reverse threading

the path back is the path forward


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that lake. [not-so-flawed wednesday]

whether we acknowledge it or not, it sits next to us, powerful. some days it forces us to pay attention. the waves roar, the wind blows, it is colder near the lake. other days, it is silent, just a presence, like something you feel but can’t see.

i remember when we first arrived here – 34 years ago. the lakefront was different. there was a big engine plant in prime real estate on the lake. it all looked drab and run-down and giant smokestacks lined the sky.

when they didn’t call my husband back for weeks about the position he had interviewed for, i felt lucky, like i had escaped. wisconsin wasn’t on my radar much back then and i wasn’t so sure i wanted it to be.

but, in the way of irony, after six or seven weeks, they did contact him and offered him the job. and the rubber hit the road. i left florida – where we were living at the time – pretty much kicking and screaming, though silently, inside.

eight to nine months later we moved into this house. and, as a dear friend wrote to me, [my] “dna is probably embedded in almost every inch of it.” wisconsin, indeed. 34 years.

as life goes and time moves on, it’s a little uncertain where we will be in years to come. as an ever-increasingly ominous climate change rears its ugly head, we see the potential wisdom in remaining where we are – close to a huge fresh water source in a place where most weather is not too extreme. we have only a short list of places we’d move, a couple of them in a heartbeat.

and then we take a walk. it’s very early morning and we are returning from dropping off littlebabyscion at our mechanic’s shop, choosing to walk home. he’s an early bird so we are walking before a lot of the town is awake for this summer dawn.

the lake is mostly still. it blends into a cloudy sky and takes our breath away. we’ll turn right – west – and walk a block to home. the lake will stay where it is.

and a little while later, over a fresh pot of coffee, we will look at the photographs. to our side, the lake will be quiet as we comment on its stunning personality.

i’m still not sure if i’m crazy about wisconsin. i’m not from here. and that changes things in this town.

but lake michigan – just steps away – knows that. and every now and again that lake, while we are walking in our old neighborhood along its shore, nudges me and makes me pay attention. it pokes at the heartstrings that are tied to this place – through the good, the bad, the ugly, the marvelous – and reminds me of its presence.

*****

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moving on. [saturday morning smack-dab.]

most of my friends who are my age are retired. they have had long and dedicated careers and, at the time of retirement, chose to retire and were ready to change directions and do something new.

some of them are grandparents now and wee babies and rambunctious toddlers, children growing, growing, take up their time. precious moments spent with these tinies, indelibly etched on their hearts, both.

some of them have chosen to spend time immersed in reading. they have cultivated friend groups who share their passion for diving into books, they discuss and ask questions and share.

some of them have opted for sizing up, adding acreage and livestock to their lives. i can think of no better example of this than linda who, with bill, has adopted multiple alpaca and a horse and a goat and the-most-adorable-donkeys.

others have elected sizing down, heading south, condos and pools and beaches and sun in their future.

some, like the wander women, have chosen a plan, shedding much of the life paraphernalia we all accumulate – absolute free and loose adventure in their sixties, opening themselves up to thru-hike and bike and camp and, inbetween, live full-time in their rv.

and some feel lost, trying on various hobbies for size, seeking satisfaction and fulfillment, an elusive goal.

i am not retired. i am no longer holding a we-pay-you-to-do-this-job but i’m not retired. i haven’t quite figured it all out yet, much like, well, probably, many of you. but i spend lots of time creating…writing, cartooning, writing. i have found birds and plants are speaking to me more these days and i have also found that i don’t require being around a lot of people. i guess i’m a little bit more introverted than i thought.

people have told me that – in losing my last position in a four decades long career path of music ministry – i can redefine. they, in all innocence and with sincerity, have told me that it’s an opportunity for a new beginning. i hasten to say that they might be sighing inside to themselves as they say this, grateful that they don’t have to start anew. we’ve all done it…sometimes it’s easier to be generously gracious when it’s not your challenge. nevertheless, it does feel like a new beginning, so that part is right.

but, in seeking inspiration, coming from life, from the universe, from reading an article, from a conversation, from moments blowing dry my hair, i realize that maybe in looking forward i am avoiding that which is obvious.

linda had more time to pick up knitting needles after she retired. she uses the wool from her alpaca, which she has cleaned and spins, to create beautiful knitted gifts. my favorite fingerless gloves, the ones that always remind me of the canyonlands with my beloved daughter, were made by her. she returned – in this time of a-little-more-space – to what she knew, what she loved to do.

the map of inspiration may bring me forward. but in its forward-ness, it may remind me also of what i know. the map might point out my waiting piano, the pencils scattered on the music stand, the boom mic stand in the corner. it might point out the pieces of writing i’ve started and put aside. it might point out the glee i get from producing our cartoon. it might point out the camera and the poetry and the ahhh’s they bring me. it might connect the dots back. to me.

and in touching back maybe i will be moving on.

*****

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SMACK-DAB. ©️ 2022 kerrianddavid.com


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a beginning. [saturday morning smack-dab.]

no book on menopause or post-menopause – that i have read thus far – really prepares us. i haven’t found a steponesteptwostepthree-handbook on how to sort this. the phases of a mom’s life intersect and overlap and are messy and as full of emotional upheaval as they are full of gratitudes for blissful. every piece, in my own messiness-of-this, is sticky and pulls at every other piece, like marshmallows in hot-off-the-bonfire s’mores. no matter the professional pursuit, the hobby, the exercise, the diet, the zen-yen, it is all interwoven with the loss of mom-identity, the constant babystep-by-babystep redefining of relationship with one’s children and one’s self.

of early days of motherhood, anne morrow lindbergh in “gift from the sea” wrote essays sparked by seashells, “eternally, woman spills herself away in driblets to the thirsty, seldom being allowed the time, the quiet, the peace, to let the pitcher fill up to the brim.” she is the “still axis within the revolving wheel of relationships, obligations, and activities.” in a metaphoric nod to the shell argonauta, anne paints the picture of the mother argonaut floating to the surface and releasing the young, then floating away to a new life. sailors, she says, consider this shell “a sign of fair weather and favorable winds”. yet, she muses, “what does the open sea hold for us? we cannot believe that the second half of life promises ‘fair weather and favorable winds’.”

it is a total reorientation. it takes time to re-find the center of gravity. true center. even with a child of 32 and a child of 29, i find this not to have been or be instantaneous. one does not click off the light-switch, or touch the base of the 1980s brass touch-on-touch-off lamp, turning off the questions of identity. it’s the yarn of a new cape, from mom (and all the other titles) to woman (and all the other titles).

“whether we’re talking about giving up baby clothes, toys, artwork or schoolwork, the issue is not mere sentimentality. it’s about letting go of our children. […] we think that keeping all of those things will let us keep a little of each child who left us.” (claire middleton – “the sentimental person’s guide to decluttering”) i would guess that, even in my intentional attempts to set wind for their sails, my children would cite my fierce hanging-on to them. at the least, they would attest to my quiet weeping at their leaving, each time they leave.

i clean out the house, clean out one thread of four decades of career, glance at my piano – always whispering to me “don’t forget this is who you are too”. i write, i cartoon, i write more. and then, more. i think about composing – new simple feathers of music, pieces that would float in breezes and find center. i sit in quiet. i wonder.

is this an identity crisis?

“but there are other beaches to explore. there are more shells to find. this is only a beginning.” (anne morrow lindbergh)

*****

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SMACK-DAB. ©️ 2022 kerrianddavid.com


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two-tortillas-people. [not-so-flawed wednesday]

it should have been a no-duh.

it was rather life-changing.

we stood in the kitchen, staring at our daughter.

i was heating up black bean burgers for lunch and had taken out the salsa and the avocado and the lime. i took out the white corn tortillas and commented that the tortilla would likely fall apart once the bbburger, the salsa, the avocado and the splash of lime were placed upon it. i asked her if she wanted a fork and a knife. she said – wait for it – “use two tortillas.”

two tortillas.

like seriously?

who knew?

“yep,” she continued, “warm up the tortillas and place it all on top of two, not one. it won’t fall apart.”

she was right. it worked.

and, somehow, we had not thought of this.

we are now two-tortillas-people. headline news.

this is why people have children.

*****

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slow, slow. turtling. [d.r. thursday]

though unable to sprint away, the turtle knows when to withdraw. the beautiful wizened face peeks out from under the shell and i don’t want to scare it, though it is likely i already have. the black iris stripe, always parallel to the horizon, the water’s surface, highlights its beautiful eyes, yellow-green peering at me. the marks on its shell tell tales we won’t know. we don’t pick it up or move it; there is no road danger for this turtle as we are in the woods and, by the trail it has left in the grasses, it seems to have a deliberate destination.

these years seem turtling years. pulling in, sheltering from the outside, moving slowly, slowly. in light of all that has transpired through the last couple years, i have not minded turtling. it is renewing strength, re-prioritizing, revitalizing humor, stoking up energy. the pandemic has forced this inwardness; this place has been our shell, reassuring, comforting. even with all the zeal i have for adventure, i love being home. there will be a different time. time will pass and seasons will change and the river keeps flowing. nothing is static. my eyes focus on the horizon.

the turtle paused in its trekking as i took its picture. it looked out from under its own fortress-home and whispered smart-turtle-wisdoms, grinning at me, “just keep going. wherever you go, there you are. you carry home with you. keep your eyes on the horizon. slow, slow.”

*****

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the burtons. [k.s. friday]

i wondered if it was too predictable. each spring, now, a dandelion. each spring, now, the song “fistful of dandelions”.

yet the lyrics – “you remind me of the simple things” – they still count. maybe even more than before.

singer-songwriter: a musician who writes, composes, and performs their own musical material, including lyrics and melodies. (wikipedia)

composer: a person who writes music, especially as a professional occupation. (dictionary)

pianist: a person who plays piano, especially professionally. (dictionary)

i have not written, composed or performed my own musical material in quite some time now. does that change who i am?

when i wrote “i haven’t been playing” a dear friend asked me, “what’s that about?” i didn’t answer. i wasn’t trying to be rude. i just didn’t have an answer. i still don’t.

we, d and i, decided – in a pillow moment one night – to call all the stuff that has happened (to me) since i broke both of my wrists “the burtons” (naming every-single-weird-thing after the brand of snowboard i was on when i fell.) it matters not – the broken wrists, the scapholunate ligament tear, the firing, the oddball itinerant tendonitis, two broken toes, other strange and disturbing body stuff – we are choosing to call it all “the burtons”.

so, i guess i blame the burtons. i wrote, “i’m not sure of much that isn’t different these days.”

i am learning – ever so slowly – that different is ok.

and as i clear out, clean out, declutter, put away all that is no longer useful – i am beginning – again – to see the simplest things that are left. gratitude for those things is starting to overtake any yearning for more. “all the riches i will need today.”

each day now i write. not lyrics. not music. but words. it is part of the natural rhythm of my day and not something i could sacrifice without great regret.

writer: you’re a writer because of the things you notice in the world, and the joy you feel stringing the right words together so they sound like music. (writer’s digest)

“…so they sound like music.”

and one day, maybe soon – maybe after my studio has been cleared out, cleaned out, decluttered and all that is no longer useful is put away – i will put down whatever my resistance is and place my hands back on the keys.

“hard to imagine you are not playing,” she wrote.

that kind of knowing – the riches.

*****

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read DAVID’S thoughts this K.S. FRIDAY

FISTFUL OF DANDELIONS from THE BEST SO FAR ©️ 1999 kerri sherwood


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just like toadshade. [k.s. friday]

one of nature’s market umbrellas, this toadshade. research states that its prairie trillium leaves – in a salad – taste a little like sunflower seeds, though the idea of harvesting as we hike is not really appealing to me. in due time we will be on the trail and the sessile blooms will burst open, deep red flowers punctuating the woods. the mayapple will spread and vast areas of decaying leaves will be covered by its natural awning. it is a joy to watch the forest wake.

soon i will move into the studio to pare down and rearrange. it has needed this for some time. like decaying leaves, but without the nutrients those generate, i will put away vestiges of places or times i simply cannot tolerate thinking about any longer. a plastic bin will hold the artifacts and, in that clearing out, i suspect light will stream in. i will not merely glance into the studio. i will walk in, breathe, and step the next step of whatever the journey in that studio is. even if only to watch it wake right now.

with the cantilever umbrella of my piano full-stick, maybe i will sow mustard seeds of possibility. and, maybe, just like toadshade, blooms will burst open.

*****

PULLING WEEDS

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PULLING WEEDS from RIGHT NOW ©️ 2010 kerri sherwood


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up a notch and up a notch. [not-so-flawed wednesday]

i do not remember my sweet momma ever peeling and mincing a garlic. i suppose it’s possible that she did – and i missed it – but i would venture a guess that she didn’t. garlic powder and garlic salt were in our spice cabinet growing up and i think they were the substitutes for the real thing.

they were depression babies, so my parents were not lavish spenders, fine-dining diners, exquisite kitchen-keepers. we had aluminum pots (it was a very big deal when they one day, at long last, purchased revere ware) and the infamous formerly-featured corningware. the cookware mattered not. family and friends gathered around the table together regardless. which, of course, is the point.

my dad was pretty proud the day he purchased my mom a portable dishwasher. they kept it in the laundry room right off the kitchen behind the accordion door that looked like it was made of woven straw. on special days they would roll it out and attach the hose to the kitchen sink spout, load it up and turn it on. when they moved to florida after they retired, a dishwasher-that-was-already-installed-in-the-kitchen was on my momma’s list. my poppo was in charge of loading and unloading, practically entirely washing the plates beforehand. my mom never tired of this amazing appliance.

i purchased a used dishwasher – not full-size, for our kitchen layout would not accommodate that – about a decade back and had it installed in the spot where the formerly-known-as-a-dishwasher dishwasher sat. sadly, it did not work for long. i should have purchased a new one, but that was not in the budget. the dishwasher-that-took-the-place-of-the-dishwasher is now also formerly-known-as-a-dishwasher. sigh. one of these days…

but friends and family have gathered around the table together – regardless of our dishwasher or cookware status – and we have happily prepared food to take to other gathering tables. which, of course, is the point.

when we lived on island, we had the same size dishwasher and i have to admit to being in love with it. it IS amazing – yes, momma! – you load it up and turn it on and voila! i know you know the rest. any time we are in airbnb’s and vrbo’s we embrace the dishwasher – well, not like hugging it…more like using it. it’s so twenty-first century! but i digress.

yesterday, when i was making rice, we got to talking about rice. (we are exciting people, folks.)

neither of us remember growing up with anything other than minute rice (and, of course, the exotic rice-a-roni array of rices.) with absolutely no judgement, we dove into the finer details of the cooking of minute rice vs raw rice that you boil and steep. it goes along with not peeling and mincing garlic, a collection of ragu and prego in the cabinet, canned and frozen vegetables. people’s habits and budgetary concerns are deeply ingrained and are hard to break.

from time to time we get pictures of what our grown kids are eating. they have prepared some fabulous meal or are dining out at a restaurant with incredible food and exquisite platings and presentation. often they are eating something we have never heard of; often my response is “wow!! that looks fantastic!” they have upped the notch on food from where we are and we glom onto what they send, asking for or looking up recipes, jaunting over to the restaurant website to ponder a meal there.

it’s funny how this happens. though i suppose it is not unexpected.

we have moved from garlic powder to real garlic in a generation. from the portable dishwasher to the installed dishwasher-formerly-known-as-a-dishwasher.

the next generation is taking it to the next level. dinners in instant pots, dinners with smashburger presses, dinners sous vide, dinners in air fryers, dinners with ethnic spices, sauces, harder-to-find ingredients, et al.

and a working dishwasher is non-negotiable.

of course.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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marcel. in the woods. [two artists tuesday]

in these times, we often hike the same trail. there is not enough time for long-distance travel right now. but we are comforted, nevertheless, by this same place, again and again. it has become an old friend and there is nothing better than someone or something you know really well and love in all its moods and through all its seasons.

it was easter sunday and, for only the second time in decades, i had no obligations. it was cold – almost miracle-mitten cold – and we were trying to choose between meandering through the early spring flowers at the botanic garden or hiking “our” trail. we suspected that the botanic garden would be crowded; we believed the trail would be almost empty. we chose the trail.

you might think we would tire of this trail. you might think we would choose something else, somewhere else. you might think there would be nothing new to see. on the contrary.

i am reminded, as ever – again – now that i am, finally, just the tiniest bit wiser – of marcel proust’s words, “the real voyage of discovery consists not of seeking new landscapes, but in having new eyes.”

there was lots of trailside vegetation coming alive, tiny buds, green sprouts. the familiar turns in the path led us past busy squirrels, chipmunks we could hear but not see scurrying in the underbrush, birds and geese and ducks.

after a couple hours, we set up our pop-up bistro table and chairs in the middle of the woods. surrounded by tall pines in a spot that would be underbrush-inaccessible in the summer, we sat, in the cold, snacking on cheese and crackers, quinoa tabouli and a few sips of wine in small yeti tumblers with lids, springtime napkins reminding us of the season. we took our gloves off, had a few schnibbles, put our gloves on, chatted and repeated. we pulled up our hoods and turned our backs to the wind picking up. mostly, we sat in the quiet.

and we looked up.

and there, that which we could have easily missed, was this magnificent view of the blue sky and the towering tops of pine trees that had endured the same forest for a very long time.

there is nothing ordinary about a view like that.

an idiosyncrasy, a quirk, a hallmark, a side you hadn’t yet noticed. such is the complexity of an old friend. such is the charm of discovery.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the view. [two artists tuesday]

in an effort to grab the moments and store them away so they will be retrievable, i take photographs. i want to remember the physical surroundings, the way it feels, the way it tastes, the way it smells. pictures help me recall the visceral. they are prompts in a memory script. the “remember …” cue.

i didn’t take a picture, but, because there is nothing like an unexpected call from your adult child, when the phone rang in the middle of costco and i glanced at it to see that it was our daughter calling, the moment is indelibly ingrained in my mind. walking toward the exit, standing and chatting near the tires-for-sale, shielding the phone’s microphone from the wind as we walked to littlebabyscion, sitting in the parking lot, dogga in the back wondering what errand adventure was next…these are all part of this wonderful rambling conversation, a joy that topped off my week – a perfect friday early evening – in a way that nothing else can.

the neighborhood eatery was not far from his apartment and as we drove over, our son was in the front, directing me, nagging me about going too slowly, instructing me how to properly drive over the humps in the residential streets of chicago and getting out to check the damage when we were rear-ended at a traffic light (luckily, no injuries and no apparent damage). we discovered the joy of lobster deviled eggs, had the skinniest delectable french fries, sipped mimosas and laughed over brunch. we went to his new place, took measurements, talked about decor. i took many, many photos, my iphone always at the ready. the best belated birthday gift – this time together. nothing else can top it.

i don’t take these moments for granted. our children are adults, with busy, consuming professional lives and significant people to share time with. there’s not a lot of spare time and i get that. they don’t live in town and i don’t get to see them as often as many of my friends see their grown children. “the moment they are born the separation begins followed by a life-long balancing act,” a dear and sage friend wrote about children and motherhood. the perils of parenting.

it is often the people with children in their own town who remind me that we raise children to be independent, wingèd and free. though well-intended, these are easier words, these wisdoms, and less painful when one does not have to tamp down the embers of longing that missing beloveds creates.

i try to “think of life…in all its small component parts.” (anna quindlen) it is, truly and after all, about balance.

so i save every one i can. every moment and conversation, all eye contact and every hug. i take lots of pictures – of them, of me with them, of us with them, of the surroundings, of what is right around me when i am with them. it is a storehouse of riches that i may go to in a self-absorbed minute of feeling scarcity, a reminder that, indeed, life is full, nevertheless. a springboard of deep appreciation.

“exhaust the little moment. soon it dies. and be it gash or gold it will not come again in this identical disguise.” (gwendolyn brooks) glory in either, for we learn the lesson over and over: you can feel it. and they all count.

i “try to look at the view.” (anna quindlen)

the view – that must be why i have twenty-four-thousand-seven-hundred-eighty-eight photos on my phone. twenty-four-thousand-seven-hundred-eighty-eight views of twenty-four-thousand-seven-hundred-eighty-eight moments.

and this one – the open-beamed ceiling of cherished brunch with my son.

gorgeous, in my view.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY