she was a rebel. radical and progressive, eleanor pushed with all her might, a rogue in a traditional world. eleanor roosevelt is held in high esteem, a social justice mover-and-shaker, deliberate and smart and very, very strong. she wasn’t afraid of hot water. she often dove right in.
we women all know eleanor. oftentimes, intimately. for she resides in each of us – that spirit of strength and fortitude, bravery and courage, mighty in beautiful bodies.
forest trillium, in all its slender elegance, takes quite some time to mature. after years of growth, it will eventually bloom, its three leaves gently cupping the blossom. an early spring flower, white ages to pink, a color often associated with softness, perhaps even meekness. but in its ever-present flower-wisdom, trillium is anything but meek. it is particular and ephemeral, stunning as a star of the woodlands. its bloom scents as fruit or decaying meat to attract pollinating insects, its attempt to ensure its propagation. heralding spring, trillium is fragile and endangered. in new york it is labeled “exploitably vulnerable.”
the path we each choose differs. our goals, our intentions, our dedications, our wishes and dreams run a vast spectrum. we have different journeys; we have different origins. we are quiet; we are noisy. we go with the flow; we make waves. we may not agree, but we are zealous.
we are the guardians of our ambitions, the preservers of our pilgrimages, the shielder of our adventures, the great protectors of our beliefs, the fuel of our passions, the champions of our beloveds, mama bears with or without cubs. we are fragile; we are damn strong. and we are most definitely exploitably vulnerable. yet, in that vulnerability, in those moments of hot water, each and every woman i know is eleanor.
i say we tea bags stick together and celebrate each other.
*****
from my seat in 2021 sharing with you the stay strong/strong-woman song i wrote in 2002 for the album AS SURE AS THE SUN: COUNT ON YOU:
COUNT ON YOU (kerri sherwood – from the album AS SURE AS THE SUN)
34 – the combination of 14 & 20 – love to cook together. they chop and laugh and saute and bake and grill, punting their way through recipes. with glasses of wine in hand (and lately, maybe old-fashioned wisconsin old-fashioneds) these two brothers-of-different-mothers gleefully prepare dinner.
twice a week we three (61 when you add us all up) used to dine together. and then covid. for well over a year, dinners stopped and phone calls commenced. but even zoom doesn’t come close to the ritual of preparing good food and sitting down all together around a table. finally, fully-vaccinated and still wearing masks out in public spaces, we are back. and so there is a piece of our world that has righted; the axis is just a little less tilted. we are grateful.
20 goes way back for me. shortly after my beloved big brother died, i believe he looked down from heaven and hand-picked out 20 to stand in for him. he didn’t expect 20 to be exactly who he was, he just expected him to be there for me. and vice-versa.
my little girl and 20’s little girl took ballet lessons together as tiny ballerinas and 20 and i sat on the wood floor with other parents just off the studio, morning light spilling in through the windows. my little boy drove his matchbox cars up and down the hall, including on and off 20’s legs, clearly seeing in him a man who adored the magic of small children and their imaginations. it was like group therapy, this cadre of parents on the wooden floor, and we still think of those times fondly. we followed ballet class with an ice-cream-sundae trip across the street to andrea’s and sitting on high stools at jack’s cafe in front of the soda fountain. cups of hot coffee and watching our tiny girls make straw dolls with paper napkins and my little toddler boy having soup-that-race-cars-eat with a side of saltines and pickles were glittery times…priceless. in the way that life and mystery goes, 20 happened to be a graphic designer at a time in my life when i needed a graphic designer. we celebrated my first album together and he designed many of the next ones. there for meetings or reviews, i watched him and justine and duke at work. i had the good fortune of secondhand learning; i still credit 20 with the way i design things now. it was inevitable that we would still be almost-brother-sister 27 years later. i imagine this will go on forever and ever, in the way that my own big brother devised it. only now, we are a trio of compadres. we’d have it no other way.
in this time of so much loss for so many, we have not gone unscathed. jobs and security, finances and healthcare, communities-within-communities, relationships – all have an iota of decimation. the rituals of our life together are the things we hold onto, the firm footing that delivers us from one day to the next. for us, resuming the twice-a-week dinners with 20, friday night potlucks with our dear-dear friends which have temporarily become happy-hours in their backyard, our familiar-trail hikes watching the seasons change in the woods…these are real, three-dimensional and steady and are evidence of life beyond these times. they are evidence of a return to some semblance of normal, though we suspect things may never actually be normal again.
we are still careful out in public. we still wear masks and use sanitizer. at OT appointments they still take my temperature, have a pile of masks at the door and ask a slew of covid questions. we are wary of too much exposure – our innermost circle demands it, for this pandemic is still alive and well and we do not wish to place our dearest close ones at any potentially devastating risk.
yesterday we passed a teen girl walking down the sidewalk, mask at her chin, with a sad, sad face. it made me think about all the people who have lost loved ones during this year-plus of covid. i wonder how they feel as they watch others, in seeming cavalier fashion, gather in crowds, throw out their masks and throw any remaining caution to the wind. i’m guessing maybe they are heartbroken. because there is no going back. it can’t be undone. and the loss of their beloveds has not changed others who do not walk in their shoes.
i guess it’s the lack of empathy, the lack of looking-out-for-each-other, the lack of small efforts of willingness to aid the big community that i find most disturbing. because, really, in the ritual-festooned-relationship-rich-shimmering-end we are our brother’s (and sister’s) keeper.
i found an october 2017 edition of the magazine real simple in and amongst the catalogs in our magazine rack. paging through, i cringed when i saw an article about how to work from home, thinking how inadvertently prophetic that was. there were articles about kitchen makeovers, healthy habits, quick recipes and how to finance renovations. the second to last page was a faux program agenda for what was named by the author (ashley lefrak grider) the 32nd annual symposium of the american society for the investigation of contemporary fashion indignities. it made me laugh aloud, so i extracted two of the ‘session’ titles to share:
the morning ‘breakfast with the thought leaders’ was titled “low rise jeans: a plan to spread self-loathing among women who eat food.”
the ‘policy workshop’ held in the afternoon was titled “who bears the bulk of moral responsibility for pretorn jeans made of elastic and what is the appropriate punishment for this person?”
seriously, the experience of purchasing new jeans imperils most women’s senses of humor, not to mention self-image. styles change and jeans change and, each time, many of us are left wondering whose idea it was for women to wear skinny jeans or jeans that ride below a tummy that has had some serious childbirth adventures.
i detest the lighting in most store fitting rooms and the mirrors that surround you as you step out into the little hallway of curtains. were it to be my decision to make, i would provide soft lighting and beverages. a little asti/iced tea, perhaps. it’s painful. and jeans are my favorite thing to wear so you can bet that, once i have gone through this agony, through the oh-geez-these-make-my-butt-look-big-i’ll-just-wear-long-tunics-all-the-time enlightenment, i make jeans last a very long time and save them all in my overburdened closet. for years. it’s too anxiety-producing otherwise.
the worst is finding a new bathing suit. the hard plastic model mannequin wearing the darling suit in the swim, cruise and yachting department has not lived life and it is unfair to act like her little perfect shape is in any way relevant to the rest of us. ordering from a catalog is an option, but most of the same rules apply and make many of us wish that we could go back to the swimsuits of the 1920s, though these are also hardly ideal.
in the latest first-world news – just how does one keep up? – trends to follow include: luxe sweatsuits (named “almost-business-casual-take-you-from-the-couch-to-errands loungewear”), knit dresses and skirts (because who doesn’t want to wear form-fitting sweater-dresses!), leather coats pretending to be those oversized down coats, and, my personal favorite, puffy shoulders and sleeves, which makes me wonder why i gave away my bridesmaid dress from my niece’s wedding in the early 90s. what’s more, ultimate gray and illuminating yellow are the fashion pantone colors of the year, chosen for their “warmth and dependability”, but clearly not how they look on real people.
the tagline of real simple magazine is “life made easier”. and the heading on the page with the mock symposium agenda is “the struggle is real” with a sub-title of “clothes: we have a few complaints”. the closing session of the conference, with only an hour-long presentation – so little time, so much to say – was “to live is to suffer: was nietzsche wearing control-top pantyhose?” indeed.
women in our society have had an extraordinary and inordinate amount of pressure put on our ability to look fit, healthy, hydrated, well-rested, botulinum-toxin-injected and young. in the pickiest of picky new face-rules, lately i have noticed an emphasis on having eyelashes to end all eyelashes. as a blonde, eyelashes tend to be just laughable and definitely an investment in mascara. at a couple hundred dollars a lash extension application plus upkeep, costs seems like expenditures that would not fall under the ‘make a budget’ article guidelines, nevertheless it is a ‘thing’ and women everywhere are buying into it. at target yesterday, i wondered how the lovely young woman, waiting on us and trying unsuccessfully to type information into a device to locate our pickup order, functioned with her carefully manicured but insanely long fingernails. were these nails what she really wanted or were these nails a product of some sort of weird expectation that they were somehow elevating her already very natural beauty? the questions keep coming. so do the catalogs of new clothes, new swimsuits, new shoes, new products to trim your body, new trinkets, new dietary supplements. so much pressure.
too much pressure. good thing i don’t subscribe to cosmo.
i hear wide-leg-relaxed-fit-waist jeans are back. goodness and gosh, i can’t wait to go try some on. better yet, maybe there’s a pair in the back of my closet somewhere.
yes, friedrich, “that which does not kill us makes us stronger.”
i was grateful when they attached a name to it – shabby chic. my inclination to love things with the texture of peeling paint and a bit rough-hewn was vindicated…wait!…not only vindicated, but reinforced by the decorating fashion industry. phew! that meant that the old screen doors on the wall, the glass-less window frames tucked here and there, the chopped-off-side-of-the-vintage-desk end table, the vintage black suitcases, the metal radiator grate catty-corner in the foyer, the old door laid horizontal on horses, the tin ceiling panels…these were all fashion statements and not statements of making-do-decor. such a relief.
i must say, however, that i wouldn’t have changed anything anyway. these all make me happy. they are cozy and warm and, mostly, they have history. and it’s the history-that-remains-a-mystery and the history-that-i-know-a-smidge-about that i love. i had no idea whose screen door screens these were when i got them at a wholesale trade show years ago but i could imagine the sound they made when they slammed shut. nor did i know where the old black window with one colored glass square in my studio was from. the old four-foot tall window frames were being thrown out of the historic lakefront building where i had my offices, making room for new windows. i couldn’t bear to see them in the trashpile and the way i adored those offices made it easy to take them home. someone literally chopped off the side of the old desk leaving three drawers and a rough edge and selling it in the estate sale for $5. you can’t see the rough edge unless you really look and this piece has been in the living room for years and years now, serving a purpose and feeling loved. the tin, well, who knows? what i do know is that they make marvelous places to magnet photographs and cards and tiny little signs with sayings that help each day. so, yeah, i guess my point is that whether i know the back-story or not, i really appreciate the warmth of long living they bring. they sit alongside many rocks and sticks that have made short and long journeys home with me, in the back of little baby scion or in backpacks with corks that come home from times spent with my children and moments i want to remember.
i haven’t purchased a lot of brand new furniture. there was the first herculon-fabric overstuffed couch with two matching overstuffed chairs, a tweed in lovely shades of very-early 1980s brown.
well over a decade later that was donated to a youth group and a new couch in mid 1990s floral barn red and forest green with a reclining wingchair of red and white checks made its way into the living room. both of those pieces still have a place in the house – though no longer in the living room. the couch, still very comfortable, is covered with a black slipcover and has a place in the sitting room with a hand-me-down lazyboy, an old farm table and an antique copper boiler tub that stores our roadtrip writings.
there’s a black leather couch in the living room now that has been there over a decade. it shares the space with the old secretary that was my brother’s, the bistro table that was in the second story porch of my old offices, a vintage typewriter 20 bought me for my birthday a couple years ago, a few paintings i spattered, the desk-turned-end-table you now know too much about and the driftwood we brought back from a trip to long island. the two big branches we painted white and potted to hold happy lights still stand steadfastly happying up the room and each day i pass them i wonder if they are too holiday-ish. i quickly reject this as too big a decision and plug them in.
it is in recent days i have had the good fortune of hearing from a dear old friend i taught with in my first two years of teaching way-back-when. we soon will have a phone chat and catch up on everything from a-z. what lois doesn’t realize is that i have thought of her simply every day…as it is her dresser that stands in our bedroom of vintage size that couldn’t really accommodate one of those bedroom suites you see in magazines. instead, this old sturdy five-drawer sits opposite the windows of the sunrise and hold my dad’s peanut can, one of the precious items i have of my sweet poppo’s, the planters peanut blue metal can he tucked in his drawer that always held a few dollars and was the place he sent you if you were going to go pick up the pizza.
as i look at the top of that dresser right this second, pictures of d and me and of my beloved children are on top. there is a small piece of the carpet padding from the irresponsible-gasket-flood waiting to go in the special box next to the yago-sangria-wine-bottle-turned-lamp i made when i was 19 and there is a card in a glass frame that reads: “someday, the light will shine like a sun through my skin and they will say, what have you done with your life? and though there are many moments i think i will remember, in the end, i will be proud to say, i was one of us.”
all of this – the stuff with history i know, the stuff with history i don’t know, the peeling paint, the rough-hewn, the used and the it-took-me-a-long-time-to-decide new…all of it – around me reminds me of that and is the connecting thread. of the concentric circles of me, of us. probably that’s why “shabby chic” speaks to me. it is most definitely why it works for me.
suddenly it’s all different. suddenly, walking past other people’s tiny children makes you wistful. suddenly, in what seems like a very few split-seconds, your own formerly-tiny children are all grown-up. and the nest is empty. what’s next, you wonder. possibly a parakeet?
it is said – and clearly there are many people in the news now’days who subscribe to this – that any press…good or bad…is better than no press. you have to wonder.
way back in 2002 i released this album. ‘as sure as the sun’ was the culmination of much writing, practicing, arranging, driving, singing, hydrating, listening, reviewing, re-writing, more singing, more practicing, more driving, recording, listening, sitting and watching my producer, more sitting and watching my producer, re-recording tracks, more practicing, more driving, more hydrating, more singing, more writing, more listening, more reviewing, re-writing, practicing, singing, hydrating, more driving and a lot of worrying. i recorded the album in nashville and drove back and forth for sessions, in between which i spent my time finessing each piece of music, each song i had composed for the project.
as an independent solo artist and not a complete band with others to lean on or a label financially chugging it forward, it was a big project, a big investment in heart, time and money. my producer and i had to believe in it to keep it going. bottom line, i had to believe in it to keep it going. when it was done and i drove home with a mastered CD, it was with a mix of feeling proud, wiped out, anxious and full of dreams. ‘as sure as the sun’ was my sixth album and the first that was a full-length vocal. it was stepping out of my comfort zone. it was the edge.
i hired an agency to help with its release and a radio promoter to aid in its adds to radio airplay. i don’t recommend either. to the tune of almost $40,000 they took me for a ride and i wonder now how this was possible. but when your professed dreams come knocking it is hard to turn away and do it yourself. in retrospect, i should have just continued doing it all on my own as i had done with all the instrumental albums that preceded it. but ah, that whole retrospect thing is such a fine perspective arranger.
amazon, and various other entities, added the album to my lineup online and radio stations added songs to their airplay. ‘slow dance’ charted at number 13 on the secondary adult contemporary radio chart. i’m not really sure how important that was now – at the time, however, it kept me paying for the promoter. i suspect that was the goal.
i played concerts and interviewed on radio and drove around to wholesale and retail shows with product, selling to large box brick and mortar chains and small privately owned shops that played music and displayed cds for customers to purchase. at the label in our offices on lake michigan we put together more cardboard display boxes than i can count, shipping out displays and cds regularly. it was busy and fun and a time when people still purchased actual cds.
in the zeal of the after-release glow, i looked everywhere for reviews of this new album. i wanted to know how it resonated with people, how it measured up, what i could learn by reading others’ commentary.
and then there was this.
the title was just the start. dang. sounding like a “hoofed mammal in heat” or a “squealing pig” was a tad bit much, i thought. the first-grader-lyric-writing comment was, well, kind of first-grader-like. i noted the misspelling of norah’s name. and, much as i appreciate his style, i really wouldn’t use “soulful” to describe jim brickman’s vocal music. but i digress.
i was stunned to have such a review and didn’t know what to think. i spent lots and lots of time, an inordinate amount of time, pondering who might have written such a statement. for some reason, i did not give as much time to the emails i received, the notes, the non-promoter-sought airplay, the adds in box stores and shops around the country, and the thousands of cds that were shipped out. this review nagged me.
it’s funny to me now how i let this one commentary puncture a pinhole in my confidence. but that’s the way of negativity. to stand firmly rooted, to take on the edge, to step new steps, to grow, to believe in your ability to shift gears, sway in the wind – the inner job of every artist. one moose and one pig should not be enough to undermine you and yet, there it was.
somewhere along the line i mostly forgot about this review and got on with the business of the music business: making more music. nine albums and several singles followed this album’s release. but i never really looked for reviews. i listened to what was inside and kept stepping. one of these days, maybe when i decide that i am still relevant, i will step again.
artists of every medium adjust and re-adjust too often to the whim of the viewers’/listeners’ fancy. they lose something every time in their pursuit of wanting their work to be liked by others. yet, the artist is most certainly riding the value-train with every project released. for that project, the last project, the next new project – all represent making a living. they represent a vulnerability not broached in other life-work paths. they represent a piece of someone’s heart and soul, hoping against hope not to be pounced on. all together – the projects of all artists of all mediums – they represent the woven fabric of our narrative, diverse and rich.
as my sweet momma used to say, “if [someone] has nothing nice to say, [someone] should say nothing at all.”
though i generally like moose and pigs and am in good company either way, i trust the moose and the pig agree with her.
once upon a time a little boy sat in the backseat of his family’s car on his way to kindergarten. as we can all imagine, he was excited and maybe chattering about the upcoming day. he was likely looking out the window at all the other cars and trucks and maybe having a little snack as he was driven to school by his mom. he was alive. and then he was not.
i don’t know all the details of this story, but the root cause of the catastrophic death of this little boy on his way to fingerpaint and hear stories and maybe jump rope or play 4square and practice letters with thick pencils on widely-spaced lined paper was road rage. no matter who was at fault, no matter what happened on that highway, no matter really anything, this little person lost his life on a freeway because of anger that had nothing to do with him.
i was stunned the first time i saw the signs on highway 82 in the roaring fork valley of colorado. “road rage – call *277.” but we have all been privy to at least one incident of raging road behavior so that there is a mechanism in place to report it is actually a progressive step forward. i was simultaneously disturbed to think that road rage was so prevalent in this gorgeous place and yet glad to see that the authorities had a mechanism in place to try and help dissuade it.
we recently left the park in illinois where we often hike. it’s a left turn out of the park with no traffic light onto a two-lane road. checking both ways carefully, as there is a bit of an uphill to our right as we exit, i pulled little baby scion out into the eastbound lane to drive home. suddenly, just as a semi approached from the east in the westbound lane, an at-least-80mph audi screamed past on the small shoulder on our right. i was startled, but luckily did not wrench the wheel either direction, for both would likely have had devastating consequences for more than just us. what kind of person passes on the shoulder on a 45mph road for absolutely no reason except that they are raging? what kind of all-consuming lack of regard for others does it take to drive a machine capable of great injury in such a monstrously irresponsible way?
we evaded tragedy that day, but how many examples do we each encounter every day? sometimes it is only with luck and defensive driving we safely arrive at our destinations. safely at our destinations. it doesn’t sound like too much to ask for. we need check our anger as we click open our car doors to get behind the wheel. the tag line of illinois tollway’s speed awareness day has been, “slow down. arrive alive.” yes. we shouldn’t need an awareness day or signs emblazoned with lighted letters to remind us. we shouldn’t need * numbers to call in times of raging road peril.
we pulled up to the red traffic light a couple miles down the road. the audi was stopped right in front of us, a mere one car-length gain. a tiny gain when so much could have been lost. like the life of a little boy on his way to kindergarten.
from a distance they stand tall, leaf-arms open to the sky, drinking in tree-dappled sun. they are stalky and strong and seem confident and independent, yet living in community with other woodland plants. at this moment in early spring they are positioned in mostly-monochromatic villages, begging my camera. it isn’t until i get closer that i see all the pointy hairs on the leaves, on the stalk, all over. from afar these were not obvious, but, apparently, this plant was not exactly what it seemed. the fuzzy hairs – trichomes – protect the plant from dehydration, from insects, to keep warm and keep cool, and upon close inspection, are everywhere, too numerous to count. they are an integral part of the plant and its ability to thrive in the woods.
the obvious comparison – the good outer protection our own epidermis provides us – is too blatant. instead, as i got closer to this plant and focused in on its outer shell, i couldn’t help but realize the running parallel, the only-seen-up-close-and-personal mechanisms of protection.
from afar we stand tall and strong and confident and independent, though living in and, indeed, dependent upon, community with others. but upon close inspection, upon threat, we are always protecting our own vulnerability. if needed, we rely on our spiky and resistant shell, closing off to invasion of hurtful infestation or blight, guarding against negativity. we survey change and transition, ready to rely on our armor. we puff out our thorns and avoid humility. we stand firm, stalky and unwavering in our opinions. we resist forceful wind, preferring to root in the known. we sway in shifting breezes, ever-hopeful for good. and the tiny hairs of our exterior stand on edge, spiky and ready, the mama-bears of our integrity, our fragile good natures, our open hearts.
there is no real difference. these lush green plants and us. we stand with our arms open to the sky, drinking in the sun, independent and dependent, living together. from a distance and up close.
ordinary. perennially ordinary. hostas are intrepid, robust, shade-tolerant, adaptable plants. they are patient with human-planting errors and magnanimous with dogs who run amuck through their early sprouting. these plants seemingly have boundless energy to reproduce and spread and fill-in gardens in shadow. with low maintenance personalities, they happily populate yards and our hosta garden out back is an easy joy.
right next to the hosta is a garden of ferns. these are a different story. they are, indeed, more particular than hosta and, in our experience, much higher maintenance. they are beautiful, willowy and tall and a gorgeous green that changes in the light. still pretty ordinary but with a little more sass.
there are a few peonies in our backyard gardens. they are more specific about their needs. they like the sun and well-drained soil. they like a little space. they have a short-lived flowering season, but their wafting scent is remarkable. they are still ordinary plants, but need a smidge more attention than the ferns and quite a bit more attention than the hostas.
they all, however, live in community and, were we better garden-planners and were we not to have an aussie running circles in our backyard grass, would present a lovely picture. despite our lack of garden design and despite dogdog’s propensity for a bit of ruin, we are grateful for each of these living plants out back. the extraordinary of their ordinariness doesn’t escape us. they are there, they are steadfast, even without us worrying about them, fussing over them, micromanaging them. they seem to know what to do.
i recently interviewed for a job. it didn’t require a masters degree in the field, but i have one. it didn’t require experience in the area of expertise, but i have forty years. coming away from the interview, i noted to myself that it also didn’t seem to require a sense of humor or a sense of who people on either side of the call really were. is this ordinary? i’ve read many articles recently about leadership and management. the best of the best leaders and managers are human, appreciative of those they work with, looking for potential and collaboration, leaning on a bit of community warmth and pushing back at haughtiness and agenda in the workplace. the best of the best remember we are all extraordinarily ordinary, together.
i suspect i was too old for this job. that thought takes my breath away, but, these days, it seems to be true. i watch as garden centers work in our neighborhood and others we pass through. they carry in plants of great variety, design architectural gardens of varying heights and species and colors. i wonder if these gardens will require owner-vigilance or if they will propagate and grow toward their potential with the freedom that years of gained wisdom and savoir-faire and insight have granted. or if, perhaps, it will be a respectful collaboration, a chance to, in community, laugh at the breeze, bask in a bit of sun, cool off in late afternoon shade, soak in the rain and grow leaps and bounds. ordinary extraordinaires.
smack-dab in the middle of the night. like every night. i lay awake listening to the peaceful, gently-breathing sighs and sounds of him sleeping. sleeping! the gall!
and so, smack-dab in the middle of the night, i wake him up. since, smack-dab in middle-age, we decided to share our lives, it only seems right that we share our non-sleep moments as well as our sleep moments.
we are not alone. it would seem, especially in these times, that there is a lot – a hell of a lot – of insomnia going on. it is likely i could, should i choose to, have a texting conversation with most of my friends in the wee hours. we’d all be completely and utterly awake, completely and utterly coherent. perhaps more coherent in the wee-wee hours than in the day, when we are weary from the night.
when one lays awake at night and ponders all of life, one uses up much energy. and thus, i get hungry. and not just a little. in the ‘olden days’ (read: when we first married) we used to get up and make pancakes. there is nothing like midnight pancakes to soothe the weary soul. but we have cut to the chase these days and choose, instead, a shortcut to satisfying midnight hunger pangs. and so i poke at his shoulder and ask, “youwannabanana?”
post-banana we sit, happy lights turned low, and chat. there are no real rules to this. sometimes we watch a trail and joey coconato ultimately tucks us back in to sleep. sometimes ‘grace and frankie’ make a middle-of-the-night cameo appearance. eventually, and it’s heavy on the eventual, we settle back in and sometimes i end up snoozing in-between hot flashes and heaving blankets and pulling blankets up and moving pillows and removing pillows. it’s exhausting. but somehow, it is not sleep-inducing.
i don’t know much. but i do know this: we’re smack-dab in the middle of middle-age. and by golly, we are going to celebrate THAT.
reverse threading 