i was stunned to see my eyes on his face. maybe even my nose. ok, maybe – for obvious reasons – more my dad’s, my mom’s. but, sheesh, this ancestral dna, undeniable, is a funny thing.
finnish. i am finnish. and proud of it. though there are millions of us, my most-italian-city-in-the-state-of-wisconsin doesn’t have a lot of finns. we are pretty few and far between. the most finnish we get in these parts is people talk about (while mispronouncing) “saunas” and wonder about the use of the word “sisu” (one of my personal favorites.)
recently, in facebookland, my cousin posted this finnish proverb, “the forest will answer you in the way you call to it.” another cousin wrote that she remembered the story about our relative uuno klami, a famous finnish composer, “one of the most significant composers in the era following jean sibelius”, who brought people out into the forest and encouraged them to “sit quietly” and “listen to the woods”.
my sweet momma used to tell me about him, too. she connected the dots back to uuno as where i drew my composing juju. no one else in our family wrote music and, actually, not many even played instruments. my dad used to brag about how he could “turn on the stereo” as his musical talent. yes, he was a cutie-pie with a dad-sense-of-humor. my mom was insistent. in the ever-so-typical “yeah-yeah-yeah” internal response to which we children seem to default, i didn’t go much further than these conversations, a discuriousness i now regret.
so a couple weeks ago i googled him. it was startling to see his picture. because i felt like i recognized the heavy eyebrow lids – frontal bossing or some such term – slightly drooping eyes, the 11’s furrowed over his nose, his actual nose. geesh. he was not blessed with as high a forehead. now, a few generations later…
but – his woods connection. yes. psithurism: the sound of rustling leaves and wind in the trees. gorgeous. inspiring. evocative. i so agree with him.
his music – as i now begin to listen to it, on his trail – many pieces with only one recording, one interpretation. and – in the way of composers and real life – much of his oeuvre is unpublished.
yet i suspect that the forest knows it all. what he brought to it – his muse – returns to the leaves and the wind and is always there.
in the middle of planting grasses he flew in. i turned and he was perched on the fence, studying us. we looked at each other – eye to eye. and this hawk sat still, just watching. before i could get d’s attention and have him turn to see him, the hawk flew off, eventually landing in the higher branches of the east neighbor’s tree, where he stayed for quite some time. we could see him there and he could see us.
from his vantage point i ponder what else he could see. the horizon stretched out before him, his high flight giving him an edge for observation, clarity. his eagle eye taking in the flow around him, the circle of life ever-present.
now it makes me wonder if he knew what was coming, how grounded we would soon need to be. things change in a moment and moving forward requires determination and some acuity. perhaps it was there to let us borrow some of its vast abilities, its confidence, the sense of being in control.
i stared at the hawk. the hawk stared back at me. peacefully, focused. i was just a little astounded at how close it was. maybe it was a little astounded at how close i was. no matter, we both stayed put and the moments slowed down until he took flight.
a water lily rises to sunlight. it is unaware of its astounding beauty, of the draw it has on us as we pass by. we turn the canoe around and attempt to get close, to take a photograph, without paddling over the pads. it is the arvo pärt in the lake…simple, exposed. were there to be music performed by this lily, i suspect it would be clear and distinct, though soft and warm, bell-like fragments of sound, minimal, arvo’s tintinnabuli.
it is never the fancily decorated that attracts me. it is never the overly done makeup-ed, the bejeweled, the gold-and-diamond-studded, the finery in attire, swanky or haute couture. it is never the ornamented, embellished singer, the bombastically orchestrated. it is never the heavy classical painting or big ornately carved furniture or heavy drapery.
it is the old piece of desk that holds a lamp and a few books. it is the small farm table in our sitting room. it is the driftwood on our mantle. the finches at the feeder. our little aspen in the yard. the chippie on the fence out the window. the look of new motherhood on my niece’s face. the framed notes from my children on the bedside table. the ceiling fan chain bracelet from my dad’s workbench. the jeans with holes. the sweatshirt hoodie sans one cuff. the old hiking boots and flipflops thinned by sidewalks.
“wherever you go, go with all your heart” (confucius)
this is not hard in the quiet bow of a canoe on a pristine dark aquamarine lake under a baby blue sky. my heart is all in.
from one time to the next you forget a little how the paddle fits in your hand, how it easily skims through the water, how it rubs that spot under your thumb. you forget the sound of water droplets hitting a quiet surface as you raise up the paddle, the swoosh of the oar back into the water, the peace. no real destination. just point the bow and paddle.
if we have a thought in the world, it is only about beauty and fresh air and a breeze in our favor. we pass water lily pads and, every so often, a lily gracing them, pink pondweed above flat vases of gathered rhododendron-looking leaves. it’s serene. it’s quiet.
there is no race, so set time limit. we simply go, aware of how full our hearts feel. we paddle back only when it seems time.
the walkie-talkie crackles, “happy-hour-snack-time-tchk.” we laugh. and turn the canoe. no pressure.
we make our way back past the fisherman, the floating mats waiting for kids and splashing and laughter, the island created by the rising lake level. past the place we saw the porcupine, past the place the turtles were swimming, past the place someone caught a giant bass some time ago.
they wave from the dock and tease over the walkie-talkie that there is nothing left.
we paddle to shore and climb out.
part of my heart stays – quietly – for a moment – in the bow and memorizes the way it felt. until the next time.
circa 1968/1969 and EVERYone – literally everyone – at least in MY mind – had a wristlet wallet. long rectangular leather wallets on a wriststrap, they opened to reveal a couple places for pictures and change and dollar bills. a clutch, the style was s.p.e.c.i.f.i.c. they were s.p.e.c.i.f.i.c.
christmas rolled around and i, in great anticipation, opened my presents. untucking the used tissue paper, i got excited to catch a glimpse. the box revealed a wristlet wallet.
wrong. it was wrong. it was faux leather. it was not rectangular. it had different compartments, a different strap. not specific. it was different. i was a misfit.
my 1970 construction boots were different too. so were my earth shoes, an off-brand. i wore pants from the boy’s department – my sweet momma thought they fit my – whatwasslimbackthen – body better. and my white cable-knit v-neck sweater with maroon and navy stripes at the v was – waitforit – a boy’s handmedown. i ate cucumber sandwiches wrapped in waxed paper and tucked into repurposed hallmark card store bags with pleasesayitisn’tso sandwich bags of chips – not individual commercial bags – and wore homemade crocheted ponchos with fringe. different. i took organ lessons as well as piano and i loved to sit in my maple tree, writing. i had a cb home-based radio on which i spent hours chatting with crunch, merely a few miles away. i had nieces and a nephew way before anyone else and i loved mathletes. different.
i guess my sweet momma was getting me ready for the world, after all. the wristlet wallet – though a disappointment at age 12 – was just the tip of the iceberg.
as i go about throwing on jeans and a black top – what other color IS there anyway? – i wonder whatever became of that wallet. i wouldn’t mind using that right now. i look around at the repurposed stuff in our house and, though my momma hasn’t been here in over fifteen years, i know she’d be nodding her head in approval.
i’m sure people in the target parking lot stared at me while i took a photograph of the side of the sara lee truck pulled up in front of the store. i’m always the one – lagging behind, trying to capture some image. so many photo ops, so little time…
but these words “how goodness should taste” caught my attention. sara lee, the company of classic pound cake, chocolate creme pie, new york style cheesecake, makes me think of my sweet momma, coffeetime, the round smoked-glass table, white plastic vinyl swivel chairs. my poppo, pouring the coffee out of a farberware percolator, whistling. goodness, indeed.
my growing-up wasn’t dressed up with ganache and crème brûlée or crepes and chocolate soufflé. i was the product of two great-depression parents and they were practical. entenmann’s crumbcake and my mom’s lemon pudding cake, homemade apple pie and chocolate chip cookies, box cupcakes and sara lee raised me, along with an occasional traditional-cheesecake splurge at the bakery.
goodness was simple. it wasn’t prissy nor did it require much money. it wasn’t fancy or haughty nor did it exclude anyone. it wasn’t loud and shiny nor did it bellow “look-at-me”. it wasn’t for show. it was just simply goodness.
when i saw the sara lee truck i called to david. he had stopped on the target sidewalk when he realized i hadn’t made it across the lane from lot to store.
i showed him the picture of the side of the truck “how goodness should taste” and said, “this is perfect for a blogpost.” i continued, “a great reminder!”
after all, maybe we should all think more about goodness.
not just how it should taste, but how it should feel inside, how it should sound, how it should be shown, what it should look like, how we can touch it, how we can share it.
wouldn’t it be cool if – maybe instead of [or, even, in addition to] “land of the free, home of the brave” – the united states of america was known as “how goodness should taste”?
the crystals on our outdoor chandelier are catching the sunlight, their exquisitely-cut facets sparkling toward the sun, the clarity of spheres throwing prisms of light and, in the dark, casting intricate shadows – strung pendalogues with silhouettes illuminated by moonlight.
uh-huh.
ok. i give. it’s plastic. all plastic. except for a couple metal strap parts and the solar pack.
so when we ordered it – this solar chandelier – we expected some heft and prepared how to hang it on the old door that sits behind the glider on our deck. we talked to jeff at the ace and decided upon a hinge we’d attach to the door with a wrought iron arm that we could move in an arc, depending on how we wanted the chandelier to be hanging. we had wanted to hang it over barney – for that old piano in our backyard deserves a chandelier – but it turned out that the chippies and squirrels and birds won over a lighting fixture, regardless of its beauty.
the box came. lighter than, well, we expected.
and when we took it out of the box and attempted to unwind it from itself, we were a little skeptical that it would fulfill the lofty dreams we had for a chandelier outside.
nevertheless, we are not the kind of people who give up on something before we give it a chance. we decided to try it on for size before packing it and shipping it back.
we hung it on one half of the birdfeeder’s shepherd hook. turned on the solar pack and waited. night fell and this earnest little ithinkican-chandelier lit up. “sweet,” we both thought aloud. we hung it under the umbrella over the table and it cast ridiculously interesting shadows up. then we hung it on the awning and wondered if it would ever make it to the door and the hinge-arm-shenanigans we had ready for it.
plastic or not, it has us intrigued.
this morning i can see it out the window of the bedroom. the eastern sky is full of warm summer early morning color. as the sun rises, the crystals catch it. they glitter.
we were supposed to have company. it has been a rarity these last couple years to share our space with anyone, so we were really, really looking forward to it. visits with people we haven’t seen in a year, two years. coffee-sitting or wine-chatting out on the deck, slow walks along the lakefront, catching up. long-awaited.
it wasn’t to be.
just before, we had attended a small gathering – outside. we were alerted a couple days later that we were exposed to covid. guidelines are such that it was then our responsibility – which we don’t take lightly – to isolate from others so as to avoid being contagious, whether or not we were also ill. we have respected this pandemic and its resulting health guidelines from the start, so we did the only responsible thing. we cancelled our guests, two sets of them.
to say we were disappointed is to underplay the isolation of these times. we were stunned. the ever-present facebook shows people off gallivanting on vacations and cruises, at disneyworldland, at parties. and we, abiding by what had been outlined as ways to protect others, were alone. in truth, we were a little ticked.
and so, we dedicated ourselves to crossing every appendage we’d stay healthy and working on the backyard. the new fence has created a blank canvas and we wanted to re-plant and re-organize our tiny sanctuary. i began studying plants and sun and shadow and height and breadth and movement and placement.
we moved the old hostas. they were along that back fence line. it hasn’t been a good year for hostas, dan told us, and we’d have to agree. these intrepid plants, we knew, would bounceback, so we transplanted them next to barney and under the white fir pine. i wanted a few hosta for under the blue spruce, but i wanted elegans hosta, rich green not variegated, huge heart-shaped leaves, gorgeous texture that will share that space with tufting blue sedge grasses.
we went to the nursery. it’s all outside so we felt confident we were not exposing anyone and we spent a few glorious hours wandering in and out among the plants, dreaming. that’s where we fell in love with that little stand of quaking aspen. (pause for a moment…)
i took a zillion photographs, not only of grasses and plants, but of the accompanying tags of information, so that we could go home and i could research and develop a plan for the new landscaping we would be planting. i had my work cut out.
i made several trips to the nursery, asking questions and moving slowly through, glancing at my camera at the pictures i had of our backyard space, pondering. after a week – sans people – we went and picked up the first of the grasses, three switchgrasses, tall with plumes just peeking out. they would join the hardy pampas we had already purchased, hoping they would grow tall against the fence.
busying ourselves with greenery helped the sting of losing the opportunity to see loved ones, but not entirely. though grateful each day to not take ill, we felt gypped.
a few days ago we added a couple dwarf fountain grasses. their flouncy-ness is charming. we brought home a little zebra dwarf silvergrass and a purple fountain grass for contrast. after a few days of studying placement, we’ll actually dig holes, take them out of their pots and plant them. and there’s space for a small rock garden too, perfect for this thready heart.
it’s the end of the week and now more days have passed since our exposure. though we went through ten home tests – to make sure we were moving through a ridiculously long incubation period – we have mixed feelings.
we know that in cancelling our company we did the right thing, for we would not want to inadvertently infect them or anyone they would, in turn, see.
but we remain just as hungry – we are just as longing – for a bit more normal as we had been. we’ve all sacrificed much in these two plus years to protect each other. we – the two of us – have limited our restaurant-visits to less than two hands, have stayed back from concerts or festivals we wanted to attend, have masked in shops and stores, risking the dirty-look ire of others who have simply moved on. and we have not had the chance to really see many others – to laugh in our pjs together, to get in each other’s way in the kitchen, to spill out stories, interrupting and laughing.
doing the right thing is sometimes painful. especially when opportunity is few and far-between.
this weekend we’ll sit out on the deck and gaze out toward our new fence. in the early morning of the days i’ll water all the new plants, greeting them each time. and maybe, later in the day, the new grasses will catch an early evening breeze and tilt toward us, billowing. i imagine they will be thanking us for bringing them home. birds and more birds will attend to the feeders. squirrels and chipmunks will scamper, chasing each other looking for fallen seed, high-tight-roping across the yard. dogdog, a little older and more tolerant of little friends in his yard, will lay on the deck watching with us.
we had one too. last year the big old tree at the end of our driveway had one. a big-ole-mushroom-fungus. inordinately weird and begging you to touch-it-ewww-don’t-touch-it.
this one – on a big tree by the park a few blocks away – looked like shelf fungi. shelf fungi is a wood rotter, damaging to trees. we think ours was a northern tooth fungus (who knew there were so many tree-shrooms!); the tooth fungus can impair the structural stability of our tree. and, i read, fungi breaks down dead wood, thus a part of the forest ecosystem. trying to remove it will release billions of spores that can infect other trees and plants. just makes you wanna shudder.
it seems somewhat unfair that as these giants age they become more and more susceptible to these fungus matters. it would seem like the gentle giants had earned a peaceful coast into the sunset, surviving youth of sapling, the perils and storms of young adulthood, the strength and steadfastness of middle age, the passing-of-the-baton to the golden years. it would seem that these mighty towers of thousands upon thousands upon thousands of days of stories should be granted ease, sunlight, water, serenity.
so why is it that they are not impervious to challenging diseases, exhaustion, lack of nutrients, even rot?
is their medicare and social security also at risk?
whether we acknowledge it or not, it sits next to us, powerful. some days it forces us to pay attention. the waves roar, the wind blows, it is colder near the lake. other days, it is silent, just a presence, like something you feel but can’t see.
i remember when we first arrived here – 34 years ago. the lakefront was different. there was a big engine plant in prime real estate on the lake. it all looked drab and run-down and giant smokestacks lined the sky.
when they didn’t call my husband back for weeks about the position he had interviewed for, i felt lucky, like i had escaped. wisconsin wasn’t on my radar much back then and i wasn’t so sure i wanted it to be.
but, in the way of irony, after six or seven weeks, they did contact him and offered him the job. and the rubber hit the road. i left florida – where we were living at the time – pretty much kicking and screaming, though silently, inside.
eight to nine months later we moved into this house. and, as a dear friend wrote to me, [my] “dna is probably embedded in almost every inch of it.” wisconsin, indeed. 34 years.
as life goes and time moves on, it’s a little uncertain where we will be in years to come. as an ever-increasingly ominous climate change rears its ugly head, we see the potential wisdom in remaining where we are – close to a huge fresh water source in a place where most weather is not too extreme. we have only a short list of places we’d move, a couple of them in a heartbeat.
and then we take a walk. it’s very early morning and we are returning from dropping off littlebabyscion at our mechanic’s shop, choosing to walk home. he’s an early bird so we are walking before a lot of the town is awake for this summer dawn.
the lake is mostly still. it blends into a cloudy sky and takes our breath away. we’ll turn right – west – and walk a block to home. the lake will stay where it is.
and a little while later, over a fresh pot of coffee, we will look at the photographs. to our side, the lake will be quiet as we comment on its stunning personality.
i’m still not sure if i’m crazy about wisconsin. i’m not from here. and that changes things in this town.
but lake michigan – just steps away – knows that. and every now and again that lake, while we are walking in our old neighborhood along its shore, nudges me and makes me pay attention. it pokes at the heartstrings that are tied to this place – through the good, the bad, the ugly, the marvelous – and reminds me of its presence.
reverse threading 