sansevieria (snake plants) make me think of my sweet momma. after buying one for our son, i announced that we needed to get one as well. this past spring we added snakeinthegrass to our growing army of plants and it has not let us down, growing no matter what, the best part of sansevieria – its fortitude.
“snakeinthegrass” does not seem to be a loving name, for we all have encountered people we would describe as such. you know, the ones talking out of both sides of their mouths. the mean ones with agenda. the ones who, despite any variety-pack of livelihoods or assumed compassionate demeanor, go for the jugular or throw you under the bus. mm-hmm. not necessarily a nice name. perhaps we named snakeinthegrass “snakeinthegrass” to ward off the snakesinthegrass we had encountered. we hisssss when we call it by name. “sssssssnakeinthegrass,” we say. it makes us laugh. and our snake plant giggles with us and filters the air and grows taller day by day.
maybe that is how we should deal with all negativity. get a plant, name it something that is irking you, laugh every time you call it by name, let it cleanse the air and shed the bad juju. “li’l bitch” is the name of another succulent we have in the sunroom. it stabs you, without warning, if you get too close to its long branches, hidden spiny needles at the end. quite beautiful in shape and rich green, it also reminded us of people we have encountered, hidden motives just waiting to stab you. yuck! and phew! now we laugh as we talk to our plant.
kc and boston remind us of our beloved children, spikey gets his name for obvious reasons, leticia and stumpy as well. we’re not sure about ralph and, perhaps not coincidentally, ralph-without-a-real-reason-for-his-name is not doing well. perhaps he needed a different name, a name with the job of sage. several options come to mind.
time marches on and hearts heal. eventually tales of goodness mesh together with stories filled with pain. and the air gets clearer and cleaner. and the plants grow.
if you are wondering where mini marshmallows come from, wonder no more. clearly they grow on white baneberry bushes in dr. seuss-land. passing it on the trail i could not get over how oh-the-places-you’ll-go this bush was. a standout in a green forest floor, confidently colorful and nicknamed “doll’s eyes” for obvious vintage-china-doll reasons, it got my attention and it piqued my curiosity.
we watched a silly movie a couple nights ago. my sweet momma loved sandra bullock so every time i watch a sandra bullock movie i feel like my mom is right there with us, giggling or cheering her on. the movie was “all above steve” co-starring bradley cooper. its silliness is comedic fun, particularly on an evening we were not looking to be intellectually challenged. but there was an unexpectedly sweet message in this movie. mary (sandra bullock), a brilliant young woman who is a crossword puzzle constructor and has a brain full of random knowledge and would kick anyone’s patootie playing trivial pursuit, is trying to be “normal” to fit into the world. in the end she discovers the power of standing in her own shoes, which were, in her case, red gogo boots.
artists are often looked at as misfits, a little outside the box, not quite fitting in. perhaps more colorful, perhaps louder, perhaps more questioning, the job of an artist is to elicit movement in thought, in action, in emotion, in sensitivity. we are hot-pink-stemmed mini-marshmallow plants in a world of green underbrush, ever being told that exposure will grant us the ability to live in this world, to pay our bills, to get ahead. artists everywhere under the sun shudder upon hearing those words, “think about the exposure.” we don our courageous metaphoric gogo boots, go to town trying to be ‘normal’ and realize that we were really ok all along, in our own skin.
often i have heard others comment on the re-purposed stuff in our house. empty window frames, screen doors, travel-worn suitcases, branches wrapped in lights, old coffeepots doubling as canisters. we’ve been asked, “how did you think of that?” i don’t know how to answer that other than “how couldn’t i?”
i’m guess i’m not ‘normal’. in the world of christian louboutin and jimmy choo footwear desires, i’m wearing old navy flipflops and hundreds-of-miles hiking boots. in a world of oscar de la renta and ralph lauren aficionados, i’m wearing my dad’s old flannel shirt and jeans. in a world of cle de peau beaute and guerlain and creme de la mer, my face is lucky to see an oil of olay original and coppertone 30spf combo.
and i, just like artists everywhere, love to be reminded, time to time, that we were all born to stand out. each and every one of us. artist or not. no matter the road we walk. no matter the red gogo boots or hot-pink stems. stand out. in our own skin.
there is a pile of flipflops by the back door. our house is a back door house so that’s where we come in and that’s where the flipflops live. there is nothing quite like walking on old wood floors or cool tile with bare feet in the summer – it’s freeing.
and so it never fails. or – i never fail. there is a moment, sometime in the summer, when i am rushing around without thinking or watching – maybe pushing the vacuum, maybe running from one room to another, maybe going out the back door with snacks, maybe taking a doorway too close – that i will slammmmm my toes into something and, ultimately, break my pinky toe. i’m not sure that a summer has gone by without that in recent years, though i don’t remember a broken toe in the littlehouse on island. regardless, i pretty much know the moment it’s going to happen and the delicate language that ever-so-gracefully flows from my lips when it does happen prompts dogdog to go hide in the bathroom.
this summer – just a few days ago in fact – i ran into a stack of paintings that is in our sittingroom because of the drains in the basement. i almost saw it coming, though not entirely because i would like to think i would have stopped it in process. it’s not my baby toe this time. it’s my third and fourth toes, purple and painful. but, as the days go on i realize one thing – i don’t think they actually broke this time, so maybe i am making some headway.
the lesson is always to slow down. d is always reminding me….slow down! don’t break your toe!….
the old radiator in my studio was its home for years. i picked it up at a wholesale show…an old fencepost with equestrian leather…i couldn’t resist. it was perfect next to my piano. shh. quiet. ponder. dream.
it’s outside on the back deck now, really for the same reasons. shh. quiet. ponder. dream. it reminds us to take those moments and just be.
in the middle of the night last night we talked for a few hours. it was a big discussion…about life, about existence. we agreed that life is merely about those rare and outstandingly idyllic moments – a collection you might store in a little special box or place in photographs-in-the-round for a viewmaster – ready, at any time, for you to look at, review, be reminded of, hold close. not usually the gigantic stuff, but the slides of tiny, even silent, markers, instants you recognize as mica.
we had another water episode a few days ago. it seems the theme this summer. once again, drains in the basement yielded water instead of no water. a really lovely young man from the sewer-drain company came; it was their second time in just over a month. the tree roots they had cleared likely had left behind another piece. it doesn’t matter. he cleared it out and we moved on. it wasn’t without a ton of unexpected work…clearing all of david’s paintings out of the space to protect them, moving any and every thing out of the way of the water and allowing room for the technician to work without feeling nervous about anything around him. after he left and we cleaned everything up it was back to quiet.
we exercised down there again yesterday. it’s a peaceful place, even though it is a basement. being surrounded by the muse of david’s time at his easel brings a certain life to it. i imagine he wishes this little sign was in his studio, but there is a hush nonetheless, even without the sign.
our studios – places where time fills in the gaps between noise.
in the middle of existential questions about my wrist and hand, a screeching halt to occupational therapy imposed by the insurance company (don’t get me started), questions and the after-effects of betrayal, a silencing of my professional work, i have not sat there much. i enter to allow in light and fresh air, gaze at my piano and walk out. another silent day.
each morning, for at least a week, as i have sat with pillows propped sipping coffee, the window beside me wide open, i have been visited by a chipmunk. it sits atop the fence post across the driveway right opposite the window and looks in, chirping. i named him ‘sunny’ as it is often that the sun is just reaching that fencepost as he sits and the first time he was bathed in rays of light as he held his spot and said whatever he was saying to me in chipmunk i could not understand.
today, in the quiet of the morning, sun not even yet beginning to stream in the window, sunny was out there, chirping to wake us. i called out the window to him a good morning greeting. we chirped back and forth a bit before he left, satisfied he had awakened me. i watch for him now each day as the sun starts to rise.
three times in a twenty-four hour period over the last weekend i heard or saw the words “everything will be ok”: once written, once spoken and the third time bob marley sang it in the woods as we hiked the river trail.
sunday as we sat at the table on the deck in waning light a not-oft-seen hummingbird came directly over and hovered right in front of me. a couple days later as i stood on the deck, david watching, a monarch butterfly flew over to me and circled less than a foot above my head. and sunny, a chipmunk on a fence post, greeting me each day.
i guess that sometimes the universe is quietly whispering, “it’ll be ok. everything will be ok. shh.”
“all you need is love, love. love is all you need.” (all you need is love lyrics – john lennon, paul mccartney. recorded by the beatles. 1967)
“c’mon people now, smile on your brother, everybody get together, try to love one another right now.” (get together lyrics – chet powers. recorded by the youngbloods. 1967)
right now? when?
“there comes a time, when we heed a certain call; when the world must come together as one…” (we are the world lyrics – michael jackson, lionel richie. recorded by multiple artists. 1985)
when?
“all my life I’ve been waiting for; i’ve been praying for, for the people to say that we don’t wanna fight no more; they’ll be no more wars. and our children will play.” (one day lyrics – bruno mars, ari levine, matthew miller, philip lawrence . recorded by matisyahu. 2008)
when? when is that time?
“blackpaint is a woman-owned art advocacy agency [in milwaukee, wisconsin] that designs public art and awareness campaigns for organizations and causes [they] believe in” and is responsible for the creation of this mural, painted by two women, celebrating differences.
sometimes lyrics and murals don’t need further talk-talk. it would be easy to list song lyrics about diversity that span time. it would be easy to post photographs of paintings or graphic designs about diversity that span time.
the common element would be their messages of respect, of equality, of love, of unity.
when the exposure notification availability showed up on the iphone, i x-ed it out. it comes every day and every day i delete it. i’m not sure we need any more reminders of covid exposure. we are already hyper aware of the dangers of this virus, the breakthrough possibility, the guidelines. last night we talked about all the places we would go were it not for this pandemic. the list was seemingly endless and we were in wonder about missing all of it.
we know that others are out there living life as any other day, as in any other time. i don’t know how to do that right now. any moment i forget about it and start talking about something fun to do or someplace fun to go, i remember. the benefit-risk factor is mightily dependent on, well, every facet involved, including higher threat and protecting ourselves and people we love. but i do know this – if it is for my children, i will do it. though we don’t get to exercise it much, that risk is unconditional.
we are finding that maybe we are more conservative, more cautious than others as we weigh our activities and destinations. it’s frustrating. we are a year and a half into this and, while vaccinations help us significantly, there is no stopping a mutating virus that wants to spread without the cooperation of everyone.
at the end of this pandemic, when there IS one, we will look around at the wreckage. lives and health and homes and jobs and security have been decimated. there are those who have been ultra-cavalier and have blatantly denied and defied any safety measures. there are those who have gone to disney, who have gathered in large unmasked gatherings, who have traveled widely. and there are those of us who have not. it’s a wide spectrum where, really, the most prudent route seems a narrower band of collaboration. and it – truly – sometimes makes me ponder what we’re missing. and, even though i ask ‘why?’ time and again, we stay on the track we have decided on, committing to an end to this insanity.
i suppose an argument against the way we are navigating through this would be that we are living out of fear, that we are limiting ourselves in a limitless world because, even when we have no guarantee for life in ANY given circumstance, we have bowed to covid-19, a frightening reality that makes us pay attention. it makes me sad to write that.
at the end others will have lived through it and have traveled and celebrated and eaten out. and hopefully we, too, will have lived through it. but our experience-list will be shorter; if traveling and celebrating and eating out are the things that count we have the tiniest list. our experience-list includes a serious respect for medicine, for science, for experts trying to help us mitigate this. it includes a deep concern for others and a wish for their good health and well-being. it lists to the end goal and not the short term. it includes the very-fewest visits with beloved children and family, in some cases none, tearing at my heart, painful. it includes much home-time, gratitude for this place in which we work and learn and cook and grow and dance. it’s much narrower than we would have imagined and, yet, it is rich in ways i also could not have imagined.
and next year, or sooner, i hope, maybe our experience-list will include irish fest and farmer’s markets and eating at the bar at wine-knot and restaurants in chicago and exploring in north carolina and live-in-person conversations with people who have been there for us, national geographic live events and long stays in the rocky mountains with mornings at cabin coffee in breck and winterfest in cedarburg and a slow dance party revisited on our patio, with people spilling into the kitchen, making drinks and preparing hors d’oeuvres.
maybe our experience-list will include a booster shot and no masks and fewer headlines about staggering loss and more news about communities coming together in support of each other.
maybe our experience-list will have less worry and less fear. the end goal.
i don’t remember what grade i was in when it was assigned: a project detailing what your ideal life would look like. it was either later junior high or early high school years. if i could find it in one of the bins in the basement i’m sure it would be predictably naive. i remember designing a house, writing about family, but not too many other details come up for me. designing an ideal life is never really inclusive of actual reality, difficulties, disappointments, hardships. i think it would be interesting to find this report anyway. the 1970s were a different time and this project would reflect that. were i to write a report now to reflect my ideal life, it would be a much simpler picture than i would guess that old paper would paint.
i remember columbus saying that he worked his whole life to have weekends with his family. to enjoy his backyard, his garden, a little fishing, time with the masons. he was living his ideal life each day, though the look in his eyes when we took him back to iowa and he stood in the fields gazing out at maize corn and blue sky would belie that. his dream was to raise his family in his hometown and, though he ended up in colorado, his other life was, i’m sure, somewhere in the farmland daydreams that swirled in his heart. he was wise, though, and didn’t wait to live until he was back in the midwest. instead, he set his sights on now. he didn’t wait. and each time his children or grandchildren visited he would cry upon their leaving, giant tears falling on this rugged man’s face. dolce.
some people are fortunate enough to have both: real life and the other life, la otra vida. crunch always felt that way about his boat too, so he’d understand the boat owner who named his boat ‘the other life’. moments of escape away, drifting, piloting to block island and fishing in long island sound, these are crunch’s ideal moments. though many of the boats and yachts in our harbor never leave their slips, perhaps just sitting on them in fresh lake air yields much peace for these boaters.
a house with lots of windows and open space, lots of repurposed old stuff, a kitchen in which we love to cook. nothing fancy. wood floors and a lot of white paint. a fireplace, my piano, david’s easels, places to sit and write and room for our beloved children, family, friends to come with significant others and visit. mountains and a lake out the window, a couple horses grazing.
last night as we sat on the deck in waning light turning to dark, tiki torches and our tiny firepit burning, dogdog sprawled out at our feet, we listened to the soundtrack of richard curtis’ movie about time. arvo pärt’s piece ‘spiegel im spiegel’ came on, a long piano-cello interplay of simplicity. we both had tears. if contentment was a piece of music, it would look like this.
though there are not mountains, a lake and horses out the window, perhaps someday there will be. it’s my maize-corn-blue-sky vision. but columbus was right. there’s the rest of it. the other life is always right there.
andrea wrote to me in 2009, “nothing is idyllic. i think we have idyllic moments. we have to take time to savor what is around us.”
i officiated a wedding last sunday. the bride and groom, their parents, twenty-one attendants and family and friends gathered on a venue patio under the sun on a stunning september afternoon in milwaukee.
reminding them to go slow and drink it all in, they celebrated in a ceremony i wrote for them, personal and intimate, with pieces of their romance and tidbits of what was mutually important to them. we had gathered together to talk, for them to answer questions and tell stories, and i searched for the right poetry, the right music, the right sentiment, the right words, and it was an honor and a privilege to stand in front of them and everyone there on this most important day for this most important ritual. i reminded those attending this wedding that their presence was not passive. they were witnessing this event and, in doing so, were promising to be there for this newly wedded couple, through thick and thin. to stand by them in all times, to help carry them through joys and sorrows, successes and challenges.
“i carry your heart. (i carry it in my heart.)”. i read the words of e.e. cummings as they stood, with tears in their eyes. it was hard not to weep with them. they danced down the aisle after the words, “the light will shine through your skin and they will ask, ‘what have you done with your life?’ and though there are many moments you will remember, in the end, you will be proud to say i was one of us.” life stretches out in front of them. they will be amazed at how their hearts will grow and hold the treasure trove of memories that will come. and, all the while, they will tenderly carry each other’s hearts.
i was supposed to fly that day. i had already purchased a kringle to bring to my sweet momma and poppo at the other end of my flight. but, just before i left for the airport, 20 called and told me to turn on the news. it was surreal and i dropped to the floor of the sitting room in front of the tv. i called my husband, called my beloved children’s schools to have someone tell each of them that i had not gotten on an airplane that morning and i watched the horror unfold that sunny september 11th in new york city.
a friend from yamaha in nyc sent me a picture of the world trade center location where i had just recently performed. it was destroyed. i stayed glued, watching, carrying the hearts of all those worried about someone in those towers, someone in the pentagon, someone on flight 93. it was terrifying to know this was real.
tomorrow is twenty years from the day of this tragedy. though i’m sure not a day goes by that survivors and surviving family members and friends do not think about this, it seems, in the middle of this pandemic and political chaos and climate-changed extreme-weather episodes on a grand scale and divisiveness in the nation, that the marking of this anniversary should remind us, should unite us instead of prompting the sneering that i am viewing on social media.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to defeat this global pandemic and cease the loss of loved ones.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to cross the aisle and embrace inclusivity and fairness and equality for all.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to confront global warming and climate change and save this planet for the children of our children’s children.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to turn toward each other, ask questions, have conversation, seek collaboration, surrender agenda, recognize truth, work together.
it would seem important – at the very least – to remember to carry each other’s hearts in our hearts. on wedding days and days of destruction of great proportion. it should all be the same.
(sign on the door of the milwaukee institute of art & design)
a year and a half.
jen told me yesterday that the 1918 pandemic, though most often referred to as a two-year pandemic, actually lasted two and a half years.
two and a half years.
i shudder to think of the toll this pandemic will have taken if it lasts yet another year or more. we have learned so much; we have learned so little. the pandemic has been like a kaleidoscope and like a microscope, both. it has scattered us into constantly changing patterns and it has brought everything into minute focus. yet i wonder where this will take us.
artists aren’t typically conservative in-the-boxers. we take risks, live gig lifestyles, put ourselves out there, are vulnerable and push back against things we consider inequities, ironic double-talk, disinterest in humanitarianism, opacity where transparency is touted. we aren’t quiet, for it is our job to speak – in whatever medium our talent. we are, as artists, there to raise questions, to promote pondering, communicate ideas, tell stories, express emotion, encourage engagement, inspire connection and collaboration, reiterate interdependence of all people.
though this burden does not remain singly on the shoulders of artists, even banksy has participated in making statements about safety and guidelines in this pandemic. i’m not sure how much more blatant it needs to be. encouraging covid-19 responsibility, his work in the london tube in july 2020 was titled, “if you don’t mask, you don’t get.” he spray-paints the words, “i get lockdown, but i get up again” at the end of the video featuring his rats on the tube.
though attendees were 100% vaccinated, the invitation read, “masks required at all times unless actively eating or drinking.” they provided masks, sweet ones with the initials of the wedding couple and a heart. the venues had high high ceilings, exposed rafters and ductwork. the wedding was outside, cocktail hour was outside, dancing was outside.
when the rain came, we all kept dancing. outside, twinkling lights all around, we breathed in fresh air. even with masks on.
“a lot of people never use their initiative because no-one told them to.” (banksy)
initiative (noun): the ability to assess and initiate things independently; the power or opportunity to act or take charge before others do.
wearing a mask in public spaces – and vaccination – have been scientifically proven to lower the rate of transmission, sickness and death of a deadly global pandemic. already a year and a half.
exactly what additional kind of initiative do you need?
helen’s words have stayed with me for a few years now. we had told her of various frog encounters we were having including the time the frog jumped out of my sweet momma’s toilet (!) when we opened the lid and the first surprise frog at our little pond. “frog,” she quietly pointed out in a slight southern drawl, “is simply an acronym for fully-rely-on-god.” there was something stabilizing in her tone, something full of wisdom and experience and the flow of life. in her words there was reassurance. in her words there was encouragement.
magic appeared earlier this summer. we check for him pretty much every day. at some point one of us meanders out there and walks slowly around the pond, studying the places where a sweet frog can linger, sun, or hide. some days he isn’t there and we worry about him. when you name a frog in your pond, he becomes part of your family and pando and epic and tiny were no exceptions. we celebrated the day magic suddenly poofed into our pond. i’m certain we both heard helen’s words whispered in our ears.
i know that magic is vulnerable and yet, he sits in it. this pond is tiny and he would be hard-pressed to evade the neighborhood hawk should it decide froglegs were on the menu. the sun warms the pond each day and the rocks around it are hot to the touch, but magic has apparently figured all that out, afternooning in the shaded garden bushes, i suppose. he doesn’t seem to be scared of a big black furry dogdog running around the pond incessantly; i imagine he rolls his eyes, giggles at the visual absurdity and somehow knows dogga would never hurt him. he seems pretty secure. maybe he knows the f-r-o-g thing. no matter, taking chances, he sits in his vulnerability.
these two days – thursdays and fridays – are dedicated to our artistries. dr thursday and ks friday offer specific chances for us to dive into our craft, to talk about it, to divulge.
i have found, in these last years now of writing, that we are much like magic. the more we write, the more we divulge of where we are. our vulnerability is not just limited to artistry days. instead, we take chances each day of the week, writing where we are, where we have come from, where we may be going. we click ‘publish’ and sit in it.
at points in time, the neighborhood hawk somehow removed us from facebook for unknown reasons – a hankering for froglegs, i suppose – and trashed our youtube – burning hot reasons we will never know. it is hard to evade the acts of close-mindedness, of conspiracy theory, of damaging rhetoric, of exclusion. but we just keep writing anyway.
it was late evening when i went to look for magic. the air had deliciously cooled and we were outside – just with the pondlight and bulbs strung over the yard. there he was. in the spotlight of the pond, confidently on the edge of the rocks, breathing deeply – or however it is frogs breathe best. he didn’t move as i approached and he stayed right there, inches away, for the photoshoot. unafraid and in his own skin, he didn’t flinch. he just stayed right there. in the middle of his vulnerability.
reverse threading 