reverse threading

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a changing sculpture. [kerri’s blog on two artists tuesday]

we were waiting in the examining room. i had a doctor’s appointment.

we were surrounded by beige and all manners of brown.

i said aloud, “if i had a doctor’s office, it would not be decorated or appointed in shades of beige and brown. it’s all rather flat and depressing.”

i suspect – for the same reason i said that about the office – you might say that about this photograph. you might even say that about this trail – for much of it is bathed in beige and brown, the reeds along the river, cattails, leafless trees, and dry underbrush populating the trailside.

but it’s different.

these shapes and textures are completely engaging. there has been a giving-over to nature, an organic timewornness that has taken place. and in this flower’s stead has been left a stunning sculpture, full of light and dark. you just have to see it.

in the new eyes i have since going slower, i feel drawn to each of these. i could be completely happy lingering on the trail, photographing one after another of these dried flowerheads, each distinct, each stunningly beautiful. the tall and stately, the rounded, the wishing seeds clinging to the rough edges after floating on the wind. so much life in so much fallow.

my sweet momma – at 93 – would look in the mirror to apply her lipstick. she’d frown and grimace, “i look like an old woman!” i’d assert the obvious – “well, momma, you are 93!” and then, looking into her blue eyes i’d tell her – “a beautiful old woman”. for it was those very wrinkles, those spots of age and wisdom and experiences, those eyes that told a million stories of love and pain, summit moments and disappointments that gave her the actual depth, the texture, the light and dark to BE beautiful.

i look in the mirror, glance down at my hands, get on the scale at the doctor’s office – i am a changing sculpture. i frown, i grimace.

and then i remember my sweet momma. and i remember the flowerhead on the side of the trail.

*****

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like a good moisturizer. [kerri’s blog on k.s. friday]

we are not much into the glorifying of products to shape our waist, pump us up, give us clarity, thicken our hair, raise our status, change our libido, make us sexy in the first place et al. we do, however, each use one product that makes us feel like we are taking some kind of interest in how we might age. we each use moisturizer. facial moisturizer to “limit” the – ahem – aging of our faces. body moisturizer to, well, make our skin “dewy” and “resilient”. hand moisturizer to avoid the dreaded wisconsin thumbcracks. yep. we trust that these products are working and they have become a part of our careful budgeting.

barney did not subscribe to any of these products and, thus, is aging without the benefit of peptides or collagen or retinol or blue algae extract or sea parsley. i hardly think that barney cares as i truly cannot point to an aging piano more beautiful.

as each layer succumbs to the weather, we see a tiny bit more of the heartandsoul of our barney. as each layer peels back, falls off, there is evidence of yet another layer, the simple insides of an acoustic instrument whose voice box is the space within.

there is only truth in there – only pure pianovoice, only echos of the rich resonance of hammers hitting strings, only breathy harmonics.

there are few days that i don’t gaze at barney and feel grateful for its presence in our backyard. there are times i think about my growing-up-piano in our basement maybe having the same life arc. it would be difficult to get that piano up the stairs of our old house, as the enclosed staircase (enclosed since the piano was delivered downstairs) with its angles, makes two ninety degree turns, making a complete about-face…all difficult maneuvers for a hulking piano up on end. i guess we’ll see. i’m not sure that there is room for two pianos in our backyard.

in the meanwhile, barney steals the show. every little creature that makes its way into or through our yard knows this old piano. and vice-versa. this old piano knows every creature as well. including us.

just at the moment we need a smidge of something beautiful, the touch of something other-worldly, barney beckons at us from the garden and settles its serenity on our skin. like a good moisturizer.

*****

PEACE © 2004 kerri sherwood

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a recognition. [kerri’s blog on d.r. thursday]

it was pretty sloggy. there was still snow on the trail. that which had melted from bright sunlight and milder temperatures made the trail muddy. very muddy. did i mention muddy?

we had on hiking boots that have uppers made of gortex. i am not crazy about my boots – i was attached to my last pair and don’t have a relationship with this pair, not yet, not even after so many miles. nevertheless, i must say that this pair kept my feet dry, which does make me a tad bit fond of them.

it was hard to stay quiet as we hiked – the sloshing sound of our boots on the path was undeniable: humans are here.

it was also hard on the legs. similar to walking in deep sand, it’s a different workout in mud and snow and ice.

we were about to turn around and head back home to a wee happy hour, but decided to keep on going a little longer.

we came up the rise and there they were, staring at us. two gorgeous deer, absolutely still. they blended into the fields, everything a seasoned shade of tan or brown.

we had eye contact – the lead deer and i. i whispered to it, trying to reassure it – even telepathically – that it was absolutely safe. we stood, watching each other.

eventually i slowly moved forward a bit, to take a picture closer-up. eventually, both deer bounded down the rise and across the trail, heading for the river.

and what a sight.

they carefully picked their way across the river, walking on the ice skillfully, even as i held my breath, hoping for their arrival on the other side.

and we just stood and watched.

i’m sure other things were going on around us – and beyond – as we stood and watched. i’m sure people elsewhere were moving about, the world had plenty of events – both extraordinary and horrific.

maybe as we stood there something big changed somewhere. maybe as we stood there nothing changed anywhere. the tilt of the axis, the spin of the earth just simply continued keeping on.

but – in us – we could feel it.

a connection with all other things living, a sense of longing for the safety of all – particularly those who and which are most vulnerable, and, once again – but never enough to consistently remember it every second of every day – a recognition of beauty and the transitory.

*****

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EARTH INTERRUPTED mixed media 50.25″ x 41″

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every falling leaf. [kerri’s blog on k.s. friday]

in my son’s first year at lawrence university, i had the joy of visiting the campus fairly often. one of those times there was a comedian on campus and, along with a group of his friends, i went to her show.

it was fall 2011. tig notaro was about 40 then – though she looked way younger. i was 52 or so, not a heck of a lot older. following her bright career for a bit, it was difficult to see her deal with complicated and dangerous medical issues, the abrupt death of her mother, breast cancer, a double mastectomy, relationship breakup.

hundreds – maybe thousands – of shows in the growth of her success later, we watched her on anderson cooper’s – stunning – grief podcast “all there is”.

we stumbled upon this just a few nights ago – after you-tube-ing the news until we could no longer take any more in. anderson was visiting with ken burns and the show was titled, “the half-life of grief is endless“. there is nothing like an honest, open conversation about mortality and loss to draw you in. i repeated the words aloud: “the half-life of grief is endless” before realizing that quote had been – aptly – chosen as the title of that episode.

it feels true – in my opinion. the half-life of grief IS endless. and in that space we inhabit – that space that loss always shields with an impermeable membrane – we find so much meaning, so much life, so much right-now.

though well-acquainted with loss of dear people around her, tig spoke specifically of the loss of her friend, poet andrea gibson. she described the feeling of andrea nearby her. she read bits of her poetry. anderson cried. i cried. i think d cried too.

i never could understand how – when my big brother died – the world could just go on. i wasn’t a child. i was 33 and pregnant with my second child. but i still couldn’t grok it, even as i had lost others in my life, even as I could cognitively understand it. it was a gut-punch, yet i could feel him – wayne – nearby. i could sense his humor, his brilliant mind.

in the love letter that andrea wrote to their fiancée, they wrote “dying is the opposite of leaving…” and in the same, their words, “ask me the altitude of heaven and i will answer ‘how tall are you?'”

i cannot hike in the woods without stopping. there is so much to take in, so much for which to gently hold space, so much to be grateful for. just to see it all…washes over all the grief and enlivens all the grief. both.

and then there is this: “every falling leaf is a tiny kite with a string too small to see, held by the part of me in charge of making beauty out of grief.” (andrea gibson)

*****

LAST I SAW YOU © 1997, 2000 kerri sherwood

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this. [kerri’s blog on not-so-flawed wednesday]

it is rare that grocery shopping delivers such gloriousness. really, i would say, it is never. even though i celebrate the tiniest things – like a minimally-loaded cart that doesn’t add up to over $100. rare, like i said.

but on this day – walking out of woodmans market – into the early evening, ten minutes before 5pm on the first day post-time-change – we both stopped in our tracks.

there was another guy standing there as well – frozen – like when you used to play red-light-green-light-one-two-three as kids.

i instantly reached down and pulled the phone out of my purse, my eyes never leaving the stunningly radiant sky. we all oohed and ahhed together, incredulous at the sunset.

the horizon and the sun stared back, wondering at how this sunset was different than any other they performed.

and we…well…we remembered that – in addition to all the relationship woes this time of great division and angst brings – we could still stand with a stranger and acknowledge beauty that eclipses everything.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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burst past little-life. [kerri’s blog on not-so-flawed wednesday]

there were multiple times – when my sweet momma was here on this earth – that i brought her yellow roses. they were something special between us – an expression of love between mother and daughter.

yellow roses have a different significance than red. they are indicative of friendship, the deep bonds of love, warmth and joy, fresh starts, gratitude, hope. i read that in japan yellow roses symbolize courage and inner strength.

months ago, a dear friend gave me a small mini yellow rose plant, likely purchased at the floral section of a grocery store. it had several miniature yellow roses blooming and several buds in the waiting when i received it and i figured that it – like other more temperamental plants – would run its course.

it is months later. and the yellow rose is still in its original pot. it appears to love its residence next to the old garden table, on the deck, sharing a bit of space with the basil. it has flourished – bud after bud, bloom after bloom. it has embraced life beyond our expectation. even now, with its leaf-nod to the approaching fall, it has three buds – three bursts of beauty in the offing.

and, every day i look at it i think of my sweet momma. and i wonder about how this particular plant has been so resilient. i wonder if it had a littlebitta help from her.

i wonder if this plenty – this profusion of buds and blooms are tiny messages from her – sent in love, delivering bravery and perseverance. they are certainly well-timed.

and – if my sweet momma is the one whose green thumb from some other plane of existence has helped along this little plant aspiring to burst past what’s expected, to burst past little-life – i remember she is the same woman who wrote: don’t underestimate me…

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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nonetheless. [kerri’s blog on two artists tuesday]

mid 80s, late 80s, the 90s – it was a thing. posies of dried flowers everywhere you could find a spot. on indoor trellises, tucked into cornices, hooked onto doors, gathered in bowls, in wreaths and vases and garlands, in frames and potpourri vessels. so many dried flowers.

and it wasn’t that they weren’t beautiful. next to the quilts on quilt racks and the doilies on the side tables, old silverware windchimes, painted wooden tchotchkes and cross-stitch anything, the dried flowers complimented the style of the times – this nod to nostalgic country-ish.

there was a day – years ago – when, having been surrounded by dried flowers for decades, i literally walked around my home with a big garbage bag and tossed all the dried flowers i had managed to hang, tuck, hook, trellis, gather, weave, drape, frame or potpourri-mix. it – this decorating obsession with things-dried – was suddenly done.

(now, to be fair, currently, there’s a posy of lavender from our garden in a small glass milk pitcher and a couple reeds from a hike. oh, and a few hydrangea from out front. of course, there are two big branches in our house now, not to mention driftwood from long island and an aspen log from the forest in breckenridge, but, in essence…for the most part…in theory and almost-all-application, the dried-flower-dust-accumulator period is over.)

instead, as we hike along the river and in the woods and walk in the ‘hood, we watch the flowers of the meadows and the gardens changing. their waning beauty draws me in – even more than their mid-summer blossom. there is something about the fading flower, something about the button left after the petals fall, something about the curve of the wilting coneflower or a tired black-eyed susan, the almost-fluffless dandelion, the loves-me-loves-me-not petal-less daisy. i stop and linger with them, always curious how graceful it is they go into fallow, this period of rest, how they so readily give over to this change in appearance when humans seem to resist so vehemently any visible aging.

the 1980s/1990s dried-flower-hanger/tucker/gatherer in me rises as i admire these beautiful nods to autumn’s arrival. but i leave the flowers in the meadow, in the garden, in the marsh next to the river, in the woods.

and, instead, i carry their beauty – and the moments i was witness to it – with me, knowing that diminished beauty is – nonetheless – beautiful.

*****

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sustain beauty. [kerri’s blog on d.r. thursday]

it was a spontaneous excursion – an unexpected morning a bit ago with no obligation. we got in the car early and drove down to the botanic garden.

as we came around the corner, d stopped and asked me to take a picture. the tree – shaped like a square – was something out of cartoonland. a filled-with-wonder dr. seuss and winnie the pooh mashup. this morning at the garden was definitely what we needed.

every step got slower. we paused and lingered over blooms; we drank in the quiet. this time of day in the garden was divine. we vowed to go more often, to soak up this place – so much beauty, such intention to sustaining it.

it’s really what i cannot fathom: the idea of not working to sustain the beauty of this country, instead, working to destroy it.

the list of places we’d love to go is lengthy. they are not shopping malls or shipping warehouses or land massacred for its resources. the list is the quiet places. the places of grandeur. the places that are understatedly glorious. the places that are wild, that are wide-open, that embrace all who step there.

sustaining the beauty of this country is not just about the environmental legacy of its sea-to-shining-sea. it is about its history – the good, the bad, the ugly. it is about the learnings, the coming-of-age into democracy – rights and privileges deemed law for the populace. it is about the diversity of its people, the gifts that we each bring – spokes in the wheel. it is about the sustaining of care and concern for each other, empathy as a moral code, compassion as a north star. the list of places of integrity within the hearts and minds of those in positions of leadership.

for those who do not wish to perpetuate goodness, who wish to forward messages of hatred and cruelty, who have no intention of sustaining beauty of any sort – these are people i cannot grok. it is impossible to wrap my head around the embrace of such immorality. it is impossible for me to understand such a disregard for decorum, for human dignity, for the wonder of living in the universe, for peaceful coexistence.

“unless someone like you cares a whole awful lot, nothing is going to get better. it’s not.” (dr. seuss)

someone like each and every one of us.

*****

read DAVID’s thoughts this D.R. THURSDAY

WEEPING MAN 36” x 48”

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the tenacity of a soul. [kerri’s blog on flawed wednesday]

it continues to peel back. each rainstorm, each gust of wind, the ice and snow of winter, the baking hot sun…they all have impact. and the layers of barney keep peeling back. every iteration of this piano reveals its soul, a soul that never changes. despite disappearing obvious visual cues that say “piano” it is still a piano. the keys are virtually gone now, but remain, nevertheless, in essence. the stand that held music way earlier in this past century of its life has broken down. the sheen of lacquered varnish highlighting the grain of the wood has faded, melting into rays and raindrops. changed, barney is unchanged.

i wonder at the tenacity of such a soul. i wonder at the steadfastness of spirit. i wonder at how much more beautiful it continues to get – each and every day – despite all it has endured, all it endures.

there is a piano in our basement. it is my growing-up piano. it is a spinet, completely out of tune, even with itself. we had it moved down there and then built walls around the stairwell that turns and turns again, 90 degree angles making a complete 180. that piano may never be able to be moved back up those stairs. but if it could, i would bring it outside. the journey that barney has taken – with flowers and plants and chippies and squirrels – has only enhanced its real presence in the world. if i could, i would honor this old piano – this relic of my growing-up – with this same weathering of time.

though currently exponential, like most generations before us, we are living in a strange and scary time. the facade of our country is being peeled back. yet, what we are finding beneath this shiny well-lacquered veneer is not wholesome or all-american. as the soul of constitutional goodness is stripped – layer by layer, right by right, freedom by freedom – there is an ugly that is revealing itself.

when the keys are gone and the music stand is gone and the sheen is gone and the wood is splintering, falling into the garden to turn to mush, what will we find at the center of this country?

i fear it is not stalwart like barney. it is not getting more beautiful. its endurance is limited. changed, it will be changed.

and its soul will be lost.

*****

read DAVID’s thoughts this FLAWED WEDNESDAY

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it is time. [kerri’s blog on merely-a-thought monday]

it was rafiki who said, “it is time.” in a pinnacle moment of the movie the lion king, mandrill rafiki – an insightful spiritual guide – discovers that simba, the lion, is still alive and declares that he must return to the pride lands and restore order and balance. simba’s life force – to defeat evil, overcome adversity, to perpetuate a legacy of the interconnectedness of life – the circle.

it is time. it is way past time.

order and balance, goodness and kindness. the concentric circles of connection.

yes. way past time. already.

in these moments – the anguish-filled, agonizing moments before the figurative return of simba – we might turn to others – next to us – near us – far away though connected with invisible filaments of love and care – and say, “i am glad for you.” the tiniest message.

in these times of so much uncertainty, so much angst and pain, so much loss and grief, so much frustration and anger, it would seem that uttering five words might be a powerful salve. thought it may not change the heinous circumstances of our current world, it will wash over the person upon whom we whisper – or shout – these words.

it may be in the post “i-am-glad-for-you” moments that one is able to – once again, tirelessly, with great courage – reach deep inside to pull up bootstraps of bravery and pushing-back, bootstraps of protest and protection, bootstraps of generosity and altruism, bootstraps of humanity.

i am glad for you.

so, be weird – extraordinarily heart-on-your-sleeve weird – and tell all those people for whom you are glad that you are glad for them. i can’t imagine that not feeling good in your soul and i can’t imagine a response that does not carry the extraordinary, raw power of this message forward.

it is time.

way past time.

*****

“i see you. you are beautiful. i am glad for you. i am glad you are here.” (michelle obama)

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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