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comfort in the kaiser rolls. [kerri’s blog on two artists tuesday]

i hadn’t had manhattan clam chowder in forever. but it was on the menu and the day in the village was sunny. with the scent of fresh bread baking wafting around us, we ordered a couple bowls and a couple kaiser rolls. we took it all outside to a tiny bistro table on the street next to the harbor. if we could, we would go back today.

when it was time to head out of town, we walked there early in the morning. a few blocks from the little apartment we were renting, we just wanted one more bakery visit. so in early sunlight, with a brisk breeze off the water, we walked over and placed our order for breakfast sandwiches – on the traditional kaiser roll. they wrapped them up for us to take.

there is comfort in the kaiser roll. it is most definitely a new york thing and, for me, even more specifically, a long island thing. growing up, my dad used to make breakfast sandwiches after church on sundays. he and my mom continued the tradition when they moved to florida, seeking out the best kaiser rolls they could find in bakeries run by people who had also retired from up north.

the bakery became our favorite place – in the several times we went there. witness to the ever-present crowd of patrons, you could feel there was a generous spirit there – of community and well-loved staff – diverse and embracing. because we aren’t really fancy-restaurant-types, in close second was the bar that had baked clams. the rest of the time we cooked.

somewhere down the highway on the way back, i realized we should have purchased a dozen or so kaisers to take with us. or one of the amazing loaves of bread stacked warm on metal pans or neatly in the display. because, then, we could have carried this community’s comfort with us.

back at home, i am feeling wistful for that small harbor town. not because it is beautiful. not because it is totally charming. not because it feels like a place straight out of a hallmark movie. but because – despite a feeling of sad, complicated, emotional disconnect when we arrived there – i left having been nurtured by that town. i left having reconnected with a place i have always cherished but had lost to trauma. i left feeling again the part of me that always loved it, that always felt it was a part of me, that always felt like it “fit”.

there was comfort in the kaiser rolls, comfort in my rocky beach, comfort in my old harbor town.

and, now, there is comfort in – truly – missing it.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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timed well. [kerri’s blog on not-so-flawed wednesday]

because we really needed to, we went for a hike that day. we went to the trail where we have processed much life. because this was a day in which we needed just that – a place to process.

the first snake we encountered was motionless, but in the dirt of the path. we gently lifted it and placed it in the trailside vegetation, out of harm’s way. the second and third snakes were also in the middle of the trail and we moved them as well, for there were several bikers zooming their way around and we were worried these snakes wouldn’t be visible in time.

and then there was the praying mantis. there it was, just waiting for us as we rounded the bend. it allowed me to get up-close, taking several pictures of it – its forelegs folded as it watched for prey. it looked at over at me and i talked to it, a tiny bit envious of its ability to remain zen-like in such an uncertain moment.

repositioning the praying mantis would have been much more difficult than the snakes, so we didn’t move it and we hoped that it would nimbly move on – with its impossibly delicate, needle-thin legs – across the trail in its quest for food.

we looked for our mantis the second time around our looped trail but it had disappeared. it left us with its memory – a rare sight for us – and with affirmation, symbolic meanings that were, indeed, timed well.

for praying mantis encounters symbolize things like good luck and stillness, spiritual guidance and courage and strength. we read that it also can be indicative of divine protection, a messenger.

praying mantises are masters of disguise – blending in. they are still and patient; their camouflage in nature – looking like twigs or grass – helps them find prey. this graceful green creature – showing up to us on the anniversary of the day of d’s dad’s passing – seemed serendipitous.

to be mindful and still, patient and strong and courageous…in the middle of uncertainty…all the messages we needed on that very day.

“i go to nature to be soothed and healed, and to have my senses put in order.” (john burroughs)

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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little. [kerri’s blog on two artists tuesday]

we had all but given up.

pretty much each year – for years – we have had a frog in our pond out back.

but this year there was simply nothing.

to say we were disappointed would understate how much these frogs have meant to us. we were pretty sad and wondered if we had done something that had inhibited a frog from choosing our tiny pond as a summer home.

until a few days ago.

d had seen a glimpse of green hopping in the water a few days prior, but we could not tiptoe up to the pond quietly enough to see it sunning on a rock or watching the world go by, tucked into a nook or cranny. we thought it was simply a momentary visit.

on thursday, though, we had a lucky day. and, as we stood quietly at the side of our pond, scouring the edges for a sighting of a frog, there he was.

little.

we named him “little” not at all having to do with his import to us, but because he seemed one of the smallest frogs to have lived in our pond.

you would have thought we had found gold coins hidden in the rocks of our water feature – our excitement was off the charts.

and – because every frog needs a theme song – i could instantly hear his in my head (sung to the tune of sugar, sugar by the archies): little – ba-ba-ba-ba-ba-ba/ oh, little little ba-ba-ba-ba-ba-ba/ you are our tiny frog/ and you got us hop-hoppin. (etc etc etc)

each year has brought a different reason to look for the meaning of a frog’s visit in our personal world. each year the resilience and transformation, renewal and abundance messages have been positive bits of symbolism for us and have made us feel that grace has dropped in for a visit.

this year is no different. little’s appearance has been like a single candle lit in a dark night – a warm glow, a talisman for reflection and hope.

we never know how long the frog will stay. but we do know that just making an appearance is a gift. for our small pond – in the middle of other suburban yards of grass and gardens – is maybe 18 square feet – and it seems fortuitous that a tiny frog would even find it.

but maybe somewhere in frogland there is a list…and frogs can check it – like airbnb – to see where they might find a little pond they can call their own. or maybe where it is they may be named and doted upon. or maybe where it is they might get their own theme song.

we hope little hangs around for a while.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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merely steps away. [kerri’s blog on two artists tuesday]

the breeze was decidedly heavenly, refreshing, a breath of fresh air.

it had been a while.

this summer – clearly in the midst of changing climate – has been a doozy. hot and humid and downright uncomfortable. it used to be that we’d ponder whether or not to place the window air conditioner units in the windows. we’d fuss and debate and look at the extended weather forecast, trying to decide if we could suffer through a few days or a week of sticky, knowing that wisconsin would reward us with a breezy sweep-through back into exceptional summer weather.

not this year.

it literally felt like it – the sticky – arrived. and never left. every morning i’d open the back door, step out on the deck and say aloud, “it smells like florida.” the fact that it also felt like florida made me want to get my money back from the wisconsin-summer for which i’d signed up.

in these days i am much less tolerant of the heat. me and dogga. and even d. all three of us, dogga’s tongue hanging out and all of us panting – it’s not a pretty picture. and so, we (the plural we, though it is most definitely the singular d) installed the window air conditioners. and, with WE-energies’-exponentially-rising-costs and caution to the wind, we ran them.

and then.

then the breeze shifted.

finally.

and, with great flip-flop glee, we started back walking our long ‘hood walks.

because merely steps away is this great big beautiful (oh, wait! i simply cannot use those words in that order anymore)…..merely steps away is this vast, stunning lake.

we feel lucky every time we walk along its edge. we feel lucky as the breeze wraps us in cool. we feel lucky at the harbor, at the beach, on the rocks, at the historic beachhouse where everyone gathered after our wedding. merely steps away is this reminder to breathe.

and so we stand there, staring at this lake like an old friend we’ve known for decades. and, just like people – filled with stories and layers and grief and bliss and tenderness and churning and color and monochrome – it’s always familiar and always an enigma – both.

the sun dipped below the west horizon, amping up the ombré of the east.

and arm in arm we walked home.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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sweet tomato dreams. [kerri’s blog on two artists tuesday]

the tomato photo shoot. it was our first harvested cherry tomato from our lush and hearty plant that is tucked over by the fence next to the potting stand, sharing space with the ornamental grasses. before we tasted the produce we had grown, i wanted to capture its winning smile.

now, i’m not really a still-life kind of artist…i prefer more freedom…but this little tomato turned out to be quite a little starlet in this shoot and converted me – at least momentarily.

this little tomato was ultra sweet, having been warmed by a very hot sun and carefully tended. there are so many green orbs on this plant…we are anticipating a caprese salad or pasta. in the meanwhile, there is much to be said for the positive reinforcement of produce yielded from our attempts at growing.

“a dream doesn’t become reality through magic; it takes sweat, determination and hard work.” (colin powell)

it would seem to make complete sense to recognize that sweat, determination and hard work, but even i can attest to the fact that there are places of employ that simply disregard the success that has been created by someone working diligently and devotedly in their name.

it is the same that is happening right here, right now in this country. workers – important spokes in the societal wheel – are being tossed left and right, leaving literal and figurative produce to rot. profound medical research, critical environmental science, expansive educational ideology, the hard work of laboring in fields or restaurants or hospitality – these workers are finding themselves booted by someone whose excuse is – obviously – a vision that no longer aligns with theirs. for a country (or a community or an organization or corporation or any institution) that wishes to abdicate any formerly-intended mission, eliminate employees who are making a difference, cut corners and costs – biting their noses to spite their faces, stop forward movement, undermine the career paths of employees and send them careening, cruelly evict its dutiful people, is a country (or a community or an organization or corporation or institution) that has lost its way.

it is simpler out back in our tiny gardens. the basil and the rosemary and the cilantro and the jalapeños and the parsley and the mint and – yes – the cherry tomatoes grow. with our careful tending, vigilant watering and pruning, they reward us with bountiful produce. in turn, we do all we can to support their growth and they respond with healthy herbs and tomatoes. it is a cycle, an if this-then that, a very simplified conditional relationship predicated on a premise and a result. even any syllogism (major premise, minor premise, conclusion) about our garden would yield a productive conclusion, steps toward the dream.

i asked AI for a syllogism about the contemporary united states. this is what instantly popped up:

major premise: a healthy democracy relies on robust, respectful dialogue and a willingness to compromise for the common good.

minor premise: current political discourse in america often exhibits increased polarization and a decline in civility and compromise.

conclusion: therefore, the current state of american democracy faces significant challenges to its healthy functioning.

i fear that this – the fallout of this republic functioning as a democracy – is exactly the positive reinforcement – the dream – that this current administration is seeking.

and now – because i am overwhelmed by the corruption i have witnessed firsthand both as an employee and as a citizen – i am going back to tending my herbs and my sweet cherry tomatoes.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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the towel. [kerri’s blog on not-so-flawed wednesday]

the first sentence in the new york times arts section front page article reads, “chris domig was ready to throw in the towel.” but then…

for years he persevered and persevered, through thick and thin, this dear friend of david’s. a consummate actor and dedicated off-off-broadway theatre co-founder and artistic director, he was not hindered by the somewhat invisible but definitely impenetrable wall in new york city’s theatre world. and then…

the front page in the arts section belies the rest of the story. but every artist knows it. the ever-present imperative to create and to succeed, not only from a soul place, but from a place where you just might be able to afford to pay the bills, to have a littlebit extra, to hold the esteem of your colleagues, to be recognized. you hold the towel close, knowing that at any moment it might be the thing you do – you just might throw in the towel.

chris decided to take on mitch albom’s tuesdays with morrie. but it took a long time to land. everything takes longer than you think. a long fermata of longing. every artist knows this. most craftspeople know this. most philosophers know this. poets write of it. composers strew melodies around like patio lights. painters throw paint and prep canvas time and again. dancers pirouette, spinning ever faster. writers wordsmith, deleting and reading and elaborating and deleting. beavers in bogs – singularly focused, ridiculously hard work – and the tree still stands. and then…

the sea dog theatre tells this remarkable story – tuesdays with morrie – through the interwoven magic of len cariou and chris. it is earning high regard and the reviews are outstanding. it has landed.

and the towel is set aside.

*****

LONGING from AS IT IS ©️ 2004 kerri sherwood

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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a mission of symphony. [two artists tuesday]

though not quite as at-home as the cranes walking the edges, we know this pond. we knew it as a marsh. we knew it as dry dirt. we knew it with mulch strewn throughout as they eradicated invasive species. we watched as the rains began to fill it. we listened to the quiet wind ripple across its surface. and then, one day, we heard the first frogs. though we cannot see them, the orchestra pit is filled with frogs in chorus. the static becomes a symphony.

such is the way of a choir. for well over three decades, i conducted groups of people who chose to sing – in choir. they gathered, sitting in folding chairs cold with mid-week evening thermostat dips. they gathered, weary from their days at work or home, filled with activities of responsibility, of life. they gathered, to become a symphony.

the thing about choir rehearsals is that – with good leadership – they go from a meeting of a group of individuals to a collaboration of musicians, from quiet chatter to boisterous song, from people who possibly feel ill-at-ease to people whose voices are heard, whose hearts are seen. choir rehearsals are community events and – led with joy – become places that are generative, places that are accepting not competitive, places of great learnings and tremendous laughter, places that are spaces filled with concern for the other, lifting up of each other, a place with a mission of goodness, a mission of symphony.

i’ve missed being a choir director. it’s been over two years now and the lack of vocal choirs, ukuleles, handbells, worship bands is palpable for me. directing was always about the community – building it, reinforcing it – life-giving, loving. my resume shows seven churches along the way. seven communities in which i offered all i could give, responding to their individual needs, their particular circumstances, their strengths and their weaknesses. seven fluid rivers of music-making.

seven ponds with symphonies. rippling out.

quietly static to extraordinarily alive.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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we are naked trees. [two artists tuesday]

it is entirely and utterly exfoliated. delaminated. naked.

the slender tree stands alone in the marshland, like a graceful ballerina in allongé. barely a side branch, it is stunning against a blue blue sky.

and, yet, in all its raw nakedness, its vulnerability, it stands proudly, stalwart, determined. it is still alive.

we stand next to our canvases, in front of microphones, in recording studios, on wooden stages, at qwerty keyboards, poised in front of 88 keys, with ballet shoes or tap shoes or jazz shoes, behind the cine-camera, in front of the cine-camera, at the potter’s wheel, baton in hand, holding sculpting tools or playscripts, focusing lens and aperture, holding written words in our fingers.

we are naked trees in the marsh. we stand – vulnerable to the elements – unprotected. we brave lack. we brave abundance. we withstand the inbetween.

we are exfoliated every single time we put it out there. we are artists.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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i’ll play for you. [k.s. friday]

green sounds different than red which sounds different than blue. green looks different than red which looks different than blue. green feels different than red which feels different than blue. so a color field of all three would seem to emit, depict, emote a wide spectrum.

i’m pretty sure that mark rothko and i would have been friends. his goal: “to capture the essence of basic human emotions on the canvas and then evoke those emotions from his viewers.” (masterclass.com) my goal: to capture the essence of basic human emotions on the piano and then evoke those emotions from my listeners. instruments – the canvas, the piano – that tap in. yes. friends.

in my mind’s eye, i can see a tour. all over the country to different art museums that house a mark rothko or two. a big yamaha concert grand on the wooden floor, placed in front of the giant color field painting, paused in silence, waiting. abstract expressionism on the canvas. and then, the translation – abstract expressionism on the piano. action. color field. repeat.

i’m pondering this painting green, red, blue. in thinking and feeling green, i ponder what i’ve already composed that sounds, feels, looks green. in thinking red, i ponder what i’ve already composed that sounds, feels, looks red. in thinking blue – specifically blue-around-the-edges in this case – i ponder what i’ve already composed that sounds, feels, looks blue.

in a push of creative courage, i can see this tour. in a room void of people or full of people, i imagine me and the painting and a piano. high ceilings, the swoosh of the sustain pedal brushes against the walls and swirls around. no other sound. yet. and then.

i’ll play for you
i’ll play for you
i’ll play for you

(seals & crofts)

and you will hear green and red and blue as you will see green and red and blue. and maybe, if you are open to it, you will feel green and red and blue. and mark and i will have done our job.

it’s the work of all artists – really, everywhere: play for you.

*****

EVERY BREATH ©️ 2004 kerri sherwood

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getting it. [saturday morning smack-dab.]

i was one of them.

the first time i walked by i was a misunderstander, a glancer, a critic.

i thought – and spoke aloud – that it seemed elementary to display canvasses with the primary colors…large canvasses at that, lots of wall space, valuable real estate for an art museum.

it only seems right that ellsworth kelly, in a conversation with john cage (i mean, who gets to talk to john cage!!) said, “i am not interested in painting as it has been accepted for so long – to hang on the walls of houses as pictures. To hell with pictures – they should be the wall.” and so, ellsworth created big multiple panel paintings – murals – to cover walls. they are stunning and i have been enlightened – by sheer experience of his work. you need just stand there a few extra moments and it hits you. his “austin” temple of light is on our list of places to visit. minimalism. color. breath.

we visited the milwaukee art museum and the two of us, ellsworth, richard diebenkorn and mark rothko all hung out together. their notoriety far surpasses anything we could dream of – yes, yes – by miles and miles. but they love hanging out with people who get it and we were happy for their company.

we talked about art and music and simplicity and air and light. we talked about the ocean park series and rectangular color fields and bigness. we talked about communicating basic human emotions in our work. we talked about journeys and life and times of passage, evolution. we rued the difficulty of transitions and obstacles. and then, though sans museum ticket but clearly listening in, john cage stopped by and reminded us, once again, to “begin anywhere.”

and then it was time for us to leave, to go sip wine at the public market and to talk about the magic of getting it.

*****

read DAVID’s thoughts this SATURDAY MORNING

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