and maybe two orange ones. three in all. just three.

but it will truly be magical.

*****

MILLNECK FALL ©️ 1996 kerri sherwood

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faces on a bridge. [k.s. friday]

this darling face was larger than life, a giant print by simon te tai hanging on the wall at our airbnb in charlotte. many times we would find ourselves standing in front of it. it compelled you to do so. is there a “hug-a-sloth” day? we both would like to participate.

other than our sweet dogdog, the next animal face we were close to was the hawk’s.

it was out front in the yard, seemingly enjoying the sprinkler. d watched it out the office window, checking on it while he worked. when he went to turn the sprinkler off and remove the hose from the lawn, it stayed there and watched him. he sent me a photo of it, merely ten feet away, calm and steady. the next time he looked out, it was in the street and in trouble. grabbing a blanket he ran down to it. we have brought other birds to rehab centers so this would not be our first. the hawk was in distress and laid while david talked quietly to it. as he went to gently scoop it up, it flew off, straight up into the tree limbs above.

when i came home d was standing in the middle of the street, staring up, so i knew it had to be something to do with this hawk he had photographed.

there it was. a small raptor perched on a limb 25 feet above us.

we watched it for a while and then thought we should leave it be, believing it must be recuperating from – perhaps – being somehow stunned.

just a bit later, from across the street, at the front door, we watched with horror as this beautiful creature flapped its wings up in the tree and then fell out. grabbing a bin and the blanket we tore out the front door and ran across the street.

i implored him to wait. the eye i could see was closing and i caressed him softly, telling him how grateful the world was for his presence in it, how stunningly beautiful he was.

i don’t know when his tiny spirit floated away.

it was profound for both of us. david wrapped him carefully in a blanket and we placed him in the bin, hopeful that our suspicion was wrong and that it might be possible he was simply unconscious for a bit. but the time went by and each time we checked on him revealed no change. we called all the bird rehabilitation centers.

wisconsin dnr asked us to photograph the hawk. “take as many pictures as you can,” she instructed, “that way we can try to determine what kind of hawk it was and maybe a little information about what might have happened.” there were no obvious signs of injury and we know that the avian flu has been seriously problematic, especially for waterfowl and birds of prey.

his face was truly beautiful. feathers the color of bold coffee and caramel, amber eyes just like dogdog’s, a bit of green above his curled beak. really beautiful.

it’s these two faces of wildlife i will remember this past month.

the face of a sloth – though not three-dimensional – friendly and open, practically begging for a giggly snuggle.

and the face of a hawk – transient, evanescent and spirit-filled – visceral and, quite astoundingly, stroked by our fingertips – a moment we shared we will not forget – when this creature crossed over and we were all one, together. on a mysterious bridge that goes both ways.

BRIDGE from AS IT IS ©️ 2004 kerri sherwood

*****

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body surfing. [k.s. friday]

it’s all a wave. we ride out, we ride in, the surf is gentle and easy, the surf is rough and pounding. as far as we can see into the horizon we know it will all be like this.

“frozen shoulder,” she said.

at the orthopedic specialist at the highly-regarded froedtert hospital, i blinked back tears. i have had appendage challenges the last two years. it’s a wave. in between the normal tides rolling in, we have a brush with a rogue breaker. she’s kind and explains the stages of frozen shoulder, what i might expect. it can take up to 42 months to un-freeze, she mentions, though i refuse to take that in. for nine months now, since the time of my covid booster, it has become my new normal, this painful and incomplete range of motion. she points to the deltoid and explains the vaccination – any vaccination – must go into the deltoid, not through or slip around it; if either of those happen, inflammation will result. i guess the wave of inflammation has roiled in.

the rogue wave passed by david a couple weeks ago, tapping him as it went. we rose to its challenge, just like we’ll rise to this one. it seems that the surf is not as still as we would wish right now, but there are moments of calmer waters.

we are adrift in our sea – each of us – as we go about living. each molecule of the lake party to the elements, each atom of us rawly exposed.

we are body surfing. every single day.

*****

ADRIFT from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

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